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Warrnambool and District Historical Society Inc.
Clothing - Melbourne to Warrnambool Society Tie, 2006
This tie was given in 2007 to members of the Melbourne to Warrnambool Society, a support group to assist the Warrnambool Citizens Road Race Committee to stage the Melbourne to Warrnambool Cycle Road Race in that year. This group was operating for some years early in the 21st century and there were some individual members but mostly the members represented businesses and other organizations in Warrnambool and district. The Melbourne to Warrnambool Road Cycling Classic commenced in 1895 and has run annually for most of the years since that date. The race is the second oldest one-day cycling race in the world and the longest one -day race in the Southern Hemisphere.This tie is of considerable interest as it is a memento of one of the most important events in Warrnambool's sporting calendar, a cycling race known throughout Australia and internationally. This is a man's tie made of polyester material. The tie is navy blue with a pattern in blue, white and yellow, a stylized version of an 'm' and a ''w', representing Melbourne and Warrnambool. It is encased in a clear plastic folder. It has small images of a map of Australia and the logo of the Melbourne to Warrnambool Cycle Road Race.Melbourne to Warrnambool Society Woven and Manufactured in Australiamelbourne to warrnambool cycling road race -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Newsletter City of Moorabbin Historical Society April 2013 doc, April 2013
The City of Moorabbin Historical Society was formed c 1960 by a group of Moorabbin area residents who were concerned that the history of the area should be preserved. A good response to a call for items related to the historical area of Moorabbin Shire brought donations of a wide variety of artefacts that are now preserved by the current members of CMHS at Box Cottage Museum. Helen Stanley, Secretary of CMHS, began producing a Newsletter for members in April 2007 to provide current information and well researched items of historical interest Helen retired in 2012 and Dr Bill Richardson, Secretary CMHS produced this NewsletterDr Bill Richardson, Secretary, has taken on the role of producing the bimonthly Newsletter for CMHS following the resignation of Helen Stanley. The Victorian Government Legislation has a new set of Model Rules that we have been invited to adopt and modify if we feel necessary. Our conclusion is that the new Model Rules are generally comprehensive and adequate, and are simple to understand. We recommend that the new model rules be adopted with some possible additions.A4 paper x 2 pages printed on one side. This is the first of the bi-monthly, City of Moorabbin Historical Society Newsletter produced by Society member and Secretary, Dr. Bill Richardson in April 2013. YouTube video of the Cottage is up and running. Type Box Cottage in search engine. City of Glen Eira properties staff inspected Cottage, found all ok and organised some photographs for the Glen Eira residents’ handbook. Dennis has installed the new display cabinets that he built for the barn for the tools that were displayed in the dairy. This was funded by CGE Community Grant . We will need to decide on the Model Rules and our purposes as required by the new Victorian Government legislation. The next general meeting is on 28th April at 1:00pm .Membership fees for 2013 are due and payable. Volunteers will be needed on Friday 26th April City of Moorabbin Historical Society Inc. / Reg. No. A0020547E / Box Cottage Museum/ Joyce Park, Jasper Road, Ormond / Secretary: Dr Bill Richardson / Secretary's News / April 2013victorian government, incorporated associations, dale james, stanley helen, maynard dennis, richardson bill, newsletters, moorabin, bentleigh, ormond, cheltenham -
Whittlesea Historical Society Inc.
Domestic object - Teapot and lid, c.1870
The teapot came from C. Turner, Baker, also known as Turner Brothers Bakery, at 107 Schotters Road, Mernda, and was used by the Turner family. The bakery is believed to have been constructed by Moses Thomas c.1870s. The Turner brothers, Charles and Stephenson baked bread in a wood fired scotch oven for sixty years. The bread was delivered by cart every Tuesday, Thursday and Saturday to Yan Yean and the Whittlesea area, and alternative days to Mernda and Separation. The business was sold in 1948 after Stephenson's death and eventually closed. In 2007 the bakery and 100 year old oven were restored.Statement of Significance The teapot is significant to it's link with the historical 19th century Turner Brothers Bakery at MerndaBlue enamel tin teapot with lid, decorated blue and white flowers with green leaf pattern on both sides of the teapot Noneteapot, mernda, charles turner, stephenson turner, bakery, enamel teapot, c turner baker, turner brothers bakery, blue teapot, 1870, yan yean -
Whittlesea Historical Society Inc.
