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Ballarat Tramway Museum
Photograph - copy of postcard - Sturt St Ballarat
Black and White copy photograph of a Ballarat Municipal library (No. 947) postcard at the time of the opening of the Electric tramway in Ballarat. Photo taken in 1905. Photo taken from the Town Hall with Snows building in the foreground and other buildings on the north side of Sturt St in the background. A number of horse drawn cabs and men and ladies - well dressed crossing the roads. The photograph also shows cabling on a telephone/telegraph line running directly in front of the photographer. See 8419 and 8999 for the postcard and a printed illustration.Yields information about the opening configuration of the trams and the street scene at the corner of Sturt and Armstrong Streets. Also shows a number of well dressed people walking along Sturt St.Copy photograph of a postcard held by the Ballarat Municipal Library - see also item 8419sturt st, armstrong st, esco, tramways, ballarat, tramcars -
Melbourne Legacy
Slide, Social Function at Legacy House, 1962
Colour slide of an evening function at Legacy House in 1962. The slide shows ladies seated at a table in the second floor function room. It was a social function for legatees and their wives. There are 11 slides that appear to be the same function. One mentions President Lobb so it was 1962. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of a social function for Legatees and their wives.Colour slide of legatee's wives seated at a social function at Legacy House in the 1962, in a cardboard Agfacolor mount with blue and white stripes on the reverse.Handwritten '11' in pencil.legatee function, wives -
Melbourne Legacy
Audio - Newsletter, The Answer June/July 2022 Audio Version, 2022
The Answer is a newsletter in magazine format that is sent to the widows that are helped by Melbourne Legacy. For the widows who are sight impaired a copy of the newsletter is audio described onto CD by Vision Australia and posted to them. It contains information about meetings and activities. This edition contained articles on the ANZAC Day student commemoration, Anglsea camp, and milestone birthdays for widows. Plus the event that announced the Centenary Torch Relay. Also photos of our programs such as the walking group, the stamp ladies, and widows club gatherings.A record that Melbourne Legacy helps coordinate and organise events and activities for the widows, and provides items of interest for their enjoyment.Compact disc x 2 in a case that contains the audio recording of The Answer from June/July 2022.activities, answer, widows -
Melbourne Legacy
Audio - Newsletter, The Answer August/September 2022 Audio Version, 2022
The Answer is a newsletter in magazine format that is sent to the widows that are helped by Melbourne Legacy. For the widows who are sight impaired a copy of the newsletter is audio described onto CD by Vision Australia and posted to them. It contains information about meetings and activities. This edition contained articles on the founder of Legacy Stan Savige, the ESO collaboration at Legacy House, ANVAM Disability Program Day, and widows having milestone birthdays. Also photos of our programs such as the walking group, the stamp ladies, and widows club gatherings.A record that Melbourne Legacy helps coordinate and organise events and activities for the widows, and provides items of interest for their enjoyment.Compact disc x 2 in a case that contains the audio recording of The Answer from June/July 2022.activities, answer, widows -
Melbourne Legacy
Photograph, Golf tournament, c.1989
Huntingdale Golf club was the site of many social events for Legatees and Widows clubs. This appears to be an annual major fundraising golf day. An article in the Answer in 1993 says that the association with the Huntingdale golf club began in 1933 and over the years over $255,000 has been raised for Legacy. The Open Mixes Foursomes is usually held in December and the Ladies Day is annually in October. It was in a folio of photos from 1988 to 1990 (see also 01042 to 01049 and 01051, 01052 and 01054 to 01057).A record of the type of activities Legacy provided as a social outlet for the widows and Legatees and for fundraising.Colour photo of golf day trophy and a white paper label.White paper labels with black type "Huntingdale Golf Club has a special place in its heart for Legacy and each year a major fundraising golf day is held at this prestigious Golf Club."events, golf, huntingdale golf club, fundraising, trophy -
Melbourne Legacy
Photograph - Photo, Legacy Appeal, Badge Week Stall, 1990
Two photos of widows with a handcrafts stall at Flinders Street Station in 1990. Widows met regularly at Legacy House for craft gatherings lessons. Some of the items the Widows produced were entered into an annual craft contest and exhibition. Many items were also donated to the annual Badge Week stall that widows organised. The stall was often outside Legacy House but in these photos from 1990 the stall was set up at Flinders Street Station. The ladies names aren't known.A record of the fundraising for the Legacy Appeal in 1990 by the widows clubs.Colour photo x 2 of widows selling items at Flinders Street Station in 1990.legacy appeal, fundraising, badge week, widows, craft -
