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Dandenong/Cranbourne RSL Sub Branch
Equipment - Camera & Case, EASTMAN KODAK Co, c. 1913
This camera went ashore at Gallipoli on the first day of the invasion 25/04/1915.Metal silver Vest Pocket Kodak Camera. Rectangular box type with scissor pop out lens. Bellows made of leather During WW1 it was marketed as a camera suitable for soldiers due to size and portability, often referred to as "The soldiers camera". It has small shutter release button mounted above the lens plate and below the lens there is a slider for choice of apertures, It originally used A127 autographic roll film. The case is small leather black rectangular shaped with flap and press stud to keep shut.On plate holding the lens-:VEST POCKET KODAK Patented Mar 4,1902,May 6,1913 On bronze piece surrounding the lens -: 25BT50 clear ...brilliant tripod gray 1/2 sec ...dull 3/4 sec...very 01 sec Made by Eastman Kodak Co Rochester USA Autotime patent 1908 cloud marine distant view ave rge view nearview portrait No markings on leather case. -
Kiewa Valley Historical Society
Photographic Equipment - Developer
The photographic developers were used to develop plates, films and lantern slides. They had to be mixed as per instructions on the bottles. These may have been used by an individual or by a local school or organisation.Wilma Davies, a long term resident of the Kiewa Valley, donated this photographic equipment.1 brownish/black cardboard box with hinged lid at top. Label is black, white & orange on front & across top of lid. This label continues down the sides and was a seal. The box contains: 3 clear glass cylinders with white markings used to measure 1 cc of liquid, showing 5cc and 10cc. Also: 1 brown glass, rectangular shaped bottle "Kodak Amidol" 1 ounce nett. It has a black plastic screw lid, a white label on 3 sides with black & orange print. Also: x2 round brown glass bottles with a sealed orange rubber(?) over tin(?) sealed (screw?) lids. Label "Johnson Colourform Developer "A" solution" all around with white label on the front and "Activol" and 'Caution' on the back all in black and orange print.Johnson Colourform Outfit on box. White marks showing 1cc on glass cylinders and 5cc and 10cc. "Kodak Amidol" etc. on 1 bottle "Johnson Colourform developer "A" Solution on 2 bottles.photographic equipment, photography, chemicals, processing equipment, johnson of hendon, kodak, colourform outfit, photo developer, wilma davies -
Frankston RSL Sub Branch
Syringe, Medical
Silver plated (?) medical syringe used for injection purposes. This syringe is re-usable consisting of two main components; a cylindrical body with an attachment for fitting a needle at one end and a plunger which fits inside the body, the plunger is attached by screw thread to the other end of the syringe body. One face of the plunger is graduated in units with major markings indicating 5, 10, 15 and 20 units (perhaps ml?). The plunger has a screw thread along its length with a threaded stopper which can be pre-set to determine the volume of an injection. This syringe is contained in a purpose built silver plated (?) container with a hinging lid. A small cradle fits within the container to hold the syringe parts, two small cylindrical tubes (use unknown) are retained within the inside of the lid of the container by a swivelling clip.The container has the mark "BRITISH MADE" stamped into the side face nearest the retaining clip used to hold the lid closed, the mark "LONDON MADE" is stamped on the end of the plungerww11, world war 2, syringe, medical syringe, re usable syringe, world war 11 -
Frankston RSL Sub Branch
Pocketbook, Souvenir, Taschenbuch Groß-Deutschland, Geschichtstafel, Deutschlands Wehrmacht, Weltatlas, 31 August, 1941
provenance unknownSmall, soft cover, pocketbook presumably souvenired from a German soldier during the latter stages of World War 2. The pocketbook is of the type originally issued by the German military and was printed in August 1941, edited by Georg Westermann, Braunschweig. The book has a red coloured cover with black printing and contains 48 pages. Pages are printed in black, the maps are printed in colour. The pocketbook is in good condition, some pages have tears and the cover is scuffed. The pocket book title translates as "Paperback Greater Germany, History Chart, Germany's Wehrmacht, World Atlas" and is a collection of information about the German Reich, German military units and insignia and world maps, 1942 calendar, etc. The original owner has made markings on some maps and has made notes.The front cover is printed in black ink with the following "Taschenbuch Groß-Deutschland, Geschichtstafel, Deutschlands Wehrmacht, Weltatlas" -
Ballarat Tramway Museum
Photograph - Framed Photographs
Framed photograph of Terry O'Donnell upon his retirement from the SEC Ballarat Tramways. Photo of Terry standing in front of a SEC tramcar, holding his cap and a controller handle with a sign on the front of the tram marking his years of service, wishing him good luck and other supportive phrases. The black and white photograph has been glued to a sheet of cardboard with the names of the members of the 'SHB & M" (???????) club along the side and the name of the President and Secretary on the top. A stained (brown) wooden frame with cardboard backing, tape and nails securing it to the frame has been used to secure the backing cardboard and photograph. Date of retirement unknown - c1960's? Images show the front and the rear damage associated with the object. Scan of copy negative added 4-5-2020 as image i3In light blue ink. Along the top are the names "F. Bowden Pres." and "A. Purdue Sec", along either side, the name of the fellow club members along the bottom edge "Presented to T. O'Donnell / as a mark of esteem by his Fellow Workers Ballarat Tramways / SHB & M. Club". In blue felt tip pen on rear "Ballarat Vintage Tramway"trams, tramways, retirements, ballarat -