Domestic object - Ladle, unknown
A soup ladle from the Turner Bakery collection and used by the Turner family of C. Turner, Baker or Turner Brothers Bakery, 107 Schotters Road, Mernda. The bakery is believed to have been constructed by Moses Thomas c1870s. The Turner brothers, Charles and Stephenson baked bread in a wood fired scotch oven for sixty years. The bread was delivered by cart every Tuesday, Thursday and Saturday to Yan Yean and the Whittlesea area, and alternative days to Mernda and Separation. The business was sold in 1948 after Stephenson's death and eventually closed. In 2007 the bakery and 100 year old oven were restored.The ladle is significant to it's links with the historical 19th century Turner Brothers Bakery at MerndaSoup ladle, ceramic glazed, floral print intact. No makers marksoup ladle, ladle, mernda, bakery, turners bakery, stephenson turner, charles turner, turner brothers bakery, c turner baker -
Whittlesea Historical Society Inc.
Domestic object - door handles, 2 door handles
2 door handles used by the Turner family at C. Turner, Baker of Turner Brothers Bakery, 107 Schotters Road, Mernda. The bakery is believed to have been constructed by Moses Thomas c.1870s. The Turner brothers, Charles and Stephenson baked bread in a wood fired scotch oven for sixty years. The bread was delivered by cart every Tuesday, Thursday and Saturday to Yan Yean and the Whittlesea area, and alternative days to Mernda and Separation. The business was sold in 1948 after Stephenson's death and eventually closed. In 2007 the bakery and 100 year old oven were restored.2 door handles from the Turner Bakery collection. turners bakery, mernda, charles turner, stephenson turner, c turner baker, yan yean, door handle -
Federation University Art Collection
Drawing - Drawing - Pen/wash, Clarke, Peter, "Escape from the Fish" by Peter Clarke, 1960
PETER CLARKE (1935 - ) Born Deloraine, Tasmania Peter Clarke was both artist and teacher. He held 14 exhibitions between 1957 and 1977, as well as participating in a number of group exhibitions, including Contemporary Australian Painting shown in Los Angeles and San Francisco. He is best known for large colour-field works. Peter Clarke's abstract painting emphasises texture, colour and gesture. He won the George Crouch Memorial Prize in 1967 This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed abstract painting with an ink wash.art, artwork, peter clarke, abstract -
Federation University Art Collection
Painting - Acrylic on canvas, 'Glade of the Mystique Seductress' by Julie Watkins, 1971
This painting is one of my key early works incorporating the Baroque dualities of theatrical drama and inner emotional worlds. Interpreting the Baroque subject of the Sacred and the Profane, the swirling diagonal composition of crossed figures, transparent and billowing drapery in contrasting colours and dramatically tense gestures, in this work combine to suggest both religious ecstacy and physical sensuality. The glade is portrayed as white light. It is the open space for the drama. One face gazes ambiguously at the viewer, questioning, whether she is - the willing but (guarded OR mysterious?) seductress the title suggests. Julie Watkins, 2015 Julie WATKINS (1949- ) In 1969 Julie Watkins completed an Associateship Diploma Fine Art-Painting at RMIT, and a Fellowship Diploma of Fine Art-Painting the year after. In 1973 she was awarded a Diploma of Education at Hawthorn State College. Julie Watkins worked as a TAFE teacher from1973 to 1978, then as a tutor for the Faculty of Architecture and the Built Environment at RMIT between 1979 and 1992. Between the years 2003 to 2003 she was a tutor at the University of Melbourne (Victorian College of the Arts. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Acrylic on stretched canvas art, artwork, julie watkins, watkins, painting, acrylic on canvas, available, julie meyer -
Federation University Art Collection
Painting, 'Forest Ritual' by Peter Clarke, c1956
PETER CLARKE (1935 - ) Born Deloraine, Tasmania Peter Clarke was both artist and teacher. He held 14 exhibitions between 1957 and 1977, as well as participating in a number of group exhibitions, including Contemporary Australian Painting shown in Los Angeles and San Francisco. He is best known for large colour-field works. Peter Clarke's abstract painting emphasises texture, colour and gesture. He won the George Crouch Memorial Prize in 1967 This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Abstract painting with black, red, yellow, green, blue and white predominating.art, artwork, peter clarke, clarke, abstract, colour-field -
