Cake of McLeod's carbolic sand soap in paper wrappers with red heart & arrow. Pumice sand soap for metals, marble, paint, cutlery, woodwork and kitchen utensils.McLeods concentrated trade mark heart & arrow ammoniated extract of soap McLeod's soap Co Pty Ltd works Geelong, Melbourne and Sydneydomestic equipment, cleaning, soap

Cake of McLeod's Carbolic sand soap in paper wrapper with red hearts & arrow. Pumice sand soap for metals, marble, paint, cutlery, woodwork and kitchen utensils.McLeod's concentrated trade mark heart & arrow ammoniated extract of soap McLeod's soap Co Pty Ltd works. Geelong, Melbourne and Sydneydomestic equipment, cleaning, soap

This shield records the cyclists who were high achievers in road racing in the Geelong region at this time.This shield has an important place in the history of men's cycling in Geelong.A mahogany coloured rectangular wooden shield with silver plated plaques containing inscriptions of two winners of the winter road race aggregate winners for the years 2012 and 2013. There are two cyclists imprinted on the top plaque."The/Geelong Cycling Club/Donald Wilson/Winter Road Race Aggregate Winner/Established 1911/2012/Lincoln Stolz/2013/Mark Turnley"geelong cycling club; donald wilson; winter road race aggregate winner; lincoln stolz; mark turnley;

Colour Photograph of the Monument at Stawell Arboretum Marking where the First Quartz Gold was found in Stawell. On the Right Side Showin an Embossed Miner kneeling with a pick, on the left of the plaque a kneeelin miner with a hammer anc chisel.Erected by the Stawell Progress Association to mark the spot where the first Quartz Gold was found by Dane and Party in 1866 First Crushing ( Unclear in photograph)monuments, gold

Chart No D64 Collected 1931-7-8 + 1947 -58-60 by W.W. Masons Marks A Selection from Durham Cathedral (William Waples ?mason's mark, durham cathedral, architecture

Nino Corda was a Geelong based textile designer who worked at various textile mills between 1957 & 2003. He travelled the world in search of the latest fashions and techniques and developed timeless designs that were much loved by Australians. These items are on rotational display at the National Wool Museum’s ‘In the Factory’ exhibition. For many years, Nino also worked as part of the Honorary Staff of the National Wool Museum. His passion for the world of textiles provided energy and knowledge to the visitors and staff of the museum. Although Nino has now retired from his honorary position and has hung up his Australian Tartan vest, these items will continue to serve the community in sharing the stories of Australian Textile design.Custom made wooden hinged box with a hook latch. Brass yarn spinner, attached to a mahogany wood plinth base, which spins fibre into cord/yarn/thread. It has dials to set the rate that it spins. Metal plaque with black inlaid enamel lettering. Small cork inlay. Brass rod with hinge and wingnut, and ball at end. Ball at end has an adjustment mechanism. Rod also has an adjustable circular collar. Pair of curved tweezers. Circular magnifying glass on long thin handle. Glass has two concave lenses. Weaving sample in shades of blue, green and brown. Twill weave. Alternate pattern samples separated by red thread.Brass plaque on base of spinner: 42 MARKET St / John Nesbitt / REGd TRADE MARK / LIMd / MANCHESTER Underside of wooden plinth: 4976apparatus, textile, testing, spinning, nino corda, magnifyer, tools, brass, mahogany, tweezers, yarn, spinner, design, john nesbitt, manchester, england, 19th century, engineering, manufacturing

Donated by Elaine Pearce (1936) in 1992.Colour photograph of a Vicar standing before a group of people inside a marquee in the Gardens."Rev. de Silva, taken during the service during the "Back to Burnley week-end," service to mark the Centenary of Burnley Horticultural College 3.11.91."reverend de silva, service, back to burnley weekend, centenary, elaine pearce

