Cream, probably nylon, embroidered gloves. Scalloped at wrist, and embroidered with a circular pattern. This pattern extends 4 cms onto the back of the hand.Three sprays, each of two flowers, decorate the back of the hand. Wrist edge is shaped by having two semi - circle shapes to the scalloped effect.costume accessories, female, wedding gloves

This item came from Geoff Bishop's rooms at Mollison House, 386 Albert Street, East Melbourne. Distributed by Ethnor P/L Sydney, these bulk purchase packs pre-dated the individually sterile packaged products with disposable applicators.Two white, plastic Lippes Loop IUDs [.1 and .2], with yellow string attached to one end of each. Double S-shape intrauterine devices. Also includes "LIPPES LOOP" product information label [.3], and a clear hinged plastic case with adhesive sticker [.4].intrauterine device, contraception

Chair donated to Melbourne City Mission (probably in 1941) by Mrs RODDA of Williamstown and used at the Port Branch (Jubilee Hall) until its closure . From the 1950s it was used by Sister Norma BARNETT, who kept it until her death. It then went to her 'sister' Janne RAY, and on her death to Janne's daughter Tracey RAY. She donated this plus related items to PMHPS in 2017 (refer 1506 and 3906).01 - solid wooden chair with peaked/pointed shaped back. Arms have rounded ends. Upright section of chair has two indented pieces and a small 4 leaf shape under the top of the point with a small brass plaque attached under it. .02 - Cushion - velourOn plaque "Presented to the Port Melbourne Branch of the Melbourne City Mission in loving memory of my husband N.P.Rodda. Died 28th November 1941 at Williamstown. A life lived for others. Lead kindly light.religion - melbourne city mission, sister norma jean barnett, jubilee hall, tracey jane ray, janne ray

Sepia postcard, brown rectangular frame. Image enclosed in oval shape. On bottom of image 'Town hall, Bendigo' Image shows two storey Town Hall building, clock tower. LH Top corner words ''Greetings from Bendigo''. Receipt number 355/16Bendigo C & L Seriesbendigo, business, carwardine soap and candle

This instrument was used by Dr Fritz Duras (1896-1965), who moved to Australia from Germany in 1937. As his father was Jewish, Duras was forced to leave Germany, and came to Australia to take up a post as director of physical education at Melbourne University. This instrument was part of a collection of instruments given to his son-in-law, Dr Michael Kloss, who was an obstetrician. Dr Kloss subsequently had it engraved and used it in his own practice, before donating the item to the College. Metal instrument used for cervical sutures. Instrument consists of a handle and shaft. The end of the shaft is curved so as the tip of the instrument is almost perpendicular to the handle. The end of the shaft is in the shape of a loop to allow for sutures to be passed through it. The handle of the instrument is engraved with the word 'KLOSS', and the words 'MAW/LONDON'.'KLOSS' 'MAW/LONDON'obstetrics

This work forms a pair with Untitled #4 (fox bones – pattern) / This work draws on ideas of death and the traces of a body that death leaves behind / The work aims to confront the viewer with the concept of death, but it is not morbid or macabre in its consideration of it / Instead of fear the work presents a quiet and beautiful image that aims to portray a feeling of acceptance in the inevitable destruction of one's body / In this work the bones of a deceased fox were meticulously cleaned, bleached and layed out for photographing / No digital manipulation was used to arrange the bones / The same bones from the same fox were rearranged and used for the other work in this series. This work was completed in 2012 as part of the artist's residency in 2011 at Birrarung, Laughing Waters (Laughing Waters Artist in Residence program - LWAIR) managed by Nillumbik Shire Council / Works produced there take inspiration from the natural landscape and the creatures living within that particular environment.Print - digital photograph printed on hahnemuhle photo rag paper / edition 2 of 8 + 2 artist prints / Individual fox bones placed/layed out on a white background and arranged in an orderly fashion according to size and shape / Beige/neutral in colour / Blonde timber frame.No signatures / no personal markings / no framers identified. digital print / fox / bones / ordered / photograph / laughing waters / birrarung / imam / death