Federation University Art Collection
Drawing - Drawing - Pen/wash drawing, 'Pale Sun Bird Rising', 1957
PETER CLARKE (1935 - ) Born Deloraine, Tasmania Peter Clarke was both artist and teacher. He held 14 exhibitions between 1957 and 1977, as well as participating in a number of group exhibitions, including Contemporary Australian Painting shown in Los Angeles and San Francisco. He is best known for large colour-field works. Peter Clarke's abstract painting emphasises texture, colour and gesture. He won the George Crouch Memorial Prize in 1967 This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed abstract drawing with wash.art, artwork, printmaking, peter clarke, mixed media, ballarat teachers' college collection, abstract -
Federation University Art Collection
Ceramic, Vic Greenaway, Spherical Form by Victor Greenaway, 1983
Victor GREENAWAY (1947 - ) Born Sale, Victoria Victor Greenaway studied Ceramics at RMIT. He established his first workshop in Hawthorn in 1968, before moving to Ian Sprague's Mungeriba Pottery, Upper Beaconsfield in 1969. He studied under Tatsuzo Shimoaka in Mashiko, Japan under a Churchill Fellowship awarded in 1974. Upon his return he established Broomhill Pottery in Upper Beaconsfield in 1975, and in 1976 started employing trainees. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Hand thrown porcelain moon jar which was commissioned for the Ballarat College of Advanced Education Art Acquisitions Committee. art, artwork, victor greenaway, ceramics -
Federation University Art Collection
Work on paper - Printmaking - Multi media, 'Woman of the Interior' by Elaine d'Esterre, 1993
Elaine D'ESTERRE Elaine D'Esterre is a fulltime artist who lives in Anglesea on Victoria's Surf Coast. Iin 1992 Elaine D'Esterre graduatued with a Bachelor of Arts (printmaking) from the University of Ballarat. The following year she was awarded a Graduate Diploma (painting) from theUniversity of Ballarat. In 2000 D'Esterre was awarded a Doctor of Philospophy from Deakin University. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. See also 3rd Year Final Exhibition 1992' program (Historical collection 005803)Limited edition print signed at lower right.Edition: 2/4art, artwork, elaine d'esterre, d'esterre, printmaking, multimedia, available, alumni -
Federation University Art Collection
Painting - Watercolour and Ink, 'The Firebird' by Neville Bunning
Neville BUNNING (1902-1990) Born Rockhampton Neville Bunning taught Sculpture and Ceramics at the Ballarat Technical Art School between 1945 and 1964. During that time he started the Ballarat Artists's Society, a group tat sponsored art and invited modernist artists to visit Ballarat to speak to students and the public. Bunning wrote a weekly rt column in 'The Courier' where his insightful comments made readers aware of significant trends in Art. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting of a bird in flight.art, artwork, neville bunning, watercolour, ballarat artists society, ballarat school of mines, available, rooster, bird, animal -
Federation University Art Collection
Sculpture, Penny Carey Wells, 'Women are Lavicious #3' by Penny Carey-Wells, 1997
Penny CAREY WELLS (08 November 1950- ) Born Hobart, Victoria Penny Carey Wells has worked as a paper and book artist in Tasmania since the early 80s and taught at the School of Art, University of Tasmania, from 1985-1997. She is currently employed part time at the State Library of Tasmania as a technician in paper conservation and exhibition officer. (http://www.kitezh.com/haven/artists/penny.htm, accessed 1/11/2016) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Boxed paper sculpture of the torso of a woman with narrow leather chest bands and gold leaf on the left hand side. art, artwork, sculpture, penny carey wells, torso, available, penny carey-wells -
Federation University Art Collection
Work on paper - Etching, Victor Cobb, 'The Approach to the Old Stables of Cobb and Co., Melbourne' by Victor Cobb, 1926