Melbourne Legacy
Photograph - Exercise Classes, Widows activities, 2004
A group of widows at Legacy House some with exercise balls. Similar to photos 00619 and 00620 which show exercise classes, although this is another day. Rita Davidson is one of the ladies - second from the right. Glad Baker is on the far right. Glad Cozens is seated in the centre. Melbourne Legacy ran an excellent exercise program for its widows for many years at Legacy House. It is assumed to be 2004 as it was with a bunch of photos with the label, "Activities at Legacy House 2004". Other names unknown. A record of the types of activities Legacy provided as a physical and social outlet for widows. Colour photo of a group of widows at Legacy House with exercise balls.Printed on back -
Melbourne Legacy
Photograph - Photo, Widows function, Widows Club, 09/06/1992
Seven Legacy widows enjoying themselves at a widow club function, possibly singing. Their names are unknown. It was the 'Great Tea Party' in June 1992 when the widows rooms were opened after 9 months of renovations. Keesing Photographers took a series of photos on the same day of various ladies. Pg 3 could mean the photo was used in an issue of The Answer. The date is assumed as 1992 due to the reference number from the photographic studio 920609 could mean 9 June 1992.Legacy provided the opportunity for many gatherings of widows to enjoy social interaction and companionship.Black and white photo of 7 Legacy widows around a table and a proof sheet.Label on the back from Keesing Photographic with Reference No: 920609B-2 Pg 3 B in blue pen.widows, widows club, activities -
Mission to Seafarers Victoria
Photograph - Digital photograph, colour, 28 December 2019
Myrniong in Hamilton was built in 1906-07 as a country residence for wealthy Melbourne businessman Leslie Jenner. Mrs Jenner, Gulielina Bertha (Gulie) (1874–1972) was a daughter of Frederick Sargood, of Ripponlea. "Recently Mr. and Mrs. Leslie Jenner threw open their beautiful drawing-room at Mvrniong, Hamilton, for the purpose below. Mr. Leslie Jenner presided, and gave the chaplain from Melbourne, Rev. A. G. Goldsmith, a cordial welcome. The Rev. A. Barber offered prayer, and was followed by Mr. Goldsmith, who, with the aid of limelight views (well managed in the darkened drawing-room), succeeded in giving his audience an idea of the work of the Missions to Seamen in the 93 ports of the world in which its operations are carried on. The Ven. Archdeacon Harris added his personal testimony to the value of the work. A branch of the Ladies' Harbour Lights Guild (the ladies' organisation of the Victoria Missions to Seamen) was then formed, and the Misses Laidlaw and Eva Brougliton were appointed joint hon. secretaries for Hamilton. This makes the twentieth branch formed in Victoria. Miss Ethel Godfrey and Miss Tracy, Graylings, St. Kilda, are general secretaries of the guild, which numbers between 500 and 600 members."myrniong, hamilton, lhlg, drawing room meeting, leslie jenner, ethel augusta godfrey 1861-1935, alice sibthorpe tracy, miss laidlaw, eva broughton, frederick sargood, gulielina bertha jenner nee sargood, supporters -
Puffing Billy Railway
1NB, Saloon carriage, 4/ 2/1899
1NB - (1st Series) Saloon carriage (24) Body and underframe purchased by Puffing Billy Preservation Society from Pakenham In Active Service NB There were three types:- NB Class - Number Built (1st Series) 6 - Number Built (2nd Series) 17 - Number Built (3rd Series) 4 Nos. 1-6 were Saloon cars having end platforms and a ladies toilet, and were built from 1899-1904. Nos. 7-23 were 5-compartment side loading cars, built from 1906-1915. Nos. 24-27 were the former NAB class cars mentioned previously and were also side loading, having 6 compartments and two ladies toilets. VR Service History NBB 1.VA - 4/ 2/1899 NWS Built new - circa 1910 - To NB 1.VA - *NB 1.VA - / 2/1928 - Modified AC Malco BO 21/10/1930 NWS Into Workshops - 5/12/1930 NWS Out of Workshops (46 days) 30/ 1/1951 - Scrapped Historic - Victorian Railways Narrow Gauge - Passenger Rolling Stock: Saloon carriage (No. 1) Victorian Heritage Register (VHR) Number H2187 The Puffing Billy Rolling Stock Collection1NB Passenger Rolling Stock: Saloon carriage (No. 1) - Made of Timber and steel 1NBpuffing billy, 1nb, saloon carriage, victorian railways, narrow gauge passenger rolling stock, 2'6" guage -
Melbourne Legacy
Photograph, Widows preparing rosemary at Legacy House, 199
A group of widows at Legacy House preparing trays of rosemary to be given to the public on Anzac Day and worn as a sign of remembrance. The trays say "Rosemary, A gift from Legacy". 00602.2 the lady in blue holding a Rosemary tray is Gwen Gunn who was one of the organisers of the Rosemary trays for many years. Other names unknown. In The Answer in 1995 an articles says: "Operation Rosemary. Since 1982 Legacy ladies have volunteered to make rosemary sprigs for the Anzac Day marchers. At a later date they also made sprigs for the Schools Shrine Service. . . don't worry, there are ladies here to show you how to make them and it's a chance to hav a chat and cuppa whilst you work together. Any day day that you can spare . . . please ring Joan Miller." A note on yellow paper from 01046 explains the source of the rosemary. It says the rosemary donated to Legacy each year for the sprigs of rosemary handed out to the public comes from nurseryman, Peter Hannah, who sourced a cutting from a bush in Frankston which was said to come from a cutting brought home from Gallipoli by a wounded soldier.A record of widows preparing rosemary as gifts for the public. Rosemary is sign of remembrance. Colour photo x 3 of widows preparing trays of rosemary.widows, legacy promotion, rosemary, activities, gwen gunn -
