The Anniversary of National Service 1951-1972 Medal was introduced in 2001 to recognise those who completed their obligation under the two National Service schemes that had operated in Australia between 1951 and 1972.The Anniversary of National Service 1951-1972 Medal is a bronze medal ensigned with the Crown of St Edward. The obverse depicts an Australian Defence Force emblem with the crossed swords of the Army taking precedence. The Federation Star surmounts the emblem. Anniversary of National Service 1951 - 1972 national service medal, swainston collection, ne swainston

Four page booklet, 1 page letter of introduction of origin. Soft cover booklet, white with blue writing. emblem of the Aust Army photo, E.R. Emblem and image of a bear 108. 17th Construction Squandron Groupbooklet, 17th construction squadron

HARRY MCALISTER'S UNIFORM FEATURES THE RED CROSS EMBLEM ON SLEEVE.BLACK & WHITE ORIGINAL PHOTOGRAPH OF HARRY McALISTER.HARRY McALISTERlocal history, photography, photographs, military

Wooden shield shape with brown varnish finish front & back. Red square emblem in centre front featuring a crown at top, crossed swords & kangaroo in centre. 24 Unit badges are placed on front around red emblem.passchendaele barracks trust, badges, unit

This item was donated to Wodonga Historical Society by the artist, Betty L. Barberis. Betty Barberis nee Barton was one of 12 children born to Roderick Barton and Myrtle Ann Hore of Gundowring in the Kiewa Valley. She was born in 1927 and attended Upper Gundowring Primary School. Betty was encouraged to enter a project for the "Young Farmers" by illustrating a book. She won first prize for Victoria and the book was exhibited at the Royal Melbourne Show. This resulted in Betty attaining a Manual Art Teacher's Studentship which she completed at Wangaratta Technical School. Here she learned many new skills ranging from garment design to ceramics. She also attended Melbourne Teachers College. Betty created many decorative banners, the first being for the Australian section of the World Scout Jamboree in 1948. Over her long career she was to create many other banners and commissioned work for significant organisations and institutions . Betty’s great body of work included landscapes, millinery, ceramics, and a bronze sculpture of her husband Vern Barberis who was a fellow schoolteacher and represented Australia as a weightlifter, winning a bronze medal at the Helsinki Olympics in 1952. She also illustrated several books and had exhibitions in many galleries including in Albury. Betty passed away at The Grange, Wodonga on 26 November 2013. The 1981 Rotary International Pacific Region Conference was held in the Royal Exhibition Building, Melbourne, between 26 and 29 November 1981. More than 5,000 Rotarians from around the Pacific attended the conference in Melbourne to discuss 'The Future of the Pacific Region'. Speakers included the Honourable Malcolm Fraser, Rotary International President Stan McCaffrey, President Elect Horoji Mukasa, Ranald McDonald, representing the media, Sir Ian McLennan, representing industry, Japanese former Ambassador Nobuhiko Ushiba and Philippines Deputy Consul General Mrs Minerva Falcon, both representing diplomatic services, as well as other Rotarians. A limited number of plaques were produced from quality imported porcelain.This item represents a major event held in Melbourne for Rotary International and is also the work of a prominent artist from the Wodonga district.2 ceramic plaques designed by Betty Barberis for the emblem of the 198T Rotary International Pacific Region Conference held in Melbourne in 1981. The plaque bears the Rotary emblem, slogan and other text as well as an image of a kangaroo and lyre bird.In top banner: "SERVICE - ABOVE - SELF" In central circle: "ROTARY INTERNATIONAL" around 1981 In lower banners: "PACIFIC REGIONAL CONFERENCE / MELBOURNE AUSTRALIA".betty barberis, rotary international, 1981 rotary international pacific region conference

Glass produced for graduates of the Nursing course at Ballarat College of Advanced Education, 1988Glass tumbler with gold etching around upper edge and gold emblem and writing on sideBallarat C.A.E. Diploma of Applied Science Nursing 1986-1988nursing, ballarat college of advanced education, glass, applied science

Part of the small collection of uniforms in DAHC's possession. Like most of these uniform this one stems from the 1950's.Many of the 1950's period uniforms came from people that had been discharged after having served in the Dutch East Indies (now Indonesia) during the Indonesian War of Independence.Dutch miitary long coat with lion emblem brass buttons - of heavy greenish material

Three Green Australian Milirary Forces cloth badge with embroidered rising sun emblembadge, insignia

Small book 6" x 5" Two Emblems and Cross. Tan with red writingroyal australian army corps, book, royal australian army chaplains dept

Black wool blazer pocket with a gold and white embroidered Methodist Girls' Comradeship emblem."MGC"methodist girls' comradeship, uniform

