Medicine came in bottles bought at the local chemist or at a large city chemist on a shopping expedition. The shape and contents changed as did the stopper used to seal it. History of Bonnington's Irish Moss.Historical: Change of bottles - shape, glass, stopper, embossing, use. Aesthetic: Display showing embossing and shape Small clear brown glass bottle used for medicine. Rectangular shape with heavy embossing at the front. Narrower sides taper to the lip at the opening. Also has a lip around the opening.On front side: 'Bonnington's / Irish Moss / Coughs & Colds' chemist, medicine, glass bottle, bonnington's, irish moss, coughs, colds

Bottles were bought locally or at larger cities on a shopping expedition. The shape of bottles changed. Bottles were re cycled remaining the property of the manufacturer. History of Clinton Williams Pty Ltd.Historical: Change of bottles - shape, glass, stopper, embossing, use. Aesthetic: Display showing embossing and shapeClear brown bottle with straight sides three quarters of the way up tapering to the opening screw top. The base is rectangular. The front is embossed horizontally.Front: 'This bottle / Always Remains / the Property of / Clinton Williams / Pty Ltd.'glass bottle, clinton williams pty ltd

Bottles were bought locally or in larger city stores on a shopping expedition.Historical: Change of bottles - shape, size and use. Aesthetic: Display showing shape, colour and sizeSmall round brown opaque glass bottle with straight sides and sealed by a rusty screw top lid. Embossing on the base.Base: Common seal at top 'A' with 'G' and 'M' inside the A and across the middle 'G 764' and underneath 'M'brown glass bottle, metal screw top lid

Bottles were bought locally or in larger city stores on a shopping expedition.Historical: Change of bottles - shape, size and use. Aesthetic: Display showing shape, colour, sizeSmall oval brown opaque glass bottle with straight sides , a shoulder and a screw top lid. Embossing on the base is illegible.brown glass bottle

Medicine came in bottles bought at the local chemist or at a large city chemist on a shopping expedition. The shape and contents changed as did the stopper used to seal it. History of Bonnington's & Irish Moss.Historical: Change of bottles - shape, glass, stopper, embossing and use. Aesthetic: Display showing embossing and shape. Small clear brown glass bottle used for medicine. Rectangular shaped with heavy embossing at front. Narrower sides taper to lip at opening. Also has lip around the opening.Front side: 'Bonnington's / Irish Moss / Coughs & Colds'glass bottle, chemist, medicine, irish moss, bonnington's, coughs, colds

Medicine came in bottles bought at the local chemist or at a large city chemist on a shopping expedition. The shape and contents changed as did the stopper used to seal it. History of Bonnington's and Irish MossHistorical: Change of bottles - shape, glass, stopper, embossing and use Aesthetic: Display showing embossing and shapeSmall clear brown glass bottle used for medicine. Rectangular shape with heavy embossing at the front. Narrower sides taper to the lip at the opening. It has a very rusted-on screw lid which is metal.Front side: 'Bonnington's / Irish Moss / Coughs & Colds'glass bottle, bonnington's, medicine, chemist, irish moss, coughs, colds

Bottles of milk were bought at a local store. The measurement of liquid was in pints and money in pence pre 1966. Bottles were returned to the manufacturer who reused the bottle. To encourage the return of bottles, collectors were given 7 pence per bottle. TB was tested in the milk at this time and the milk was pasteurised. History of the Kiewa Company.Historical: Dairy farmers lived in the Kiewa Valley and sent their milk to the Kiewa Factory to be pasteurised and TB tested. The bottles and tops changed colour & design regularly. Aesthetic: Display showing variations of shape, embossing, and stencil.Narrow necked clear glass bottle used to carry one imperial pint of milk. Embossed on bottom near base and on base. Blue stencilled writing / print on opposite sides of the bottle.Side: Embossed: Inside embossed circle is '6' above '19'. and underneath this: One Imperial pint. Base: Embossed: Common Seal - 'A' with 'G' and 'M' inside the A and in the middle 'ISM 229' and below that '2' Stencil on side: 'Kiewa' signature and underneath printed 'Pasturised / And TB Tested Milk' / 'Use' (written) and then printed 'Kiewa Butter / Cream and / Ice cream Mix' Stencil on the opposite side: '7d Deposit On / This Bottle'kiewa, dairy, milk, butter, cream, ice-cream, farmers

