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Tatura Irrigation & Wartime Camps Museum
Costume - Puppets Dress, 1940's
Part of a collection of clothes and accessories for puppets on loan from the Beinssen familyCream dress, with small red, yellow and blue flowers and blue, yellow and red squares with navy blue around the edges. A separate blue bodice with a yellow apron-like skirt. Bodice has straps over the shoulders and yellow lacing on front. A drawstring at the neck and pink felt hands sewn into end of sleeves. Made for puppets.beinssen, camp 3, tatura, ww2 camp 3, puppetry, dr silke hesse, beinssen family, puppet costume -
Tatura Irrigation & Wartime Camps Museum
Costume - Traditional Dress, 1940's
Used by Templer girls at Camp 3. Usually worn for folk dancing.Made from cheesecloth, this short sleeved dress has an orange cotton bodice, red, blue, yellow and green Alpine flowers embroidered on the bodice. Short puffed sleeves, slightly gathered long cream cotton skirt attached. Dark brown lacing down centre front of bodice. Traditional dress worn for folk dancing.eva kortschak, eva ruff, traditional folk dress, ww2 camp clothing, templers -
Villa Alba Museum
Photograph - Surround Tiles, Third Bedroom Fireplace, Villa Alba, c.1882
The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Born digital photograph of the pattern of the rectangular surround tiles in the third bedroom of Villa Alba. The tiles, which are painted in underglaze red and green have a central scrolling pattern of large six- and small four-petalled flowers in green. The border use Late Victorian neo-classical fretwork. All of the tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- third bedroom -
Whitehorse Historical Society Inc.
Clothing - Nightdress
White cotton Nightdress with round neckline and long sleeves. 4 buttoned front concealed in placket. Pink ribbon threaded through eyelets. White lace on front neckline and hem of sleeves. Pink ribbon bows on sleeves. White cotton embroidery of bow and circlet of flowers on front of sleeves. Pink ribbon threaded through eyelets at waist.costume, female nightwear -
Ballarat Tramway Museum
Textile - Framed Tapestry, c2005
Has a strong association with the person who the item was made for (Austin Brehaut) who worked for the BTM and the person who made it.Hand made woollen tapestry on a white tapestry backing, stapled to board, placed in a metal frame with a circular cut out off white card. Features a Ballarat bogie tram with Sturt St buildings in the background and the median strip of Sturt St with flowers in the foreground. May have had a glass sheet, as not secured in the frame when received. trams, tramways, tapestry, souvenirs, memorabilia -
Bendigo Historical Society Inc.
Book - Golden Square High School
Sixteen pages yearbook of Golden Square High school for 1977. A rectangular frame is draw on the brown cover in golden colour, very faded at the top, with a flower design on the four corners. The title "Golden Square High School 1977" in gold letters in the middle. The book has punch holes, and the pages are tied together with a piece of rope.golden square high school, 1977 -
Bendigo Historical Society Inc.
