Full colour poster, single sided, printed on gloss white paper, titled Transport in Victoria", giving details of the functions and the various authorities and boards reporting to the Ministry of Transport. , Country Roads Board, Victorian Railways Board, Westgate Bridge Authority, Melbourne Tramways Board, Melbourne Underground Rail Loop Authority, Transport Regulation Board, Railway Construction Board Has photos of the various activities of the Boards, including an aerial photo of Melbourne CBD from the south east, showing the Flinders St rail yards. Photo of Z class tram, but number has been removed. Has the Ministry logo in the bottom right hand corner. See also Reg Item 1352 for a book of the same title.In ink in top left hand corner "4J40" - AETA Library location.trams, tramways, minister for transport, railways, trb, crb, murla

Grey Butcherbirds live in wooded habitats, including suburban areas, from the north of Western Australia, across different parts of the top of the country, through to mid-eastern Queensland, and then south along the eastern side of the country all the way down to Tasmania. They have a 'lovely, lilting song', and are fiercely protective of their nests and chicks, swooping at presumed attackers with enough strength to sometimes draw blood. Adult Grey Butcher Birds are typically a light grey colour with dark heads and white underparts. The brown colouring on this animal suggests that it is a young bird, with its grey adult feathers coming in. This bird appears thinner than most Grey Butcher Birds, but it is unclear if this is because of its age or because of inaccurate taxidermy. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This specimen is particularly special in the Burke Museum Collection as it is part of a male/female pair (see Relationships). Many birds in the collection were originally donated in male/female pairs, but at least one specimen has been lost, leaving these as one of the few surviving sets.This Grey Butcher Bird (likely female, based on size) has a light grey and brown bill with a sharp hook. The majority of the feathers on its back and tail are an olive-brown colour. The feathers of its underparts, the patches on either side of its bill, and two stripes coming up either side of its neck are a yellow-white colour. There are some light grey feathers coming through in small patches, particularly across the back, the top of the underparts, and along the upper half of the legs. The eyes are brown. The bird stands on a brown, wooden perch with a circular bar, curved stand, and circular base. It has an identification tag tied around its right leg.18a. / Collared Crow. Shrike / See Catalogue; Page 10. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, australian birds, butcher bird, butcherbird, grey butcher bird, collared crow-shrike, australian butcherbird, tasmanian butcherbird, tasmania, bird pair

This building is a fine example of a very early small brick country court house which retains its furnishings and has important associations with the early history of the Eltham township. It was used for Eltham Road Board meetings in the 1860s and later to provide additional school accommodation. It is the oldest public building remaining in Eltham and forms an important group in historic and streetscape terms with the adjoining former police residence. The survival of the furnishings (of unknown origins) is of particular significance given the building's age. This building, and the former police residence beside it, were constructed as a result of a petition by five Eltham residents in 1857. The nearest police were at Heidelberg eight miles away or at the Caledonia Diggings 21 miles away. After the construction of the Court of Petty Sessions at Eltham in 1859-60 (which was designed by the Public Works Department and built by a Mr Duncan for a cost of 536 pounds), it was used for a variety of purposes. Eltham Road Board meetings were held there until 1868 when the board was transferred to Kangaroo Ground and as the Road Board Secretary's office, until this was transferred to Wingrove Cottage in 1867. It was used as an overflow for the Dalton Street School in 1875. According to National Trust records, the Eltham Court House is a relatively rare building type. There are only six other known examples of similar small brick country court houses in the state which have small projecting entry porches and a gabled form. Roll of 35mm colour negative film, 7 stripsFuji 100Neltham, eltham courthouse, main road

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Letters written between Dennis Else and Mike Breckin. They relate to the assistance available to students from countries such as India, East Africa and Fiji to train / attend courses out of their country. Australia has the Australian International Development Bureau (AIDAB) that provides financial assistance for this purpose. See Photograph 26735 shows a group attending a three month short course at Ballarat College of Advanced Education in 1984, assisted by AIDAB. See Also Document 26686 Three A4 pages - typed. .1 on very thin aerogram paper.Letterhead for The University of Aston in Birmingham and for Ballarat College of Advanced Education. Signature for Dennis Else and Mike Breckinviosh, victorian institute of occupational safety and health, dennis else, mike breckin, australian international development assistance bureau, aidab, financial assistance, short course, university of aston birmingham, ballarat college of advanced education