City of Greater Bendigo - Civic Collection
Souvenir - Bendigo Post Office Centenary Ephemera, Ted Rankins, 1987
When the Commonwealth Post and Telegraph Act was passed in June 1902, and a national Postmaster General's Department (the PMG) was established the responsibility the nation's mail and telephone services fell on local Post Offices. The Bendigo Post Office was designed by Public Works architect George W Watson and constructed between 1883 and 1887. The two story brick structure with basement has unpainted rendered facades and a 43m high clock tower complete with 6 bell carillon. The facades are elaborately decorated with Corinthian pilasters, balustrading, lions' heads and the state mansard roof with cast iron ridging and finials. (VHR #4739). Situated on Pall Mall it has always been called the Bendigo Post Office even though it was not until 1891 that the name Bendigo was given to the town. The Bendigo Post Office housed much more than just postal services and the building contained many early government departments and services needed for a growing district. The building celebrated its centenary on the 30th September 1987 to much fan fare with Ted Rankins, the then Postal Manager planning many of the week long events including tours of the post office, a grand parade with cake and staff in period costume, a ball at the Shamrock and a barbeque in Rosalind Park. The Post Office ceased providing postal services in 1997 after the privitisation Australia Post and Telstra but continues to play a central role for the community, providing important services to visitors and locals alike. Currently it is occupied by Bendigo Tourism and includes two exhibition spaces including the Living Arts Space and Djaa Djuwima a dedicated and permanent First Nations Gallery. Activities at the Post Office are supported by City of Greater Bendigo staff and a dedicated group of volunteers. These items are part of the postal collection donated by the Rankins family in memory of the last postal manager at the Bendigo Post Office, Ted Rankins. 0364.1: Single sided printed 'Order of Proceedings' flyer; Outlines the running of events for the celebrations on Wednesday 30 September, 1987 at the Post Office with the centenary logo centre top in crimson ink. 0364.2: Single sided, four-colour printed, DL size invitation for celebrations marking the centenary of the Post Office on Wednesday 30 September, 1987. 0364.3,.4,.5,.6,.7: Printed cake bag with centenary logo and image of Bendigo Post Office printed on front in crimson ink. 0364.8,.9,.10,.11: Square note paper with centenary logo and border printed in crimson ink. 0364.12 Envelope: Australia Post envelope with Bendigo 100th anniversary images. Date stamped and addressed to Mr Edmondston Postmaster, Elmore. bendigo post office, bendigo tourism, city of greater bendigo tourism, post office collection, ted rankins collection, city of greater bendigo volunteers -
Ballarat Tramway Museum
Photograph - B&W print of donated negative, John Webster, 11/4/1953
Yields information about Ballarat No. 38 in the early 1950's and demonstrates the loading of prams onto tramsBlack and white digital print from scan of a donated negative showing the rear end of No. 38 at the Mt Pleasant terminus. Has the Mt Pleasant Terminus Milk bar in the background with the Robur Tea sign, Barkly St. On the left hand edge of the photo has a crewman leaning forward to lift a pram into the tram and behind the tram can be seen another pram. Black and White print made from scan of negative. Original Negative stored with Negatives. Image rescanned from copy neg and updated 31/5/2020. See On this basis, the envelope and marking matches that of Reg Item 4158, photo of No. 40, by John Webster and assumed taken on the same day as Item 4157, 4158, 4168, 4178 - 11/4/1953. Contained within Envelope No. 30.On left hand side of the negative in ink is "CR 13".tramways, trams, mt pleasant, barkly st, prams, tram 38 -
Ballarat Tramway Museum
Photograph - B&W print of donated negative, John Webster, 11/4/1953
Yields information about Ballarat No. 39 and the street scene at the corner of Sturt and Lydiard St in 1953 and Holden Motor carsBlack and white digital print from a scan of a donated negative bogie tram No. 39 in Sturt St with the intersection of Grenville Street behind. In the rear are the buildings on the south west corner of the corner - featuring Mc Nultys Dry cleaning, a milk bar and grill room next door and Paterson's in the background. Note the Holden's (FJ's ?) parked with the rear into the kerbs. Black and White print made from scan of negative. Original Negative stored with Negatives. Image rescanned from copy neg and updated 31/5/2020. See On this basis, the envelope and marking matches that of Reg Item 4158, photo of No. 40, by John Webster and assumed taken on the same day as Item 4157, 4158, 4168, 4178 - 11/4/1953. Contained within Envelope No. 31.On left hand side of the negative in ink is "EI 36".tramways, trams, sturt st, grenville st, tram 39 -
Bendigo Historical Society Inc.