Ephemera - LYDIA CHANCELLOR COLLECTION: CRUISE SHIP MENU, 1966
LYDIA CHANCELLOR COLLECTION: CRUISE SHIP MENU On the front cover is a print of three flowers and fern leaf. Words are: Motonave 'Angelina Laura' Inside on the left is the italian Dinner Menu and on the right hand side English Dinner Menu. 22nd Aug 1966 On the rear is the cruise line flag and writing: Geo 111 and Mary Sep 1966 -
Kew Historical Society Inc
Accessory - Woman's Visiting Card Case, 19th century
Calling cards, also called visiting cards, visiting tickets, or compliments cards, originated in their paper and ink form in France in the 18th century and their popularity quickly spread across Europe and the United Kingdom. Victorian calling cards were large and could be extremely ornate, with the names usually printed instead of handwritten. Women's cards were squarish and fairly large, usually about 2.5 x 3 inches. Men's cards were smaller and more rectangular, meant to fit in a breast pocket, while women often carried their cards in specially made cases of silver, tortoiseshell, ivory, or mother-of-pearl. (Source: Claire Green: Calling Cards and Visiting Cards: A Brief History)Nineteenth century silver, leather and silk woman's visiting card case, donated by M. Swanston MacDowell. The case has a tooled brown leather cover attached to a silver frame. The interior of the card case, used for visiting cards, is lined with maroon silk with brown leather pockets. The pocket on the left is embroidered in silk with a spray of flowers.On one of the interior leather pockets "Kew Historical Society" has been crudely inscribed in biro. A card placed in the item includes the words "Visiting Cards. M. Swanston MacDowell".visiting card case, card cases -
Williamstown Botanic Gardens- Hobsons Bay City Council
Postcard – Williamstown Botanic Gardens, M Schulz, Prague, c1900-1920
The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The logo in the middle of the words ‘POST CARD’ indicates the card was printed by M. Schulz in Prague. Schulz was a long-established company from Prague and printed postcards for customers from worldwide. Schulz printed in photo-chromolithography. The Curator’s lodge, designed by the Town Surveyor, HV Champion, was constructed in 1907 following the re-organisation of the north-east corner with the demolition of the old curator's cottage and erection of new gates. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The card also demonstrates how postcards were used as a method of contact in contrast to the contemporary use as souvenirs. A colour image of a house (the Curators lodge) behind a fence with two children sitting on it. There are two large Cordylines, one in the forefront of the image standing in lawn and surrounded by pink flowers, and one closer to the house. The house is brown timber with two brick chimneys and has a green corrugated iron roof with gables over the windows at the front and side.Front: ‘The Lodge, / Williamstown Gardens’. Reverse: Centre top ‘POST CARD’ with a logo [MS] in the middle of the words; left side vertical ‘O. Rippon Series’; left side ‘This space may be used for communication.’; right side ‘For Address only.’; left side bottom ‘Printed in Germany’. There is a one penny red Tasmanian stamp on the top right hand corner. The card is addressed to ‘Miss E G Holford / 60 Upton St, / Launceston, / Tasmania.’ Top left corner in pencil ‘$10’ (believed to be inserted by the vendor.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, curator’s lodge, children, cordyline -
Brighton Historical Society
Pearl collars and box, c.1949
The collars were made by Maria Frisch who had survived a number of concentration camps during the war and emigrated with her daughter Anne to Australia in 1948. Maria and her daughter Anne were Polish Jews. As a small child Anne had been smuggled out of the Krakow ghetto in 1942 and was taken in by a Polish woman. At the end of the war Anne was reunited with her mother in Krakow. When they emigrated to Melbourne they lived in Martin Street, Brighton. Maria's husband, and Anne's father, perished in Mauthausen concentration camp. Maria Entenberg married Jack Frisch in Melbourne in 1952. Two artificial pearl collars in original cardboard box. One collar is constructed with two tiers of interlaced pearls and the other with three. The lid of the box is covered in a textured printed cream paper with a flower and sprig pattern in red, brown and green. T0099.1- small necklace T0099.2 - large necklace T0099.3 - box lid T0099.4 - box basecollar, necklace, holocaust, maria frisch, anne gouttman, migration -
Mont De Lancey
Table China set, 1916
From the home of the late Mr and Mrs Frank Henderson18 piece white table china set decorated with fine purple flowers and with pink on two eggcups. Trim on edge is gold. Pieces include - two eggcups, one teacup and saucer, five small saucers, three butter plates, one lidded butter dish, one bowl, one jug and a lidded bowl with two handles.tableware -
Falls Creek Historical Society
Booklet - This Summer, What Will You Fall For at Falls?