The Methodist Order of Knights was the official youth organisation of the Methodist Church of Australasia. It originated in Hurstville, NSW, on the 4th October 1914 by the then Mr and later Rev Alex Bray. Alex Bray was a Sunday School teacher and spoke to his class of the Knights of the Round Table. In 1917 the Order of Knights was officially recognised by the Sunday School Dept of the NSW Methodist Conference. Courts spread thoroughout Australia. In 1927 the High Court of NSW called for designs for a badge and in 1929 the General Conference of the Methodist Church of Australasia recognised the Order as an approved Organisation. In 1938 the Senior Section was organised into Degrees of Sincerity, Service and Sacrifice; the Junior Section into Pages' Degree with advancement to Esquire. In 1954 the Junior Section was reorganised into two groups: Pages 8 to 11 years and Esquires 12 to 15 years. The Knight's Motto: "Live Pure, Speak True, Right Wrong, Follow Christ the King, else wherefore born?" Courts of the Order: General Conference Department of the Christian Education - General Court - Provincial High Court - District Court - Local Court - Senior Court - Intermediate Court - Junior Court . Regalia: All members of the Intermediate and Senior Courts wore regalia consisting of a cloth shield superimposed by a cross of light and dark blue ribbons, and supported by a cloth collar. Esquire and Degree of Sincerity regalia: White collar and white shield. Degree of Service regalia: Green collar and shield. Degree of Sacrifice: Scarlet collar and shield. District Court regalia: Blue collar and gold shield. High Court regalia: Gold collar and purple sheild. General Court regalia: Purple collar and shield. Officers of the local courts wore their symbols as part of their regalia. Four white card certificate with light blue border and Methodist Order of Knights emblem.methodist order of knights

The book was owned by the donor's father who lived at North Balwyn. There is no date of printing or of editing as the original offices of Odhms Press were bombed during the war, which makes this an original copy,Brown artificial leather covered book with gold lettering on the spine and an embossed emblem on the cover.The Universal Home Doctor Illustratedbooks, medical

Warrant Officer Class One Ron Almond served on the 8/13 Victorian Mounted Rifles cadre staff before being posted as a member of the Australian Army Training Team Vietnam (AATTV) in 1969. There he was posted as adviser to 17th Armored Cavalry Squadron. He later returned to 8/13 VMR as Regimental Sergeant Major. The AATTV was a specialist unit of military advisors of the Australian Army that operated during the Vietnam War. Raised in 1962, the unit was formed solely for service as part of Australia's contribution to the war, providing training and assistance to South Vietnamese forces. Initially numbering only approximately 30 men, the size of the unit grew several times over the following years as the Australian commitment to South Vietnam gradually grew, with the unit's strength peaking at 227 in November 1970. Members of the team worked individually or in small groups, operating throughout the country from the far south to the Demilitarized Zone (DMZ) in the north. Later they were concentrated in Phước Tuy Province as Australian forces prepared to withdraw from Vietnam. It is believed to be the most decorated Australian unit to serve in Vietnam; its members received over 100 decorations, including four Victoria Crosses, during its existence. The unit was withdrawn from Vietnam on 18 December 1972 and was disbanded in Australia on 16 February 1973. A total of 1,009 men served with the unit over a period of ten years, consisting of 998 Australians and 11 New Zealanders. Representative of a connection between Australian Army Reserve and South Vietnam.Wooden shield with coloured plastic emblem mounted at centre and engraved metal plate below.Presented to / 8/13 VMR OR's Mess / By Ex RSM 8/13 VMR / WO1 Ronald M Almond / 17th Armoured Cavalry Sqn / Advisory team 116 / Republic of Vietnam / May 1969-May 1970military, cadre, aattv, vietnam, cavalry, armour, almond

Boys classes were held in various locations around Melbourne. It gave the opportunity for Junior Legatees to meet and be involved with activities they may have missed out on due to the death of their fathers. Legacy clubs ran classes for junior legatees for many years. It was part of providing for the children of their deceased comrades. Activities included basketball competitions, gymnastics, boxing, judo and swimming lessons. Estimated date of 1970s.A record of the type of activities Legacy provided for the Junior Legatees.Black and white photo printed on cardboard of Boys Class in singlets with Legacy emblems and shorts.Handwritten in red pen '7'. Stamped in purple ink 'The Property of Melbourne Legacy'. Label with red type "Picture of Junior Legatees at their Boy's Activities night. These classes are held each Friday night in nine centres in the Metropolitan area. This is an important aspect of Legacy's work in the community. Physical education, swimming and leadership training."junior legatees, boys classes

A green tunic made for junior legatees to attend girls' classes. It is in great condition and is an excellent example of the uniforms used at Legacy classes. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. Melbourne Legacy would then conduct Annual Demonstrations to showcase their skills. Legacy provided uniforms free of charge for all girls attending the classes. Typical of the time the tunic appears hand made but many mothers and legatee wives would have been capable of making uniforms as they also made many of the costumes for the annual demonstrations. The tunic was donated back to Legacy from the family of Marjorie and Jacobina (Jackie) Bristol, sisters who were both junior legatees in the 1930s and 1940s after their father passed away, he was a World War 1 veteran. Jacobina later became Jackie Wood and passed away in April 2020. Marjorie became Marjorie Bachmann and passed away in 1986. Also donated were a photo of the girls at calisthenics classes, a junior legatee certificate, a souvenir handkerchief from the 90th anniversary celebrations and a $100 Legacy badge. These are catalogued separately at 01948 to 01952.A fantastic example of a uniform that was a symbol of membership of Legacy classes.A green cotton tunic with a Legacy emblem used by junior legatees used in Girls' Classes.Handwritten in blue pen '34' on the tag at the back.girls classes, uniform