Melbourne Legacy
Photograph, Operation Rosemary
A group of widows at Legacy House preparing trays of rosemary to be given to the public on Anzac Day and worn as a sign of remembrance. Inez Bruce is the lady in apricot in all three photos, other names unknown. Date was probably 1989 or 1990. In The Answer in 1995 an articles says: "Operation Rosemary. Since 1982 Legacy ladies have volunteered to make rosemary sprigs for the Anzac Day marchers. At a later date they also made sprigs for the Schools Shrine Service. . . don't worry, there are ladies here to show you how to make them and it's a chance to hav a chat and cuppa whilst you work together. Any day day that you can spare . . . please ring Joan Miller." Photos were in a scrapbook of photos spanning 1983 to 1991. A note on yellow paper from 01046 explains the source of the rosemary. It says the rosemary donated to Legacy each year for the sprigs of rosemary handed out to the public comes from nurseryman, Peter Hannah, who sourced a cutting from a bush in Frankston which was said to come from a cutting brought home from Gallipoli by a wounded soldier.A record of widows preparing rosemary with Australian flags as gifts for the public. Rosemary is sign of remembrance. Colour photo x 3 of widows preparing trays of rosemary and Australian flags.widows, legacy promotion, rosemary -
Melbourne Legacy
Photograph, Operation Rosemary
A group of widows at Legacy House preparing trays of rosemary to be given to the public on Anzac Day and worn as a sign of remembrance. The trays say "Rosemary, A gift from Legacy". The lady in blue is Gwen Gunn who was one of the organisers of the Rosemary trays for many years. Other names unknown. The widows clubs have been preparing trays of rosemary sprigs In The Answer in 1995 an articles says: "Operation Rosemary. Since 1982 Legacy ladies have volunteered to make rosemary sprigs for the Anzac Day marchers. At a later date they also made sprigs for the Schools Shrine Service. . . don't worry, there are ladies here to show you how to make them and it's a chance to hav a chat and cuppa whilst you work together. Any day day that you can spare . . . please ring Joan Miller." A note on yellow paper from 01046 explains the source of the rosemary. It says the rosemary donated to Legacy each year for the sprigs of rosemary handed out to the public comes from nurseryman, Peter Hannah, who sourced a cutting from a bush in Frankston which was said to come from a cutting brought home by a wounded soldier.A record of widows preparing rosemary as gifts for the public. Rosemary is sign of remembrance. Colour photo x 3 of widows preparing trays of rosemary and Australian flags.widows, legacy promotion, rosemary, gwen gunn -
Bendigo Historical Society Inc.
Ephemera - GREETING CARD, 1904
Greeting Card: Good Luck Birthday Greeting Card with Plastic like material moulded in two sections, left has ladies hand and the word Good, right side males hand with the work Luck'. Sides are arttached to the card with cream ribbon. Inside a pricture of a village with a silver border. The card opens 'Just a Word of Kindly Recollection' To: My dear sister Nellie From: Mary with fond love April 15/1904. and poem. Box 625ephemera, mementoes, celebrations, greeting card. birthday -
Bendigo Historical Society Inc.
Ephemera - GREETING CARD, 1899
Greeting Card: Christmas Greeting Card rectangular in shape with Khaki Velvet background and a light green, fan shaped plastic like material with mouldings of 'With Best Love'' plus a heart with painted flower and a ladies shoe. Right hand top corner is a gold bell. The back has Christmas 1899 hand written and two slits for stand. Under the slit is a note in gold printing and Horse Shoe 'Wishing you a Joyous Christmas and poem. Box 625ephemera, mementoes, christmas, greeting card. christmas. -
Bendigo Historical Society Inc.
Document - FOSTER AND WILSON COLLECTION: PIANO CERTIFICATE
Large cream, brown, green & beige certificate awarded to Misses Mary Foster and Mattie Kaue for First Prize at the Austral Literary and Debating Society's Competitions Bendigo 1903 in the Piano Duet (under 16). Certificate has 2 angels at the top, 1 with a harp and the other writing. At each side and the bottom are ladies dressed in robes. Certificate is decorated with leaves and scroll work. Signed by E. S. Cahill, President and Frederic A. King, Hon. Sec.document, certificate, music, foster & wilson collection, piano certificate, mary foster, mattie kaue, e s cahill, frederic a king, austral literary and debating society's competitions bendigo -
Bendigo Historical Society Inc.