Cream was stored and sold in bottles and bought at a local store. History of Haberfield's. The measurement of liquids was in pints and money in pence (d) pre 1966. Bottles were returned to the manufacturer who reused the bottle. To encourage the return of bottles, collectors were given 3d (pence) per bottle. Historical: Dairy farmers living in the Kiewa Valley, sent their milk to be separated into cream by a Dairy company and then sold to the public. Aesthetic: Display showing variations of shape, embossing and stencillingSmall clear glass bottle containing one third of a pint and used to carry cream. it tapers to a lip at the neck. On one side and the base it is heavily embossed. Under the embossing on the side it is stencilled in red and black words and outline of a picture of a happy man wearing a tie pointing to the writing.Base: Common Seal with 'A' and 'G' and 'M' inside the 'A'. under which is '91/6' under which is' ISM - 707' Side: embossed: Third Pint Side: stencilled: Haberfield's (red) / always red (black) / Pasteurised (red on black) / Cream (white on black) Opposite side: stencilled: 3d Deposit / On This Bottle (all in red)dairy, farmers, haberfield's, cream

Bottled milk was bought at the local store. The bottles were re cycled and remained the property of the manufacturer. to encourage their return a deposit was usually paid on them. Pre 1966 liquids were measured in pints.Historical: Dairy farmers lived in the Kiewa Valley and sent their milk to be pasteurised and bottled by a local Dairy Company. The bottles changed shape, size and embossing. Aesthetic: Display showing variations of shape, embossing and size Clear glass small bottle with straight sides nearly two thirds up from the base tapering gently to the opening which has a thick long lip before the opening. Heavy embossing around the circumference on each side where tapering begins. Light embossing on the base.Half Pint Milk This Bottle Belongs to Milk Bottles Recovery Ltd. And Cannot be Used With Out Written Permission Base: '2' Common Seal 'A' with 'G' and 'M' inside the A / '8' / '11' / 'M163'milk, dairy, farmers, kiewa, milk bottles recovery ltd

Milk was produced at the local dairy and then delivered to the stores and / or each household. The shape of the bottles changed as did the stopper used to seal it. The cardboard one predating the aluminium seals. Milk bottles were recycled by the dairy for re use. Liquids were measured in pints pre 1966.Historical: Change of bottles - shape, stopper, embossing Aesthetic: Display showing embossing and shapeClear glass milk bottle with straight sides half way up tapering to the top where there is a thick lip on the outside. Opening is wide. There is an inner rim inside the opening. A cardboard disc fitted on to the inner rim to seal the contents. Heavily embossed.On side near base: 'One Imperial pint' On base: Common Seal: 'A' with 'G' and 'M' inside the 'A'. 'F 1297' is across the middle and 'M' is underneath. In front of the 'M' one bottle has '2' and the other '6'.milk, diary, glass bottle, household, farmer

This bottle was bought at a chemist shop either locally or at a bigger city on a shopping expedition. The lattice pattern was used for poisonous contents. It was sealed with a cork.Historical: Bottles changed in size, seal and use. Aesthetic: Display showing embossing, shape and size of the bottleRound, amber bottle with small neck and sealed with a broken cork. Heavily embossed with lattice design covering one side of the bottle above which and at the shoulder of the bottle is embossed print in capital letters. On the back at the shoulder of the bottle is embossed 'poison'. Front: 'Not To Be Taken" Back: "Poison" Base: "L 670" above "M' in the middle and "A" with 'G' and 'M' inside the "A" (common seal) underneathamber glass bottle, chemist, poison

This bottle was bought at a chemist either locally or in a large city on a shopping expedition. The embossing pattern indicates that the contents are poisonous. Bottles changed - shape, size, seal, use and embossingHistorical: Change in bottles - colour of glass, embossing, shape, size and use Aesthetic: Display showing embossing, shape, size, sealOpaque brown glass bottle with 6 sides. The front is wide, the 2 end sides and back side are short with the 2 adjoining longer sides coming out at 45 degrees. The sides at 45 degrees have heavy embossing of rows of crosses and the back side has heavily embossed print in capital letters read sideways from the top of the bottle to the bottom. The sides taper quickly to a short neck and then opening. The bottle has a brown screw top lid with embossed sides. The bottle is empty. A label has been sticky taped onto the front.Back: "Not to be Taken" Base: 'F 1158' and '856' along the edge Label: "Caution / Not to be Taken / Gentian Violet Solution / 2 % / For external Use - Onlyopaque brown glass bottle, chemist, poison, medicine, irregular hexagonal bottle

