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Eltham District Historical Society Inc
Photograph - Digital Photograph, Alan King, Plaque by the Hurst family cemetery, 1 February 2008
Plaque placed at a cairn erected in 1975 at the Hurst family cemetery at Hurstbridge in memory of people who were buried locally in unmarked graves. Transcription of plaque: This cairn was ereced in 1975 in memory of the following people who have been buried here in unmarked graves since 1866. Robert Thomas Hurst (father) Frances Facey Gurst (mother) Robert Hurst Ellen Hurst (Mrs Spencer) Fanny Hurst (Mrs Hawkins) Mr. Abbot-Christian name unknown Who was present when Henry was shot by the bushranger. An unnamed babe belonging to Catherine and Fred Hurst Ashes scatterd: Catherine Hurst (Fred's wife) Frances Ellen Hurst (Mrs Gray) William George Gray Published: Nillumbik Now and Then / Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p15This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, hurst family cemetery, hurstbridge, memorial -
Eltham District Historical Society Inc
Photograph, Peter Pidgeon, Grave of Honor Birch, Eltham Cemetery, Victoria, 5 April 2021
Honor Birch (nee Young) was married to Edwin Samuel Birch. Their children were Honor Mary Birch, known as Nora, born 1900, Margaret Martin, Bert Birch and Brigidene Brinkotter. In 1903 a Miner’s Right of one acre in area beside the Watsons Creek just outside the then Shire of Eltham was granted to Edwin Samuel Birch. In 1907 Birch applied to purchase this land but was unable to because it was part of the creek reserve. Documents show that the cottage existed at that time. Upon Birch’s death in 1932, his daughter, Honor Mary Birch was granted a permit to occupy the residence. Honor died in 1950 and was buried in Eltham Cemetery. Her memorial states: In Memory Of Our dear mother Honor Birch Who passed away 16th August 1950 Aged 86 years R.I.P.Born Digitaleltham cemetery, gravestones, honor birch -
Eltham District Historical Society Inc
Letter - Photograph, Envelope containg four sepia photographs, 1923-1958
Located in the collection of Eltham District Historical Society, this envelope contains four sepia prints ranging in dates from 1923 to 1956. The envelope is postmarked 24 Apr 1958 and on the reverse is noted "Accepted 30/4/58". On the face is witten in pencil "Try 18" being No. 18 Russell Crescent, Fitzroy North. Also noted in blue ink "Mother Louie (or Louise) Down - Sister Hilda". The wedding photo is unidentified except for the date 22 May 1956. It was taken by The Lock wood Studios. Other photos are described on their reverse sides as: "Olive McKay, Mr Pinkerton and self" "Uncle Donald and Aunt Florrie, July 1923" "Jessfield, May 12th, 1928" It is not known why they are held by EDHS or the significance/relationship of the people to the Eltham district. Any information pertaining to these people is welcomed.olive mckay, mr. pinkerton, miss o. down, louise down, hilda down -
Eltham District Historical Society Inc
Photograph, The Lockwood Studios, Wedding, 22 May 1956
Located in the collection of Eltham District Historical Society, this envelope contains four sepia prints ranging in dates from 1923 to 1956. The envelope is postmarked 24 Apr 1958 and on the reverse is noted "Accepted 30/4/58". On the face is witten in pencil "Try 18" being No. 18 Russell Crescent, Fitzroy North. Also noted in blue ink "Mother Louie (or Louise) Down - Sister Hilda". The wedding photo is unidentified except for the date 22 May 1956. It was taken by The Lock wood Studios. Other photos are described on their reverse sides as: "Olive McKay, Mr Pinkerton and self" "Uncle Donald and Aunt Florrie, July 1923" "Jessfield, May 12th, 1928" It is not known why they are held by EDHS or the significance/relationship of the people to the Eltham district. Any information pertaining to these people is welcomed.olive mckay, mr. pinkerton, miss o. down, louise down, hilda down -
Eltham District Historical Society Inc
Photograph, Olive McKay, Mr Pinkerton and self, c.1923
Located in the collection of Eltham District Historical Society, this envelope contains four sepia prints ranging in dates from 1923 to 1956. The envelope is postmarked 24 Apr 1958 and on the reverse is noted "Accepted 30/4/58". On the face is witten in pencil "Try 18" being No. 18 Russell Crescent, Fitzroy North. Also noted in blue ink "Mother Louie (or Louise) Down - Sister Hilda". The wedding photo is unidentified except for the date 22 May 1956. It was taken by The Lock wood Studios. Other photos are described on their reverse sides as: "Olive McKay, Mr Pinkerton and self" "Uncle Donald and Aunt Florrie, July 1923" "Jessfield, May 12th, 1928" It is not known why they are held by EDHS or the significance/relationship of the people to the Eltham district. Any information pertaining to these people is welcomed.olive mckay, mr. pinkerton, miss o. down, louise down, hilda down -
Eltham District Historical Society Inc
Photograph, Uncle Donald and Aunt Florrie, July 1923
Located in the collection of Eltham District Historical Society, this envelope contains four sepia prints ranging in dates from 1923 to 1956. The envelope is postmarked 24 Apr 1958 and on the reverse is noted "Accepted 30/4/58". On the face is witten in pencil "Try 18" being No. 18 Russell Crescent, Fitzroy North. Also noted in blue ink "Mother Louie (or Louise) Down - Sister Hilda". The wedding photo is unidentified except for the date 22 May 1956. It was taken by The Lock wood Studios. Other photos are described on their reverse sides as: "Olive McKay, Mr Pinkerton and self" "Uncle Donald and Aunt Florrie, July 1923" "Jessfield, May 12th, 1928" It is not known why they are held by EDHS or the significance/relationship of the people to the Eltham district. Any information pertaining to these people is welcomed.olive mckay, mr. pinkerton, miss o. down, louise down, hilda down -