Composite photograph from a journal showing six flood scenes in the South Melbourne and Port Melbourne area - undated. Photo No. 6 has been identified as Crockford St Port Melbourne. The image with the bridge is possibly Montague St. The photo on the left with a horse drawn cart, has the factory of Jones and Dunn Furniture Manufacturers.Yields information about a flood in the Port Melbourne area.Composite photograph of flood scenes in Melbourne - undated.Melbourne – Floods in the suburbs, No. 6 Crockford St Port Melbourne. Copy neg Mark Plummer collections ex late John Alfred collection.cable trams, melbourne, floods, crockford st, port melbourne, bridges, south melbourne

Inside the suit it is labelled with abroad arrow mark Code No. 8848 Stores Ref No. 22C/1013 Size MEDIUM Serial No. 1064 Inspector 7

The colourful stained glass windows are on the first landing of the staircase in the entrance hall at Rupertswood Mansion in Sunbury.The illustrations in the windows depict scenes of Sunbury's early agricultural past.A Coloured photograph in post card format of three decorative stained glass windows. Printed on the back: THREE SIGNIFICANT STAINED GLASS WINDOWS/RUPERTSWOOD 1874-76 SUNBURY VICTORIA. PHOTO MARK WILSON/RUPERTSWOOD RESTORATION SOCIETY.rupertswood mansion, stained glass windows, rupertswood restoration society

Jacana Primary School was established in 1959 during a period of rapid suburban development in Melbourne’s northern suburbs. The post-war era saw significant investment in public infrastructure, including schools, to support growing communities shaped by migration and housing expansion. Jacana, located near Broadmeadows, became home to many working-class families, including newly arrived migrants, contributing to a rich and diverse social fabric. By the early 1980s, schools like Jacana Primary were not only centres of education but also vital community hubs. Sporting activities, particularly team sports like soccer, played a central role in student life. They promoted physical health, teamwork, and social inclusion, while also reflecting broader cultural influences—especially as soccer gained popularity among migrant communities. The 1983 soccer team photograph captures this dynamic period, showcasing the importance of extracurricular activities in fostering school spirit and community engagement. It also reflects the values of public education at the time: equity, participation, and the celebration of diversity. Such images serve as enduring records of how schools contributed to shaping local identity and cohesion during a transformative era in Melbourne’s suburban history. This 1983 colour photograph of Jacana Primary School’s soccer team captures the energy and camaraderie of a school that served as a cornerstone of its community from 1959 until its closure in the early 2000s. More than a simple team portrait, the image reflects the vibrant sporting culture that was integral to student life and community engagement during the early 1980s. The photograph preserves cherished memories of teamwork, school pride, and youthful enthusiasm, offering insight into the social dynamics and extracurricular values of the time. It stands as a visual testament to the role of sport in fostering inclusion, resilience, and a sense of belonging among students—qualities that defined Jacana Primary’s enduring legacy in Melbourne’s northern suburbs.A colour photograph of a school Soccer team on satin finish photo paper.PH-4465 (white label) Top Left Corner PH-5431(blue label) Top Right Corner Manufactures mark; Fujicolor/ Paperjacana primary school, photograph, school photograph, education, soccer team, 1983

Jacana Primary School was established in 1959 during a period of significant suburban growth in Melbourne’s northern corridor. Located in the suburb of Jacana, the school was part of a broader post-war initiative to provide accessible public education to families settling in newly developed housing estates. The area became home to a diverse population, including many migrant families, contributing to a rich and evolving community identity. By the late 1980s, Jacana Primary had developed a strong reputation not only for its academic programs but also for its vibrant extracurricular activities. Sport, particularly soccer, played a central role in school life. It was a unifying force that brought students together across cultural and social backgrounds, fostering teamwork, resilience, and school spirit. Soccer’s popularity reflected broader demographic trends, as many students came from communities where the sport held cultural significance. The 1989 soccer team photograph captures this dynamic period in the school’s history. It represents more than athletic achievement—it reflects the values of inclusion, participation, and pride that defined Jacana Primary’s approach to education. The image also serves as a visual record of the school’s role in shaping community cohesion and providing opportunities for personal growth beyond the classroom. Jacana Primary School closed in the early 2000s, but its legacy endures through photographs like this one, which offer valuable insights into the lived experiences of students and the social fabric of Melbourne’s northern suburbs during a time of transformation.This 1989 colour photograph of Jacana Primary School’s soccer team captures the vitality and camaraderie of a school that stood as a pillar of its community from 1959 until its closure in the early 2000s. Far more than a routine team portrait, the image embodies the spirited sporting culture that was central to student life and community connection during the late 1980s. The photograph preserves treasured memories of teamwork, school pride, and youthful enthusiasm, offering a lens into the social atmosphere and extracurricular priorities of the time. It serves as a visual testament to the role of sport in promoting inclusion, resilience, and a sense of belonging—values that were deeply embedded in Jacana Primary’s educational philosophy and community legacy in Melbourne’s northern suburbs.A colour photograph of a school Soccer team on satin finish photo paper.PH-4119 (white label) Top Centre PH-4404(blue label) Top Centre Right Manufactures mark; This paper/ Manufactured/ By Kodakjacana primary school, photograph, school photograph, education, soccer team, 1989