Photograph - FOSTER AND WILSON COLLECTION: PHOTOGRAPH
Coloured photograph of two ladies, one holding a little brown dog, standing in front of a yellow shop door with the number 52 on the front. The older lady is wearing a deep blue dress and shoes, a long necklace and brooch. The younger lady is wearing a multi coloured top and black trousers. The shop is called Nefertiti Video. There is notice with Jackson at the top in the window. There are curtains inside the window. There are red & white Coca-Cola advertisements on both sides of the door.photograph, portrait, female group, foster & wilson collection, photograph -
Bendigo Historical Society Inc.
Postcard - LYDIA CHANCELLOR COLLECTION: OILETTE
Raphael Tuck & Sons 'Oilettte' Connoisseur postcard 2747. Tuck's Post Card. Carte Postale. Postkarte. The 'Crayon' series. Four ladies are enjoying tea in a formal room. There are pictures on the walls and a lamp and clock on a mantelpiece. On a stand or auto tray are teapots and cups and saucers. Art Publishers to the King and Queen. The post card is addressed to Miss L. Pethard, Fir St. Golden Square. The one penny (1d.) Victorian stamp dated 3/11/?.postcard, lydia chancellor collection, collection, female, entertaining, entertainment, costume, fashion, clothing, recreation, tucks post card -
Bendigo Historical Society Inc.
Clothing - LADIES BLACK NET AND JET BEADS AND SEQUINS COLLAR, 1920's
Ladies collar, with a deep 16 cm peaked front. A round neckline outlined with jet sequins. Outer edge of collar has three peaked sections each outlined with three rows of jet sequins. Outer edge of collar is scalloped. A floral design, on net is sequined and beaded. Another scalloped panel of three rows of jet sequins, separates a net section, scattered with sequins and also has six 3 cm diameter circles of sequins.costume, female, collar -
Bendigo Historical Society Inc.
Clothing - LADIES LINEN BLOUSE, 1960's-1970's
Beige linen ladies blouse. Foldover collar. Sleeveless with turned back cuffs at arm holes 7 cm at shoulder. Front opening with three 1 cm white plastic buttons and one press-stud 12 cm above the waist. Front made of two pieces with 24 cm dart from hemline. Breast pocket on LHS with turn over flap. Back made from one piece with 23 cm darts from hemline.Label inside back neckline ''SPORTSCRAFT'' Regd. In a Moygashel. Pure Irish Linencostume, female, ladies irish linen blouse -
Bendigo Historical Society Inc.
Clothing - LADIES LONG SLEEVED BLOUSE
Ladies yellow long sleeved blouse. See through nylon fabric with all over spot pattern. Fold over collar. Front opening with tree X 1 cm white plastic buttons. Horizontal darts at bustline on front. Vertical darts from lower hem- two at front and two at back to form shaping. Set in long sleeves with 4 cm cuffs, fastened with one X 1 cm white plastic button.costume, female, ladies yellow long sleeved blouse -
Clunes Museum
Photograph
PHOTOGRAPHS OF OPENING OF HOSPITAL: .1 LADIES COMMITTEE - ENID STEART, MARG WICKHAM, JOYCE RUSCHOLLER .2 G QUEMARD, JIM KERRIN, .3 TOUR OF THE HOSPITAL .4 GROUP PHOTOGRAPH .5 EAMON LENEGHAN, JIM KERRIN, ROBERT CAMPBELL, MURRAY COOK, GRAHAM QUEMARD .6 BARB ADAM, MARGARET GRENFELL, JOY TORNEY .7 BILL BIRCH, M GRENFELL, B FENTON, JOAN SANDWITH, DOLLY TORNEY, ALICE FOLEY .4 BERYL FENTON, ALICE FOLEY, MAVIS CARSON, JOAN SANDWITH, AMY COOK, EDNA TOOLE,JOAN BARRY. SEATED: ENID STEART, MARG WICKHAM, JOYCE ROSCHOLLERofficial opening of hospital, new hospital -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Ron Hann, Jan. 1963
Yields information about the Lydiard St North terminus, tramcars at the time and a family boarding the tram.Black and white print on heavy matt photographic paper of a view at the Lydiard St Nth terminus of No. 26 with the cemetery buildings in the background and a family (two ladies and pram) boarding the tramcar. The tram has the destination of Grey St Sebastopol, and a Whitehorse Whiskey advertisements on the front dash panel. 2nd copy - laser print - with date etc on rear - added 22/2/2010, copy from Ron Hann. Printed on Fujifilm, Fujicolour Crystal Archive for Frontier"On rear in pencil "26 Lydiard St Nth 1963" 2nd copy has label "Reference 6/113/7 Photo by Ron Hann" and another label "Ballarat 01.63"tramways, trams, lydiard st nth, cemetery, tram 26 -
Bendigo Historical Society Inc.