Victor COBB (14 August 1876-02 December 1945) Born Footscray, Melbourne, Victoria Cobb's reputation rests on a large oeuvre of etchings, built up during his lifetime and depicting with meticulous accuracy the architectural splendour of Melbourne's colleges and churches, vistas of the city, the tea-tree patterned foreshore and the outer areas of bush and countryside. State galleries hold many examples of his work. (http://adb.anu.edu.au/biography/cobb-victor-ernest-5698) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition etching of a street scene where an archway over road leads to the Cobb & Co. stables. These scene depicted is possibly in Elizabeth Street, Melbourne. Gift of the National Trust of Australia (Western Australia)Incised in plate l.l.: "The approach to the old Stables / - of Cobb & Co." / Victor Cobb 1926./ (no relation) inscribed in pencil l.l.: Victor Cobb inscribed in pencil l.c.: "Approach to the old Stables of Cobb & Co. / Melbourne inscribed in pencil l.r.: 3?/85. art, artwork, victor cobb, cobb and co, cobb & co, printmaking, etching -
Vision Australia
Photograph - Image, Sigrid Thornton visits Feelix library at RVIB Burwood School
The Feelix library was developed to help children who were blind or have low vision experience the connection with books via tactile objects. Each print book was hand selected, a clear Braille overlay placed on the pages, and items relating to the story were made or purchased and added to the kit. The kit (book and objects) was held inside a cardboard suitcase and sent through the mail in a bright orange, zippered plastic padded pouch with a carry strap. On May 22, 2007 Sigrid Thornton visited the Feelix library at the RVIB Burwood School for a special storytime with some kids.66 digital images of Sigrid Thornton's visit to the Feelix libraryroyal victorian institute for the blind, feelix, rvib burwood school, sigrid thornton -
Federation University Art Collection
Work on paper - Artwork, Bruno Leti, 'These Trees' by Bruno Leti, 2015
Bruno LETI (1941- ) Born Rome, Italy Arrived Australia 1950 Bruno Leti was nine years old when he came from post World War Two Italy. Known as a painter, printmaker, photographer and publisher of artists’ books, he studied at RMIT, studying Printnaking under Tate Adams, and Melbourne Teachers' College. He has taught art in Italy, Canada, USA, and Melbourne, Australia. Bruno Leti lives and works in Melbourne. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This etching by Bruno Leti was exhibited as part of "Parallel Prints", a limited edition print project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection.trees, printmaking, etching, bruno leti, artist, artwork, parallel prints, landscape -
Eltham District Historical Society Inc
Photograph, Liz Pidgeon, Moor-Rul Viewing Platform, 10 August 2016
The Moor-Rul Viewing Platform, part of the Kangaroo Ground War Memorial Park opened in April 2007. Eight double-sided interpretation panels on the Moor-rul viewing platform highlight the area's Aboriginal and European history of the area and also details of local geology, flora and fauna. These panels feature high quality graphic design and professionally written text. The subjects covered are: ''Womin Je Ka" Welcome The Kulin Nation Singing, Dancing, Ceremony, Celebration This Country, My Home The Highland Taken Auld Lang Syne "Same Land Different Views" Working the Land Food from the Earth or "Earth's Harvest" Lest We Forget, "And with the going down of the Sun .... (3 panels) This Black Earth Those other indigenous inhabitants - Kangaroo Ground's Wildlife Silent Witnesses - Kangaroo Ground's White Manna Gums Belonging A Place of Reverence and A Tower of Strength Souce: EDHS Newsletter No 173 March 2007. As part of a program to acknowledge the Anzac Centenary Nillumbik Shire Council partnered with Yarra Plenty Regional Library to provide a bus tour with commentary of local sites of significance: Shire of Nillumbik World War One Memorials tour, 10 August 2016. These included Eltham township, the Shire of Eltham War Memorial at Kangaroo Ground, Christmas Hills war memorial, Hurstbridge memorial recreation park and finshed at Eltham Library to view the Writing the War exhibtion at Eltham Library Community Gallery.Born Digitalshire of nillumbik, moor-rul viewing platform, kangaroo ground, memorial park -
Eltham District Historical Society Inc
Photograph, Liz Pidgeon, Moor-Rul Viewing Platform Panel: Silent Witnesses Kangarooo Ground's White Manna Gums, 10 August 2016