"From the beginnings of European settlement on the dry plains of Melton, the community became all too familiar with the destructive power of bushfires. Fires spread rapidly through the parched landscape and were difficult to stop. Small villages in the district were practically wiped out by different fires at various times, important buildings and valuable haystacks were lost, and most chaff mills were burned down more than once.110 A local bushfire brigade was established in 1935, with Constable Roy Corbett elected Captain. This formed the basis of what would later become the Melton Country Fire Authority (CFA) branch". During 1935 a Fire Brigade was organised by 1942 it had been registered with the BUSH FIRE BRIGADE COMMITTEE and a Certificate of Registration No 425 was issued. The Officers were as follows:- 1st Lieutenant E.W. Barrie 2nd Lieutenant T.L. Barrie 3rd Lieutenant Tom Knox Captains who followed Roy Corbett List of known Captains 1935 – 1975 Jack Wallace Roy Corbett Bon Barrie Edgar Barrie Steve Hirt In 1945 the C.F.A. became the controlling authority. Prior to this date D24 was the Nerve Centre of the Fire Fighting System with representatives of Country Fire Brigades, Forests Commission and D24. This information was in a typed document prepared by Edna Barrie 1975 Melton Fire Brigade yearly calendar emergency services

A press release from Melbourne Legacy in 1975 which relates a story of how Legacy works. The information was intended to be used by press and magazines etc. The title 'Rising prices worrying you?' and makes the point that the average cost of a family is rising, and now Legacy is a family of 107,000 people. Throughout Australia Legacy was supporting 80,000 widows and 27,000 children of deceased ex-servicemen who died in or since, the two World Wars, and the conflicts in Korea, Malaya and Vietnam. 'Legacy counsels these families in their daily life, that costs nothing for Legacy members give freely of their time' 'What does cost money, and plenty, is providing the tangible things these fatherless families need. Help with education up to an including tertiary studies. Firewood and other forms of heating in the colder climates. Maintenance of residences where country children can live, with all provided, when they have to come to the city for reasons of welfare, study or employment. Housing projects to care for aged widows, in both city and country areas. Subsidising nursing home beds for the infirm. An impressive list? In the calendar year of 1974 if cost Legacy in Australia almost $2.5 million and with rising prices, the coming year is going to cost considerably more. This is where Legacy seeks your help.' Note that in the 1970s inflation and cost of living was rising quickly.A record of how Legacy promoted their work in the 1970s.Pink foolscap page x 2 with black type of a press release in 1975.Rising prices worrying you?'press release, case studies

Grey Butcherbirds live in wooded habitats, including suburban areas, from the north of Western Australia, across different parts of the top of the country, through to mid-eastern Queensland, and then south along the eastern side of the country all the way down to Tasmania. They have a 'lovely, lilting song', and are fiercely protective of their nests and chicks, swooping at presumed attackers with enough strength to sometimes draw blood. Adult Grey Butcher Birds are typically a light grey colour with dark heads and white underparts, while their young are typically olive-brown. The mix of these two types of colouring on this animal suggests that it is a younger bird. This bird appears thinner than most Grey Butcher Birds, but it is unclear if this is because of its age or because of inaccurate taxidermy. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This specimen is particularly special in the Burke Museum Collection as it is part of a male/female pair (see Relationships). Many birds in the collection were originally donated in male/female pairs, but at least one specimen has been lost, leaving these as one of the few surviving sets.This Grey Butcherbird (likely male, based on size) has a bill that is dark grey at the front with a sharp hook but becomes lighter towards the face. The majority of the feathers on its back are light brown with some grey feathers around the lower half. It's crown area is a dark black colour and its tail is a dark grey. The feathers of its underparts and a small patch on either side of the neck are a yellow-white colour. There are also grey feathers coming through on its underparts. The eyes are brown. The bird stands on a brown, wooden perch with a circular bar, curved stand, and circular base. It has an identification tag tied around its left leg.19a / Collared Crow. Shrike / See Catalogue, Page 10 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, australian birds, butcher bird, butcherbird, grey butcherbird, collared crow-shrike, australian butcherbird, tasmanian butcherbird, tasmania, bird pair