Belonged to donor's aunt or grandmother. She was born in 1888 and lived in Rooks Road, MitchamCream sleeveless round neck shift dress. Pink embroidery, 9 fine pintucks from neck to below hipline. Embroidered scallop flaps overlaid in three tier to scalloped hemline. Hipline has two horizontal darts. Embroidered halfmoon pink shape around waistlinecostume, female

Long sleeveless dress. Empire line bodice. Skirt pale aqua background with lurex spots in shades of aqua. Deep aqua ribbon under the bust line with low and diamondé clip in a circle shape. Bodice is pale aqua silk with deeper aqua sequins around neckline.costume, female, handcrafts, dressmaking

Large Platform Lamp used by Railways to signal train at stoppings, Cubed in shape with angled sides. Plain glass front, Red-coloured lens on both sides, which can be opened to reveal plain glass.. Covered chimney on top . Bracket on the back to hang the lamp up. railway, platform lamp, lantern, signal, kerosene

Carved wooden trophy on stand. Dark polished wood; features five carved rounded shapes fixed with dowel onto a square wood base. Under base is written "ANDREW POTOCNIK/"SENTINEL" 1/9/REDGUM" Brass engraved plates affixed to each side of the base.

Has a strong association with Theo Dunstan Inspector in Ballarat; would have been issued to crews in order operate the tram car doors.Piece of painted, mild steel rod bent at 90 degrees and shaped at longer end to give a square shape for use in external doors on SECV Ballarat Trams - known as a square key. Was used to secure doors in both open and closed positions. Has been painted black.trams, tramways, tramcars, doors, locks, security

Golden Square High School in the city of Bendigo, was established in temporary accommodation at Camp Hill Primary School in central Bendigo in 1960. With the completion of the new school's buildings, it moved to Golden Square in 1962, providing for Forms 1 to 6, now known as years 7 to 12. In 1978 it became a 7–10 school and was one of the original feeder schools to Bendigo Senior High School. In 1986, a Hearing Impaired Unit was established and in 1990 it underwent a name change to become Golden Square Secondary College. The Golden Square Secondary College campus closed on 28 November 2008. It merged with Kangaroo Flat and Flora Hill secondary colleges as part of the implementation of the Bendigo Education Plan. Its buildings were demolished. (Wikipedia https://en.wikipedia.org/wiki/Golden_Square_Secondary_College)Navy jumper. School emblem embroidered with "GOLDEN SQUARE" in navy and black placed above squares / shapes in a maze like pattern. A label on the back "DUX" "Made by Dobson's" Size 16. Reverse of label details washing instructions and identifies composition 80% wool and 20% nylon. gssc, school uniform

Joseph Lambert Howard was born in Albury, NSW in 1886 and died in Bendigo, Vic. in 1958. From the years 1915 - 1917 he advertised in the Bendigo Advertiser as an Electrical contractor and supplier of Electrical accessories, operating from the Lyric Building in Charing Cross, Bendigo. He also produced an advertising calendar for 1917.Small metal name plate possible tin - has holes Centre of each side. Front is Gold in parts with brown dirty spots - back shows embossing in reverse with some discoloration. Rectangular in shape 6.5cm x 2.0cm. J.L HOWARD - Electrician Charing Cross Bendigo.bendigo electrician, j.l. howard, charing cross bendigo

A Hamilton metal tennis racquet with double shaft, and metal bridge. Handle wrapped with perforated leather grip tape. Nylon strings and round head shape. Leather butt cover with 'H' logo. Materials: Metal, Nylon, Adhesive tape, Wood, Adhesive label, Leather, Plastictennis

The original owner of the evening bag was Elizabeth (Betty) McGregor. The bag was a gift from her husband, Ian McGregor (Managing Director of Ingersoll Rand), during a trip to Europe. The bag was purchased in Burlington Arcade, London in 1955. An accompanying photograph shows Betty, in attendance at a Captain's cocktail party with the evening bag on her arm. Betty was the best friend of the my mother, and not having children of their own, Betty and Ian were very good to my sister and I. Betty gifted the bag to me in 1983. As a Kew resident, it gives me much pleasure to pass on this evening bag to the Fashion & Design collection of the Kew Historical Society. (Kate Reeve, 2022)Small brass evening bag, covered with black silk and rhinestones. The box is of a flattened cylindrical shape with a looped handle. The lid of the bag is hinged on one side and contains a mirror on its interior. Inside the evening bag is a small black silk purse attached to the bag with a brass chainNilfashion & design - 1950s, accessories, evening bags