Slide - DIGGERS & MINING. GETTING THE GOLD, c1850
Diggers & Mining. Getting the Gold. Slide: (Continued) Numbers of stores scattered about, with their gay flags; and numbers of new holes put down and waiting the result of those in progress, with their windlasses standing on square frameworks of logs, some 5 or 6 feet above the ground. The crowds; the heaps of clay thrown up of all colours - every heap different - bright yellow, dazzling white, mottled Black and white, and brilliant rose pink; the dirt and the noises were altogether something extraordinary. Similar scenes presented themselves in Eureka and Canadian Gullies. All was bustle and activity; for these are the great lotteries of the Victorian Diggings, where there are really heavy prizes - and to each - thousand blanks. . . (From ''Land, Labour, and Gold'' by William Howitt.) Markings: 36 994.LIF:4. Used as a teaching aid.hanimounteducation, tertiary, goldfields -
Bendigo Historical Society Inc.
Slide - DIGGERS & MINING. GETTING THE GOLD, c1850
Diggers & Mining. Getting the Gold. Slide: In this respect, Ballarat resembled a great mercantile exchange, where whole, half, and quarter shares, besides minuter fractions, were continually being bought and sold, at rates that incessantly varied with the latest reports, either from the shaft itself . . . Or from such of its close vicinities as might be supposed to affect the direction or richness of the lead. This system tended greatly to equalise the uncertainties of deep sinking. It also enabled those who had spare means to invest them wit probable advantage in these shares, and this furnish the requisite capital to their poorer neighbours, by which these were in a position to meet the heavy preliminary expenses of deep sinking . . . (From the book 'Victoria in 1857' by William Westgarth.) Markings: 57 994.LIF:4. Used as a teaching aid.hanimounteducation, tertiary, goldfields -
Bendigo Historical Society Inc.
Slide - DIGGERS & MINING. DIGGERS AND MINERS, c1953
Diggers & Mining. Diggers and miners. Many diggers not only moved from field to field, but alternated between gold digging and other occupations. Slide; THE STATE OF VICTORIA - - - Gold digging and other sorts of labour have arrived at a sort of equilibrium; and streams of people are now flowing from the one occupation to the others, and visa versa. A few weeks ill luck at Bendigo disgust a man with his auriferous well sinking and he goes into some sort of service. A dispute with his master chiming in with some current takes of mining success sends him back to the diggings again; and so the stream flows backwards and forwards keeping - - - the wages of all kinds of labour at an equilibrium - - - (M.M.H., August 19, 1853) Markings: 46 994:LIF I. Used as a teaching aid.hanimounteducation, tertiary, goldfields -
Bendigo Historical Society Inc.