Document - PETER ELLIS COLLECTION: OLD TIME BALL, 13th October, 1967
Pink card. Gold scalloped edges. Ticket . Old Time Ball will be held in Lockwood South & Dist. Progress Hall Friday, October 13th, 1967 Dancing 8p.m.- 2a.m. McQueen's Old Time Band. Waltzing Competition Best Period Costume Quest. Poultry Supper Ladies $1.00 C.A. Holland, Pres. E.C. Rowan, Secretary. C.A. Holland & Co. Agents for all Amoco Products General Carrying Phones 53261-53262person, individual, peter ellis oam -
Bendigo Historical Society Inc.
Memorabilia - CHOCOLATE BOX COLLECTION: GREEN SILK AND VELVET CHOCOLATE BOX, 1901-1911
Object. A rectangular reinforced cardboard green silk and velvet covered chocolate box. Inlaid with a trapezoid of green silk padding and screen printed silk decoration of 2 ladies in Edwardian costume holding a bouquet of flowers. Centrepiece is bordered in green binding. Lid has a gold clasp and base has 4 brass round feet but one is missing. Tag on Base Pure Concentrated Cocoa By Special Appointment J.S. Fry & Sons Limited Bristol & London.J.S. Fry & Sons Limited Bristol & London.domestic equipment, food storage & preservation, container chocolate box -
Bendigo Historical Society Inc.
Photograph - BERT GRAHAM COLLECTION: GROUP PHOTO, 1955-56
Black & white photograph, Bert Graham Collection, ten ladies from the Bendigo East Progress Association, posing for their photo are from the back left to right; Mrs. Parry, Mrs. Nelson, Mrs. Graham, Mrs. Ashton, Mrs. Castles, and the front are; Mrs.Edwards, Mrs. Masters, Mrs. Tully, Mrs. Charles, Mrs. Williams, as mentioned on the back including Graham & 1955-56, in blue ink oval, W.Ryan, photos by, 18 Sandhurst Rd., Eaglehawk.bendigo, clubs, bendigo east progress association -
Bendigo Historical Society Inc.
Document - JOHN JONES COLLECTION: LETTERS TO RED CROSS
Ten letters mostly to the Secretary of the St. Paul's Red Cross. Some are apologies for non attendance at meetings, one is a list of members at a meeting. One refers to St Paul's Circle about to disband. One is an expression of sympathy from P R Smith. One mentions a meeting of St Paul's R C C held on 13/9/1939. One mentions inviting the members of the St Paul's Ladies Guild to the Annual Meeting of the Bendigo Branch.essential services, red cross, letter, john jones collection - letters to red cross, mrs jones, e m weeks, geetie wirth, r brooks, mrs chalmer, b marsh, i marsh, nellor, w malloy, c malloy, j malloy, e malloy, f henderson, t jones, w jones, j gall, cambridge, woolterton, a wallis, vains, willman, mrs pickford, anne harris, michell, g alexander, anthony, j rowe, muriel vains, s webster, gladys christie, edna pickford, vera c francis, p r smith, o williams, mrs secombe, e mallory, mrs maddern, mrs f jones -
Kew Historical Society Inc
Photograph, Kew Light Opera Company, A Country Girl, 1957
The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Sepia-toned photograph of (L. to R.) Marion Smith, Maureen Lynch, Denise Lynch, and Marion Tilley in a performance of A Country Girl by Lionel Monckton. The performance was produced and directed by Graeme Cust with musical direction by John Trotter. The sets for the production in the Kew Recreation Hall were sourced from Melbourne Little Theatre, will the costumes came from the Princess Theatre. During this production, Marion Tilley acted as wardrobe mistress as well as being a member of the 'Chorus Ladies'. Inscribed underneath the photo in the scrapbook by Marion Tilley: "Marion Smith, Maureen Lynch, Denise Lynch. Me, Marion Tilley".marion tilley, kew light opera company, kew recreation hall -- wellington street -- kew (vic.), performing arts -- kew (vic.), theatre memorabilia -
Melbourne Tram Museum
Newspaper, One man trams - their disadvantage when crowded, c1920's
Newspaper cutting from an unknown Melbourne newspaper with a photo of X1 465 loading passengers at Glenhuntly Road Elsternwick, with the signal box and railway overhead in the background. Notes the disadvantage of one many trams, with a large crowd having to pay separately as they enter. Has on the rear a piece of The Age with the date Wednesday 26 October to mend the cutting which has been torn. Dress of the ladies is 1920's with large hats. Tram has the destination of Point Ormond.trams, tramways, point ormond, one man trams, glenhuntly rd, elsternwick, level crossings, tram 465, x1 class, mmtb -
Bendigo Historical Society Inc.