The Moor-Rul Viewing Platform, part of the Kangaroo Ground War Memorial Park opened in April 2007. Eight double-sided interpretation panels on the Moor-rul viewing platform highlight the area's Aboriginal and European history of the area and also details of local geology, flora and fauna. These panels feature high quality graphic design and professionally written text. The subjects covered are: ''Womin Je Ka" Welcome The Kulin Nation Singing, Dancing, Ceremony, Celebration This Country, My Home The Highland Taken Auld Lang Syne "Same Land Different Views" Working the Land Food from the Earth or "Earth's Harvest" Lest We Forget, "And with the going down of the Sun .... (3 panels) This Black Earth Those other indigenous inhabitants - Kangaroo Ground's Wildlife Silent Witnesses - Kangaroo Ground's White Manna Gums Belonging A Place of Reverence and A Tower of Strength Souce: EDHS Newsletter No 173 March 2007. As part of a program to acknowledge the Anzac Centenary Nillumbik Shire Council partnered with Yarra Plenty Regional Library to provide a bus tour with commentary of local sites of significance: Shire of Nillumbik World War One Memorials tour, 10 August 2016. These included Eltham township, the Shire of Eltham War Memorial at Kangaroo Ground, Christmas Hills war memorial, Hurstbridge memorial recreation park and finshed at Eltham Library to view the Writing the War exhibtion at Eltham Library Community Gallery. Born Digitalshire of nillumbik, moor-rul viewing platform, kangaroo ground, manna gum, display panel -
Eltham District Historical Society Inc
Photograph, Liz Pidgeon, Moor-Rul Viewing Platform Panel: The Kulin Nation, 10 August 2016
The Moor-Rul Viewing Platform, part of the Kangaroo Ground War Memorial Park opened in April 2007. Eight double-sided interpretation panels on the Moor-rul viewing platform highlight the area's Aboriginal and European history of the area and also details of local geology, flora and fauna. These panels feature high quality graphic design and professionally written text. The subjects covered are: ''Womin Je Ka" Welcome The Kulin Nation Singing, Dancing, Ceremony, Celebration This Country, My Home The Highland Taken Auld Lang Syne "Same Land Different Views" Working the Land Food from the Earth or "Earth's Harvest" Lest We Forget, "And with the going down of the Sun .... (3 panels) This Black Earth Those other indigenous inhabitants - Kangaroo Ground's Wildlife Silent Witnesses - Kangaroo Ground's White Manna Gums Belonging A Place of Reverence and A Tower of Strength Souce: EDHS Newsletter No 173 March 2007. As part of a program to acknowledge the Anzac Centenary Nillumbik Shire Council partnered with Yarra Plenty Regional Library to provide a bus tour with commentary of local sites of significance: Shire of Nillumbik World War One Memorials tour, 10 August 2016. These included Eltham township, the Shire of Eltham War Memorial at Kangaroo Ground, Christmas Hills war memorial, Hurstbridge memorial recreation park and finshed at Eltham Library to view the Writing the War exhibtion at Eltham Library Community Gallery. Born Digitalshire of nillumbik, interpretative signage, interpetation panel, indigenous history, moor-rul viewing platform, kangaroo ground -
Eltham District Historical Society Inc
Photograph, Liz Pidgeon, Moor-Rul Viewing Platform Panel: Singing, Dancing, Ceremony, Celebrations, 10 August 2016
The Moor-Rul Viewing Platform, part of the Kangaroo Ground War Memorial Park opened in April 2007. Eight double-sided interpretation panels on the Moor-rul viewing platform highlight the area's Aboriginal and European history of the area and also details of local geology, flora and fauna. These panels feature high quality graphic design and professionally written text. The subjects covered are: ''Womin Je Ka" Welcome The Kulin Nation Singing, Dancing, Ceremony, Celebration This Country, My Home The Highland Taken Auld Lang Syne "Same Land Different Views" Working the Land Food from the Earth or "Earth's Harvest" Lest We Forget, "And with the going down of the Sun .... (3 panels) This Black Earth Those other indigenous inhabitants - Kangaroo Ground's Wildlife Silent Witnesses - Kangaroo Ground's White Manna Gums Belonging A Place of Reverence and A Tower of Strength Souce: EDHS Newsletter No 173 March 2007. As part of a program to acknowledge the Anzac Centenary Nillumbik Shire Council partnered with Yarra Plenty Regional Library to provide a bus tour with commentary of local sites of significance: Shire of Nillumbik World War One Memorials tour, 10 August 2016. These included Eltham township, the Shire of Eltham War Memorial at Kangaroo Ground, Christmas Hills war memorial, Hurstbridge memorial recreation park and finshed at Eltham Library to view the Writing the War exhibtion at Eltham Library Community Gallery.Born Digitalwar memorials, shire of nillumbik, indigenous history, kangaroo ground, moor-rul viewing platform, interpretative signage, interpretation panel, display panel -