A part of a yearly marketing and information material promoting Falls Creek region for the summer holidays. The brochure outlines active and more relaxing options available at Falls Creek in the summer of 1989 - 90. Accommodation featured on the back cover includes:-Nelse Lodge, Falls Creek Motel, Viking, Lakeside LOdge, Winterhaven Lodge, Astra Lodge and Cooroona Ski Lodge.This item is important because it documents seasonal activities at Falls Creek Alpine ResortWhite A4 brochure for Summer at Falls Creek. White cover with grey title in capital letters - THIS SUMMER, WHAT WILL YOU FALL FOR AT FALLS? - with ba blue butterfly and framed image of pink flowers centred underneath. Opens to A3 size with internal double page and back page spread of images and information of Summer at Falls Creek. falls creek marketing, falls creek summer, accommodation falls creek -
Kiewa Valley Historical Society
Jugs x 3 - water, milk and shaving
Ron White owned these jugs during his lifetime. Popular circa 1940s.Ron White owned these jugs. See KVHS 12821. Water Jug - tall glass jug with thin pale green 'plastic?' 'coating' wrapped around it. The cover has painted in colour -flowers and leaves. The lip is wavy with a clear plastic cover pulled over it. The handle is attached to the top half in the shape of an ear.The base is wider than the the top.Handblown. 2. Milk Jug - Unusual shaped small rectangular cream coloured jug with a handle at one end and a pouring lip at the opposite end. It sits on a four legged base and is decorated with coloured flowers and a cottage on each side. 3. Shaving Jug - Solid ceramic cream coloured jug with 7 holes in main area with a handle on one side and a pouring lip on the other. The jug is decorated with 3 small pictures of the countryside. The lip of the jug is defined in blue.1. Nil 2. At the base: "Hampton/ Ivory/ Swinnertons / England" 3. At the base: "Empire / Ivory ware/ England" and embossed also at the base "261 / England / 12?"ron white, ceramic and glass jugs, kitchenware, bathroomware -
Kew Historical Society Inc
Clothing - Pale Blue Muslin, Silk, & Lace Dress, 1910-14
The dress was in the cupboard of Muriel Kerr, the donor's recently deceased mother. The donor remembers being shown it and trying it on in the late '70s or early '80s and being told that it belonged to her great-grandmother, Lilian Armstrong Ballantine (nee Power) [1887-1967]. Lilian Ballantine lived at 31 Harp Road (now the site of the Leo Baeck Centre) from the early 1920s to 1967. Lilian's married Archibald Dill Ballantine [1883-1947], in 1910. He was a member of the Monumental firm of A&G Ballantine, responsible for the Kew War Memorial (and possibly the Springthorpe Memorial). Lilian was highly involved with the Finlay McQueen Memorial Church [ie the East Kew Presbyterian Church]. Lilian's daughter, Mary (the donor's grandmother) married Alan McQueen, the son of Finlay McQueen, the first Minister of the East Kew Church. Mary Macqueen lived at 1 Oswin Street; she was a well-known artist. The dress is significant due to its associations with a family with strong connections, through a number of generations, to Kew East and its spiritual institutions. The garment's integrity and design also contribute to its aesthetic significance as a representative item of women's outerwear during the first decades of the twentieth century.Pale blue striped muslin single-piece dress with lace, tulle and embroidery at the neck and on the cuffs. The lace at the neck and cuffs is embroidered with coloured flowers, and edged with tulle. Bordering the v-neckline is a deeper blue guipure lace (possibly added later). There is a satin flower on the right side of the skirt which gathers the hem, exposing the deeper blue cotton underskirt. The dress has a narrow band of blue satin at the high waist. The cotton underskirt is attached by thread in places to the outer layer. Both the outer and under layers are attached with metal hooks and eyes. Edging the cuffs and hem of the dress is blue commercial fringing. The exterior of the dress has a slight brown tinge which is not apparent on the inside hem, suggesting that it has been discoloured through exposure. There are minor stains.women's clothing, edwardian dresses, lilian ballantine, australian fashion - 1910s, mary macqueen, finlay mcqueen memorial church, east kew presbyterian church, alan mcqueen, kew war memorial, archibald dill ballantine, leo baeck centre, 31 harp road -- kew (vic.), a&g ballantine, women's clothing -- 1900s, fashion - 1900s, fashion design -
Mont De Lancey
Book, Howe Benning, Quiet Corners - an American Tale, c1882