Document - PETER ELLIS COLLECTION: BUSH MUSIC CLUB COLONIAL BALL, 1990
Small off white coloured booklet Bush Music Club Inc. Colonial Subscription Ball 1990 Dancers Companion (A guide to the Quadrilles) The Quadrille Figure 1 (Le Pantelon) (2x32) 8 Top couples R and L through. (without giving hands). 8 Set & turn Partners 8 Top ladies chain. 4 Top couples promenade across set. 4 Half R and L to place. 32 Side couples repeat Figure 2 (Le 'Ete) (4x24) 4 Top couples advance & retire. 4 Cross over (without changing places with partner). 8 Repeat back to place. 8 Set & turn partners. 24 Sides repeat. 48 Top and Sides repeat. Figure 3 (La Poule) (4x32) 4 Lady 1, Man 2 adv, tough RH, retire to opposite place. 4 Lady 1, Man 2 adv, join LH give RH to partner 4 Line of 4 balance fwd & back twice. 4 Men lead partners to opp. Place. 4 Lady 1, Man 2 adv. & ret. 4 Lady 1, Man 2 adv, honour & ret. 4 Top couples, advance & retire. 4 Half R & L to place. 32 Repeat with Lady 2, Man !. 32 Repeat with Lady 3, Man 4. 32 Repeat with Lady 4, Man 3. The Quadrille Figure 4. (La Pastourelle) (4x32) 4 1st couple advance & retire. 4 1st couple adv, lady join 2nd couple. 4 Line of 3 adv. & ret, 1st man retire. 4 Line of 3 adv. Ladies cross to 1st man. 4 Line of 3 adv. & ret, 2nd man retire. 4 Re-advance, form circle with 2nd man. 4 Circle L half way round. 4 Half R & L to place. 32 Repeat with 2nd couple leading. 32 Repeat with 3rd couple leading. 32 Repeat with 4th couple leading. Figure 5 (La Finale) (4 x 32 + 8) 4 All advance & retire. 4 Turn partners. 4 Ladies adv, curtsey & retire. 4 Men advance, bow & retire. 8 All set & turn corners. 8 Promenade with corner. (men to original place with corner) 96 Repeat 3 times to return to partner. 4 All advance & retire. Turn Partners. Notes: 1 Couples numbered 2 Set & turn is a 'balance' set and open hand turn. The Prince Imperial's Quadrille Figure 1. (4x24) 4 Top couples visit right, honour sides. 4 Top men retire with partner & side lady to opposite place, (ladies facing each other). 8 Ladies grand chain to places 8 All set and turn partners 24 Top couples repeat back to place. 48 Repeat with side couples. Figure 2 (4 x 24) 4 1st Lady, 2nd man adv & turn in centre finish facing 2nd lady. 2 2nd lady pass through to 1st man. 2 Both couples turn out to place. 4 top couples advance & retire. 4 Ladies chain back to place. (Nariel) 8 Chasse-croise. (4 steps past partner RH turn corner 4 steps back, LH turn with partner.) 24 Repeat wth 2nd lady, 1st man leading 24 Repeat wth 3rd lady, 4th man leading 24 Repeat wth 4th lady, 3rd man leading. Figure 3 (4x32) 4 1st lady to centre, curtsey to partner. (RH in RH, ACW turn in to centre) 4 2nd lady to centre, curtsey to partner. 4 3rd lady to centre, curtsey to partner.4 4th lady to centre, curtsey to partner. 8 ladies join hands, circle R, small steps after circle R, Men join circle, (giving RH to partner). 4 Balance for 4 (step lift x 4) 4 Turn partners to place, bow & curtsey. 32 Repeat, Lady 2, 1, 4 & 3 to centre 32 Repeat Lady 3, 4, 2 & 1 to centre 32 Repeat, Lady 4, 3, 1 & 2 to centre The Prince Imperial's Quadrille Figure 4 (4x32) 4 Top couples advance & retire. 4 Top couples adv, ladies move to R, as men retire to place. 8 Line of 3 adv & ret twice. 4 Single men adv, bow and retire. 4 Re-advance and turn to face partner. 4 Circle L half way round (with partner & side couple). 4 Half R & L to place. 32 Repeat with side couples leading. 32 Repeat with top couples leading (men moving to left as ladies retire) 32 Repeat with Side couple leading. (Men moving to left as ladies retire) Figure 5 (4x32 +32) 16 Ladies to the right, (RH turn with corner man then continue round to the right turning each man) 4 1st Lady, 2nd man advance & retire 4 re-advance & turn RH (finish facing partners) 8 set & turn partners (finishing in place) 32 Repeat with 2nd Lady, 1st man leading 32 repeat with 3rd lady, 4th man leading 32 Repeat with 4th Lady, 3rd man leading 16 Ladies to the right again. 4 Men turn partners to centre. 4 All bow and curtsey. 