Eltham District Historical Society Inc
Photograph, Moor-Rul Viewing Platform Panel: This Country, My Home, 10 August 2016
The Moor-Rul Viewing Platform, part of the Kangaroo Ground War Memorial Park opened in April 2007. Eight double-sided interpretation panels on the Moor-rul viewing platform highlight the area's Aboriginal and European history of the area and also details of local geology, flora and fauna. These panels feature high quality graphic design and professionally written text. The subjects covered are: ''Womin Je Ka" Welcome The Kulin Nation Singing, Dancing, Ceremony, Celebration This Country, My Home The Highland Taken Auld Lang Syne "Same Land Different Views" Working the Land Food from the Earth or "Earth's Harvest" Lest We Forget, "And with the going down of the Sun .... (3 panels) This Black Earth Those other indigenous inhabitants - Kangaroo Ground's Wildlife Silent Witnesses - Kangaroo Ground's White Manna Gums Belonging A Place of Reverence and A Tower of Strength Souce: EDHS Newsletter No 173 March 2007. As part of a program to acknowledge the Anzac Centenary Nillumbik Shire Council partnered with Yarra Plenty Regional Library to provide a bus tour with commentary of local sites of significance: Shire of Nillumbik World War One Memorials tour, 10 August 2016. These included Eltham township, the Shire of Eltham War Memorial at Kangaroo Ground, Christmas Hills war memorial, Hurstbridge memorial recreation park and finshed at Eltham Library to view the Writing the War exhibtion at Eltham Library Community Gallery. Born Digitalwar memorials, shire of nillumbik, kangaroo ground, moor-rul viewing platform, interpretative signage, interpretation panel, display panel -
Eltham District Historical Society Inc
Photograph, Liz Pidgeon, Moor-Rul Viewing Platform Panel: 'Earth's Harvest', 10 August 2016
The Moor-Rul Viewing Platform, part of the Kangaroo Ground War Memorial Park opened in April 2007. Eight double-sided interpretation panels on the Moor-rul viewing platform highlight the area's Aboriginal and European history of the area and also details of local geology, flora and fauna. These panels feature high quality graphic design and professionally written text. The subjects covered are: ''Womin Je Ka" Welcome The Kulin Nation Singing, Dancing, Ceremony, Celebration This Country, My Home The Highland Taken Auld Lang Syne "Same Land Different Views" Working the Land Food from the Earth or "Earth's Harvest" Lest We Forget, "And with the going down of the Sun .... (3 panels) This Black Earth Those other indigenous inhabitants - Kangaroo Ground's Wildlife Silent Witnesses - Kangaroo Ground's White Manna Gums Belonging A Place of Reverence and A Tower of Strength Souce: EDHS Newsletter No 173 March 2007. As part of a program to acknowledge the Anzac Centenary Nillumbik Shire Council partnered with Yarra Plenty Regional Library to provide a bus tour with commentary of local sites of significance: Shire of Nillumbik World War One Memorials tour, 10 August 2016. These included Eltham township, the Shire of Eltham War Memorial at Kangaroo Ground, Christmas Hills war memorial, Hurstbridge memorial recreation park and finshed at Eltham Library to view the Writing the War exhibtion at Eltham Library Community Gallery. Born Digitalwar memorials, shire of nillumbik, kangaroo ground, moor-rul viewing platform, interpretative signage, interpretation panel -
Eltham District Historical Society Inc
Photograph, Liz Pidgeon, Moor-Rul Viewing Platform, 10 August 2016
The Moor-Rul Viewing Platform, part of the Kangaroo Ground War Memorial Park opened in April 2007. Eight double-sided interpretation panels on the Moor-rul viewing platform highlight the area's Aboriginal and European history of the area and also details of local geology, flora and fauna. These panels feature high quality graphic design and professionally written text. The subjects covered are: ''Womin Je Ka" Welcome The Kulin Nation Singing, Dancing, Ceremony, Celebration This Country, My Home The Highland Taken Auld Lang Syne "Same Land Different Views" Working the Land Food from the Earth or "Earth's Harvest" Lest We Forget, "And with the going down of the Sun .... (3 panels) This Black Earth Those other indigenous inhabitants - Kangaroo Ground's Wildlife Silent Witnesses - Kangaroo Ground's White Manna Gums Belonging A Place of Reverence and A Tower of Strength Souce: EDHS Newsletter No 173 March 2007. As part of a program to acknowledge the Anzac Centenary Nillumbik Shire Council partnered with Yarra Plenty Regional Library to provide a bus tour with commentary of local sites of significance: Shire of Nillumbik World War One Memorials tour, 10 August 2016. These included Eltham township, the Shire of Eltham War Memorial at Kangaroo Ground, Christmas Hills war memorial, Hurstbridge memorial recreation park and finshed at Eltham Library to view the Writing the War exhibtion at Eltham Library Community Gallery.Born Digitalshire of nillumbik, moor-rul viewing platform, kangaroo ground -
