A badminton racquet, with inscription across throat, on obverse: A.W. GAMA[GE, LTD.]. Across throat on reverse: VICTORY. Racquet is contained within an unrelated 'Army & Navy' Badminton set (TA 2009.297). Materials: Wood, Metal, Lacquer, Cloth tape, Nylon, Gut, Leather, Gluetennis

A badminton racquet, with inscription along throat, on obverse: CARLTON. Racquet is contained within an unrelated 'Army & Navy' Badminton set (TA 2009.297). Materials: Wood, Metal, Lacquer, Cloth tape, Gut, Leather, Gluetennis

Advertisement for Players Navy Cut tobacco and cigarettes. Materials: Paper, Ink, Metal, Woodtennis

Felt uniform patch relating to the United States Naval Academy and depicting a male tennis player and Navy insignie. Materials: Felt, Ink, Cardboard, Wood, Metal, Glasstennis

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Long navy blue crepe fitted dress featuring long narrow sleeves. The round-necked bodice includes buttons at the neck bordered by navy blue silk embroidery. The dress has a deep pocket in the same fabric at the right front beneath the waist.edith mary weir (nee betteridge), 84 princess street - kew, australian fashion, women's clothing, costumes, dresses

R&M Dower was a major millinery partnership located at 146 High Street, Kew in the 1940s and 1950s. Examples of this millinery firm's hats are in other major public collections, including the National Gallery of Victoria.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Wide brimmed navy blue fine straw woman’s hat retailed by R & M Dower of High Street, Kew, with red, white and apricot coloured fabric flowers surrounding the crown of the hat.Label: R & M Dower 146 High St., Kew. Phone WM 8527r & m dower, milliners, hats, australian fashion, women's clothing

In the descriptions of two hats by La Rene in the Museum Victoria collection it is suggested that their origin may be French. La Rene was also a Sydney design house and it is believed that the fedora in the Kew collection is an Australian product. This hat and the MV examples have similar attributes.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Deep pink coloured felt woman’s fedora by La Rene with a broad navy ribbon at the base of the crown. The rim is fastened to the crown at one side of the hat.Label: Fashioned by La Rene. 37-6622; 36-1690women's clothing -- hats, headwear, milliners - la rene

The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Half hat made of navy blue cotton, silk and net. The flattened decorative navy silk border is sculpted using folds of silk fabric. Nilwomen's clothing -- hats, half hats

The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.The hat was owned and worn by Lilian Cohen.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. 1920s navy blue felt cloche hat. The irregular border of the cloche is highlighted by a ruched band of emerald green velvet. The hat is part of the McIntyre Collection.Nilhats, australian fashion - millinery, fashion accessories, mcintyre collection, lilian cohen

This Item was owned, worn and donated by Annie McIntyre, a resident of Kew. It is one of a number of items owned by Annie McIntyre that were designed by Vivienne Westwood and donated to the collection.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Dark navy women's jacket with fine pale stripes. The silk lined jacket has three external pockets with flaps and one breast pocket. The metal buttons on a pocket and for fastening at the front are a gold colourLabel: Vivienne Westwoodvivienne westwood, fashion designers, international fashion -- british designers -- vivienne westwood, fashion -- 1980s

Facsimile Editions No.30. 2 v. : illus., fold. charts, tables. non-fictionThis two-volume work by Captain Phillip Parker King (1791–1856) was published in 1827, and describes the Royal Navy's 1817–22 surveying expedition to chart the coastal regions of Australia. King carried out the surveys in two successive ships, the Mermaid, which was declared unseaworthy in 1820, and the newly commissioned Bathurst. He worked on the charts, which were published by the Hydrographic Office, for two years after his return to England. He was made a Fellow of the Royal Society, and later undertook a similar surveying voyage, in which he was accompanied by Captain Fitzroy on the Beagle, around the coast of South America. The book is derived from the author's journal, and describes not only the voyages but also the towns and settlements of the region. Volume 2 continues the survey along the north and west coasts of Australia, and contains an appendix describing winds, currents, ports and islands.australia -- description and travel -- to 1850., hydrography -- australia., natural history -- australia.

Australian Facsimile Editions No.30. 2 v. : illus., fold. charts, tables. non-fictionThis two-volume work by Captain Phillip Parker King (1791–1856) was published in 1827, and describes the Royal Navy's 1817–22 surveying expedition to chart the coastal regions of Australia. King carried out the surveys in two successive ships, the Mermaid, which was declared unseaworthy in 1820, and the newly commissioned Bathurst. He worked on the charts, which were published by the Hydrographic Office, for two years after his return to England. He was made a Fellow of the Royal Society, and later undertook a similar surveying voyage, in which he was accompanied by Captain Fitzroy on the Beagle, around the coast of South America. The book is derived from the author's journal, and describes not only the voyages but also the towns and settlements of the region. Volume 2 continues the survey along the north and west coasts of Australia, and contains an appendix describing winds, currents, ports and islands.philip parker king, natural history -- australia., australia -- description and travel -- to 1850.