Eltham District Historical Society Inc
Photograph, Jessfield, 12 May 1928
Located in the collection of Eltham District Historical Society, this envelope contains four sepia prints ranging in dates from 1923 to 1956. The envelope is postmarked 24 Apr 1958 and on the reverse is noted "Accepted 30/4/58". On the face is witten in pencil "Try 18" being No. 18 Russell Crescent, Fitzroy North. Also noted in blue ink "Mother Louie (or Louise) Down - Sister Hilda". The wedding photo is unidentified except for the date 22 May 1956. It was taken by The Lock wood Studios. Other photos are described on their reverse sides as: "Olive McKay, Mr Pinkerton and self" "Uncle Donald and Aunt Florrie, July 1923" "Jessfield, May 12th, 1928" It is not known why they are held by EDHS or the significance/relationship of the people to the Eltham district. Any information pertaining to these people is welcomed.olive mckay, mr. pinkerton, miss o. down, louise down, hilda down -
Bendigo Military Museum
Photograph - PICTURE POSTCARD, 13.12.1915
Sinai desert Asia Minor Feb 13th. Dear mother, just a card in answer to your ever welcome letter I received today. Sorry to hear Dad in not to well. I wrote a long note to him this week. Send it onto Ella to see. I had a letter from Jack to day. He is getting better. I had a letter from Tom yesterday. I heven’t been getting his letters lately. We are both well. Roy had no word from you, wondering what’s the matter. Going on patrol duty 4 in the morning, no fighting here yet. All for this time, goodbye, best love to all from Bill. Remember me to the boys. Collection re Mrs May Burns.Postcard photo, B & W, pyramids - several trees in foreground. The rear has a hand written letter in pencil.Top right: Cairo - Pyramidsdocuments, photographs, postcards -
Federation University Historical Collection
Article - Article - Women, Ballarat School of Mines, Girls' School: Women of Note; Valda D'Angri, Teacher, (1930 - )
Val grew up in Ballarat and started school in the early 1940s, during World War II. Her mother was a teacher and her father worked in Melbourne on war-related business. She attended kindergarten, which she recalled was unusual for the time. She attended Humphrey Street State School and her secondary schooling was at Ballarat Girls' School. Val completed her secondary school education at 15 years of age and went on to tertiary study at The School of Mines, where she trained in art and dressmaking. After completing her education, she worked as draughtswoman before becoming a teacher. The remainder of her career was spent teaching art and textiles at both secondary and tertiary levels. She taught at the secondary school that she had attended.women of note, valda d'angri, teacher, kindergarten, humphrey street state school, ballarat girls' school, ballarat school of mines, art, dressmaking, draughtswoman -
Mission to Seafarers Victoria
photograph - Photograph, Black and White, Reverend John Reginald Weller, Captain and Miss Johannessen on board the "Skaregrøm", 1925-1926
In January 1926, Captain Peder Emanuel Johannessen had taken his older daughter Augusta, 22, as his secretary onboard. From articles in newspaper she was apparently born in Australia (Bunbury or Albany) and it was the first the time she was back to Australia. The ship William Mitchell was berthed next to the Skaregrom at the same time. The skipper, Stuart Wilkie, had also his wife and their little girl onboard. Later the same year, the captain brought his younger daughter, Anna, 12 onboard along with her mother and a brother. In December during a storm, the windjammer was demasted. The previous skipper of the Skaregrøm, August Bengston, had also taken his daughter Gudveig on board as related by Captain Archie Orka in his log while on the Skaregrøm (See Sea History Magazine).This photograph in the MTSV can be matched up with several links to the Johannsen / Johannssen family and to a famous ship the Skaregrom. Unusually it depicts a female family member aboard ship and further research suggests that some families were accustomed to living and sailing aboard merchant ships.Black and white photograph with thin white border depicting a young woman wearing an ankle length white dress and arm in arm with an older man in suit on the deck of ship. Although detached from album the number 13 on the back and the glue traces indicate this picture was originally in the grey album pages The legend on the page says: Captain and Miss Johannsen on board the "Skaregrøm". On verso Stamp in purple ink: Herschelll's Prints -Pathe Agents / in blue ink: "394" Handwritten in pencil: "13"skipper's daughter, norway, skaregrom, p.e. johannesen, seafaring families, anna johannessen, august bengtson, gudveig bengtson, augusta johannessen, peder emanuel johannessen, skaregrøm, reverend john reginald weller (1880-1969), weller album, augusta johannsen, augusta johansen, peder even johannessen -
Eltham District Historical Society Inc
Photograph, Coleman family and home, Main Road, Eltham, c.1909
