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Greensborough Historical Society
School Magazine, The Chronicle, 1954, 1954_
"The Chronicle" is the annual school magazine of Lowther Hall C.E.G.G.S., this edition is 1954. Inserted inside is Programme and Prize List, Speech night, 15 December 1955.Shirley Black attended Lowther Hall C.E.G.G.S.60 p. black & white print, cream cover, with 4p. leaflet, printed in blue.Shirley Black, Bundooraschools, lowther hall church of england girls' grammar school, shirley black -
Tatura Irrigation & Wartime Camps Museum
Documents, Internment Camp Orders, 1941-1944
Documents issued to the Dental Officer at Camp 1, Captain Frank Jones.Numerous printed paper documents stapled. Printed regulations, rules and memorandum by Commonwealth of Australia.documents, legal -
Williamstown High School
High Tide 1958, The Mail Publishers, 1958
Year book for the 1958 school year. Contains staff, student and sport leaders, prefects, scholarship recipients, sports results, photographs and students work.Black and white printed publication. Buff cover printed in black. 34 p.: illOn front cover 'Danute Jokubauskas'. Inside back cover, student signatures.williamstown high school, 1958, high tide, yearbook -
Rutherglen Historical Society
Pamphlet, 1932 (Exact)
15th Annual Carnival of Returned Soldiers Association of Rutherglen A.L. Grantham President / Messrs P.R. Fullerton, J. Briggs VPs / Secretary J. Small, Ass. Sec. W. CollierGrey-blue paper cover, 8 pages, Sun Print. Printed for the R.S.A. of Rutherglen"Rutherglen Returned Soldiers Association / 15th Annual Carnival" RSL Badge.returned soldiers' association, rsa, sporting events -
Ringwood RSL Sub-Branch
Book, Men of Air, 2007
Soft Cover with 416 printed pages and several pages of prints. Index appears at rear.Published in 2007 by Weidenfeld and Nicolson London UK -
Ringwood RSL Sub-Branch
Book, The Australian Army at War 1899-1975. Text by John Laffin. Colour plates by Mike Chappell, 1982
Soft cover with 39 pages which include colour prints and black and white prints.Published in 1982 by Osprey Publishing Ltd London UK -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Print - The Making of Legend, The Making of Legend print
A print of the Making of a Legend print, it depicts the landing at ANZAC Cove on 25th April 1915 -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Print - Large print of Sutherland Highlanders
Large print of The Argyll & Sutherland Highlanders (Princes Louise's), the person in the print is holding a sword -
St Patrick's Old Collegians Association (SPOCA)
Photograph - Teachers, Jesuits
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Melbourne Legacy
Programme, First Annual Physical Culture and Eurhythmic Demonstration 1928, 1928
Programme of the first Legacy Demonstration at the Melbourne Town Hall on 28th March 1928. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. Demonstration arranged by the Chairman of the Gymnasium Sub-Committee (Legatee Aaron Beattie) in conjunction with Mrs Gilles (Hon. Directress Girls' Section) and James Tierney FPCV (Chief Instructor Boys Section).A record of the first annual demonstration.Printed programme for 1928, purple cover with gold print and cream paper with black text. Stamped in purple ink 'The Property of Melbourne Legacy'.annual demonstration, junior legatee -
Melbourne Legacy
Programme, Second Annual Physical Culture and Eurhythmic Demonstration 1929, 1929
Programme of the second Legacy Demonstration at the Melbourne Town Hall on 20th November 1929. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. 'Demonstration arranged by the Chairman of the Gymnasium Sub-Committee (Legatee Aaron Beattie) in conjunction with Mrs Gilles (Hon. Directress Girls' Section) and James Tierney FPCV (Chief Instructor Boys Section).'A record of the second annual demonstration.Printed programme for 1929, purple cover with gold print and cream paper with black text. On title page in blue ink 'Aaron Beattie'annual demonstration, junior legatee -
Melbourne Legacy
Programme, Combined Physical Culture and Dancing Demonstration 1932, 1932