The book is an example of a story dealing with a girl's (Margaret) life in America which is readable, pleasing and instructive, without the ordinary excitement of a love story. It has strong religious themes. It hopes that in many 'quiet corners" of our native land it may help to develop the spirit of self-sacrifice and true Christian thought for others.A very damaged, stained red antique hardcover book for girls with the title printed in gold lettering in the middle of the front cover. There is a gold outlined drawing of a girl sitting looking out of a window. There are red flowers and green leaves decorating the cover. The spine has the title printed in gold letters with red flowers and green leaves.On the front right side end paper is an inscription for a Sabbath School award dated 1882. The frontispiece balck and white illustration is of a girl sitting at a table at a fair. Tissue paper protects it. The title page has the title, author Howe Benning as well as publisher details. 296Pp. Throughout are black and white illustrations. There are four pages at the back are lists of Recent Gift Books published by the Religious Tract Society. The spine is broken from the pages.fictionThe book is an example of a story dealing with a girl's (Margaret) life in America which is readable, pleasing and instructive, without the ordinary excitement of a love story. It has strong religious themes. It hopes that in many 'quiet corners" of our native land it may help to develop the spirit of self-sacrifice and true Christian thought for others.religious stories, family life fiction, stories for girls -
Orbost & District Historical Society
book, Wildflowers of Victoria, 1967
Born Celia Elizabeth Prince in 1930, Celia Rosser began painting Australian wildflowers early in her artistic career. She first began painting Banksias after seeing a Banksia serrata near her home in Orbost, Victoria. She lived in Orbost in the 1960's( her husband had been posted to Orbost High School) where she painted and drew native flowers , in particular, banksias. Her first exhibition was at Leveson Gallery in Melbourne in 1965, and included three watercolours of Banksia species. Two years later she published Wildflowers of Victoria.Celia Elizabeth Rosser (born 1930) is a renowned Australian botanical illustrator, best known for having published The Banksias, a three-volume series of monographs containing watercolour paintings of every Banksia species. She began painting Australian wildflowers early in her artistic career. She first began painting Banksias after seeing a Banksia serrata near her home in Orbost, Victoria.A small book titled Wildflowers of Victoria and written by Celia Rosser. It was published in 1967 by Jacaranda Press. The covers are stiff card and it has an illustration of a banksia on the front cover. It has 105 pp and contains coloured illustrations. This book was the third part of the Jacaranda wildflower guides series. The book is designed to carry around in a pocket or purse.rosser-celia wildflowers banksia australian-flora -
Eltham District Historical Society Inc
Photograph, Folkart, 232 Yarra Street, Warrandyte, c.May 1988
Folkart was operated by Pamnela Hipwell and was permanently closed Januray 2020. "Folkart has been central to the Warrandyte streetscape since 1975 when it took over from Les Gilholm’s milk bar (see photo below). John and Betty Hipwell were amongst the first to start importing Asian clothing, jewellery and homewares. It derived from the era of hippies, meditation, flower power and freedom and introduced a whole new look, floaty dresses and skirts with embroidery and sequin decoration, exotic fabrics and colours and exciting possibilities." - Warrandyte Historical Society (Facebook Jan 8, 2020).35mm colour positive transparency (1 of 25) Mount - Kodak EktachromeProcess Date MAY 88Mfolkart, warrandyte -
Eltham District Historical Society Inc
Photograph, Demolition of Eltham Shire Offices, 895 Main Road, Eltham, August 1996, 1996
Print copies originally located in a small pink (with decorative flowers) album, suede spine, 18 x 18 x 6 cm, 50 page inserts, 100 photo capacity. The Shire Offices opened in 1965 and were extended in 1971. The final Eltham Shire Council meeting was held in December 1994 before the forced amalgamations of municipal councils by the Kennett Government. The State-Government-appointed Commissioners (1994-1996) took the decision in July 1996 to demolish the Eltham Shire Offices. The demolition works started within 24 hours of the decision being made.Roll of 35mm colour negative film, 10 stripsKodak Gold 100-5eltham shire office, demolition -