Coleman family and home, Coleman’s Corner, Eltham, c.1909 L-R: Tom Newton (school teacher and nephew of Mrs Coleman), Mary Agnes Coleman (later Mrs Dawes 1904-1957), Mrs Mary Ann Coleman nee Bourke (1877-1927); mother of Jack (John Lawrence 1895-1969), George Lawrence (1906-1953) and Mary Agnes (1904-1957). John (Jack) Coleman was father of John Jnr and father in law to Margaret (nee Dare). The cottage was located on a bend of Wattletree Rd near Main Road. Built about 1905 and later extended. Demolished c.2000 for development of units. Main Road before it was realigned used to take in the current Coleman Crescent. Same as 1678A. Not in register. Source: Mrs. M. Coleman, Coleman's Corner, Eltham This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Neg Print 16.5 x 25 cmshire of eltham pioneers photograph collection, coleman cottage, coleman crescent, coleman family, coleman's corner, eltham, george lawrence coleman, jack coleman, john lawrence coleman, main road, mary agnes dawes (nee coleman), mary ann coleman (nee bourke), tom newton, wattletree road, 1909 -
Kiewa Valley Historical Society
Saucer Ceramic, circa 1940's to 1950's
This item was used by the State Electricity Commission of Victoria in their mess rooms for their workers during the construction of the Kiewa Hydro Electricity Scheme. The imprint of the year "1921" was to identify the year that the SECV was formed and relieved the private VHEC (Victorian Hydro-Electric Company). As the scheme was of such a huge, isolated and time consuming nature the feeding of its workers was quite demanding of cutlery and crockery. The use of sturdy English cups and saucers was essential. The period of construction and the isolation of the Kiewa Valley area placed heavy demand for "solid" crockery that could wear abusive handling. This period in time was one when crockery, whether for domestic or commercial use, was imported from "mother" England. This scenario was more so for governmental bodies such as rail, jails and electricity providers than domestic users. The influx of cheaper Asian crockery had not yet begun.This type of crockery item was used by the thousands of SEC Victorian staff and construction workers involved in the building of the Kiewa Hydro Electricity Scheme, over the extensive period (1938 to 1961). This was a period when Government bodies and other semi- government organisations were still tied to the "establishments" of "mother" England. It was a period in Australia's development when the Asian influence was very weak and the established ties to England and Europe was still very strong. The majority of heavy equipment and machinery was either made in England or Europe. Local/European expertise in dam construction and water management in alpine terrain came from migrants or specially recruited English and Europe specialists. The quality of workmanship from big steel manufacturing plants in England and Europe could not be matched from anywhere else in the developed world.This item is a white ceramic State Electricity Commission Of Victoria saucer (tea /coffee). It is made in England and is of strong and durable ceramic. The bottom cup indent is for either tea or coffee cups of a similar ceramic structure. The 5mm thickness of the ceramic suggests this saucer belongs to a commercial kitchen environment and not domestic. The indent bottom of the saucer is 5mm deep with a side curvature ratio of 2:5. The ceramic is glazed to a commercial standard (worker's mess). See also KVHS 0128 (B to D)The seal of the State Electricity Commission Of Victoria is imprinted on the top inside rim within a curved scroll. Snuggled within the borders of the scroll is a banner with the five stars of the southern cross and an arm with a closed fist projecting from the top with five lightning bolts projecting outwards. On the underside "Vitrified sold by Cafe & Hotel Supplies Pty Ltd Dunn Bennett & Co. Ltd. Burslem Made in England"saucer, plate, secv, state electricity commission of victoria, crockery, mt beauty chalet, bogong mess hall -
Kiewa Valley Historical Society
Saucer Ceramic, from 1921 to 1961
This item was used by the State Electricity Commission of Victoria in their mess rooms for their workers during the construction of the Kiewa Hydro Electricity Scheme. The imprint of the year "1921" was to identify the year that the SECV was formed and relieved the private VHEC(Victorian Hydro-Electric Company). As the scheme was of such a huge, isolated and time consuming nature the feeding of its workers was quite demanding of cutlery and crockery. The use of sturdy English cups and saucers was essential. The period of construction and the isolation of the Kiewa Valley area placed heavy demand for "solid" crockery that could wear abusive handling. This period in time was one when crockery, whether for domestic or commercial use, was imported from "mother" England. This scenario was more so for governmental bodies such as rail, jails and electricity providers than domestic users. The influx of cheaper Asian crockery had not yet begun.This type of crockery item was used by the thousands of SEC Victorian staff and construction workers involved in the building of the Kiewa Hydro Electricity Scheme, over the extensive period (1938 to 1961). This was a period when Government bodies and other semi- government organisations were still tied to the "establishments" of "mother" England. It was a period in Australia's development when the Asian influence was very weak and the established ties to England and Europe was still very strong. The majority of heavy equipment and machinery was either made in England or Europe. Local/European expertise in dam construction and water management in alpine terrain came from migrants or English and European specialist. The quality of workmanship from big steel manufacturing plants in England and