Slide - DIGGERS & MINING. LIFE OF THE SELECTORS, c1970
Diggers & Mining. Life Of The Selectors. A BIT FROM THE SQUATTING DISTRICTS. Station Hand.-''That there was a furrin language you were speaking to your brother this morning , weren’t it, sir?.'' New Chum Brother.- ''Yes, Jerry, it was.'' S.H.- ''Learn it easy, sir!'' N.C.B.- ''Well, yes, I picked it up in about a year.'' S.H.- ''Well, Sir, I know the french man 'as been out here nigh two years, and he can't speak enough English to bail up a cow. The picture show the 2 men having the discussion with one leaning on a wooden fence. Markings; Life Of The Selectors 1860-1890 Set 432 No. 21. A Bit From The Squatting Districts- ''Melbourne Punch,'' March 31 1870. Used as a teaching aid. Used as a teaching aid.Visual Education Centereducation, tertiary, goldfields -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: CREAM LINEN BODICE, 1880 -90's
Clothing. Very fine, cream linen bodice, with two vertical lace inserts either side of front opening, and three angled inserts from each side seam to the vertical insert. All inserts 2 cms wide. Short cap type sleeves are edged with the same lace, and band of this lace also outlines the wide square neckline. An insert between these bands has a fine, ribbon threaded through, which would act as a draw string. There is a 2.5 cm x 3 cm tab of linen at the centre back, but, no markings are evident. Three .9 cm pearl buttons, with three corresponding machine stitched button holes fasten the front. A cotton tape drawstring, and elastic are encased at the waistline giving the lower edge a peplum effect.costume, female, cream linen bodice -
Bendigo Historical Society Inc.
Tool - PITTOCK COLLECTION: THREE WOOD SPOKEHAVES
Pittock collection: three wood spokeshaves, metal construction * one straight spokeshave, marked 64, 230 mm L x 40 mm W * one rounded spokeshave, marked B, 250 mm L x 60 mm W * one specialised marking/shaping tool, wide guide, marked Stanley No. 66 Pat'd Feb 9.86, 300 mm L x 50 mm W x 55 mm D * variety of shaping tool blades for Stanley tool, 60 mm x 15 mm blades. Stored in Havelock Flake Cut Pure Virginia Tobacco tin, 80 mm L x 55 mm W x 15 mm D Items stored in Pittock coach builder's box, reference 13000.1. -
Bendigo Historical Society Inc.
Book - BENDIGO & VICINITY, c1895
Bendigo and Vicinity. A comprehensive history of her past, and a resume of her resources: Together with the Biographies of her representative pioneers, public, commercial, and professional men. Author: W B Kimberly. Publisher: F W Niven & Co Printers and Publishers, Melbourne. C1895. 273 pages. Illustrations: Photographs, illustrations, listing of dividends, copies of collages. Markings/Inscriptions: In front; To be offered to the Bendigo Branch of the Historical Society if they already have a copy to be given to Timothy Buick of Woorookoobanya, Majorca. Bendigo Historical stamp. Page 9; James Buick went to Golden Valley Dec 1851 and they with his party of 3 other and New Chum Valley called after them. In back; On page 273; family tree also next page family tree.W B Kimberlybook, bendigo, bendigo history & its people, bendigo history, family tree, councilor, gold, biographies, travel to australia -
Bendigo Historical Society Inc.
Document - MCCOLL, RANKIN AND STANISTREET COLLECTION: SOUTH DEBORAH GOLD MINES NL, AGREEMENT, 1940
McColl Rankin & Stanistreet, South Deborah Gold Mines NL, Agreement, Arthur Phillips & Just Solicitors. An agreement to lease land for mining. Date: 26/7/1940. Markings/Inscriptions: Common Seal of: South Deborah Gold Mines NL, Deborah Extended Gold Mining Company NL. Lease Number 11063. Item number 15. The shares to be issued under the provisions of this agreement shall be subject to the conditions (if any) imposed under the provisions of the National Security (Capital Issues) Regulations and of the Rules of the Stock Exchange of Melbourne. Bendigo Signatures of: P R S/ (Director & ? Manager of South Deborah Gold Mine. Signed sealed & delivered by: M M Dean & E R Grelis. ?, ? & ? South Deborah Gold Mines. ?, ? & ? Deborah Gold Mining Company NL.organization, business, mine, mccoll rankin & stanistreet, south deborah gold mines nl, arthur phillips & just solicitors agreement to lease land for mining 1940 lease number 11063 -
Bendigo Historical Society Inc.