Milk bottles were bought at the local store. Metric measures were introduced in Australia in 1966. Bottles were recycled and remained the property of the manufacturer.Dairy farmers live in the Kiewa Valley and send their milk to the local dairy to be pasteurised and bottled. Historical: Bottles changed - shape, size, embossing and seal Aesthetic: Display showing bottles of different shape, size, embossingClear glass milk bottle with straight sides three quarters of the way up tapering gently to the opening. The taper sides are heavily embossed with print in capital letters. The circumference of the base is embossed with short straight lines in the direction of the edge to middle.On each side: "Pasteurised / Wash and Return / 600 ml Milk The fourth line continues underneath around the circumference: Use not permitted without written - permission owner milk bottles recovered.clear glass bottle, milk, dairy, milk bottles recovered, kiewa valley farmers

In 2017 known as the Kangaroo Ground Operations Centre a facility for hire managed by the Shire of Nillumbik. On 7 February 2009 (Black Saturday) the CFA Incident Control Centre (ICC) was located here. Described in "Worst of Days: Inside the black Saturday firestorm" by Karen Kissane (access via Google books): "..the ICC is part of a mud brick complex built in the 1980s as an emergency operations centre for several agencies, including the State Emergency Service. It is also home to the headquarters of the CFA's Lower Yarra Group. A small office with a whiteboard would be the incident controller's office throughout the office, but a larger central room, with data projectors, "smart boards" and maps would house the rest of the team.."Statement of Significance From the Victorian Heritage Database (2010) What is significant? The 1988 emergency operations centre and the surrounding site to the title boundaries. How is it significant? The emergency operations centre is architecturally, aesthetically, socially and historically significant to the Shire of Nillumbik. Why is it significant? The emergency operations centre is architecturally and historically significant as a good and rare example of a large public building constructed in a 1980s version of the 'Eltham style', and as a rare attempt to adapt the 'Eltham-style' aesthetic to meet the changing demands of the Shire in the 1980s (Criteria B, D & E). The emergency operations centre is architecturally and aesthetically significant because it is constructed of mud brick and features: a central entry with a tile mural (Criterion E). The emergency operations centre is socially significant because it is a focal point for the community and has played an important role in protecting the community since 1988 (Criterion G).Two colour photographs of mud brick Emergency Operations Centre building, Kangaroo Groundbuildings, mud brick, emergency centre, kangaroo ground

This jacket is part of a winter mess dress uniform belonging to Bernard Farley during service with the Australian Airforce. Worn in 1978, this jacket style was first developed in the 1950s and continues to be worn as mess uniform in the present day.This item has aesthetic significance and is a representative example of uniform design from the 1950s to present day. This item has clear provenance, having been donated by RSL member and Secretary (2019), Bernard Farley after its use during Bernard’s service in the Airforce. As a former member of the Australian Airforce and member of the Warrnambool ex-service community, Bernard’s uniform has great social significance, telling a broader story of life after service.Dark navy blue dress jacket with long sleeves ending at waist height. Jacket is double breasted with eight metal buttons; two buttons are larger and held on by safety pins. Buttons are gold in colour and marked with a crown and eagle motif. Lapels on jacket are of a lighter, grey-blue. Jacket is adorned with epaulettes on both left and right shoulder, attached with a cotton loop on each shoulder and held in place with a screw-in gold button. Jacket has synthetic lining in cream colour and an interior pocket on the left hand side; lining is detatched on both the left and right sides at the base. Label on interior collar reads “C.G.C.F” Epaulettes bear three lines in gold embroidered stitching and a badge depicting an eagle underneath a crown, also in gold. dress uniform, airforce, commonwealth government clothing factory, uniform, epaulette