Europe could not be matched from anywhere else in the developed world.This item is a white ceramic saucer (tea /coffee). It is made in England and is of strong and durable ceramic. The bottom cup indent is for either tea or coffee cups of a similar ceramic structure. The 5mm thickness of the ceramic suggests this saucer belongs to a commercial kitchen environment and not domestic. The indent bottom of the saucer is 5mm deep with a side curvature ratio of 2:5. The ceramic is glazed to a commercial standard (worker's mess). See also KVHS 0128 (A,C and D) The seal of the State Electricity Commission Of Victoria is imprinted on the top inside rim within a curved scroll. Snuggled within the borders of the scroll is a banner with the five stars of the southern cross and an arm with a closed fist projecting from the top with five lightning bolts projecting outwards. On the underside "Vitrified sold by Cafe & Hotel Supplies Pty Ltd Dunn Bennett & Co. Ltd. Burslem Made in England"saucer, plate, secv, state electricity commission of victoria, crockery, mt beauty chalet, bogong mess hall -
Kiewa Valley Historical Society
Saucer Ceramic, from 1921 to 1961
This item was used by the State Electricity Commission of Victoria in their mess rooms for their workers during the construction of the Kiewa Hydro Electricity Scheme. The imprint of the year "1921" was to identify the year that the SECV was formed and relieved the private VHEC (Victorian Hydro-Electric Company). As the scheme was of such a huge, isolated and time consuming nature the feeding of its workers was quite demanding of cutlery and crockery. The use of sturdy English cups and saucers was essential. The period of construction and the isolation of the Kiewa Valley area placed heavy demand for "solid" crockery that could wear abusive handling. This period in time was one when crockery, whether for domestic or commercial use, was imported from "mother" England. This scenario was more so for governmental bodies such as rail, jails and electricity providers than domestic users. The influx of cheaper Asian crockery had not yet begun.This type of crockery item was used by the thousands of SEC Victorian staff and construction workers involved in the building of the Kiewa Hydro Electricity Scheme, over the extensive period (1938 to 1961). This was a period when Government bodies and other semi- government organisations were still tied to the "establishments" of "mother" England. It was a period in Australia's development when the Asian influence was very weak and the established ties to England and Europe was still very strong. The majority of heavy equipment and machinery was either made in England or Europe. Local/European expertise in dam construction and water management in alpine terrain came from migrants and specialist recruited from England and Europe. The quality of workmanship from big steel manufacturing plants in England and Europe could not be matched from anywhere else in the developed world.This item is a white ceramic saucer (tea /coffee). It is made in England and is of strong and durable ceramic. The bottom cup indent is for either tea or coffee cups of a similar ceramic structure. The 5mm thickness of the ceramic suggests this saucer belongs to a commercial kitchen environment and not domestic. The indent bottom of the saucer is 5mm deep with a side curvature ratio of 2:5. The ceramic is glazed to a commercial standard (worker's mess). See also KVHS 0128 ( A,B&D)The seal of the State Electricity Commission Of Victoria is imprinted on the top inside rim within a curved scroll. Snuggled within the borders of the scroll is a banner with the five stars of the southern cross and an arm with a closed fist projecting from the top with five lightning bolts projecting outwards. On the underside "Vitrified sold by Cafe & Hotel Supplies Pty Ltd Dunn Bennett & Co. Ltd. Burslem Made in England"saucer, plate, secv, state electricity commission of victoria, crockery, mt beauty chalet, bogong mess hall -
Kiewa Valley Historical Society
Plate Bread & Butter, Circa 1921
This item was used by the State Electricity Commission of Victoria in their mess rooms for their workers during the construction of the Kiewa Hydro Electricity Scheme. The imprint of the year "1921" was to identify the year that the SECV was formed and relieved the private VHEC (Victorian Hydro-Electric Company). As the scheme was of such a huge, isolated and time consuming nature the feeding of its workers was quite demanding of cutlery and crockery. The use of sturdy English cups and saucers was essential. The period of construction and the isolation of the Kiewa Valley area placed heavy demand for "solid" crockery that could wear abusive handling. This period in time was one when crockery, whether for domestic or commercial use, was imported from "mother" England. This scenario was more so for governmental bodies such as rail, jails and electricity providers than domestic users. The influx of cheaper Asian crockery had not yet begun.This type of crockery item was used by the thousands of SEC Victorian staff and construction workers involved in the building of the Kiewa Hydro Electricity Scheme, over the extensive period (1938 to 1961). This was a period when Government bodies and other semi- government organisations were still tide to the "establishments" of "mother" England. It was a period in Australia's development when the Asian influence was very weak and the established ties to England and Europe was still very strong. The majority of heavy equipment and machinery was either made in England or