Document - MCCOLL, RANKIN AND STANISTREET COLLECTION: NORTH VIRGINIA GOLD MINING CO NL, STATE ACCIDENT INSURANCE OFFICE, 1939
McColl Rankin & Stanistreet, North Virginia Gold Mining Co NL, State Accident Insurance Office, Mines Policy. a/ Mines Policy No. M. 41883. Estimated amount of wages 265 pounds, Premium, 10 pounds 9 pence. Mining at Fry Street Sailor's Gully, Eaglehawk. Dated 1/11/1939. b/ Mines Policy No. M. 42487. Estimated amount of wages 468 pounds, Premium, 18 pounds 4 shillings. Gold Mining at Eaglehawk. Dated 21/2/1940. c/ Mines Policy No. M. 51808. Estimated amount of wages 300 pounds, Premium, 15 pounds 2 shillings 6 pence. Gold Mining at Fry Street, Eaglehawk. Dated 18/3/1947. Inscriptions/Markings: McColl Rankin & Stanistreet Stamporganization, business, gold mine, mccoll rankin & stanistreet, north virginia gold mining co nl, state accident insurance office, mines policy mining at fry street sailor's gully, eaglehawk -
Melbourne Tram Museum
Document - Report, Melbourne & Metropolitan Tramways Board (MMTB), "Interim Report - Nicholson Street Safety Bars", 1978c, 1973
Report and photographs of various mechanisms to identify and check clearances for Safety Zones on tramways. .1 - Report - 4 pages stapled in top left hand corner - titled "Interim Report - Nicholson Street Safety Bars", dated 20/6/1978 signed by R. G. Vanselow. Describes the work involved in providing a type of "jiggle bars" leading up to the safety zone. Many photographs of the various types of safety zone marks were included within the folder. The photos of 912 are related to the clearance testing carried out during 1973 for the Z class. See also Reg Item 480? .2 - tram 912 fitted with a wooden device to measure clearances - with a concrete safety zone being checked. .3 - tram 1040 in Bourke St with a Safety Zone sign on the left - King St? .4 - tram and traffic at the Bourke St terminus. .5 - not used. .6 - tram 1000 at ditto on a wet day .7 - as for .2 .8 - ditto .9 - ditto .10 - side on view of W2 447 with a concrete prow fitted with a set of flashing lights. .11 - to .15 - series of large prints of enlarged 35mm negatives of night testing of safety zone sign taken at South Melbourne Depot and in St Kilda Road. .16 Bourke St - looking west at Russell St? with caption "prow replacing type 2 (Hairpin sign) with both original (white) and new MCC (Yellow) line marking on approach". .17 - Bourke St - looking west at Kings St and caption "Prow replacing type 2 (Hairpin sign) with original line marking on approach. .16 and .17 taken on Polaroid Instamatic cameras.Some of the photos have captions written on the rear.trams, tramways, tram stops, bourke st, safety zone, testing, z class, safety, tram 912, tram 1040, tram 1000, tram 447 -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Kitchen Equipment, curved sad iron, c1880
Sad-irons or "solid" irons were made by blacksmiths and used to smooth out material by pressing the hot iron over it. A piece of sheet -iron was placed over the kitchen fire and the irons placed on it could be heated whilst remaining clean of ash.. The women used 2 irons - one heating while the other was used. Thick cloth or gloves protected their hands from the hot irons. The handle was removed from the cool iron and re- attached to remove the hot iron from the fire. The cool iron was replaced on the fire or stove to heat again. These irons were cleaned with steel wool to prevent them marking the material. If the iron was too hot the material would scorch. Most homes set aside one day for ironing and some large households had an ironing room with a special stove designed to heat irons. However, most women had to work with a heavy, hot iron close to the fireplace even in summer.The Curtis family were early settlers in Moorabbin Shire c1880 and used sad ironsA small, curved, flat iron, with attached handle, used for cuffs, collars and frillsSILVESTER'S/ PATENT/ SALTERS / No 3 with the pretzel & a arrow going through the centresad iron, kitchen equipment, pioneers, early settlers, market gardeners, sewing, craftwork, clothing, moorabbin, brighton, bentleigh, fireplaces, stoves -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Domestic object - Kitchen equipment, sad iron, c1880
Sad-irons or "solid" irons were made by blacksmiths and used to smooth out material by pressing the hot iron over it. A piece of sheet -iron was placed over the kitchen fire and the irons placed on it could be heated whilst remaining clean of ash.. The women used 2 irons - one heating while the other was used. Thick cloth or gloves protected their hands from the hot irons. The handle was removed from the cool iron and re- attached to remove the hot iron from the fire. The cool iron was replaced on the fire or stove to heat again. These irons were cleaned with steel wool to prevent them marking the material. If the iron was too hot the material would scorch. Most homes set aside one day for ironing and some large households had an ironing room with a special stove designed to heat irons. However, most women had to work with a heavy, hot iron close to the fireplace even in summer.These sad irons remind us of the difficult circumstances experienced in their daily routines by the pioneers and early settlers of Moorabbin Shire. The family of Miss M Curtis were early settlers in Moorabbin Shire. Sad-iron, domestic, flat, cast iron, Silvester's Patent, No 6, Salter, England, c. 1890-1900s A sad iron made from cast iron was heated over a fire or on a stove and used for pressing clothing and table wareSILVESTER'S/ PATENT/ SALTERS / No 6 with the pretzel & a arrow going through the centresad iron, kitchen equipment, pioneers, early settlers, market gardeners, sewing, craftwork, clothing, moorabbin, brighton, bentleigh, fireplaces, stoves -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Domestic object - Kitchen Equipment, flat iron with trivet stand, c1880