Federation University Art Collection
Work on paper - Printmaking - Coloured etching, Clutterbuck, Jock, 'Mohammed and the Origami Lightning No 1' by Jock Clutterbuck, 1980
Mohammed and the Origami Lightning" was a print I made in 1980, soon after my return from Mossman, north Queensland and a six month stint of studying the metaphysics of Shaik Ibn Arabi with Diane Cilento. The unspeakable omniscience of the prophet is conjured up in the left hand part of the image, and the playfull fantasy of a make believe world in the right hand part. These two realities spliced into the one printed image was what I found very attractive at the time. (March 2021)Jock CLUTTERBUCK (1945- ) Born Edenhope, Victoria Jock Clutterbuck is a sculptor and printmaker of national significance, his prints in colour etchings and aquatints are often from shaped plates and reflect themes found in his sculpture. Known for sophisticated and detailed abstract form, Clutterbuck studied sculpture and drawing at the Royal Melbourne Institute of Technology from 1965 – 1966, where he subsequently taught from 1969 – 1973 before taking up a role as the lecturer in Sculpture at the Victorian College of the Arts from 1974 – 2000. This work is an etching with aquatint and colour stencil on Torinoko An early supporter was Tate Adams, who established the Crossley Gallery to exhibit prints. He urged Jock Clutterbuck to create a series of etchings for Crossley Gallery, a gallery estabished by Tate to exhibit prints. Clutterbuck was awarded the National Gallery of Victoria Society Drawing Prize in 1966, the Australian Print Council Prize in 1969 and 1973, the Geelong Print Prize in 1972, the State Government Bicentenary award for sculpture in 1970, the PCA print prize in 1973, the Fremantle Arts Centre Print Prize in 1976 and the Caulfield Arts Centre Sculpture Award in 1979. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, jock clutterbuck, printmaking, etching, printmaking etching, available -
Orbost & District Historical Society
book, The White Woman, 1994
The white woman of Gippsland, or the captive woman of Gippsland, was supposedly a European woman rumoured to have been held against her will by Aboriginal people in the Gippsland region of Australia in the 1840s. Liam Patrick Davison (29 July 1957 – 17 July 2014) was an Australian novelist and reviewer. He was born in Melbourne, where, until 2007, he taught creative writing at the Chisholm Institute in Frankston. Davison and his wife Frankie, a teacher at Toorak College, were both killed on 17 July 2014 aboard Malaysia Airlines Flight 17 This, his third novel, was shortlisted for both The Age Book of the Year and the Victorian Premier’s Awards.This is a useful research tool on the history of indigenous and settler relationships in early Gippsland.A book titled "The White Woman" by Liam Davison. It is the story of the search for the lost white woman in Gippsland, Victoria, 1846. The cover has a black and white picture of forest with the title in white print.Bottom left corner - orange sticker Orbost Secondary Collegedavison-liam aboriginal-history -
Federation University Historical Collection
Photograph - Photograph - Colour, University of Ballarat Volunteer Tutor Program Graduation, 2009, 12/2009
Associate Professor Catherine Laffey has been described as a changemaker and educationalist. In 1993 she was the ALP candidate for Ballarat Province, and stood as a candidate for the Australian Labor Party in the Legislative Council Province of Ballarat at the Victorian state election, which was held on 30 March 1996. On 18 March 1999 University Council approved the appointment of Ms Catherine Laffey to the Human Research Ethics Committee as a member co-opted from the TAFE Sector. In 2005 she was elected to University Council as the TAFE Representative, and around 2007 the Univesity of Ballarat Consultative Committee. Catherine Laffey was appointed Head of the School of Human Services in 2009. A number of photographs of the presentation of certificates to graduates of the University of Ballarat Volunteer Tutor Program. The event was held in the Brewery Complex, SMB Campus. ballarat school of mines, tutor, judith wainwright, catherine laffey, brewery complex, univerrsity women -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph, Black & White Maypole Dance 1890, c1890