The telephone directory contains both White Pages and Pink Pages listings. The White Pages listings are in alphabetical order of names for the entire 055 district. This directory is of some importance as it lists the names and addresses of people and businesses with telephones in 1974 in the 055 area code. Most of the listings of the smaller towns give the names of the homes and properties. So this is a very useful tool for research purposes.This is a soft cover booklet with a green cover and a colour photograph of an Irish Setter dog on the front cover and a map of the telephone area on the back cover. Front cover – ’74 Telephone Directory, Camperdown, Casterton, Edenhope, Hamilton, Portland, Warrnambool districts. STD area code 055. See back cover for area covered by this directory Spine – Camperdown, Casterton, Edenhope, Hamilton, Portland, Warrnambool districts. See the pink pages for business & trade listings. V1- 1974 Back Cover – Country directory areas. The area covered by this Directory is the coloured portion of this map. See the pink pages for business and trade listings. warrnambool 1974, warrnambool telephone directory 1974, 055 telephone directory

Cogan is a textile artist and her work is political in nature. 'War and Peace' is about the Vietnam War and a statement about patriotism in war, of lessons not learnt, of remembrance and never forgetting. This work is an expression of her feelings towards this time and of her husband's experience who fought in this war. The Republic of Vietnam 'Vietnam Campaign Medal' is from the former country of South Vietnam (Republic of Vietnam). Established in 1966, it was awarded to members of United States, Australian, and New Zealand military forces serving six months or more in support of Republic of Vietnam military operations. The medal is issued with a device known as the 1960 Bar. The bar displays the date of 1960 followed by a dash and a blank space. The unusual appearance was caused by the government of the Republic of Vietnam stating that the 1960 bar would show the dates of the Vietnam War from start to finish, with the ending date placed on the 1960 bar after the South Vietnamese had triumphed over North Vietnam (the Democratic Republic of Vietnam). Since South Vietnam fell, and the government ceased to exist, an ending date for the 1960 Bar was never established. The Vietnam Campaign Medal is considered a foreign award by the U.S., Australian, and New Zealand governments. The joint Australian and New Zealand campaign medal awarded for service in the Vietnam War is the 'Vietnam Medal'. The obverse of this medal shows the crowned head of Queen Elizabeth II, with titles, while the reverse has the inscription VIETNAM above a symbolic representation of the ideological war in Vietnam. The RSL poppy (the Flanders poppy) has long been a part of Remembrance Day, the ritual that marks the Armistice of 11 November 1918, and is also increasingly being used as part of Anzac Day observances. During the First World War, red poppies were among the first plants to spring up in the devastated battlefields of northern France and Belgium. In soldiers' folklore, the vivid red of the poppy came from the blood of their comrades soaking the ground. The poppy soon became widely accepted throughout the allied nations as the flower of remembrance to be worn on Armistice Day. Today the RSL continues to sell poppies for Remembrance Day to raise funds for its welfare work. "War and Peace' is significant as it explores and highlights a period in history (the Vietnam War), which was contentious both socially and politically. Cogan and her family lived locally, in the Shire of Eltham during this time, and her work is a reflection of the experiences and sentiments of a section of the Nillumbik community. Textile piece. 'War": Cast muslin, machine embroidery onto white calico. Tanin dye, poly thread, side bust view (hand, shoulder and arm). Black machine stiching on shirt and shirt pocket with two vietnam medals. A replica of the 'Vietnam Medal' in muslin is shown reverse and has the inscription VIETNAM above a symbolic representation of the ideological war in Vietnam, which is of a male figure standing between two spherical shapes. The ribbon has a vertical central section of bright yellow which has centrally superimposed on it three thin stripes of red, (representing the South Vietnamese flag) flanked by two stripes of red (representing the Army). On the left is a dark blue stripe representing the Navy and on the right, a light blue stripe representing the Air Force. A replica in muslin of the second medal is the Republic of Vietnam 'Vietnam Campaign Medal' of the former country of South Vietnam. The ribbon has green and white strips with a device bearing the inscription ‘1960 – ‘. The medal is traditionally a gold and white enamelled star with a green, red and gold centre motif. Right hand is touching the medals/heart, while left arm is left resting to the left side over a crutch which ends in a rolled up bandage. 'Peace': Cast muslin, machine embroidery onto calico. Black dye, poly thread and RSL poppy. Side bust view (hand, shoulder and arm). Yellow machine stiching on black shirt and shirt pocket with RSL red poppy on shirt pocket. Right hand is reaching to touch the poppy, while left arm is slightly bent resting on its' left side. Nonetextile, muslin, embroidery, vietnam war, medals, vietnam medal, vietnam campaign medal, rsl poppy, war, peace, armistice, remembrance day, anzac