Sad-irons or "solid" irons were made by blacksmiths and used to smooth out material by pressing the hot iron over it. A piece of sheet -iron was placed over the kitchen fire and the irons placed on it could be heated whilst remaining clean of ash.. The women used 2 irons - one heating while the other was used. Thick cloth or gloves protected their hands from the hot irons. The handle was removed from the cool iron and re- attached to remove the hot iron from the fire. The cool iron was replaced on the fire or stove to heat again. These irons were cleaned with steel wool to prevent them marking the material. If the iron was too hot the material would scorch. Most homes set aside one day for ironing and some large households had an ironing room with a special stove designed to heat irons. However, most women had to work with a heavy, hot iron close to the fireplace even in summer. These sad irons remind us of the difficult circumstances experienced in their daily routines by the pioneers and early settlers of Moorabbin Shire The family of Miss M Curtis were early settlers in Moorabbin Shire. A) A heavy cast iron, flat iron with B) horseshoe shaped trivet stand c1880 The trivet can be attached to a table by an adjustable clamp.A) 5 on tip of ironsad iron, kitchen equipment, pioneers, early settlers, market gardeners, sewing, craftwork, clothing, moorabbin, brighton, bentleigh, fireplaces, stoves -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Domestic object - Kitchen Equipment, sad iron with lifter, c1900
Sad-irons or "solid" irons were made by blacksmiths and used to smooth out material by pressing the hot iron over it. A piece of sheet -iron was placed over the kitchen fire and the irons placed on it could be heated whilst remaining clean of ash.. The women used 2 irons - one heating while the other was used. Thick cloth or gloves protected their hands from the hot irons. The handle was removed from the cool iron and using the lifter the cool iron was replaced on the fire or stove to heat again. These irons were cleaned with steel wool to prevent them marking the material. If the iron was too hot the material would scorch. Most homes set aside one day for ironing and some large households had an ironing room with a special stove designed to heat irons. However, most women had to work with a heavy, hot iron close to the fireplace even in summer.These sad irons remind us of the difficult circumstances experienced in their daily routines by the pioneers and early settlers of Moorabbin Shire. The Curtis family were early settlers in Moorabbin ShireA) This heavy sad iron, made from cast iron, was heated over a fire or on a stove and used for pressing clothing and haberdashery. B) The separate tapered handle was used to lift the hot iron from the fire and when a "Potts" Handle was attached the ironing commenced. sad iron, kitchen equipment, fireplaces, stoves, pioneers, early settlers, market gardeners, sewing, craftwork, clothing, moorabbin, brighton, bentleigh -
Flagstaff Hill Maritime Museum and Village
Tool - Fid, Late 19th to early 20th century
A Fid is a conical tapered wooden tool used for separating the strands of rope for splicing. They were a tool traditionally made of wood or bone used to work with rope and canvas in marlinespike seamanship. A Fid differs from a marlinspike in material and purposes. A marlinspike is used in working with wire rope, natural and synthetic lines also may be used to open shackles, and is made of metal. A Fid is used to hold open knots and holes in the canvas, and to separate the "lays" (or strands) of synthetic or natural rope for splicing. A variation of the Fid, the gripfid, is used for ply-split braiding. The gripfid has a jamming cleat to pull a cord back through the cord split by the fid's point. Modern Fids are typically made of aluminium, steel, or plastic. In addition to holding rope open to assist the creation of a rope splice, modern push fid's have markings for precise measurements in a variety of sizes of rope. The length of these fid’s is typically 21 or 22 times the diameter of rope to be spliced. Fids have been used since sailing vessels were first used to travel the worlds seas the tool was invented to be used to splice rope and with working with canvas sails. A Fid is a sailors tool that has maintained its general design for hundreds of years and gives a snapshot into what the working life was like for sailors on board sailing ships for hundreds of years. The tool in its original design is still in regular use today by recreational sailors all over the world to splice and join lengths of rope.Fid with Horn body and wood top.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Flagstaff Hill Maritime Museum and Village
Tool - Fid, Mid 20th Century