Eltham District Historical Society Inc
Photograph, Demolition of Eltham Shire Offices, 895 Main Road, Eltham, August 1996, 1996
Print copies originally located in a small pink (with decorative flowers) album, suede spine, 18 x 18 x 6 cm, 50 page inserts, 100 photo capacity. The Shire Offices opened in 1965 and were extended in 1971. The final Eltham Shire Council meeting was held in December 1994 before the forced amalgamations of municipal councils by the Kennett Government. The State-Government-appointed Commissioners (1994-1996) took the decision in July 1996 to demolish the Eltham Shire Offices. The demolition works started within 24 hours of the decision being made.Roll of 35mm colour negative film, 10 stripsKodak Gold 100-5eltham shire office, demolition -
Eltham District Historical Society Inc
Photograph, Demolition of Eltham Shire Offices, 895 Main Road, Eltham, August 1996, 1996
Print copies originally located in a small pink (with decorative flowers) album, suede spine, 18 x 18 x 6 cm, 50 page inserts, 100 photo capacity. The Shire Offices opened in 1965 and were extended in 1971. The final Eltham Shire Council meeting was held in December 1994 before the forced amalgamations of municipal councils by the Kennett Government. The State-Government-appointed Commissioners (1994-1996) took the decision in July 1996 to demolish the Eltham Shire Offices. The demolition works started within 24 hours of the decision being made.Roll of 35mm colour negative film, 10 stripsKodak Gold 100-5eltham shire office, demolition -
Eltham District Historical Society Inc
Photograph, Demolition of Eltham Shire Offices, 895 Main Road, Eltham, August 1996, 1996
Print copies originally located in a small pink (with decorative flowers) album, suede spine, 18 x 18 x 6 cm, 50 page inserts, 100 photo capacity. The Shire Offices opened in 1965 and were extended in 1971. The final Eltham Shire Council meeting was held in December 1994 before the forced amalgamations of municipal councils by the Kennett Government. The State-Government-appointed Commissioners (1994-1996) took the decision in July 1996 to demolish the Eltham Shire Offices. The demolition works started within 24 hours of the decision being made.Roll of 35mm colour negative film, 10 stripsKodak Gold 100-5eltham shire office, demolition -
Eltham District Historical Society Inc
Photograph, Demolition of Eltham Shire Offices, 895 Main Road, Eltham, August 1996, 1996
Print copies originally located in a small pink (with decorative flowers) album, suede spine, 18 x 18 x 6 cm, 50 page inserts, 100 photo capacity. The Shire Offices opened in 1965 and were extended in 1971. The final Eltham Shire Council meeting was held in December 1994 before the forced amalgamations of municipal councils by the Kennett Government. The State-Government-appointed Commissioners (1994-1996) took the decision in July 1996 to demolish the Eltham Shire Offices. The demolition works started within 24 hours of the decision being made.Roll of 35mm colour negative film, 10 stripsKodak Gold 100-5eltham shire office, demolition -
Eltham District Historical Society Inc
Photograph, Demolition of Eltham Shire Offices, 895 Main Road, Eltham, August 1996, 1996
Print copies originally located in a small pink (with decorative flowers) album, suede spine, 18 x 18 x 6 cm, 50 page inserts, 100 photo capacity. The Shire Offices opened in 1965 and were extended in 1971. The final Eltham Shire Council meeting was held in December 1994 before the forced amalgamations of municipal councils by the Kennett Government. The State-Government-appointed Commissioners (1994-1996) took the decision in July 1996 to demolish the Eltham Shire Offices. The demolition works started within 24 hours of the decision being made.Roll of 35mm colour negative film, 10 stripsKodak Gold 100-5eltham shire office, demolition -
Eltham District Historical Society Inc
Photograph, Demolition of Eltham Shire Offices, 895 Main Road, Eltham, August 1996, 1996
Print copies originally located in a small pink (with decorative flowers) album, suede spine, 18 x 18 x 6 cm, 50 page inserts, 100 photo capacity. The Shire Offices opened in 1965 and were extended in 1971. The final Eltham Shire Council meeting was held in December 1994 before the forced amalgamations of municipal councils by the Kennett Government. The State-Government-appointed Commissioners (1994-1996) took the decision in July 1996 to demolish the Eltham Shire Offices. The demolition works started within 24 hours of the decision being made.Roll of 35mm colour negative film, 10 stripsKodak Gold 100-5eltham shire office, demolition -