Originally, May Day was a holiday of ancient tradition in England to celebrate the arrival of Spring. It was celebrated with joyous dancing around a garlanded pole , called a Maypole, from which streamers/ ribbons hung. Each dancer held the end of a streamer, and as they danced, the ribbons became entwined creating one of the several traditional and colourful patterns. In Australia, 19thC & early 20thC, Maypole dancing was incorporated in some School's curriculum. as it was deemed to be 'lady like' exercise for girls.The Maypole dance was spectacular when performed for special occasions. It required precision 'drilling' with many rehearsals to prevent any mistakes in the routine. ( H. Stanley 2007 CMHS )Early settlers in Moorabbin Shire enjoyed coming together to celebrate various events by organising a Maypole dancing display and this reminded them of their homeland customs.Black & White photograph of community Maypole dance c1890 -
Port Melbourne Historical & Preservation Society
Photograph - Launch of History of a Street Precinct, 25 Sep
In 2005, members of the PMH&PS undertook a study of the residents of the houses in a Port Melbourne street precinct from the 1880s to 1960. The area is bounded by Evans Street, the E side of Bridge Street, S side of Williamstown Road, Farrell Street both the E & W sides plus the section of Ross Street between Farrell and Bridge and the part of Derham Street between Farrell and Bridge. The resulting map and an interactive CD won the Best Community Research, Registers & Records project at the 2007 Victorian Community History Awards. The project was launched on the railway reserve near the corner of Evans & Farrell streets. Co-author Graham BRIDE.Co-author, Graham Bride, at the launch of the History of a Street Precinct25/9/05 Graham Bridehistory of a street precinct, graham bride -
Kew Historical Society Inc
Photograph - Clarence Kindergarten and Sub-Primary, 180 Cotham Road, 1930-1935
180 Cotham Road, formerly 178 and later 210 Cotham Road, described as a brick residence of six rooms, was constructed in c.1890, for Alexander Hall, a dentist. From 1903, Miss Florrie Wymond operated a girls school at the property, and a timber schoolroom building was constructed at the rear of the property. During the 1930s, the school was known as the Clarence Primary School, and operated by Misses F L and M Wymond. While the listing of the property as a primary school had ceased by 1947, the Wymond family owned the property until the mid 1960s. (Source: Lovell Chen 2007, Review of B-graded buildings in Kew, Camberwell and Hawthorn).One of three photographs taken between 1930 and 1935 of students of 'Clarence' Kindergarten and Sub-Primary, located at 180 Cotham Road. The photos were accompanied by detailed notes identifying the names of students (where remembered).schools -- kew (vic.), clarence school, clarence house, 180 cotham road -- kew (vic.) -
Kew Historical Society Inc
Photograph - Clarence Kindergarten and Sub-Primary, 180 Cotham Road, 1930-1935
180 Cotham Road, formerly 178 and later 210 Cotham Road, described as a brick residence of six rooms, was constructed in c.1890, for Alexander Hall, a dentist. From 1903, Miss Florrie Wymond operated a girls school at the property, and a timber schoolroom building was constructed at the rear of the property. During the 1930s, the school was known as the Clarence Primary School, and operated by Misses F L and M Wymond. While the listing of the property as a primary school had ceased by 1947, the Wymond family owned the property until the mid 1960s. (Source: Lovell Chen 2007, Review of B-graded buildings in Kew, Camberwell and Hawthorn).One of three photographs taken between 1930 and 1935 of students of 'Clarence' Kindergarten and Sub-Primary, located at 180 Cotham Road. The photos were accompanied by detailed notes identifying the names of students (where remembered).schools -- kew (vic.), clarence school, clarence house, 180 cotham road -- kew (vic.)