Programme of a Legacy Demonstration at the Melbourne Town Hall on 2nd November 1932. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1980s, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. Aaron Beattie was the coordinator of boys classes and his collection of programmes have been included in the collection.A record of a Junior Legacy annual demonstration.Printed programme for 1932, teal cover with navy print and cream paper with black text. On title page in blue ink 'Aaron Beattie'.annual demonstration, junior legatee -
Melbourne Legacy
Programme, Annual Demonstration 1967, 1967
Programme of a Legacy Demonstration at the Melbourne Town Hall on 6th and 7th October 1967. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of a Junior Legacy annual demonstration.Printed programme for 1967, colour photo of Melbourne on the cover, white paper with black print. annual demonstration, junior legatee -
Melbourne Legacy
Programme, Legacy On Parade 1974, 1974
Programme of a Legacy Demonstration at the Melbourne Town Hall on 2nd and 3rd August 1974. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of a Junior Legacy annual demonstration.Printed programme for 1974, blue and green image of dancers, white card with black print. annual demonstration, junior legatee -
Melbourne Tram Museum
Photograph - Spencer St Station and W2 536, c1962
Photo shows the new Spencer St station which was completed around 1962 with tram W2 430 (Spencer St, Route 48), fitted with large trolley bridges, northbound to the terminus at Latrobe St. Eight taxis are lined up at the taxi stand, mostly Holdens with at least one Ford.Yields information about the Spencer Station building when new and the taxis serving the station.Colour print - satin finish print - Spencer St Station and W2 536 c1962railways, victorian railways, spencer st, spencer st station, taxis, w2 class, tram 536 -
Melbourne Tram Museum
Functional object - Department of Transport letterhead, Department of Transport, c.1990s
Letterhead used by the Department of Transport during the 1990's. Office located at 589 Collins St. Melbourne, known as Transport House. Has the state logo and the statement "Victoria on the Move" along the bottom edge.A stationery that is associated with a now-evolved department which existed in the 1990s. White paper pre-printed letterhead, printed in green ink. Two copies held.public transport, letters, stationery, transport -
National Wool Museum
Photograph - Piebald Sheep and First Crosses, c.1928
This item is part of a group of five green display boards with photographs of sheep. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9.Five black and white photographs and printed paper mounted on green display board. Photographs depict sheep and men. The display board has pin holes in each corner.Front: [handwritten] Piebald Sheep and First Crosses. / [printed] The piebald breed of sheep (sometimes called Spanish, Zulu, Jacob's / sheep etc.) is represented by many flocks in this country. The piebald / pattern is distinctive. Crosses with all other breeds give nothing but / self-blacks. A back cross to piebald have half blacks and half piebalds. / This shows that Piebald sheep posses a dominant black and a recessive pat- / tern factor. / Fig. 1 shows a typical Piebald ewe, Figs. 2 and 3 the extremes of / dark and light patterns. Figs. 4 and 5 show black first cross rams. Back: [handwritten] Piebald Sheep / [?] Crosses / 2 / [printed] PHOTOGRAPH COPYRIGHT / BY / THE ANIMAL BREEDING RESEARCH DEPT., / THE UNIVERSITY, EDINBURGH. / PLEASE RETURN TO :new south wales graziers association, world tour, england, sheep, farm, rural, agriculture, scotland -
Federation University Historical Collection
Photograph - Black and White, Jo Pottgens Fotografie, Frank Wright in concert, 9/8/1970
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.A series of 11 black and white photographs and one paper receipt. 1,2,4 & 8 are of Frank Wright conducting a large orchestra on a stage, the front of which is dressed in gathered fabric with floral tributes along its length. In the foreground the audience can be seen and the background of the stage is black with four white frames containing floral bouquets. The roof with large square lights can also be seen. 9-11 are front views of Frank Wright holding his baton and conducting the orchestra. In the foreground, the rear of the head of a violinist can be seen and in the background the audience can be seen fading out of sight in the darkness of the theatre. 