This postcard was hand-embroidered in France and sent to Australia during World War I. A large piece of silk would be hand-embroidered by French women with the same pattern 20 times or so, then the large completed piece would be sent to a factory to be cut up and the individual pieces mounted on card. They had varying themes and patterns, greetings such as happy birthday or thinking of you, featuring butterflies, flowers and sometimes patriotic flags of allied countries involved in the war. They were marketed to troops to send home to female members of the family and girlfriends. It was estimated 10 million silk postcards were produced in Europe between 1915 and 1919. During World War 1 postcards were a welcome means of personal communication for many people. Most information came from newspapers or broadcasts.A small Christmas postcard of fabric with embroidery of flowers around the British flag and "Happy Christmas" sewn along the bottom."I am still going well & strong Love to all Maurie"ww1-correspondence ww1 postcard

The Mural is a picture in wool of the origin of the Ballan district and is made of pure wool donated by local growers.The centre panel is a reproduction of a sketch by Emma von Stieglitz in 1852 of the Ballan General Store. The ram's heads symbolise the importance of wool to the area and the circular shapes the transport of the day. Mrs Grace Slocombe designed the Mural, fifty-three local craftswomen (and one man) began the work in November 1981, and the finished work was exhibited at the 1982 Ballan Arcadian Arts Festival. The Mural was also exhibited at the 1982 Royal Melbourne Show then went on a tour of of various country areas in Victoria. It now hangs in the Ballan Old Courthouse.The Mural is significant to the local area.A text document on the story of the Wool Mural made for the Ballan Arcadian Festival in 1982.ballan art and craft society, grace slocombe, kathy diamond, enid swan, jessie mclean, joyce strickland, margaret young, cynthia ranken, dorie young, wool, wool mural

A new bridge over the Snowy River at Orbost was opened for traffic on June 20th 1922. It was intended as a road and rail bridge, and was again partly washed away by flood waters in 1934. After the end of the first World War the Victorian Railways considered an extension of the railhead across the river at Orbost, and in 1922 a new timber and steel girder structure, a joint Country Roads Board — Victorian Railways venture, was built and completed at a cost of £41,000 (the steel girders came from the Flinders Street viaduct reconstruction). Subsequently it was decided decided not to take the railway across the river, and the bridge was only used by road traffic. This is a pictorial record of an early bridge over the Snowy River at Orbost.A black / white postcard photograph of a bridge across a shallow river with men on horseback underneath.snowy-river-bridge

One of several Dandenong Creek marker posts inscriptions: "Busch's Weir was located at this section of the creek between 1930s to 1960s. In the 1930s, German migrant Hermann Otto Busch and his wife Dorothea moved to Bayswater and opened the Waldheim Farm Guest House. Busch built a concrete weir to create a popular swimming and fishing destination. The weir was a thriving attraction until the 1960s. Although little remains, it is fondly remembered by the Heathmont community. City dwellers would retreat to the guesthouse and wander down to Dandenong Creek to enjoy a weekend in the 'country'. Busch's guest house, tea rooms, and weir attracted locals and tourists alike."A private weir on Dandenong Creek Bayswater and Heathmont, 1930s-1967. Landscape layout soft covered book by Heathmont History Group (Ringwood & District Historical Society.Front cover image: A 1956 painting by Hermann Busch of his weir. The publication of this book has been made possible by a financial grant from Melbourne Water, as part of the Enhancing Our Dandenong Creek program. We particularly acknowledge the encouragement and support of Sarah Watkins, Senior Planning Engineer, MW.