These trousers are part of a winter mess dress uniform belonging to Bernard Farley during service with the Australian Airforce. Worn in 1978, this trouser style was first developed in the 1950s and continues to be worn as mess uniform in the present day.This item has aesthetic significance and is a representative example of uniform design from the 1950s to present day. This item has clear provenance, having been donated by RSL member and Secretary (2019), Bernard Farley after its use during Bernard’s service in the Airforce. As a former member of the Australian Airforce and member of the Warrnambool ex-service community, Bernard’s uniform has great social significance, telling a broader story of life after service.Dark navy blue dress trousers with cream coloured lining on waistband and pockets; dark synthetic material rectangles are sewn on interior of pants hem on pressed edge. Seven buttons, coloured black, are present on the interior of the waistband and were likely used as attachments for suspenders; reverse of pants rise into two points either side of the spine. Pants are fastened with a black plastic zip and a hook and eye at the top of the fly. Two pockets are present on both left and right hips and one small pocket on the front right hand side near the pelvic bone. Fabric is pleated twice on the front and has two darts on the reverse. Label on interior collar reads “A.G.C.F./VIC. 1978/(arrow symbol)/NO./NAME” Inscription on interior left hand pocket lining reads “992”dress uniform, airforce, commonwealth government clothing factory, uniform

This cummerbund is part of a winter mess dress uniform belonging to Bernard Farley during service with the Australian Airforce. Worn in 1978, this cummerbund style was first developed in the 1950s and continues to be worn as mess uniform in the present day.This item has aesthetic significance and is a representative example of uniform design from the 1950s to present day. This item has clear provenance, having been donated by RSL member and Secretary (2019), Bernard Farley after its use during Bernard’s service in the Airforce. As a former member of the Australian Airforce and member of the Warrnambool ex-service community, Bernard’s uniform has great social significance, telling a broader story of life after service.Dark navy blue broad waist sash which forms part of a dress uniform. Elasticised woven fabric in a rectangular shape fastened with two strips of velcro. A label is attached to the interior along the seam attaching the velcro. Label reads: “A.G.C.F../VIC. 1983/(broad arrow)/SIZE. 34/8440.S6.035.3816/NO./NAME”dress uniform, airforce, commonwealth government clothing factory, uniform, cummerbund, belt, sash

This hat is part of a General Purpose Uniform issued by the Australian Airforce to Bernard Farley during service. This uniform type was developed in 2014 and replaced camouflage as the uniform worn during general base duties and in non-warlike environments. Although a camouflage pattern, this design is not intended for use as camouflage. This item has social significance, as an item of uniform worn by Warrnambool RSL community member and Secretary (2019), Bernard Farley during service with the Australian Airforce. The item is a representative example of current Airforce General Purpose Uniform and is in excellent condition. As a set, the uniform has aesthetic significance in it’s design, incorporating GPU uniform design from the Army alongside the colours and motifs of the Australian Airforce. General Purpose Uniform (GPU) hat in Airforce colours of blue and grey in camouflage pattern. Broad brim hat with black plastic cord end fastener on a blue cotton cord. Plastic tag on interior of hat lining with printed inscriptions.Inscription on tag: “Hard Yakka/AUSTRALIA/AUGUST 2015/PO No: CC2XZ8/LAY No: 10609/SQNCOR FARLEY/(broad arrow)/[Mobile Phone Number]/NSN: 8415-66-161-4051/SIZE: M 56cm/NAME:” Inscription on reverse of tag: “PM KEYS No:/75% COTTON/25% POLYESTER/CARE INSTRUCTIONS/HAND WASH IN COLD/WATER WITH MILD/DETERGENT RISE/WELL DO NOT WRING/TUMBLE DRY OR/DRYCLEAN (X)/DRIP DRY IN SHADE”camouflage, airforce, uniform, general purpose uniform, australian defence force

This shirt is part of a General Purpose Uniform issued by the Australian Airforce to Bernard Farley during service. This uniform type was developed in 2014 and replaced camouflage as the uniform worn during general base duties and in non-warlike environments. Although a camouflage pattern, this design is not intended for use as camouflage. This item has social significance, as an item of uniform worn by Warrnambool RSL community member and Secretary (2019), Bernard Farley during service with the Australian Airforce. The item is a representative example of current Airforce General Purpose Uniform and is in excellent condition. As a set, the uniform has aesthetic significance in it’s design, incorporating GPU uniform design from the Army alongside the colours and motifs of the Australian Airforce. General Purpose Uniform (GPU) shirt in Airforce colours of blue and grey in camouflage pattern. Long sleeve with 6 buttons up the front, two chest pockets with zippered verticle openings along the button seam; two button down pockets on both the left and right shoulder with velcro patches sewn to outside flap for attachment of patches. Above the chest pockets are two patches with embroidered inscriptions in white thread on navy backing. Shirt cuffs have adjustable velcro fasteners.Inscription on interior label is worn and illegible, halfway down the tag reads “PM KEYS NO.” Throughout (on shoulder seams, above left pocket and on back of collar) is the Australian Airforce badge/motif which features a circle with the words ‘Royal Australian Air Force', the Imperial Crown, and a Wedge-Tailed Eagle in flight though this detail is inferred not physically visible. Two embroidered patches above the chest pockets read “AIR FORCE” and “FARLEY.”camouflage, general purpose uniform, airforce, uniform, australian defence force