The newsletter was attempting to reach out to the stakeholders and friends to ask the Australian Government to grant the centre tax destructibility status. Launch of Emily's list in the centre. Monash University Research Group for Women's Mental Health launch at the centre.A4 Printer paper. 8 pages. Navy and taupe on white. Grey scaled images throughout.cultural structures and establishments, newsletter, historical site, fundraising

John Alexander Young V82835 DOB 14.10.1899 LieutenantAustralian War Medal 1939-1945 The medal is cupro-nickel with the crowned effigy of King George VI on the obverse. The reverse has a lion standing on a double-headed dragon. The top of the reverse shows the dates 1939 and 1945. The stripes signify the dark blue of the Royal Navy and Merchant Navy, red to represent the service of the Army and the light blue of the Air Force J.A. Young V82835

YOUNG, John Alexander V82835 LieutenantAustralian Service Medal The medal features an effigy of King George VI on the obverse. The reverse has the Australian coat of arms, placed centrally, surrounded by the words "THE AUSTRALIAN SERVIE MEDAL 1939-1945". Ribbon The ribbon has a wide khaki central stripe, flanked by two narrow red stripes and edge stripes, one of dark blue and one of light blue. The khaki represents the Australian nature of the award and the red, dark blue and light blue represent the Army, Navy and Air ForceJ.A. Young V82835

This is a circa late 1930s donation pin for the Australian Air League (AAL). The AAL was started in 1934 by war veteran George Robey when he discovered there was no Australian organization for youths interested in aviation. Part of the button collection of Frederick Hyams Round pin, navy blue background This is a circa late 1930s donation pin for the Australian Air League (AAL). The AAL was started in 1934 by war veteran George Robey when he discovered there was no Australian organization for youths interested in aviation.Australian Air League To Defend*To Develop 5c Sold by Gen. Secty. Only

Instituted by King George V in 1919 to mark the end of World War I and record the service given. The British War Medal 1914-20 was awarded as follows: Navy: 28 days mobilised service in Australia, at sea or overseas during prescribed periods. Army: Entered theatres of war during specified periods or left places of residence and rendered approved service overseas. Mercantile Marine: Awarded to the men and women of the Mercantile Marine who served at least six months at sea between 4th August 1914 and 11th November 1918. Licensed Pilots, Fishermen and crews of Pilotage and Lighthouse Authorities' Vessels, and of Post Office Cable Ships were also eligible. Those eligible also included members of women's organisations; persons on the staffs of military hospitals and members of recognised organisations who handled sick and wounded; and members of other duly recognised or other authorised organisations as specified in medal regulations. The qualification period of service between 5 August 1914 and 11 November 1918 was later extended to cover post-war mine clearance and service in Russia during 1919 and 1920. The ribbon has a wide central watered stripe of orange, flanked by two narrow white stripes, which are in turn flanked by two black pin-stripes, further flanked by two outer stripes of blue. The colours have no particular significance. The medal is cupro-nickel with the effigy of George V on the obverse. The reverse has an image of St George on horseback trampling underfoot the eagle shield of the Central Powers, and a skull and cross-bones, the emblems of death. Above this is the risen sun of victory. The years 1914 and 1918 are contained on the outside edge medal.GEORGIVS V BRITT OMN:REX ET IND:IMP: 2186 FRASER, Thomasbritish war medal, medal, first world war, world war one, ww1

SW Pacific Clasp awarded to Private Farlow VX 20334 in 2001.The medal is nickel-silver with the Australian Coat of Arms surrounded by the words ‘THE AUSTRALIAN SERVICE MEDAL 1945-1975’ on the obverse. The reverse has a Federation Star with space for recipient’s details. The ribbon has central stripes of yellow and green, flanked by navy blue, khaki and light blue stripes from the Australia Service Medal 1939-45.VX 20334 FL Farlow The Australian Service Medal 1945-1975

Two photographs on a page from an albumAgricultural area near Cairo taken from the train feb 1915 Boxing competition on board T.S. Banalla Nov 1915ww1, world war 1, australian, a.i.f, boxing, agriculture, train, navy, ship, t.s. banalla

During the 1950s, it became a practice for YCW and NCGM embers to wear a YCW blazer on formal occasions. These blazers would feature the YCW patch with the branch name embroidered below. Members would often recommission second hand school blazers as YCW wear.This blazer features the Parkside branch name. Parkside was a branch in the Adelaide diocese. Navy blue blazer with YCW insignia on pocket.Parkside is embroidered on pocket

Lou Madjeric had WW11 service in German Navy, Bill Woolford in British Royal Marines. Postwar they both migrated to Australia and joined 8/13 VMR. Alan Williams began his long service with 8/13 VMR as a cadet in 1948.Colour photograph of Lou Madjeric, Bill Woolford and Allan Williams all former 8/13 Victorian Mounted Rifles soldiers at Buna Barracks 25 May 1991.dinner, vmr, madjeric, woolford, williams

Albury - Wodonga Branch of MHSA hosted the biannual Conference of the Society, June 1992.Black and white photograph of Sir Anthony Synnot at Victorian Mounter Rifles Museum Albury during Military Historical Society of Australia ( MHSA ) Conference June 1992.history, military, vmr, synnot, navy