These three netball team photographs were possibly taken at Bones Day, an annual sports competition between the Army Survey Regiment and the RAAF School of Radio circa 1994. The two units took turns each year to host the event. The day competition usually comprised basketball, cross country, golf, sailing, squash, softball, tennis, touch football, rifle shooting, tug-of-war and volleyball. It is also possible these three photos were taken at an inter-area or inter-service competition. The history of the Bones Day competition is best described in the booklet titled - Bones of Contention Souvenir Program. 1965. Refer to Item 6267.This collection of three netball team photographs were possibly taken at Bones Day, an annual sports competition between the Army Survey Regiment and the RAAF School of Radio, at Bendigo circa 1994. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, colour, c1994, Fortuna Netball Team, Back Row L to R: Joanne Otto, unidentified (x3), Gloria Lucas, Le-Anne (Smallshaw) Shirley, unidentified. Front Row L to R: Nadine (Paul) Read, Nicole Midgley, Ailsa (Sorby) Miller. .2) - Photo, colour, c1994, Group Netball Teams, Back Row L to R: unidentified (x2), Gloria Lucas, Jodi Cuskelly, unidentified, Peter Barrett, Le-Anne (Smallshaw) Shirley, unidentified. 3rd Row L to R: Ailsa (Sorby) Miller, Nicole Midgley, Joanne Otto, unidentified (x5). 2nd Row L to R: Michelle Withers, unidentified, Annette (Odgers) Wynn, unidentified (x5). Front Row L to R: Allison (Ottaway) Wooldrage, unidentified (x4). .3) - Photo, colour, c1994, Fortuna Netball Team L to R: Annette (Odgers) Wynn, Nicole Midgley..1P to .3P – No personnel are identified. ‘Nikki’ is written in red texta on the back.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, raaf school of radio, bones day

These are programs for the commemoration ceremonies held in Warrnambool in recent years. Anzac Day, 25th April, has been a public holiday in Australia since 1927 and at first commemorated the Australian and New Zealand Army Corps troops who landed on the Gallipoli peninsula, in Turkish Thrace, the European section of Turkey, on 25th April 1915 and engaged in battle with the troops from the Ottoman Empire in World War One. Today Anzac Day commemorates all Australian and allied troops who fought for their country in world conflicts. The programs reflect the deep reverence Australians have for both Anzac Day and those who fought for us. These programs are of some interest as they represent the type of commemoration that takes place in Warrnambool each year on Anzac Day. The local people, like most others in Australia, hold Anzac Day as an important, if not the most important, national day. These three programs are for commemoration ceremonies in Warrnambool for Anzac Day, 2009, 2012 and 2013. Two of them are two A4 white sheets of paper folded in two to make 4 pages printed back to back and the other is a larger folded cream-coloured sheet containing four printed pages. The pages contain colour photographs of the Warrnambool War Memorial, printed material and an image of the Returned Services League of Australia badge on the front page. anzac day, warrnambool war museum

The Dederang Race Club is a thoroughbred Race Club that manages a country racing venue in North East Victoria at the Dederang Recreation Reserve on the Kiewa Valley Highway. These races have been held annually since the mid 1850’s. The Dederang Picnic Race Club holds its one race meeting a year with the Dederang Cup in January. Thousands of dollars have been raised in that time for charity and the community through the effort of volunteers. The race club is made up of 100% volunteers and whilst not only organising the race meeting they voluntarily maintain the racecourse and facilities to a standard that allows local trainers to use the course throughout the year. Dederang Race Club celebrated its 150 year anniversary in January 2015 with spectators dressed in period race attire and the launch of a book commemorating the organisation "Rank Outsider-A non racegoers glance at 150 years of the Dederang Race Club2 Documents regarding Dederang Racing Club meetings 1. Original printed flyer for Dederang Race Club Annual meeting Jan 29, 1938. On buff paper 2. Official programme for Dederang Racing Club Annual meeting. February 6, 1924. Buff cardboard printed programme dederang racing club; programme; dederang cup; kiewa valley

These two works of art are by Dr Don Edgar, a sociologist, educator and author. He taught sociology at Stanford University, the University of Chicago, Monash University and La Trobe University and was the founding Director of the Australian Institute of Family Studies. In the 1950s Dr Edgar was a student at Warrnambool High School and these works of art were produced at that time. For a school project he researched the early history of the Warrnambool Art Gallery and some of its collection, dating from the 19th century. In 2019 he published a book, ‘Art For the Country’, the story of Victoria’s regional art galleries and the book includes information on the founding and the later history of the Warrnambool Art Gallery.These works of art are of interest as they were painted by Dr Don Edgar, a noted academic and author today and a former resident of Warrnambool. The two works of art also have historical interest as they depict Warrnambool scenes painted over 60 years ago. .1 An art work (oil on artboard) – the Warrnambool Botanical Gardens with bridge and reflections, a gum tree and a poplar tree, all in green and orange tonings. The wooden frame has a light varnish with gold and white trim .2 An art work (oil on artboard) – multi-coloured view of the mouth of Hopkins River with the Hopkins River bridge, Lyndoch bungalow and boathouse. The frame is wooden with a mottled varnish and a white insert edging. .1 Don Edgar 1953 Don Edgar 1953 (High School Student) .2 D.E. 53 Don Edgar 1953 (High School Student) dr don edgar, sociologist, author and educator, warrnambool art gallery, history of warrnambool