These trousers are part of a General Purpose Uniform issued by the Australian Airforce to Bernard Farley during service. This uniform type was developed in 2014 and replaced camouflage as the uniform worn during general base duties and in non-warlike environments. Although a camouflage pattern, this design is not intended for use as camouflage. This item has social significance, as an item of uniform worn by Warrnambool RSL community member and Secretary (2019), Bernard Farley during service with the Australian Airforce. The item is a representative example of current Airforce General Purpose Uniform and is in excellent condition. As a set, the uniform has aesthetic significance in it’s design, incorporating GPU uniform design from the Army alongside the colours and motifs of the Australian Airforce. General Purpose Uniform (GPU) trousers in Airforce colours of blue and grey in camouflage pattern. Long pants with elasticised drawstring fastener at ankle and velcro adjustment fasteners at the waist. Pants take a straight leg style and bears several pockets: two thigh level pockets with zippered horizontal opening, two open hip pockets on the front, one open pocket on the reverse right hand side with blue plastic button fastener. Five large belt loops encircle the waist and there is a zippered fly, secured at the top with a blue plastic button.Label on interior front right of trousers reads: “A193/ADA/MADE IN AUSTRALIA/JUL 2015/ PO: CC2X91/NSN: 8415 66 161 4017/SIZE: 95 R/(broad arrow)/NAME:............/PM KEYS NO:............./75% COTTON 25% POLYESTER/WARM MACHINE WASH 40*C/RINSE WELL, WARM IRON/DO NOT IRON OVER HOOK AND PILE/DO NOT BLEACH/DO NOT STARCH/MAY BE TUMBLE DRY 40*C/DRYCLEANABLE (P)”camouflage, general purpose uniform, airforce, uniform, australian defence force

This jumper is part of a General Purpose Uniform issued by the Australian Airforce to Bernard Farley during service. This uniform type was developed in 2014 and replaced camouflage as the uniform worn during general base duties and in non-warlike environments. Although a camouflage pattern, this design is not intended for use as camouflage. This woolen jumper was presumably a winter addition to the GPU.This item has social significance, as an item of uniform worn by Warrnambool RSL community member and Secretary (2019), Bernard Farley during service with the Australian Airforce. The item is a representative example of current Airforce General Purpose Uniform and is in excellent condition. As a set, the uniform has aesthetic significance in it’s design, incorporating GPU uniform design from the Army alongside the colours and motifs of the Australian Airforce. Navy blue ribbed knitted jumper with stitched navy cotton elbow patches, rectangular in shape. Similar rectangular shaped patches on the left and right shoulder, bearing two epaulettes, stiched at one end and fastened with velcro and the other. The left shoulder carries an Airforce embroidered patch at the top of the arm. Arm cuffs have external seam for approximately 100 mm from the end, indicating that the jumper may have been worn with cuffs folded over. Synthetic strip of black fabric on the interior collar behind a cream coloured label.Label on interior of collar reads: “CALCOUP KNITWEAR/291083/ 06/01 / 8405/661468799 / SIZE: 115cm-125cm/SERVICE No........./ NAME........../MACHINE WASHABLE GENTLE CYCLE/Fasten shoulder straps before/washing. Warm machine wash,/inside out on medium cycle./Do not bleach./Warm rinse. Normal spin./Doi not tumble dry./Dry in shade. Warm iron./ Dry Cleanable A/80% Wool 20% Nylon”camouflage, general purpose uniform, airforce, uniform, australian defence force