3,6 & 7 are of Frank Wright with various groups of people at a reception. In two he is seated and in one he is standing. He is holding a glass of wine in two and has a plate, napkin and cutlery in the other. 5 is a photo of Frank White inspecting the cornet of a uniformed, young man who is part of a brass band. They are standing with the band in an outdoor venue with an audience seated on tiered rows in the background. 12 is a printed black ink on white paper receipt on which is the handwriting is in blue ink. It is for the cost of the photographs.Printed on the back of photographs - Copy-right, Jo Pottgens, Old Hickoryplein 4, Kerkradefrank wright, kerkrade, conductor, cornet, orchestra -
The Beechworth Burke Museum
Postcard, George Rose, c.1945
The Rose Stereograph Company first began producing postcards, identified as the 'P' series (like this particular example) in 1913 and continued in this business until 1967 after which they switched to machine manufactured colour postcards printed by an external company. These were produced by Victorian-era photographer George Rose (1861-1942) often reputed as one of the best photographers in Australia during the later 19th Century and early 20th Century. Rose was born in 1861 in Clunes and began his photography business in 1880 when he founded the Rose Stereograph Company. He later switched to producing postcards after stereographs lost popularity in the early 1920s. The Mayday Hills Hospital was one of these locations photographed by George Rose and published as a postcard. Beechworth's Mayday Hills was chosen as the site of Victoria's newest asylum, at the time, due to the landscape and altitude. The hilltop atmosphere and the native fauna, it was argued, would assist in the cure of the patients kept at the hospital (Wood 1985, 122). The positioning of the hospital had a beneficial effect on the rural town. A pamphlet published by James Ingram and Son (1849) reveal that famous landmarks in Beechworth which included the Post Office, Gaol, Courthouse and Asylum "demonstrate the appreciation of Beechworth by the Government not only as as important district center, but also as a site unrivaled as a sanitarium". There were other locations in contention at the time, but ultimately Beechworth was chosen (Craig 2000,33). Prior to the creation of the Asylum in Beechworth, those charged with having mental illnesses or, as it was termed, "insanity" were unable to be properly cared for in the Gaol (which is where they were often sent). John Buckley Castieau wrote, in 1861 for the Ovens and Murray Advertiser, that the Gaol was unable to properly care for those classified then as "insane" but that they would endeavor to treat them above the other inmates (which he notes is not always the case in other establishments). Castieau wrote this in favour of supporting the building of the Mayday Hills Hospital in Beechworth. It was stated that at the time the Mayday Hills Hospital was built, there were 83 prisoners kept in the Gaol who were to be rehoused to the Hospital on the grounds of "insanity". The classification as someone as "insane", in this period of time is a reflection on the inability to cure and understand illnesses of the mind during the mid to late 1800s. Opening on the 24th of October 1867, the Mayday Hills Hospital was originally named the "Ovens Lunatic Asylum", a title which is very much a product of its time. Whilst controversial, changes to the name is part of the history of the Hospital and can provide much insight into the understanding of mental illness throughout history and the use/disuse of this term provides information into the reception/changing opinions of mental illness in society. The Hospital would later become known as the "Mayday Hills Asylum" and/or "Mayday Hills Hospital" with the latter being the most commonly used title. An article in the Ovens and Murray Advertiser notes that on the 7th of March 1865, the foundation stone of the Hospital was laid (it would officially open in 1867) and that it was such a moment of accomplishment and joy for Beechworth that a letter to the editor even suggested that there should be a holiday dedicated to the day the foundation stone as laid. This reveals an extent to which the townspeople of early Beechworth valued the construction