This is an original Argus in a maroon leather folder. The paper itself is a 32 page broadsheet which slides inside the folder for protection. A certificate of authenticity is glued to the inside cover of the folder.non-fictionThis paper contains mostly news items and advertisements of the day. However some items contained within are fictional in nature.warrnambool, the argus 1925, winslow, o'keefe, o'keeffe

The WWI Death Plaque (Dead Man's Penny) was issued to the next of kin of servicemen/women who had fallen in the Great War between 1914 and 1918.This plaque was given to honour the service of Ballarat College old collegian Harry Spencer Holgate who entered the school in 1894. On leaving school he became an auctioneer at Muswellbrook and Scone. He enlisted on 24 May 1916 and was awarded the Military Medal at Polygon Wood in September 1917. He was killed at Zonnebeke on 11 October 1917. His brother Edward Spencer Holgate was also killed while serving his country during World War 1. Of the 305 Ballarat College old collegians who enlisted in WW1 65 gave their lives for their country. This 'death penny' is representative of the incredible sacrifice given by this huge percentage of the school's community. Round disk cast in bronze gunmetal, which incorporates the following; an image of Britannia holding an oak spray with leaves and acorns, an imperial lion, two dolphins representing Britain's sea power, the emblem of Imperial Germany's eagle being torn to pieces by another lion. The medallion is packaged in a heavy card envelope.Inscribed around face of medallion: He died for freedom and honour. A rectangular tablet cast on front of medallion inscribed 'Harry Edward Spencer'. harry-spencer-holgate, ballarat-college, world-war-one, death-penny,

Dr. Anne Beggs-Sunter is an historian who lectures in the School of Arts at Federation University Ballarat in Wathawurrung country. Her major interests are in Australian social, cultural and political history. Her special interests relate to the colonial era, to the history of Ballarat and its heritage conservation, and the significance and commemoration of the Eureka Stockade. Anne is actively involved with a number of cultural institutions, including the Art Gallery of Ballarat, the Gold Museum and the Buninyong Historical Society, and serves on a number of City of Ballarat committees. She has written a number of books, exhibition catalogues and articles for different audiences ranging from specialised academic journals to newspapers.women of note, dr anne beggs-suntar, historian, school of arts, federation university, social cultural political histories, history of ballarat, heritage conservation, eureka stockade, ballarat art gallery, gold museum, author, books articles, lecturer, historical studies

The Maker’s Mark stamped on the back of this plate, a green laurel wreath with “W. H. Gringley & Co. Ltd, England” below, was used by the company between 1914-1925, according to Kroker and Goundry, authors of a paper “ARCHAEOLOGICAL MONITORING AND MITIGATION OF THE ASSINIBOINE RIVERFRONT QUAY”. The company used different Marks at other times during their operation. The design on this plate is transferware. The company used this more economical process of adding a transfer rather than employing artists to handprint them onto their dinnerware. William Henry Grindley and Alfred Meakin established the company at Tunstall, Stoke-on-Trent, in 1880. The company produced their wares for export to countries that included Australia.This ceramic plate is an example of dinnerware imported from England. The plate was made between 1914 and 1925 . The popular 'bird of paradise' design on the plate is an example of transferware, which made decorative dinnerware more affordable. China plate, earthenware, round, off-white colour with fine blue rim and three transfer decals spaced around the rim. Decals each have a bird of paradise on a flowering branch. The centre of the plate is plain. The maker’s stamp is an open green laurel wreath enclosing a decorative horizontal line, above the name. Made by W H Grindley & Co. Ltd of England.On underside; logo "[green wreath] above W. H. GRINDLEY & Co. Ltd. ENGLAND"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, plate, dinnerware, w. h. grindley, english, plateware, bird of paradise, transferware