This shirt is part of a Disruptive Pattern Combat Uniform issued by the Australian Airforce to Bernard Farley during service. This uniform type was used in base and field activities and was replaced in 2014 by the General Purpose Uniform as the uniform worn during general base duties and in non-warlike environments.This item has social significance, as an item of uniform worn by Warrnambool RSL community member and Secretary (2019), Bernard Farley during service with the Australian Airforce. The item is a representative example of previously standard issue Airforce uniform and is in excellent condition. As a set, the uniform has aesthetic significance in it’s design, incorporating the Disruptive Pattern style of camouflage which has its roots in the 1980s and continues to be adapted into uniform design by the Defence Force.Field shirt in disruptive pattern colours of green, khaki and browns. Long sleeve with 6 buttons up the front, two chest pockets with zippered verticle openings along the button seam; two button down pockets on both the left and right shoulder with velcro patches sewn to outside flap for attachment of patches. Above the chest pockets are two patches with embroidered inscriptions in black thread on disruptive pattern backing. Shirt cuffs have adjustable velcro fasteners.Interior label has been removed. Two embroidered patches above the chest pockets read “AIR FORCE” (left of wearer) and “FARLEY” (right of wearer). Oval patch on left shoulder shows a kangaroo silhouette encircled by a black embroidered circle.camouflage, uniform, australian defence force, disruptive pattern, airforce

These trousers are part of a Disruptive Pattern Combat Uniform issued by the Australian Airforce to Bernard Farley during service. This uniform type was used in base and field activities and was replaced in 2014 by the General Purpose Uniform as the uniform worn during general base duties and in non-warlike environments.This item has social significance, as an item of uniform worn by Warrnambool RSL community member and Secretary (2019), Bernard Farley during service with the Australian Airforce. The item is a representative example of previously standard issue Airforce uniform and is in excellent condition. As a set, the uniform has aesthetic significance in it’s design, incorporating the Disruptive Pattern style of camouflage which has its roots in the 1980s and continues to be adapted into uniform design by the Defence Force.Disruptive Pattern trousers in five colours of green and brown. Long pants with elasticised drawstring fastener at ankle and velcro adjustment fasteners at the waist. Pants take a straight leg style and bears several pockets: two thigh level pockets with zippered horizontal opening, two open hip pockets on the front, one open pocket on the reverse right hand side with blue plastic button fastener. Five large belt loops encircle the waist and there is a zippered fly, secured at the top with a blue plastic button.Label on interior front right of trousers reads: “A13/ADA/VICTORIA 2008/(broad arrow)/SPECIFICATION ARMY (AUST)6542/NSN: 8415 66 152 1059/SIZE: 95 S/NAME/SERVICE NO/75% COTTON 25% POLYESTER/WARM MACHINE WASH 40*C/RINSE WELL, WARM IRON/DO NOT IRON OVER HOOK AND PILE/DO NOT BLEACH/DO NOT STARCH/MAY BE TUMBLE DRY 40*C/MADE IN AUSTRALIA” The name “FARLEY” is also handwritten on the back interior waist band of the trousers. camouflage, general purpose uniform, airforce, uniform, australian defence force

This jumper is part of a Disruptive Pattern Combat Uniform issued by the Australian Airforce to Bernard Farley during service. This uniform type was used in base and field activities and was replaced in 2014 by the General Purpose Uniform as the uniform worn during general base duties and in non-warlike environments.This woolen jumper was presumably a winter addition to the DPCU.This item has social significance, as an item of uniform worn by Warrnambool RSL community member and Secretary (2019), Bernard Farley during service with the Australian Airforce. The item is a representative example of previously standard issue Airforce uniform and is in excellent condition. As a set, the uniform has aesthetic significance in it’s design, incorporating the Disruptive Pattern style of camouflage which has its roots in the 1980s and continues to be adapted into uniform design by the Defence Force.Khaki ribbed knitted jumper with stitched Disruptive Pattern cotton elbow patches, rectangular in shape running the length of the forearm. Similar rectangular shaped patches on the left and right shoulder, bearing two epaulettes, stiched at one end and fastened with velcro and the other. The left upper arm carries a rectangular Disruptive Pattern patch with a seam down the centre, creating two long narrow pockets. Arm cuffs have external seam for approximately 100 mm from the end, indicating that the jumper may have been worn with cuffs folded over. Synthetic strip of green fabric on the interior collar behind a cream coloured label.Label on interior of collar reads: “ELEGANT KNITTING CO./PENRITH, N.S.W. 1993/(047) 32 2491/8405-66-134-9381/SIZE 115cm-125cm XL (broad arrow)/SERVICE No........./NAME.........../“ Reverse of label carries a series of care instructions including “Fasten shoulder straps before/washing/ 80% Wool 20% Nylon”camouflage, general purpose uniform, airforce, uniform, australian defence force