Europe. Local expertise in dam construction and water management in alpine terrain came from migrants for England and Europe. The quality of workmanship from big steel manufacturing plants in England and Europe could not be matched from anywhere else in the developed world.This item is a white ceramic plate (bread & butter). It is made in England and is of strong and durable ceramic. The bottom of the plate is flat with edges sloping out (to position the bread) and the extended rim is to catch any spillages. The 5mm thickness of the ceramic suggests this plate belongs to a commercial kitchen/eating establishment (mess) and not a domestic dining room. The indent bottom of the plate is 5mm deep with a side curvature ratio of 2:5. The ceramic is glazed to a commercial standard (see KVHS 0128 for its saucer part of a dinner set.The seal of the State Electricity Commission Of Victoria is imprinted on the top inside rim within a curved scroll. Snuggled within the borders of the scroll is a banner with the five stars of the southern cross and an arm with a closed fist projecting from the top with five lightning bolts projecting outwards. On the underside "Vitrified sold by Cafe & Hotel Supplies Pty Ltd Dunn Bennett & Co. Ltd. Burslem Made in England"saucer, plate, secv, state electricity commission of victoria, crockery -
Orbost & District Historical Society
book, 1936
This book contains M.U.I.O.O.F. (Manchester Unity Independent Order Of Oddfellows) accounts of the Orbost group. Friendly Societies were founded in the Australian Colonies in the mid-19th Century by immigrants from England who had been members in Societies which dated back to the 18th Century. Like all working people these immigrants experienced sickness, accidents, unemployment, death and burial. They needed help of like fellows to tide their families over these times. So they formed a branch of one of the Friendly Societies back in the mother country. The idea was to make fixed contributions to a fund and when they were off work they would receive a payment. When they died funeral benefits would be paid and the widow and children would be cared for. It was a form of local insurance for hard times. This account book was used in a a time of 'look after yourself' as the Colonial Governments did not provide pensions or benefits. This item reflects those times.A hard back book with a blue cover and a brown spine.on spine on red flock in gold lettering "NIGHT BOOK:m.u.i.o.o.f.friendly-societies -
Orbost & District Historical Society
mangle, Early 20th century
A mangle or wringer is a mechanical laundry aid consisting of two rollers in a sturdy frame, connected by cogs and, in its home version, powered by a hand crank or electrically. A household mangle/wringer could be attached to a bench for easier use. The washing process itself involved lifting the items from the cold soak and wringing or mangling each item before transferring them, with more soap flakes, into the copper for boiling. Items that remained soiled, even after an overnight soak, were rubbed on a scrubbing board before being transferred to the copper. The clothes mangle would be used to squeeze out all the excess water. Clothes would then be hung out to dry on a clothes line, or laid over a clothes-horse next to the kitchen or living room fire. This one was owned by the mother of Bob Clarke, an Orbost resident.This item is an example of the typical laundry equipment used by families in the Orbost district in the early 20th century.Clothes mangle [wringer] which has a wooden and metal turning handle. It has a ratchet and 2 tap screws for pressure. It has of two rollers in a frame, connected by cogs and is powered by a hand crank.On top - "No. Hardwood Rolls 124" Front - "Household Clothes Mangle Steel ball bearings The American Wringer Company New York USA"laundry wringer mangle -
Tatura Irrigation & Wartime Camps Museum
Album - small photo album
The artist of the sketches Hans - Wolter von Gruenewaldt - ex South African Mining Engineer served in the North Africa campaign. This album also includes photos of visitors to the Tatura Museum, Memorial service German War Cemetery 1992 and visitors to Camps 1, 2, 4 and 13 Photos include Murchison R.S.L clubhouse,which was Murchison P.O.W Camp,13 Recreation Hall, Colonel Walter Tinsley D.S.O who was appointed Commandant camp 13 1946, Folk Dancers from Hungary,Scotland, Yugoslavia, Russia, Spain, Holland, German waitress, African Mother and Child,, Asia, Australian swagman, Australian A.W.A.S, British Army W.O, British Naval Officer. Visitors to Memorial service German War Cemetery 1992 Photos show a collection of the art work painted on walls of Camp 13 Recreation hall Small, green coloured photo albumHans-Wolter von Gruenewaldt, German P.O.W. painted these scenes and figures as murals on the walls of the camp 13 Recreation Hall. The hall was transferred to Murchison after WW2 and was purchased by the Murchison R.S.L. as its headquarters in 1955. These paintings can now be seen at the David Jones Nursing Home in Murchison.murchison pow recreation hall, german war cemetery -
Wangaratta RSL Sub Branch
Dinner Program, RSSILA Wangaratta Sub Branch Centenary Dinner