The Tawonga C.W.A. formed on 7th Feb. 1946. It was a very active group with 45 members in that year. Numbers fluctuated throughout the years and totalled 26 members in 1988. The Tawonga C.W.A. often combined activities with the other branches in the Kiewa Valley. The C.W.A. aimed to improve health, welfare and education for women and children in the country. The book gives examples of all the activities the members were involved in over the years and their involvement with other C.W.A. groups in North East Victoria and Victoria. There are many photos of members and their activities too. These photos give a good representation of what womens fashions were during the mid part of the 20 century. Historical: Women living in Tawonga were mostly on farms and, in 1946, when the branch commenced would have been feeling more remote with WW11 having had an effect on available workers and the well being of the women and children. This scrap book was complied by Claire Roper one of the founding members of the CWA. It traces the history of the Tawonga branch of the CWA, its members and what they did which improved the living conditions for their community. Large scrap book held together by 3 large staples originally with blank pages. The pages have been written on and newspaper articles have been pasted in. The book was covered with light brown paper, the heading has been handwritten using block letters coloured in green with black outline. Centre front of the book has a photo of ladies dated 1978. Their names are typed in underneath. The book has then been covered by clear plastic.The title: "C.W.A. / Tawonga / Scrap Book / Collected by C. Ropercountry women's association of victoria. tawonga. clare roper.

This blazer was worn by a Warrnambool Fire Brigade member (Jack Sizeland). It was part of the dress uniform for fire brigade members in the 1960s and 70s. The Warrnambool Fire Brigade was established in the early 1860s after a fire at the Flying Buck Hotel in Liebig Street prompted a public meeting to establish a permanent fire authority in the town. There had been a couple of attempts previously to set up a local fire brigade. The Warrnambool Fire Brigade actively participates in Country Fire Authority Championships and competitions and has been very successful, particularly in the 19th century. John (Jack) Sizeland retired when he was 65 in 1977 (37 years of service).This blazer is of interest as it shows us what fire fighters in Warrnambool were wearing in the mid 20th century (dress uniform). It is also a memento of one long-serving firefighter, Jack SizelandThis is a man’s black blazer with three large black buttons. The sleeve ends and the three pockets have a diagonal red and black patterned braid stitched on. The upper portion of the blazer and the sleeves are lined with black material. The top pocket has the badge of the Warrnambool Fire Brigade in red and yellow stitched on. The badge features a Fire Brigade helmet, a ladder and two axes set in two concentric circles. A printed label with the owner’s name (Sizeland) is stitched inside the collar areaName ‘Sizeland’ stitched inside collar areawarrnambool fire brigade, country fire authority, john sizeland, history of warrnambool

This folder was compiled in October 2015 from documents, magazines. papers and photographs donated by David Jellie, engineer in charge 1974 - 1976. In early 1974, as an Engineer with the Country Roads Board, David came to Orbost as the Supervising Engineer for the construction of the new bridges which were part of an 8.4km Orbost bypass road design. This was a major project involving not only a new bridge over the Snowy River (including Lochiel Lagoon), but other bridges over Ashby’s Gulch and Watt’s Gulch. These new bridges were opened in November 1976 with the unveiling of a plaque on the eastern end of the $2.4M Snowy River Bridge. (ref. May Leatch)This item is a useful reference tool on the construction history of the Snowy River Road bridges.A white plastic folder - Orbost Bridges - Snowy River Road Bridges. it contains newspaper articles, booklets, photographs and documents relating to the construction of the Snowy River Road Bridge in 1974 -1976.on front cover - 1974 - 76 ORBOST / SNOWY RIVER ROAD BRIDGES * construction * photos * articles * plans Donated by David Jellie Oct 2015snowy-river-bridges jellie-david

In early 1974, as an Engineer with the Country Roads Board, David came to Orbost as the Supervising Engineer for the construction of the new bridges which were part of an 8.4km Orbost bypass road design. This was a major project involving not only a new bridge over the Snowy River (including Lochiel Lagoon), but other bridges over Ashby’s Gulch and Watt’s Gulch. These new bridges were opened in November 1976 with the unveiling of a plaque on the eastern end of the $2.4M Snowy River Bridge. The new bridge, built by the CRB at a cost of $2.4 million, is 1.6 metres above the record flood levels of 1971. (ref. May Leatch) This newspaper contains contemporary reports of a significant event in Orbost.A Snowy River Mail newspaper, dated 1.12.1976. It contains news articles, photographs and advertisements. The main article relates to the official opening of the Snowy River Bridge and the unveiling of a plaque on the eastern approach. It also contains a history of the first Snowy River Bridge.snowy-river-bridge orbost-bridges snowy-river-mail