In 1985, the portion of Puckapunyal Army Camp housing the Armoured School and Corps Museum underwent a major rebuild. The new facility named Hopkins Barracks was officially opened by HRH Prince Charles on 31 October 1985. Prince Charles, who was accompanied by his wife HRH Princess Diana, is Colonel in Chief of the Royal Australian Armoured Corps (RAAC). The Barracks is named to honour Major General R N L Hopkins who was instrumental in the development of the RAAC and is affectionally known as the ‘father of the Corps’.Part of collection of photographs of a rare event on the Australian military calendar, the opening of Hopkins Barracks Puckapunyal by HRH Prince Charles, Colonel-in-Chief of the Royal Australian Armoured Corps (RAAC) on 31 October 1985.Colour photograph showing massed band, Army and Navy, at Puckapunyal.

Paul Leonard wore this shirt and vest to a Brighton Primary School fundraiser in the late 1960s. His wife Heather wore a matching yellow and orange dress, with hand painted yellow and orange shoes. Paul and Heather lived together in Male Street for forty years until his death in 2002. Paul worked in advertising and later became a painter, mainly of Australian icons.Cotton men's shirt (.1), mustard yellow with purple collar, cuffs and buttons. Men's knit vest (.2) featuring yellow and navy blue horizontal stripes and trimmed with narrow red stripe.paul leonard, heather leonard, brighton primary school, 1960s

Part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.Navy blue neck tie with golden rams and white stripe pattern repeated.front: AWC back; [label] WOVEN & MANUFACTURED / IN AUSTRALIA BY / "Tee-Dee" / EXCLUSIVELY FOR THE / AUSTRALIAN / WOOL CORPORATION back: AUSTRALIAN / WOOL / CORPORATIONstuart ascough, international wool secretariat, victoria wool processors, port phillip mills pty ltd, topmaking, career, wool industry, training, technical advice, mills, clothing

Max COWARD ( -1991) Born Ballarat Max Coward was training to be an art teacher at the Ballarat Technical Art School from 1937 to 1941. He enlisted in the A.I.F. and was a Naval Trainee at Flinders Naval Depot in 1941. During these years Max Coward was described as a cartoonist and illustrator, and was attached to the Naval Intelligence Division in 1945, producing stories and drawings for the Navy newspaper Dit. His work was reproduced in the Christmas annual, HMAS Mk IV and the Army educational journal, Salt. Coward was active as a printmaker in the 1970s. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition linocut print showing a family of birdslls 'Family Group; lc edition '27/32' lrs 'Max Coward 65'art, artwork, max coward, coward, alumni, birds, chicken

Max COWARD ( -1991) Born Ballarat Max Coward was training to be an art teacher at the Ballarat Technical Art School from 1937 to 1941. He enlisted in the A.I.F. and was a Naval Trainee at Flinders Naval Depot in 1941. During these years Max Coward was described as a cartoonist and illustrator, and was was attached to the Naval Intelligence Division in 1945, producing stories and drawings for the Navy newspaper Dit. His work was reproduced in the Christmas annual, HMAS Mk IV and the Army educational journal, Salt. He was a foundation staff member at the Burwood Teachers' College art department when it opened at Box Hill in 1954, transferring to the Burwood Campus in 1955. Upon his retirement he moved to Queensland to start a graphic arts consultancy. Coward was active as a printmaker during the 1970s. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition linocut by Max Coward. 'Hen Party' uses simplified forms reminiscent of the shapes gracing 'moderne' interiors of the 1950s and 1960s. The simplification of form and decorative pattern achieved through repetition shows the influence of Paul Klee's work and imagery. lls 'Hen Party' lower centre edition '8/28' lrs 'Max Coward 64' art, artwork, max coward, printmaking, alumni, hens, linoprint, linocut

Badges were created to identify staff members. These consisted of a oval with a gold lighthouse on a blue background and the words 'For the Blind' in gold across the middle of the lighthouse . Around the outside, 'Royal Victorian Institute for the Blind' was written in gold against a navy blue background. 1 metal pin with gold lighthouse on blue background'Royal Victorian Institute for the Blind' royal victorian institute for the blind, badges

To honour the commitment of its Auxiliary, badges were awarded to commemorate 25 years of service. These consisted of a oval with a gold lighthouse on a blue background and the words 'Auxiliary' in gold across the middle of the lighthouse. Around the outside, 'Royal Victorian Institute for the Blind' was written in gold against a navy blue background, as well as the number '25' at the base of the lighthouse. 1 metal pin depicting a gold lighthouse with shining light and writing around outside'Royal Victorian Institute for the Blind' 'Auxiliary' '25'royal victorian institute for the blind, badges

To honour the commitment of its Auxiliary, badges were awarded to commemorate 25 years of service. These consisted of a oval with a gold lighthouse on a blue background and the words 'Auxiliary' in gold across the middle of the lighthouse and '25 years' either side of the lighthouse at the base. Around the outside, 'Royal Victorian Institute for the Blind' was written in gold against a navy blue background. 1 metal pin with gold lighthouse and shining light'Royal Victorian Institute for the Blind' 'Auxiliary'royal victorian institute for the blind, badges