RSSILA Wangaratta Sub Branch Dinner held to celebrate the Centenary of Wangaratta in 1938. Dinner guests included the Chief Commissioner of Police and Mr Holland, State President. Other Centenary events included the unveilling of the King George V Memorial Gardens which were opened by Mr McEwan Minister of the Interior, representing the Prime Minister. John McEwen was born on 29 March 1900 at Chiltern in Victoria, to pharmacist David McEwen and Amy (Porter) McEwen. His mother died after the birth of their second child in 1901, and his father died in 1907. McEwen and his younger sister were raised by their grandmother, Ellen Porter, who ran a boarding house. They lived first at Wangaratta and then moved to Dandenong in 1912. In June and July 1965 he was acting Prime Minister.Dinner held by Wangaratta Sub Branch to celebrate the Centenary of Wangaratta in 1938. Cream parchment card with embossed borderR.S.S.I.L.A. Wangaratta Sub Branch Centenary Dinner St Patrick's Hall Wednesday 19th October 1938 8pm Three Shillings RSVP Wed., 12th October F.H. McDonagh President. G. Balcke, Secretary.rssila wangaratta sub branch, centenary dinner 1938, wangaratta centenary -
Mt Dandenong & District Historical Society Inc.
Photograph
The photograph is from the album of Ivy Child. The woman standing on the veranda is her mother Ethel Child (nee Madden). The homestead is on Childs Road and belonged to Ted and Ethel Child. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph showing a woman wearing an apron standing on the veranda of a wooden homestead. Ferns are in the foreground and around the building.ethel child, ted child, homestead, childs road -
Mt Dandenong & District Historical Society Inc.
Photograph
The photograph is from the album of Ivy Child. It shows Ivy's mother Ethel Child (LHS) standing on Childs Road with another couple and their two young sons. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Sepia coloured photograph showing two women and a man standing with two young boys in front of them on an unmade bush road. The man is wearing a hat.Handwritten below the photograph in album: TAKEN ON CHILDS RDivy child, ethel child, childs road -
Melbourne Legacy
Film, Junior Legacy, 1959
A film of the 1959 rehearsal for Junior Legatee Demonstration at Melbourne Olympic Swimming Stadium. The commentary notes how the fitness programmes avoided bad posture which would 'lead to a loss of confidence in a sensitive child' and helped them to avoid 'falling into bad company and delinquency.' It also noted the 'wise counsel' given to their mothers by Legatees and details the assistance available from Legacy to 9,000 fatherless families in Victoria alone. There are synchronised exercises, judo demonstrations, mass marching, girls creative dancing and a final tableau in readiness for two night's public performances. It is in black and white and last 14 mins, 16mm B/W, Sound. This film has been digitised to preserve its content. Melbourne Legacy gratefully acknowledges the support of the Victorian Government and Public Record Office Victoria for making this possible.A visual record of the numbers of children cared for by Melbourne Legacy and the activities organised for them.Large circular case with semi fitted reel inside. Film is approx. 550 feet, 16mm. Note loose inside case. Two stickers on the lid. Tape scattered around the edge of the lid.Front stickers: CINE SERVICE PTY. LTD. / 368 Post Office Place Melbourne / TITLE DEMO (1959) COPY / No 1 / LENGTH 1000' REEL 1ofl. / It is stressed that the film should be used in a Class project using a 1,000 Watt lamp with a trained Operator handling the machine. Handwritten note: Demo Rehearsal. Film Damaged Other side printed: MELBOURNE LEGACY "Lest We Forget"annual demonstration, junior legatee -
Melbourne Legacy
Photograph - Photo, Annual Demonstration 1970, 1970
Two photos from the 1970 Annual Demonstration. One is the Governor of Victoria - Sir Rohan Delacombe shaking hands with Ivan Layton (executive officer of Melbourne Legacy) with President Simonson watching. The other is of two Junior Legacy performers in costumes presenting flowers to Lady Delacombe. One of the girls is Carmen Ellul, the other's name is not known. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the 1980's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of a Junior Legacy Demonstration being attended by the Governor of Victoria and his wife.Black and white photo x 2 of the Governor and his wife at a Legacy Demonstration.00389.1 Handwritten on reverse '1970 Sir Rohan Delacombe / DJ Simonson Pres / Ivan Langton Ex Officer' in blue pen; '29' in pencil; stamped with photographer's Leslie Thompson details in purple ink 00389.2 Handwritten on reverse: '23' in pencil; 'Legacy on Parade 1970 / Lady Delacombe presentation / Jnr L'tees' handwritten in blue ink; stamped with photographer's Leslie Thompson details in purple ink.legacy demonstration, legacy on parade, governor of victoria, lady delacombe -
Ballarat Tramway Museum
Photograph - Most Popular Conductress - Melbourne Town Hall Ball, Adamson - photographers, 31/8/1944
Photograph - commercial print of the "Victorian Tramways Union Popular Conductresses Competition" entrants ball in 31/8/1944. Features 12 ladies standing or seated for a formal photograph at the ball. Has the name of the ladies, underneath. Back Row Miss J Lake Miss J McCurdy Mrs. S. Mitchell - Ballarat Mrs G. Morrison Mrs. M Berry Mrs R. Bale Front Row Mrs L. Pickup Mrs. M. Holmes Mrs D. Rosewarne Miss M. Pelly Mrs. W. Gibson - Preston Depot, mother of donor. Miss B, Campara list on the photo are: Preseident - R. Broadby - Essendon Depot Hon Secretary - H. Nott - Malvern Depot See Item 8818 for the Ball Programme.Yields information about the Most Popular Conductress Competition entrants.Photograph - mounted on a sheet of heavy card with nail marks on the rear from being in a frame.most popular conductress, tramways, red cross, event, conductresses -
Bendigo Historical Society Inc.