This book was part of the collection of the Buninyong Public Library Collection which operated in the bulding now used as the Buninyong Visitor Information Centre. Maroon coloured, hard bound book with cloth cover and a small gold emblem on the front.Buninyong Public Library (Official stamp); Buninyong State School 1270 (Official stamp)buninyong public library, buninyong state school

Australian t-shirt from the Sydney 2000 Olympic Games unisex casual uniform (option 1). Designed by Country Road.White T-Shirt with Australian emblem and Sydney 2000 Olympic logo on left sleeve. AUSTRALIA SYDNEY 2000fashion, woolmark company country road, sport, the woolmark company 2000 australian olympic display - exhibition (21/12/2001 - 24/05/2002), sydney 2000 olympic games

Australian shirt from the Sydney 2000 Olympic Games unisex casual uniform (option 2). Designed by Country Road.Blue and white tatterstall shirt with 2000 Australian Olympic emblem on right breast pocket. AUSTRALIA SYDNEY 2000fashion, woolmark company country road, sport, the woolmark company 2000 australian olympic display - exhibition (21/12/2001 - 24/05/2002), sydney 2000 olympic games

Australian jacket from the Sydney 2000 Olympic Games unisex casual uniform (option 1). Designed by Country Road.Cream collared jacket with zip. Australian Sydney Olympics emblem embroidered on right breast. SYDNEY 2000fashion, woolmark company country road, sport, the woolmark company 2000 australian olympic display - exhibition (21/12/2001 - 24/05/2002), sydney 2000 olympic games

Hat, yellow coloured with brim, cotton & polyester fabric with black / blue / white / green emblem printed on front. Emblem has black print, white dove over the top of a green island shape and has a blue round background. Handwritten black felt tip pen: “TJM” Printed label inside brim: “The Hat Belongs To ...... Phone No ...... 65% Polyester 35% Cotton” Size L Made in China Washing Instructions Gentle Hand Wash in Luke Warm Water Air Dry Lying Flat on a Toweluniforms - military - army, costume - male, headwear, passchendaele barracks trust, peace monitoring

The Kiewa Hydro Electric Scheme (KHES) produced electricity for the people living in the Kiewa Valley and beyond to many parts of Victoria. The people and their families working on the scheme were encouraged by their employer the State Electricity Commission of Victoria to purchase and use electrical appliances. The mix master was popular for mixing food for baking and for making juice drinks. Ron White owned this 1950s vintage Sunbeam model 9 mixer with stand, milk glass bowls and complete juicer. Ron was a senior member of staff during the construction and operation of the KHES.This mix master was owned by Ron White who was appointed Area Operations Engineer Kiewa in June 1956. Ron was later appointed General Superintendent and then in 1974 to principal Hydro Engineer of the recently titled Hydro Division.White electrical food mixer with six parts. 1. Motor upright - white, on black stand horizontal. Black dial at back with speeds numbered and type of mix eg. mash. Front switch on/off. Black electric cord attached. Long black handle on one side. 2 Two beaters, silver 3. Bowls, white one small and one large. The small one has a spout. 4. Squeezer, white - fits on top for juicing. Parts as with orange juicer and with funnel at the front for juice to flow into a bowl.'Sunbeam' (in red) / 'Mix Master' in (black) on gold oblong 'emblem' sunbeam mix master; kitchen appliance; cooking; ron white; kiewa hydro electric scheme; food preparation

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders in the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. The OHS Education Award for 2005 was awarded to Patrick Weston, VIOSH Australia, University of Ballarat. This was presented by the Safety Institute of Australia (SIA) Brass plate mounted on wooden board, stained. Hanging section grooved on backSafety Industry Australia emblem. Name of award. Name of winner.viosh, victorian institute of occupational safety and health, university of ballarat, safety institute od australia, victorian division, ohs education award, patrick weston, 2005

757 Deer brand playing cards New Zealand Playing cards, emblem and map of New Zealand

Collector says: Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display.Collector says: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Queen sized checked blanket, pink and cream An Onkaparinga 100% pure wool production. In emblem: Made in Australiawool, blanket, blanket fever, onkaparinga

Collector says: "I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him." Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. "Fringed travel rug, teal and brownAn Onkaparinga 100% pure wool production. In emblem: Made in Australiawool, blanket, blanket fever, travel rug, onkaparinga

Model of aircraft used in Korean War.Plastic model of RAAF Meteor Jet, silver in colour.RAAF circular red white and blue emblems. #A77 - 85.

Blue and white hexagonal shaped china jar with lid, various castles depicted around sides and Windsor Castle on lid. Made by Maling Ware for Ringtons tea offices and warehouse Newcastle Upon Tyne illustrated on baseMaling Ware England, Ringtons Tea emblem inside lid.domestic equipment, food storage & preservation, tea caddy, dr334.1