8 Promenade set ( hall) Note: Set & turn is a 'balance' set and open hand turn. The Parisienne Quadrille Figure 1 (1x32) 8 Couples R and L through. (without giving hands) 8 set & turn partners 8 Ladies chain. 4 Couples promenade across set. 4 Half R and L to place. Figure 2 (2x24) 4 Couples advance & retire. 4 Cross over (without changing places with partners) 8 Repeat back to place. 8 Set & turn partners. 24 Repeat. Figure 3 (2x32) 4 Lady 1, Man 2 adv, touch RH, retire to opposite place. 4 Lady 1, Man 2 adv, join LH, give RH to partner. 4 Line of 4 balance fwd & back twice 4 Men lead partners to opp. Place 4 Lady 1, Man 2 adv & retire 4 Lady 1, Man 2 adv, honour & ret. 4 Couples, advance & retire. 4 Half R & L to place. 32 Repeat with Lady 2, Man 1. The Parisienne Quadrille Figure 4. (2x32) 4 1st couple advance & retire. 4 1st couple adv, lady join 2nd couple. 4 Line of 3 adv. & ret, 1st man retire. 4 Line of 3 adv. Ladies cross to 1st man. 4 Line of 3 adv. & ret, 2nd man retire. 4 Re-advance, form circle with 2nd man. 4 Circle L half way round. 4 Half R & L to place. 32 Repeat with 2nd couple leading. Figure 5 (2x32) 4 Couples advance & retire 4 Cross over 8 Repeat back to place. 8 Ladies chain across & back.8 Set & turn partners. 32 Repeat Notes: 1 This 'quadrille' is similar to the first set (1st 4 figures) and is danced as two couple sets. 2 Set & turn is a 'balance' set and open hand turn. The Lancers Quadrille Figure 1 (4x24) 4 1st lady, 2nd man advance & retire, 4 Adv, turn two hands, return to place. 4 1st couple lead through across set 4 2nd couple lead through back 8 all set & turn corners. 24 Repeat, 2nd lady, 1st man leading 24 Repeat 3rd lady, 4th man leading 24 Repeat, 4th lady, 3rd man leading Figure 2 (4x24) 4 1st couple advance & retire. 2 1st lady adv to centre, turn to face partner 2 1st couple honour each other. 8 1st couple set and turn then sides form top & bottom lines 4 Lines advance & retire, 4 Advance and turn partners to place. 24 Repeat with 2nd couple leading 24 Repeat with 3rd couple leading 24 Repeat with 4th couple leading Figure 3. (2x32) 4 Ladies advance, curtsey & retire. 4 Men adv, bow, turn by left, bow to partners, then join RH in centre, (ladies RH on partners left elbow). 8 Promenade round set to place. 4 Ladies adv, curtsey & retire again. 4 Men adv, bow, turn by right, bow to partners, join LH in centre, right arm behind partner. 8 Promenade round to set in place. 32 Repeat. The Lancers Quadrille. Figure 4. (4x24) 8 Top couples visit R then L 4 Right Hands around with LH couple 4 then left hands around. 8 Circle left with that couple. 24 Repeat with side couples leading. 24 repeat, top couples visit L then R. 24 Repeat, side couples visit L then R. Figure 5. (4x48 +24) 8 All grand chain 1/2 way round and honour partners. 8 Continue grand chain to place and honour partners. 8 1st couple visit, return to place, facing out with sides in behind. 2 Change places with partner, 2 All rock fwd and back 2 change places again 2 All rock fwd and back 8 Cast out reform in lines 4 Lines advance & retire 4 Advance & turn partners to place 48 Repeat with 2nd couple leading 48 Repeat with 3rd couple leading 48 Repeat with 4th couple leading. 8 Grand chain 1/2 way round and honour partners. 8 continue grand chain to place and honour partners 8 swing partners (R arm round partner, LH in air) Note: All figures walked. Set & Turn is a 'balance' set and open two hand turn. The Caledonians Quadrille Figure 1. (2x32) 4 Top couples R.H. across, move CW (Ladies hands joined over Mens). 4 then L.H. across, move ACW. 8 Set & swing Partners 8 Top ladies chain. 4 Top couples promenade across set. 4 Half R and L to place. 32 Side couples repeat. Figure 2. (4x24) 8 1st Man advance & retire twice. 8 Set & swing corners. 8 Promenade with corners (to men's position.) 24 2nd man repeat. 48 3rd and 4th man repeat. Figure 3. (4x32) 4 Lady 1, Man 2 advance & retire. 4 Re-advance, 2 hand turn to place. 8 1st & 2nd couples lead through and back. (1st lead through across, 2nd back) 8 Set & swing corners. 4 All advance & retire. 4 Swing partners. 32 Repeat with Lady 2, Man 1. 