A Fid is a conical tapered wooden tool used for separating the strands of rope for splicing. They were a tool traditionally made of wood or bone used to work with rope and canvas in marlinespike seamanship. A Fid differs from a marlinspike in material and purposes. A marlinspike is used in working with wire rope, natural and synthetic lines also may be used to open shackles, and is made of metal. A Fid is used to hold open knots and holes in the canvas, and to separate the "lays" (or strands) of synthetic or natural rope for splicing. A variation of the Fid, the gripfid, is used for ply-split braiding. The gripfid has a jamming cleat to pull a cord back through the cord split by the fid's point. Modern Fids are typically made of aluminium, steel, or plastic. In addition to holding rope open to assist the creation of a rope splice, modern push fid's have markings for precise measurements in a variety of sizes of rope. The length of these fid’s is typically 21 or 22 times the diameter of rope to be spliced. Fids have been used since sailing vessels were first used to travel the worlds seas the tool was invented to be used to splice rope and with working with canvas sails. A Fid is a sailors tool that has maintained its general design for hundreds of years and gives a snapshot into what the working life was like for sailors on board sailing ships for hundreds of years. The tool in its original design is still in regular use today by recreational sailors all over the world to splice and join lengths of rope.Metal Fid with a wooden bulb on top metal body tapering to a point. Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Flagstaff Hill Maritime Museum and Village
Tool - Fid, Early 20th century
A Fid is a conical tapered wooden tool used for separating the strands of rope for splicing. They were a tool traditionally made of wood or bone used to work with rope and canvas in marlinespike seamanship. A Fid differs from a marlinspike in material and purposes. A marlinspike is used in working with wire rope, natural and synthetic lines also may be used to open shackles, and is made of metal. A Fid is used to hold open knots and holes in the canvas, and to separate the "lays" (or strands) of synthetic or natural rope for splicing. A variation of the Fid, the gripfid, is used for ply-split braiding. The gripfid has a jamming cleat to pull a cord back through the cord split by the fid's point. Modern Fids are typically made of aluminium, steel, or plastic. In addition to holding rope open to assist the creation of a rope splice, modern push fid's have markings for precise measurements in a variety of sizes of rope. The length of these fid's is typically 21 or 22 times the diameter of rope to be spliced. Fids have been used since sailing vessels were first used to travel the worlds seas the tool was invented to be used to splice rope and with working with canvas sails. A Fid is a sailors tool that has maintained its general design for hundreds of years and gives a snapshot into what the working life was like for sailors on board sailing ships for hundreds of years. The tool in its original design is still in regular use today by recreational sailors all over the world to splice and join lengths of rope.Fid, Metal and Wood top with brass ferrule between the two.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Flagstaff Hill Maritime Museum and Village
Tool - Fid, Late 19th- early 20th Century
A Fid is a conical tapered wooden tool used for separating the strands of rope for splicing. They were a tool traditionally made of wood or bone used to work with rope and canvas in marlinespike seamanship. A Fid differs from a marlinspike in material and purposes. A marlinspike is used in working with wire rope, natural and synthetic lines also may be used to open shackles, and is made of metal. A Fid is used to hold open knots and holes in the canvas, and to separate the "lays" (or strands) of synthetic or natural rope for splicing. A variation of the Fid, the gripfid, is used for ply-split braiding. The gripfid has a jamming cleat to pull a cord back through the cord split by the fid's point. Modern fid's are typically made of aluminium, steel, or plastic. In addition to holding rope open to assist the creation of a rope splice, modern push fid's have markings for precise measurements in a variety of sizes of rope. The length of these fid's is typically 21 or 22 times the diameter of rope to be spliced. Fids have been used since sailing vessels were first used to travel the worlds seas the tool was invented to be used to splice rope and with working with canvas sails. A Fid is a sailors tool that has maintained its general design for hundreds of years and gives a snapshot into what the working life was like for sailors on board sailing ships for hundreds of years. The tool in its original design is still in regular use today by recreational sailors all over the world to splice and join lengths of rope.Wooden Fid with 3 rings around base of knob at the top of fid. Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Eltham District Historical Society Inc
Document - Folder, Martin, Cal
Cal Martin came from London to Australia in 1948 as an operating theatre technician, moving to Eltham 2 years later. He had been given a trumpet in London and taught trumpet part-time here. His longing for London's big band days of the 1930s and 1940s led to his forming the Diamond Valley Big Band in 1978, first playing at the opening of the Eltham Community Centre. Cal died 5 January 2003. Contents Newspaper article: "Ticket led to a lifelong passion", Diamond Valley News, 1998, Background of Cal Martin and the Diamond Valley Big Band, marking its 20th anniversary, performing at Greensborough RSL. Newspaper article: "Brassed on", no date, Photograph of Cal Martin, whose love of the big band sound let to forming his own group. Newspaper notices: no dates but ~January 2003, Death and funeral notices, Cal Martin.Newspaper clippings, A4 photocopies, etccal martin, diamond valley big band -
Warrnambool and District Historical Society Inc.