An example of badges issued by Legacy for fundraising during the Legacy Appeal and Badge Week. The donation value is $100. The date is approximately 2015 as it was still for sale in 2018. It is in the collection to show the modern equivalent of the older style badges. This style recreates high donation value badges from the 1960s. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them.Example of Legacy badges that were sold up to raise money for Legacy's work. Legacy Appeal badge with the Legacy torch, it is made of gold coloured metal with teal enamel around a torch and wreath. It is a small rectangular shape. It is in a small plastic presentation box with black base, clear cover and black velour tray. Badge has a post and a separate butterfly clutchEmbossed '$100' on reverse.legacy appeal, fundraising, badge week

Camp shirt for Paul Reeves and his brother|1st Heatherdale Scout Group in the 70'sOne maroon sleeveless scout jacket (camp shirt) gold fringe around neckline and armholes. Many badges sown on both front and back from Australia and overseas. Yellow flag shape on back West Australian Contingent 1976 -77 11th Australian Jamboree Melbourne.Many badgescostume, male ceremonial, numismatics, badges

The item was obtained by Donors Grandfather who served British Forces WW1 and was a RAF Sqd Leader during the surrender of Japanese Forces in Hong Kong and New Territories WW2..1) British Marching Compass brass circular shape with hinged opening, has small screws lock device on one side, brass ring on one end. .2) Brown leather case for .1). Has belt loop on rear, folding lid with brass stud for securing..1) On base, “Cruchon & Emons London, 1916 (arrow up)”compass, marching, equipment

A cruet also known as a caster, is a small container to hold condiments such as oil, vinegar, mustard, pepper. Its shape and adornments will depend on the specific condiment for which it is designed. Cruets were made in silver, silver plate, ceramic and glass, and sometimes a combination of two materials, usually as a glass body with a silver or silver plated top.This item is an example of domestic tableware commonly used in the early t0 mid 20th century.An early Sheffield plate stand with four glass decanters. Two with silver lids and two with glass stoppers. Tray has very ornate design.cruet domestic table-setting sheffiels ashberry-philip

It would take a woman hours to hook all of the buttons on her gloves.Glove hooks were the solution to this.They came in all shapes and sizes.Some could be carried around in a purse and used whenever it was necessary. These hooks made dressing easier and faster for decades, before they started to go out of use after World War I. The glove hook is an example of a gadget designed to make life simpler and to highlight the sophistication and refinement of the owner. It was a common accessory for women until the late 1920's.Small metal glove hook with round top showing Queen Victoria of England. Advertisement for David Jones - Sydney.On back : "David Jones and Company". Hosiers & Gloversglove-hook costume-accessories glove david-jones-sydney queen-victoria

Butter pats were common from about 1850 - 1920. These wooden pats were used to shape the butter on a butter board into pieces, instead of by hand as the butter was soft. The freshly churned butter was pressed to remove the watery buttermilk and to distribute added salt though the butter. They were also sometimes called Scotch Hands.A vintage long pale wooden rectangular butter pat, with a shaped handle. It does not have ribs on one side.butter, butter pats, kitchen equipment, food preparation, domestic items, cooking equipment

This table spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This table spoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The generally common range of marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register most valuable. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Unrestored table spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and a shallow rounded bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. Approximately 10% of original plate remains, and 15% of surface area bears verdigris. Outlines of five makers marks are discernible - Diamond shape, Ellipse, Rounded square, Circle, Diamond.flagstaff hill maritime museum, shipwreck coast, great ocean road, loch line, loch ard, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, nickel silver, william page & co, birmingham, brass plating, makers marks, table spoon, spoon