This hat is part of a Disruptive Pattern Combat Uniform issued by the Australian Airforce to Bernard Farley during service. This uniform type was used in base and field activities and was replaced in 2014 by the General Purpose Uniform as the uniform worn during general base duties and in non-warlike environments.This item has social significance, as an item of uniform worn by Warrnambool RSL community member and Secretary (2019), Bernard Farley during service with the Australian Airforce. The item is a representative example of previously standard issue Airforce uniform and is in excellent condition. As a set, the uniform has aesthetic significance in it’s design, incorporating the Disruptive Pattern style of camouflage which has its roots in the 1980s and continues to be adapted into uniform design by the Defence Force.Disruptive Pattern Combat Uniform hat in five colours of green and brown in camouflage pattern. Broad brim hat with black plastic cord end fastener on a beige/brown cotton cord. A band, sewn at 35mm intervals around the crown of the hat may have been used for attachments. Cotton tag on interior of hat lining with illegible inscriptions. Hat lining at front brow and on crown of head is a towel-like material, presumably for absorbing perspiration.The name “FARLEY” can be faintly seen handwritten on the hat on both the left and right interior.camouflage, uniform, general purpose uniform, airforce, australian defence force, disruptive pattern

The wedding dress was worn by Amy Wilton for her marriage at St John's Presbyterian Church. Photograph (media attached) shows bride wearing the dress.This wedding dress is socially significant because of its historic connection with Warrnambool through local families that still reside in the city and contributes to the understanding of the era. It has artistic and aesthetic merit and is a good example of fashion, style and design of the era. (refer catalogue Gorgeous Garb, Buda, Castlemaine p2 and The Australian Aesthetic Wedding Dress 1822 to 2011, Bendigo Art Gallery, p 5,10,12,17)A magnolia silk velvet wedding dress worn by Amy Wilton for her marriage to Ronald Wade (born 30 September 1912) on 19 April 1937 at St John's Presbyterian Church, Spence Street, Warrnambool.wade, wilton, wedding dress, 1937

This album contains a number of photos taken around the Otways. They depict a number of people with horses, buggies and tents along bush tracks. There are scenes of Lochard Gorge and the Curdies River at Peterborough, as well as farming scenes. The Otway Ranges was a popular place for day trips and small holidays for the people of the district. Warrnambool and District Historical Society has albums from the Swinton family which depict similar scenes. Dress of the people in the photos would indicate that this trip occurred around the turn of the 20th century. This album has artistic and aesthetic significance as the photos contained within this album are quite beautiful. It also has historical and social significance as it is depicts a typical activity of the time. Brown cover with black floral pattern on front. Back cover is plain. Rectangular in shape. Contains photographs mounted on heavy card.warrnambool, album, photo album, otway ranges, the otways, loch ard gorge,, warrnambool photographs of the past, warrnambool photos

View looking up from near the Eltham Railway Trestle Bridge over what was to become the Eltham Common at Shillinglaw Cottage in its new location prior to restoration. The former Gahan house, seen in the background was demolished in 1968 when the Main Road was duplicated in this section. The Eltham Common was taken over with the construction of the new Eltham Library which opened in 1994.Shillinglaw Cottage is itself historically, aesthetically and socially significant to the Shire of Nillumbik and is registered on the Victorian Heritage Database. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Negsepp, shire of eltham pioneers photograph collection, eltham, shillinglaw cottage, eltham shire office, gahan house, derril, gahan, george w. bell collection, houses, main road

Shillinglaw Cottage is itself historically, aesthetically and socially significant to the Shire of Nillumbik and is registered on the Victorian Heritage Database. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, eltham, shillinglaw cottage

This item was donated as a display item for the Slab Hut (Orbost Information Centre). Quadruple silverplate items were four times as heavily plated with silver as standard items. Quadruple plate hollowware was some of the highest quality made during the latter part of the 19th century.This item clearly has an aesthetic significance as silver cake baskets were a common sight in upper-class households in the 18th and early 19th centuries.A silver plated cake plate on a pedestal with a handle. It has a pattern of flowers and birds etched into the top of the plate.SIMPSON HALL MILLER & Co. Quadruple platesilver-plate cake-stand tableware domestic