of the Hospital in their town. It provided the town with a sense of prestige and honour. At first glance, the remains of the Mayday Hills Hospital in Beechworth, Victoria, inspire tragedy, trauma and beauty. The buildings themselves, with their Italianate style Renaissance architecture designed by J.J. Clark (Craig 2000, 49 & Smith 2016, 203) reflect a bygone period of European and Australian history. The gardens provide a sense of tranquility and beauty. The experience of those within these walls remains a valuable area of study to provide a more complete understanding. This particular hospital is considered the fourth of its like and one of three identified as the largest of their kind. The Mayday Hills Hospital is a sister to the Kew and Ararat Asylums in Melbourne which are both located in relative proximity. Understanding the role of the Mayday Hills Hospital in Beechworth history is integral to understanding the development of the goldfields town, but also for providing important information as to the history of caring for, and the reception of, mental illnesses in Australian and wider European history. Mayday Hills provides a case study which can be researched through oral history, an analysis of the grounds/buildings and through images like this postcard which portray the structure in a highly deliberate manner. Images like this depict the strong façade of the Hospital and provide a glimpse into the tranquility of the gardens. This has been done deliberately to provide a sense of comfort and healing about the building to those looking from the outside. Further research into the importance of the Hospital in Beechworth and it's connection to the town will be supported through images like these kept in the Mayday Hills photo album in the collection of the Burke Museum.Pale sepia toned rectangular postcard printed on matte card.Obverse: THE ROSE SERIES P. 4689 / COPYRIGHT / ADMINISTRATIVE OFFICES, MENTAL HOSPITAL, BEECHWORTH, VIC / Reverse: Published by the Rose Stereograph Co. / Armadale, Victoria / POST CARD / THE "ROSE" SERIES / DE LUXE / A REAL PHOTOGRAPH / PRODUCED IN AUSTRALIA /mayday hills, asylum, mental hospital, hospital, beechworth -
Ballarat Tramway Museum
Photograph - Colour Photograph/s - set of 3, Austin Brehaut, 5/11/2002 12:00:00 AM
Yields information about the appearance of Ballarat 28 following its repainting in ESCo colour scheme by the BTM 2002.Set of three colour photographs, from the same photograph of No. 28 running out into service across Wendouree Parade, first day in service following BTM Refurbishment, 5.11.2002. Photograph by Austin Brehaut. .1 - small print - car in the background - printed on Kodak Royal paper .2 - medium size print with the car in the background removed - see image 2 - printed on Canon hyper photo paper - colour inkjet print .3 - larger size print with the car in the background not removed - printed on Kodak picture maker paper - colour inkjet print.On rear in ink .1 - "63)" / "28 entering Wendouree Parade on first day back in revenue service 5.11.02 / Austin Brehaut" and "Returning into traffic after refurbishment over a 6 year period and carrying the company livery" .2 "63)" / Ballarat car 28 5.11.02, Ballarat Tramway Museum / Austin Brehaut pic / car returning into traffic after refurbishment over a 6 year period and carrying the company livery" "Modified image (background only) and a "William F Scott" address label .3 "photo Austin Brehaut: / Ballarat Tramway Museum / car 28 leaving the depot access track to enter into Wendouree Parade on its first day in service after extensive refurbishment an din the company livery 5.11.2002"trams, tramways, wendouree parade, depot junction, restoration, esco, tram 28 -
Williamstown High School
High Tide No. 3, Atlas Press Pty Ltd, High Tide 1923
School year book detailing achievements of the school community, including sporting, academic, social and the arts. Scholarship recipients details are included and examples of student work.Printed booklet of olive coloured card cover and glossy white paper pages.Cover printed in dark olive. Pages printed in black. Some black and white photographs.Written on front cover: Leslie Hill 391 1858 Les Hill 46 Elphin St Newportwilliamstown high school, yearbooks, high tide -
Whitehorse Historical Society Inc.