This anvil was once the property of Warrnambool Ports and Harbours. It is associated with the shipping trade and wold have been used by a blacksmith or tinsmith for forging and shaping metal. According to Pliny, the anvil is supposed to be invented by Cinyra of Cyprus, but it was probably much older. There has been very little change in the basic design of the anvil since Greek and Roman times. This anvil is significant for its association with the local government body of Warrnambool Ports and Harbours, which is of local historic significance. It is also significant for its association with blacksmiths and tinsmiths, which are rare trades today.Anvil, small, for use by blacksmiths and tinsmiths.It was once the property of the Warrnambool Ports and Harbours.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, anvil, blacksmiths, tinsmith, tools, trades, warrnambool ports and harbours

A gift from The Eltham Society, England to Eltham District Historical Society on the occasion of Australia's bicentenary in 1988. Script accompanying an 87 slide slide-show about Eltham, England. Includes photo on the inside cover of a group of people with names indicated by pieces of paper cut into arrow shapes with names written on and pasted onto photo. Bound booklet. 17 pages.HG Booklet 32bicentenary, bob harris, clifford crate, david brock, eltham society (london), harry gilham collection, lionel backhurst, margaret taylor, ruth fletcher, sally simmons

Contents: • Next meeting, guest speaker; Raelene Marshall: Shaping of the Australian Cultural Landscape; a talk about the role of dry stone walls in Australian history • September Meeting • Eltham Justice Precinct • Notice of Special General Meeting • News from the Andrew Ross Museum by Diana Bassett-Smith • Society Notes • Other Local News The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society

Containers like these were used to hold water for miners working underground. In mines the word "crib" refers to a meal break time. A crib tin would have accompanied the crib bottle. The word "crib" is probably of Cornish origin.A metal container 38 centimetres high and 16 centimetres wide made in three sections with a half centimetre thick metal handle that extends ten centimetres above the container. the bottom section is an oval shape 16 centimetres by 12 centimetres and is 18 centimetres high it is reinforced with two two centimetre wide straps crossing the bottom and extends six centimetres up the sides and is secured with rivets. The next section is a conical shape that extends for eight centimetres and finishes forming a four centimetre circle. A four centimetre tube extends for 12 centimetres.The handle is a 27 centimetres high loop of half centimetre round metal and is attached to the conical section of the container. metal container, crib bottle, miner's water container

This knife and scabbard belongs to Lindsay Fankhouser, who wore it on his ankle when he served as an engineer/ crewman in the RAAF (Iroquois and Hercules) during the Vietnam war. He used this knife many times a day while he was serving. The handle of the knife has an aluminium butt that is 18mm long and a bolster that is 19mm long. Between these there are stacked wooden washers. The pattern of the washers is three reddish brown, one white, one black, one white, eleven reddish brown, one white, one black, one white, three reddish brown. The butt has a flat end and a gentle curve downwards (towards sharp side). The handle has a context shape. The bolster has a concave shape. The blade is sharped from 3mm past the bolster. The blunt edge of the knife has a gentle curve inwards from about 55mm along the blade until the sharp point of the blade. There is a maker’s mark on the blunt edge of the knife near the point. It has been worn down and is now illegible.norway, norge, soallingen, knife, small knife, hunting, scabbard, sheath, vietnam, lindsay fankhouser, raaf

4/400062 Lt. Roy Victor Milton. Lieutenant Milton's name and details appear on the Nominal Roll of 3rd Bn RAR for the Battle of Kapyong, 23-24 April, 1951, for which the Presidential Unit Citation was awarded. .1) On dark blue cardboard backing. Top, rectangular shape, blue fabric with gold metal edging, "United States Presidential Distinguished Unit Citation" Centre. "Combat Infantry Badge", metal, oval wreath shape with bayonet. Bottom. Medal set, mounted, set of (2) re R.V.Milton. 1. Korea Medal. 2. United Nations Service Medal with clasp "Korea". Replica not engraved. .2) Document describing the award of "The United States Presidential Distinguished Unit Citation to the 3rd Bn Royal Australian Regiment, battle of Kapyong April 1951". On the left in red square the badge of the RAR. On the right the unit citation award. .1) "4/400062 R.V MIlton"numismatics, medals-military, documents-citations, passchendaele barracks trust