Document - Lydia Chancellor (Pethard)
Lydia Chancellor (1889-Dec 1979) Her parents were George Pethard and Miriam Peatling. George founded Tarax soft drinks in Numurkah in 1898 before moving to Bendigo in 1902 and establishing a brewing factory there. He also built the home "Taraxville" in Panton St. The factory ceased operation in Bendigo during WW1. After the war, the firm was re-established by George jnr, brewing in Melbourne. Lydia married Norman George Chancellor in 1924 but he died 2 yrs later. Lydia returned to Bendigo to care for her mother and began an extensive collection of Toby jugs. She donated 100 jugs to the Bendigo Art Gallery in 1973. She broadcast weekly on 3BO under the name "Chance" and in this capacity, she delivered tennis results and notesA paper detailing the life of Lydia Pethard, Tarax Cola and her contributions to the Bendigo Art Gallery and Tennis/tarax, bendigo art gallery, lydia chancellor -
Clayton RSL Sub Branch
Button, I will help until the war is won
The use of these buttons as a means of raising revenue through patriotic sentiment occurred soon after Australia pledged allegiance to Empire. Buttons reflected ‘public sentiment, courage, patriotism, generosity and several [un- named] virtues’ such as the martyred mother of a ‘fallen’ hero. Attention was paid to attractiveness of design, encoded symbolism and high quality of production. Expressing ‘loyalty’, they were tokens to be kept for perpetuity. Female labour was used to operate the die that compressed the tin backing, photographic print and celluloid cover together. The pin was applied by hand. Women, of all ages, entered into the spirit of voluntary sales. Often they were sold at the entry and exit points of major pedestrian thoroughfares. . Pride in salesmanship was affected by publishing the name of the woman and her fiscal achievement in the major newspapers of the day.Small circular pressed tinplate button featuring a white map of Australia on a dark blue ground with the stars of the Southern Cross surrounding, all within a gold border. The phrase ‘I Will Help Until the War is Won’ is printed in red across the mapI will Help until the war is won -
Surrey Hills Historical Society Collection
Photograph, Falconer family home, 'Legerton' at 15 Albert Crescent, 1920
Date is approximate. House was built in 1910 and has been demolished. The woman on the verandah is probably Mrs P Falconer, Ron Falconer's mother. Her full name was Emily Victoria Aird (1884-1957), daughter of James Bromich Aird and Sarah Ann (nee Edwards). She married Patrick Henry Falconer on 11 December 1907 in Blackburn. The Falconer family lived in Albert Crescent for many years. Listed in electoral rolls in 1916 through to the 1950s. By 1963 the family were at 33 Weybridge Street, Surrey Hills. Emily and Patrick Henry Falconer had 4 children: Ronald Keith (b1908); Hilda Irene (b 1910); Harold Leslie (b 1913) and Hilah (b 1915). James and Sarah Aird are buried in Box Hill Cemetery.Black and white photo showing a close-up view of the Falconer family home, 'Legerton' at 15 Albert Crescent, Surrey Hills with a woman at the entrance. It is a timber Edwardian home with simple fretwork on the verandah and a mature garden which partially obscures the entrance.edwardian style, legerton, albert crescent, miss emily victoria aird, mrs emily victoria falconer, patrick henry falconer, ronald keith falconer, miss hilda irene falconer, harold leslie falconer, hilah falconer -
Albert Park-South Melbourne Rowing Club
APRC 1956 Olympic Banner, 1957
"The banner has been with the Club since it was created in 1957. Recent research has confirmed that it was made by Joan Eddy, the wife of club member Kevin Eddy and a professional seamstress. Grace Blake’s interview notes record her conversation with Mr Eddy on 24 October 2014: Kevin confirmed that the banner was made by his wife, Joan Eddy, in time for the opening of the new shed after the Olympics (1957). Kevin was the Social Secretary at the time, and co-opted his wife, who had worked as a machinist for Harford Clothing in Carlton before they married. Her mother had also worked there as a sewing hand (hand sewing the linings for jackets). The company was later taken over by Sires. ... It was made at home (Joan had ‘retired’ from work by then)." Excerpt from the 2014 Significance Assessment, p32.Banner Celebrating Albert Park Rowing Club Olympic Representatives, 1956 Statement of significance by Margaret Birtley, October 2014 Harry Gordon, the distinguished Australian sports historian, wrote of the 1956 Melbourne Olympic Games: "When the Olympic Games moved into Melbourne ... it was as if the city had been brushed by a certain magic. Nothing before or since ... has ever evoked such sheer emotional involvement from the whole community." Gordon refers to the large crowds that massed in Melbourne with anticipation and exhilaration on the day before the official opening, ‘with little apparent motive other than just to be there, and be happy’. The hand-crafted banner celebrating Albert Park Rowing Club’s representatives at those Olympic Games seems to exude that same sense of joy and exhilaration. Made by the wife of the club’s social secretary, it testifies to the admiration felt by individuals and organisations for the success of their own on a world stage. The banner has historic significance for its accurate documentation of the great achievement of a single rowing club in contributing six outstanding athletes to the relatively small Australian rowing team. Additional historic significance derives from the fact that this is an unofficial expression of tribute and pride. The banner’s incorporation of the Olympic rings would now be likely to require licensing by the Australian Olympic Committee, a process that can dampen social engagement. While definitely a hand-made item, there is some aesthetic significance in the design and execution of the banner. Good judgement has been demonstrated in the selection of fabrics and the choice of colours. The workmanship is quite skilful. The vertical symmetry and the horizontal balance of the design are pleasing to the eye. The use of red for the heading lines and black for the Olympians names is well-chosen and aesthetically pleasing. The collection holds black and white photographs of the same oarsmen at the Olympic regatta. This banner complements their role in the collection by providing colour and a sense of connection with an affectionate and supportive community. Its social significance transcends the local context for which it was created and used, to become part of the large body of art, craft and memorabilia that are associated with the Olympic movement worldwide. A handmade embroidered banner to commemorate the Albert Park members who were part of the 1956 Olympic Rowing team.A.P.R.C. / REPRESENTATIVES OLYMPIC GAMES MELBOURNE 1956 / R. DUNCAN / R. DICKSON / K. McMAHON / R. LIBBIS / I. ALLEN / J COCKBILL coxrowing, apsm rowing club, olympic games, albert park rowing club, albert park lake, duncan, robert, dickson, bruce, allen, ian, libbis, reg, mcmahon, kevin, cockbill, john -
Federation University Art Collection
Painting - Artwork - Painting, '1888-1893' by Ali Afzali, 2018
Ali Dad AFZALI Born Hazarajat, Afghanistan In 2017 and 2018 the Federation University Australia Foundation awarded the Foundation Asylum Seeker scholarship for 2018 to Ali Dad Afzali. Ben Quilty wrote of Ali Dad Afzali on his blog:- "New paintings, sculpture and video of my young friend Ali Dad Afzali who braved the Timor Sea, smugglers and a wild storm, against his mother's wishes to come to Australia. Ali was 16. Ali is now studying art at Federation University in Ballarat after being generously awarded a full scholarship by the university. He is waiting patiently for his refugee status. I am very proud of this body of work. The exhibition is for Ali and for his Hazara people." (https://www.pictame.com/user/benquilty/885785586/1325284963800834113_885785586, accessed 31/05/2019) Winner of the 2018 Federation University Deputy Vice-Chancellor's Awardali afzali, hazara, refugee, asylum seeker, alumni, available -
City of Greater Bendigo - Civic Collection
Souvenir - Mug, Burleigh Pottery, Coronation of King George VI & Queen Elizabeth, 1937
This mug was produced to commemorate the coronation of George VI and his wife, Elizabeth, as king and queen of the United Kingdom and the Dominions of the British Commonwealth took place at Westminster Abbey, London, on Wednesday 12 May 1937. On 26th April 1923 (as Duke of York) Prince Albert married in Westminster Abbey to Lady Elizabeth Bowes-Lyon (later to become The Queen Mother). Prince Albert, Duke of York, was the second son of King George V and Queen Mary and was born on 14th December 1895 on the Sandringham estate. On the abdication of his brother Edward VIII in December 1936 he was proclaimed King and took one of his middle name, George, on succeeding to the throne. Born 14th December 1895 King George died on the 6th February, 1937. Cream coloured ceramic mug with printed text and images. Outside of mug; Coronation of King George VI & Queen Elizabeth / May 1937 base; Burleigh / Made / in / England / Official design / Made in Englandmaking a nation exhibition