Magazine, 1962
Donated by the Eastern Emergency Network'School Friend' girls' magazine printed weekly and sold for 5 pence each. External covers are printed in colour, all internal pages are printed in black and white.A Modern School's Favouritedocuments, education -
Hume City Civic Collection
Ticket, Sunbury 73, 1/01/1973
The blue and black printed ticket was issued and used for the 2nd & 3rd days of the 1973 Sunbury Pop Festival. The Festival as held on the property of George Duncan at Diggers Rest on the banks of Jacksons Creek. It was held over the 3 days of the Australia Day Weekend in January. The 'smiley' stamp on the back of the ticket was used as a "passout" check. The tickets were collected by Nicholas Hall who worked as a Security Officer at one of the gates.A blue and black cardboard ticket printed for the 1973 Sunbury Pop Festival. The words Sunbury 73 are in large block letters across the bottom of the ticket and there are four silhouetted figures - 2 male and 2 female. One male is riding a bike and other male is carrying a double bass on his head. The two females are walking. There is a 'smiley' stamp on the back of the ticket."ADMIT 2nd & 3rd DAYS ONLY..."1970s, sunbury pop festival, duncan, george, george evans collection -
Mission to Seafarers Victoria
Document - Motbok (Passbook), Motbok for Allan Quinn, 1945
The entire passbook is written in Swedish. It was used between the 31st of December 1945 and the 18th of April, 1946 and seems to record Allan Quinn's wages. Allan visited Sweden many times, and eventually learnt the language.This passbook belonged to Allan Charles Quinn and is part of a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A small book with thin pale blue covers. There are six pages in the book, held together with two staples in the spine.Cover: printed in black ink MOTBOK / FOR handwritten in black ink ALLAN QUINN / FORTSATTN In the top right hand corner is a paragraph written in Swedish. Reverse: printed in black ink PRINTED IN U.S.A U92260allan-quinn, motbok, passbook, wages, sweden, 1945, 1946 -
Mission to Seafarers Victoria
Document - Motbok (Passbook), Motbok for Quinn, c. 1946
The entire passbook is written in Swedish. It was used between the 30th of April 1946 and the 20th of November, 1946 and seems to record Allan Quinn's wages. Allan visited Sweden many times, and eventually learnt the language.This passbook belonged to Allan Charles Quinn and is part of a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A small blue book containing six pages, held together with two staples in the spine.Front: MOTBOK / FOR (printed) / (indecipherable) QUINN (handwritten) / GOTENBORG / ALBERTS BOKTRYCKERI / 1916 (printed). Diagonally across the cover ANVAND DRAGSEDEL is printed in red. In the top right hand corner is a paragrapg of writing in Swedish.allan-quinn, motbok, passbook, wages, sweden, 1946, allan charles quinn (1928-1990) -
Latrobe Regional Gallery
Print, SIBLEY, Andrew b. 1933 London, England d. 2015 Melbourne, Australia, Paper Guru, 1985
LithographSigned 'Sibley '85' in lower right corner under printed image. Titled "PAPER GURU" centred bottom under printed image. Edition A/P, lower left corner under printed image. -
Latrobe Regional Gallery
Print, FRENCH, Leonard OBE b. 1928 Brunswick, Victoria d. 2017 Melbourne, Victoria, Moon Turtle, 1978
Colour lithographSigned 'Leonard French 78' lower right corner under printed image. Titled 'Moon Turtle' centred under printed image Edition A/P, lower left corner under printed image. -
Latrobe Regional Gallery
Print, BELLANY, John b. 1942, Port Seton d. 2013, Celtic Maiden, 2000
ScreenprintSigned 'Bellany' lower right corner under printed image. Titled 'Celtic Maiden' centred under printed image. Edition 17/80, numbered under lower left corner of printed image. -
Stawell Historical Society Inc
Book, Stawell & Grampians Tourist Council, Stawell & Grampians Visitor Guide & Directory 1982, 1982
Stawell and Grampians Tourist GuideCard Cover: Picture of Boroka Lookout looing toward Lake Bellfield with two figures One Male, One Female. Purple Print: "Stawell and Grampians Tourist Guide" written in blue ink 1982. Inside red segmented circle with red print " 6th Edition $1.20" Bottom Left in white Print "Boroka Lookout"stawell tourism -
Mont De Lancey
Domestic object - Whisky Bottle, Diageo, Unknown
Haigh is a brand of Scotch Whisky, originally manufactured by Diageo in Scotland for John Haig and Co since the early 1720's.A clear glass squat Old Blended Scotch Whisky bottle with thin black wire wrapped around it for decoration. It has a white Haigh's label printed on one side. A torn paper label has the maunfacturer details and a signature emblem. There is no stopper.'Haigh's' printed in large white lettering on one side of the bottle. The paper label has, 'Old Blended Scotch Whisky, By appointment purveyors of Scotch Whisky to the late King George VI specially selected and prepared.' On the bottom 'Haigh's RA660 13 UGB'containers, whisky bottles, glass