32 Repeat with Lady 3, Man 4. 32 Repeat with Lady 4, Man 3. The Caledonians Quadrille Figure 4. (4x24) 2 Lady 1, Man 2 advance and stop. 2 Lady 2, Man 1 advance and stop. 4 Turn partners back to place. 2 All ladies to the right 4 steps. 2 All men to the left 4 steps. 2 All ladies to the right 4 steps. 2 All men to the left 4 steps. 4 Promenade to place. 4 Swing partners. 24 Repeat with Lady 2, Man 1 leading. 24 Repeat with Lady 3, Man 4 leading. 24 Repeat with Lady 4, Man 3 leading. Figure 5. (4x48 + 16) 8 1st couple visit. 4 Ladies advance, curtsey & retire. 4 Men advance, bow & retire. 8 All set & swing partners. 8 Grand chain 1/2 way round and honour partners. 4 Promenade to place 4 and swing partners. 8 Chasse-croise, (4 steps past partner, RH to corner balance fwd & back, then 4 steps back, LH to partner balance fwd & back). 48 Repeat with 2nd couple leading. 48 Repeat with 3rd couple leading. 48 Repeat with 4th couple leading. 8 All promenade set. 8 Swing partners. Note: Set & swing is 'normal' set and cross hand swing. The Royal Irish Quadrille Figure 1. (2x32) 8 Top couples to Right, R & L through 8 Set & swing Partners. 8 Ladies chain. 4 Couples promenade across (to the other couples position). 4 Half R & L to place. 32 Repeat with tops to the left. Figure 2. (4x24) 4 Top couples to Right, adv & ret. 4 Cross over (without changing places with partner). 8 Repeat back to place. 8 Set & swing partners. 24 Repeat with top couples to the Left. 48 Tops repeat with Right and Left sides. Figure 3. (4x32) 4 Lady 1,2 and Man on Right, advance, touch RH, retire to opposite place. 4 Advance again, join LH, give RH to partner. 4 Line of 4 balance fwd & back twice. 4 Men Lead partners to opp. Place. 4 Lady 1,2 and opp. Man adv & ret. 4 Advance, honour & retire. 4 Couples, advance & retire. 4 Half R & L to place. 32 Repeat with Ladies 3,4 leading. 64 Repeat with Tops facing left. The Royal Irish Quadrille Figure 4. (4x32) 4 Top couples to Right, adv & ret. 4 Re-adv, Top Ladies join opp. Couple. 4 Line of 3 adv & ret. Top men retire. 4 Line of 3 adv, ladies join other man. 4 Line of 3 adv & ret, Side men retire. 4 Re-advance, form circle with opp. Man. 4 Circle L half way round. 4 Half R & L to place. 32 Repeat with Side ladies leading. 64 Repeat with Top couples facing left. Figure 5. (4 x 32 + 8) 4 All advance & retire. 4 Swing partners. 4 Ladies advance, curtsey & retire. 4 Men advance, bow & retire. 8 All set & swing corners. 8 Promenade with corner. (Men to original place with corner). 96 Repeat 3 times to return to partner. 4 All advance & retire. 4 Swing partners. Notes: 1. This is The Quadrille danced diagonally, with Top couples dancing first with the side couple on their right, then the left. Ie. 1-3 and 2-4 then 1-4 and 2-3. 2. Set & swing is 'normal' set and irish swing.The Eightsome Reel Numbering: Clockwise 1-2-3-4 Part A (40 Bars) 4 All join hands, circle left 4 All circle right. 4 Grand Cross, Ladies join RH. 4 Grand Cross, Men join LH. 8 Set & turn Partners 16 Grand chain right round set. Part B ( 8x48 bars) 1st Lady advance to centre, Others join hands in circle. 8 Circle left and right 4 Set once and turn partner 1st Lady sets to partner then open hand turn once with partner. 4 Set once and turn opposite 1st Lady sets to opposite man, then open hand turn once. 8 Reel of 3, 1st Lady, partner and opposite man 1st Lady remains in centre. 8 Circle left and right again 4 Set once and turn side man 1st lady and man on right. 4 Set once and turn other side man 1st lady and man on left. 8 Reel of 3, 1st lady, and two side men. 48 2nd lady repeat. 96 3rd and 4th ladies repeat. 192 Men repeat same movement. The Eightsome Reel Part C (40 Bars) 8 All circle left and right. 4 Grand cross - Ladies join RH. 4 Grand Cross - Men join LH. 8 All set and turn partners. 16 Grand Chain round set. Note: Set is 'normal' set. Turn is open hand turn. NOTES 1. The Quadrille 2. The Prince Imperials 3. The Parisienne Quadrille 4. The Lancers Quadrille 5. The Caledonians Quadrille 6. The Royal Irish Quadrille 7. The Eightsome Reelperson, individual, peter ellis oam