Stencils were used to mark produce before it went to markets and/or in transit. Produce such as bales of wool, dairy and fresh produce were so marked and the account credited to the relevant producer. The origins and provenance of the stencils is not known at this time.These stencils have no known provenance but have interpretive interest and significance..1 Oval metal stencil with the number 373 cut out of the metal and with WTC engraved above it. Circular hole in the metal on the left side. .2 Circular metal with 549 cut out of metal and S of W engraved above. One large circle and two smaller circles also cut out of the metal. .3 Oval metal stencil with the numbers 199 cut out of metal and TCW engraved above it. Circular hole has been cut out on the left..1 WTC Old catalogue number on rear 437 .2 S of W Old catalogue number on rear 442 .3 TCW. Old catalogue number on rear.433warrnambool, metal stencils, farm stencils

Comprises "Ancestors of Lesly Marigold Hills" [sic]; Marriage certificate of Thomas Joyce and Mary A'Hearn (2408/1854); Death certificates of Mary Joyce nee A'Hearn (5/1876) and Mark Hewitt senior. (129/1884)Family tree and certificates contain details of many residents of Greensborough, Preston, Northcote Morang and Nillumbik who lived or died in these areas between 1876-19454 x A3 photocopies and note 12.5 x 21 cmjoyce family, a'hearn family, hewitt family, hooper family

Banners were often used for school functions eg. Sports Days to mark an area for children to gather/ meet. Or to identify a group during an event eg. a parade. The Tawonga School was opened in 1880. See KVHS 04882Tawonga School is in the Kiewa Valley. It is small rural school serving the farming and tourist town of Tawonga in Victoria's north east.Large white banner with ST (overlapping) in red and a red fringe on the bottom edged forming a V. The back is red. There is nothing to assist it being hung up.tawonga school banner, education, school sports

Eagles on coins do not necessarily indicate that they are American eagles or coins from the United States but they are symbols of strength or power. The 10 Centimes was made at various mints and the mint mark appears as a single or double letter below the eagle.This pattern with Napoleon appears on bronze French coins from 1852 to 1865. This coin reflects the late 19th century history of France.A bronze 1855 French 10 Centimes. The denomination is on the reverse: " DIX CENTIMES" around an eagle with open wings. Above that is: "EMPIRE FRANCAIS" or French Empire. On the obverse is: "NAPOLEON III EMPEREUR BARRE 1855" around the head of man facing left.coin french-ten-centime napoleon

Mr M.B.Watson was Shire Secretary for the Shire of Ballarat in 1954. This photo which is part of a collection of photos was taken to commemorate the 1954 visit of Her Majesty Queen Elizabeth 11,and was presented by the Shire President G.A.Fraser, to mark the occaision.Section of the Original Historical Photo of Councilors for the year 1954.Sepia/Brown photo of Councilor M.B.Watson,(Shire Secretary),1954.Situated Left hand side second rowof composite photo of Councilors for the year 1954.PRESENTED TO THE BALLARAT SHIRE COUNCIL BY SHIRE PRESIDENT TO COMMEMORATE THE VISIT OF HER MOST GRACIOUS MAJESTY QUEEN ELIZABETH 11. 1954.shire of ballarat 1954, queen elizabeth 11 visit, m b watson shire secretary 1954