Article, Newspaper S McDonald, 1940’s
The Volunteers Air Observers was formed in 1941 with the aim of observing aircraft flying over Australia. There were over 24000 civilians volunteering their services and as the military threat to Australia subsided they took on roles as coast and weather watching. This photograph shows a group of local volunteers at their work. Mrs. S Hamilton, Mrs. J Lees, F/O E F English, Mrs. R Picton, Mr. Ralph Barnes and Miss S McDonaldA local item which relates to an organization which operated around Australia in the 1940’s. Small newspaper cutting with photograph with six people around a table. Text is underneath the photo. The back has an advertisement for Fletcher Jones clothingThe picture shows a control room manned by volunteer personnel. Here the plotters are marking positions of aircraft with symbols on a map of the surrounding district while the Teller in the raised chair sends reports on to the Air Force, which thus has a check of all planes left to right Mrs. S Hamilton, Mrs. J Lees, F/O E F English, Mrs. R Picton, Mr. Ralph Barnes and Miss S McDonald volunteer air observers corps,, volunteer air observers corps,, mrs. s hamilton,, mrs. j lees,, f/o e f english, mrs. r picton, mr. ralph barnes, miss s mcdonald warrnambool -
Mission to Seafarers Victoria
legal record (item) - Register, Marriage Register
The register records the weddings that took place at the Mission to Seafarers church between the 14th of May, 1941 to the 2nd of March, 1947. It documents all the information necessary to perform a legal wedding in Australia. This included Forms of Consent, if one or both the parties were under the age of 21.The register records the twenty weddings that were conducted at the Mission to Seafarers church between 1941 to 1947. Each page of the register is a legally binding document.Handwritten on front cover in blue and black ink: REGISTER NO 5 (underlined) / 14-5-22-3-47. / NOTE MARRIAGES IN 1942 (underlined) / MARRIAGES CELEBRATED ST PETER'S SEAMEN'S / CHURCH MELBOURNE / 31-2-42 / 3-2-42 / 19-3-1942 / ARE REGISTERED ON THE LAST THREE / FORMS OF THE PORT MELBOURNE (underlined) REGISTER / FOR THAT PERIOD FLO (signed). There is also some water stained, and dust markings on the covers.register, 1941-1947, wartime, church-of-england, consent, chaplaincy, dio-marriages, dio-archives, mission to seafarers, seamen's mission, weddings, marriages -
Friends of Ballarat Botanical Gardens History Group
Newspaper - Three Accounts of the Unveiling of Russell Thomson Statuary in the Botanical Gardens, The Ceremony of Unveiling the Russell-Thomson Statuary
Firsthand accounts of the unveiling of the Russell-Thomson Statuary in the GardensImportant in the History of Ballarat and in the adornment of the Botanical Gardens in the nineteenth century. The first newspaper article, p.2 from the Ballarat Star, 3/8/1888. The second article, 2 pages from the Ballarat Star, 4/8/1888. The third article, three pages from the Ballarat Courier, 4/8/18881st Article, 1st line underlined in green marker pen and bottom of page in biro and in green marker pen, 3/8/88. p.2. The 2nd Article, date and 1st line of the article underlined in green marker, no page number. the second page, 4/8/88. p.2 Star is written in biro and underlined in green vertically, left hand side of page with the 1st line of the article underlined. 3rd article, no markings. james russell thomson, statuary, unveiling ceremony, bequests, john garner collection, garner, dr, ballarat botanical gardens, gardens, ballarat, friends of the botanical gardens, nineteenth century, benefactors