This file contains three items about Theobald, Augustus Gus. One page type-written document title CAULFIELD IDENTITIES on the history of Gus Thoebald. The summary of it is published in the nineteenth newsletter (April 1982) of Caulfield Historical Society. Original newspaper cutting from THE AGE dated 20/08/1990, a sports article remembering Augustus Gus Theobald at the V.A.A. mens cross-country championship held on 18/08/1990. He was killed in a road accident at 93. Two original black and white photographs of Gus Theobald as a school-crossing supervisor at O’Neil campus in Garden Vale, undated.caulfield, glen huntly, theobald gus, theobald augustus albert, glen huntly road, royal avenua, electrical business, glen huntly athletic club, medals, sport, sports people, school crossing supervisor, death and dying, castella nick de, ryan gerard, lubofsky jon, deveson glen, hoyle adam, theobald augustus gus, ramadge col.

This publication consists of many Decades which contain "figuers and descriptions of the fossil organic remains to be used for the determination of the geological ages of the different geological formations of the country." (p. 3). Frederick McCoy was born in Dublin, Ireland in 1817. He was a Professor of Natural Sciences, University of Melbourne 1854-1899. McCoy lectured in geology, zoology, chemistry, mineralogy, geography and botany. In 1858 He became the Director of the National Museum of Victoria and the President of the Royal Society of Victoria in 1864. In 1888, McCoy was awarded FRS for work in Palaeontology in Ireland, England and Australia. He died in his office while correcting examination papers in 1899A Paperback cover book. Decade IV. Title is written in black on front cover and on title page. At head of title: Geological Survey of Victoria. Illustrations, plates in b/w; 32 p. It includes figures and descriptions of Victorian Organic Remains and contents of Decades on the back cover of the book.australia palaeobotany, victoria palaeontology, geological survey of victoria, frederick mccoy, organic remains

This publication consists of many Decades which contain "figuers and descriptions of the fossil organic remains to be used for the determination of the geological ages of the different geological formations of the country." (p. 3). Frederick McCoy was born in Dublin, Ireland in 1817. He was a Professor of Natural Sciences, University of Melbourne 1854-1899. McCoy lectured in geology, zoology, chemistry, mineralogy, geography and botany. In 1858 He became the Director of the National Museum of Victoria and the President of the Royal Society of Victoria in 1864. In 1888, McCoy was awarded FRS for work in Palaeontology in Ireland, England and Australia. He died in his office while correcting examination papers in 1899.A Paperback cover book. Decade v. Title is written in black on front cover and on title page. At head of title: Geological Survey of Victoria. Illustrations, plates in b/w; 41 p. It includes figures and descriptions of Victorian Organic Remains and contents of Decades on back cover.Stamped Ballarat East Public Library"australia palaeobotany, victoria palaeontology, geological survey of victoria, frederick mccoy, organic remains, ballarat east library, ballarat east public library

This publication consists of many Decades which contain "figuers and descriptions of the fossil organic remains to be used for the determination of the geological ages of the different geological formations of the country." (p. 3). Frederick McCoy was born in Dublin, Ireland in 1817. He was a Professor of Natural Sciences, University of Melbourne 1854-1899. McCoy lectured in geology, zoology, chemistry, mineralogy, geography and botany. In 1858 He became the Director of the National Museum of Victoria and the President of the Royal Society of Victoria in 1864. In 1888, McCoy was awarded FRS for work in Palaeontology in Ireland, England and Australia. He died in his office while correcting examination papers in 1899.A Paperback cover book. Decade VI. Title is written in black on front cover and on title page. At head of title: Geological Survey of Victoria. Illustrations, plates in b/w; 42 p. It includes figures and descriptions of Victorian Organic Remains and contents of Decades at back of the book.australia palaeobotany, victoria palaeontology, geological survey of victoria, frederick mccoy, organic remains, john ferres