J.S.Willey was the Shire Engineer for the Shire of Ballarat for the year 1954.This photo which is part of a collection of photos was taken to commemorate the 1954 visit of Her Majesty Queen Elizabeth 11,and was presented by the Shire President G.A.Fraser, to mark the occaision.Section of the Original Historical Photo of Councilors for the financial year 1954.Sepia/brown photo of J.S.Willey, who was Shire Engineer,situated left hand side of bottom row of composite photo of Councilors for the financial year 1954.PRESENTED TO BALLARAT SHIRE COUNCIL BY SHIRE PRESIDENT TO COMMORATE THE VISIT OF HER MOST GRACIOUS MAJESTY QUEEN ELIZABETH 11, 1954.shire of ballarat 1954, j s willey engineer, queen elizabeth 11 visit

Francis Chapman, sons and Deekes was initially a London company but also had an office in Castlereagh St., Sydney. They were makers of Locks, galvanised iron, Fencing wire and rabbit traps. The Australian Trade Mark was applied for in 1904.Paper catalogue for Francis Chapman, sons & Deekes, Hopetoun House, Lloyds Avenue, Fenchurch Street London. 18 pages with the cover torn and separate from the rest of catalogue.. Contains Illustrations, B&W hotographs and listing for metal related products It also has the shipping and freight costs from London, Liverpool,Bristol and Glasgow to various ports around Australia. There are two metal staples in the spine.

Unaddressed and unsigned card with the following message: 'Season's Greetings from The Mayor, Councillors and Staff of the City of St. Kilda'. The sketch on the front is by Bill Brodie, from 'St. Kilda Sketch Book' by Bill Brodie and Stan Marks.Folded white card with a gold edge and a reproduced sketch of St Kilda Town Hall on the front. Printed in black and green on the inside, including a black City of St Kilda logo.city of st kilda, bill brodie

Photo taken around 1958-61 of Ed and Imi(Fred) Strauks standing with Brian Burton and brother?, Neil and Mark Clarkson also one other person on the Mullum Mullum Bridge in Ringwood, according to Gaby Strauks.3 children sitting on bridge (unnamed) with tricycle.Written on back of photograph, "Bridge over Mullum end Adelaide Street."

This canvas golf bag dates from the early part of the 20th century; it has no manufacturer's marks. In the days before motorised buggies and matched sets of clubs, a few clubs would be carried over the shoulder in a bag like this.Canvas golf bag with leather straps and 2 zippered pockets.golf bags, golfing equipment, bags

Belleek pottery in Co Fermanagh, Ireland produced functional pottery such as this from it's earliest period, this piece bears the first period mark, 1863-1890 before producing its more famous fine eggshell porcelain.An early Irish earthenware plate from c. 1870s made at the Belleek factory. A large proportion of Ballarat's goldfields population including the families at Hymettus cottage were Irish immigrants.Indistinct registration lozenge and transfer printed logo of Irish wolfhound with word Belleek to underside.belleek, ireland

Electric fans were used for cooling rooms prior to air conditioning.This portable fan was used on the Kiewa Hydro Electric Scheme by office workers.Green metal swivel fan with base, motor and 4 cream angled 'wings' covered by 3 wire rings connected by 6 pieces of curved wire that cover the blades at the side and front. An electric grey rubber cord is attached. There is a lever in the base for moving from 'off to 1.2.or 3' (but no marks to indicate these positions.)Base: "Elcon Fan / Made in Australia"electric fan; state electricity commission of victoria; office equipment; kiewa hydro electric scheme;