Eltham District Historical Society Inc
Photograph, Demolition of Eltham Shire Offices, 895 Main Road, Eltham, August 1996, 1996
Print copies originally located in a small pink (with decorative flowers) album, suede spine, 18 x 18 x 6 cm, 50 page inserts, 100 photo capacity. The Shire Offices opened in 1965 and were extended in 1971. The final Eltham Shire Council meeting was held in December 1994 before the forced amalgamations of municipal councils by the Kennett Government. The State-Government-appointed Commissioners (1994-1996) took the decision in July 1996 to demolish the Eltham Shire Offices. The demolition works started within 24 hours of the decision being made.Roll of 35mm colour negative film, 10 stripsKodak Gold 100-5eltham shire office, demolition -
Eltham District Historical Society Inc
Photograph, Demolition of Eltham Shire Offices, 895 Main Road, Eltham, August 1996, 1996
Print copies originally located in a small pink (with decorative flowers) album, suede spine, 18 x 18 x 6 cm, 50 page inserts, 100 photo capacity. The Shire Offices opened in 1965 and were extended in 1971. The final Eltham Shire Council meeting was held in December 1994 before the forced amalgamations of municipal councils by the Kennett Government. The State-Government-appointed Commissioners (1994-1996) took the decision in July 1996 to demolish the Eltham Shire Offices. The demolition works started within 24 hours of the decision being made.Roll of 35mm colour negative film, 10 stripsKodak Gold 100-5eltham shire office, demolition -
Eltham District Historical Society Inc
Photograph, Demolition of Eltham Shire Offices, 895 Main Road, Eltham, August 1996, 1996
Print copies originally located in a small pink (with decorative flowers) album, suede spine, 18 x 18 x 6 cm, 50 page inserts, 100 photo capacity. The Shire Offices opened in 1965 and were extended in 1971. The final Eltham Shire Council meeting was held in December 1994 before the forced amalgamations of municipal councils by the Kennett Government. The State-Government-appointed Commissioners (1994-1996) took the decision in July 1996 to demolish the Eltham Shire Offices. The demolition works started within 24 hours of the decision being made.Roll of 35mm colour negative film, 10 stripsKodak Gold 100-5eltham shire office, demolition -
Eltham District Historical Society Inc
Photograph, Demolition of Eltham Shire Offices, 895 Main Road, Eltham, August 1996, 1996
Print copies originally located in a small pink (with decorative flowers) album, suede spine, 18 x 18 x 6 cm, 50 page inserts, 100 photo capacity. The Shire Offices opened in 1965 and were extended in 1971. The final Eltham Shire Council meeting was held in December 1994 before the forced amalgamations of municipal councils by the Kennett Government. The State-Government-appointed Commissioners (1994-1996) took the decision in July 1996 to demolish the Eltham Shire Offices. The demolition works started within 24 hours of the decision being made.Roll of 35mm colour negative film, 10 stripsKodak Gold 100-5eltham shire office, demolition -
Eltham District Historical Society Inc
Photograph, Demolition of Eltham Shire Offices, 895 Main Road, Eltham, August 1996, 1996
Print copies originally located in a small pink (with decorative flowers) album, suede spine, 18 x 18 x 6 cm, 50 page inserts, 100 photo capacity. The Shire Offices opened in 1965 and were extended in 1971. The final Eltham Shire Council meeting was held in December 1994 before the forced amalgamations of municipal councils by the Kennett Government. The State-Government-appointed Commissioners (1994-1996) took the decision in July 1996 to demolish the Eltham Shire Offices. The demolition works started within 24 hours of the decision being made.Roll of 35mm colour negative film, 10 stripsKodak Gold 100-5eltham shire office, demolition -
Eltham District Historical Society Inc
Photograph, Demolition of Eltham Shire Offices, 895 Main Road, Eltham, August 1996, 1996
Print copies originally located in a small pink (with decorative flowers) album, suede spine, 18 x 18 x 6 cm, 50 page inserts, 100 photo capacity. The Shire Offices opened in 1965 and were extended in 1971. The final Eltham Shire Council meeting was held in December 1994 before the forced amalgamations of municipal councils by the Kennett Government. The State-Government-appointed Commissioners (1994-1996) took the decision in July 1996 to demolish the Eltham Shire Offices. The demolition works started within 24 hours of the decision being made.Roll of 35mm colour negative film, 10 stripsKodak Gold 100-5eltham shire office, demolition