This item(razor) was used by men, only before fashion dictated that women should shave their legs and underarms. There is information that this razor was first used circa 1922 and it lasted up until circa 1958. It permitted the user to have a compact shaving apparatus at hand in any environment. It provided a safe and easy way of sharpening the more permanent blade. This type of razor replaced the straight, open, or cut-throat razors. The mobility of this item was further enhanced by Gillette with their double bladed disposable razor. Time taken(shaving) and costs involved where crucial factors in the ever growing pace of domestic lifestyle in the post 1920s.This historical item presents that, even though the Kiewa Region was an inland rural settlement which in the 1920's was not as close to "modern" fashions and "gadgets", the basic living conditions where still maintained at city levels. This particular razor was in its heyday a sophisticated safety razor and brought down the demand for the services of the "professional" barber(shaver). One of the problems of the superseded straight razor was the high levels of cuts and nicks to the face. As this particular razor was fairly expensive it would have been used by men who were in the middle to upper socio-economical position in Kiewa Valley before the late 1950'sThis item is a Sheffield steel(stamped inside) metal box(Viscount model) containing a red leather fine shaving strap and in its lid a grey honing stone. Both bottom and top lids are removable to allow for replacements of strap and stone. On the bottom lid appears "The Whetter" trade mark, registered in the U.S.A. in 1950.Three bands of a Greek key pattern has been pressed on the lid. A circled identification inscription. " ROLLS RAZOR Ltd, MADE IN ENGLAND" and patented information appears within this inscription. "Patented in England and Abroad. English patents numbers 467383. 284428. 242718. 242717" On the outside of the base lid within a circle are "ROLLS RAZOR" and the sketch of a long haired naked man (side view), crouched, with both hands stretched forward operating the razor. On a slab underneath are the words "The Whetter"safety razor, non disposable, men's shaving implement

These nails were made for Walter John Mundy (1868-1944). Often imported nails made for the softer English and North American timbers bent when hammered against the harder colonial woods and so The Mundy family were farmers / settlers in the Snowy River area since c. 1880s. The original Mundy family moved to a land "selection" at Betebolong in the early 1880's from Buchan. It's only over the past century or so that the mass-produced nail has become an inexpensive and common way to join materials. These three iron nails were hand made by an early Orbost settler or blacksmith in the 1880's, using iron, forge and anvil. They are examples of the types of nails used in the 19th century. A rectangular, wooden(athel pine?) board with three hand-made nails glued in fan design to top left corner of section of floorboard. There is a short length of yellow cord attached for hanging. To the right of the nails is hand-written text in black. the nails have irregular shanks and hammer marks on both shanks and heads.right of nails - " Flooring & nails from Walter Mundy's house at Jarrahmond built C.1885. Still in use to this day."mundy-walter hand-made-nails

Buff coloured certificate with red Lodge seal. Certification that Bro. Arthur James Bromwich Aird was elevated to the honorable Degree of a Royal Ark Mariner on 9th November 1943 in the Camberwell Royal Ark Mariner Lodge attached to the Camberwell Lodge of Mark Master Masons No. 86. Signed and dated 26th January, 1944.

This olive green bottle was handmade by a glassblower and is the typical shape of a ‘gallon’ type liquor bottle, which has the capacity of one-sixth of an imperial gallon, about 750ml. It was made around the mid-to-late 1800s. The bottle was recovered from an unnamed shipwreck in the coastal water of Victoria. It is part of the John Chance Collection. The elongated bubbles in the glass are likely from the glass being blown into a mould. Glassblowers made bottles like this one by blowing into a long metal pipe or reed with a blob of molten glass at the end of it. The shape of the glass would be blown out to fit into the shape of the mould. Once it set, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck and another tool to finish the base. The bottle would be cracked off the end of the glassblower’s pipe and a blob of molten glass would be added to the top to form the mouth and lip of the bottle. The seal was usually a cork, often held in place with tape. Although the bottle is not linked to a particular shipwreck, it is recognised as being historically significant as an example of bottles imported for use in Colonial Victoria in the mid-to-late 1800s. The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal water in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle, dark olive green glass, tall thin Gallon type. Mouth is applied roughly, lip is straight and narrow. Body has no visible seams; tapers gently inwards to base. Concave base is deep and has a pontil mark. No inscriptions. Handmade bottle has elongated air bubbles and imperfections in glass.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, handmade, mouth blown, pontil mark, blown bottle, liquor bottle, 19th century bottle, collectable, olive glass, green glass, mould, 1800s bottle