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Federation University Historical Collection
Book, Allan Bernaldo, A Lifetime With Water Colours, 1976
The book was presented to the Ballarat School of Mines by Allan Bernaldo. Allan Thomas Bernaldo (b. 1900, Creswick. d. 1988, Melbourne) was a former student at the Ballarat School of Mines Technical Art School. In 1917 he was presented a medal 'for the most meritorious Art student'. He was known for his watercolours, and subjects such as horses and flowers. Bernaldo's popularity was at its height during the 1930s and 1940s. Brown hard covered book of 59 pages, with a black dustjacket that includes a painting of a vase of white flowers. The book is the recollections of Alan Bernaldo. Written on title page "memento of many happy years at the School of Mines, Allan T. Bernaldo. 1981allan bernaldo, bernaldo, ballarat school of mines, ballarat technical art school. watercolour, art, alumni -
Federation University Historical Collection
Painting - Artwork - Watercolour, Alice Watson, Floral Paintings by Alice Watson, c1931
Alice Watson completed a course of work at the Ballarat Technical Art School, a division of the Ballarat School of Mines. Her complete folio is held by Federation University Australia. Ten works were undertaken at the Ballarat Technical Art School by Edith Alice (Alice) Watson. All paintings are of various flowers painted in watercolour. .1 is incomplete with the vase sketched in pencil; .3 has pencil sketches on the reverse side .6 .7 and .8 are still life paintings.1 urs embossed stamp " RWS Pall Mall East Guaranteed Pure Paper " with the letters "RS" in pencil; .2 lrs "A. WATSON 3rd TERM 1931 .4 upper top verso "Pass. Good tones values in red flower. Also color, one not overworked.Yellow flower rather faulty tone, but direct work. Very promising."ballarat technical art school, ballarat technical art school number 10, ballarat school of mines, alice watson, edith alice watson, artwork, lettering, flora, flowers, alumni -
Wodonga & District Historical Society Inc
Decorative object - Decorative ceramic bowl, early 20th century
This bowl was used in the home of Mrs. Laura Sommer nee Costa grandmother of one of the life members of Wodonga & District Historical Society who donated this item to our collection. It is representative of decorative household items in the early to mid 20th century.This item is an outstanding example of popular decorative household items from the 19th and early 20th century.A large ceramic decorative bowl featuring rural images. The primary colours of the bowl is a deep blue with gilt edges and markings. It features 2 rural scenes showing men with horses and a cart. The top edge is slightly contoured. There is a maker's mark underneath the bowl.Maker's map on base: A small flower within and larger flower shape with "MADE IN ENGLAND" written around it.decorative bowls, domestic items, ceramics, english ceramics and porcelain -
Mission to Seafarers Victoria
Photograph - Photograph (2 copies), Easter Sunday in Siddeley Street chapel, c.1913
The photograph depicts the interior of the chapel located on the east wing of the Siddeley Street Mission.The chapel is decorated for Easter service. The altar, the pulpit were reused in the St Peter's chapel of the Flinders Street Mission. On the wall hangs the plaque erected to Celia Little, another plaque in memory of Celia Little is now in the "Celia Little" room at the Flinders Street Mission. In the "Jottings from our log" number 30, dated from Easter 1913, it is written: "Miss Tracy kindly did The Easter decorations with white flowers and palms in pots, all in beautiful keeping with the glad thoughts of Easter." Maybe the picture was taken on that occasion.The chapel was built in 1909. Celia Little (1822-1895), was the Reverend Alfred Gurney Goldsmith's aunt. Some funds from her estate were used to build the chapel. Small monochrome photograph, inside chapel, Siddeley Street Institute, decorated with white flowers and palms.'Stevedore's Bldg Siddeley St Easter Sunday in the Chapel old Institute' siddeley street institute, chapel, easter, pulpit, reverend w.f. haire, celia little, plaque, alfred gurney goldsmith -
City of Ballarat
Artwork, other - Public Artwork, Angelo Bertozzi, Flora Farnese by Angelo Bertozzi, Circa 1880
Thomas Stoddart, 1828 - 1905, bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. The noble Roman Farnese family statue of Flora, goddess of spring, shown with stylised dress and flowers in hair.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure, the noble Roman Farnese family statue of Flora, goddess of spring, shown with stylised dress and flowers in hair.Flora Farnese Presented by Thomas Stoddart 1884flora farnese, stoddart -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing, Child yellow nylon dress & silk petticoat, c1960
This pretty yellow, Nylon dress with jap silk petticoat was made by Mrs Sharp c1962 for her daughter. Machine embossed white flowers decorate the dress that has long waist ties, a boat collar and puff short sleeves. A metal zipper is inserted. Nylon became a very popular easy care material c 1960 so that women in City of Moorabbin, who were accomplished dressmakers, made very pretty clothes for their families. Child's yellow nylon dress with jap silk petticoat Machine embossed white flowers decorate the dress that has long waist ties, a boat collar and puff short sleeves. A metal zipper is inserted. clothing, baby, nylon, machine pressed designs, layette, knitting,craftwork, wool, early settlers, city of moorabbin, bentleigh, ormond, moorabbin, post war settlers, world war 11 1939-40 sharp valma, -
Halls Gap & Grampians Historical Society
Certificate - Coloured
A First Prize Certificate for the Best Arranged Vase in the Halls Gap Wildflower & Nature Show. Awarded to:- Lesley Meagher. Note that record 508, a Second Prize Certificate, has a different flower stem sketch and writing style.A blue "First Prize" certificate for the Best Arranged Vase in the Halls Gap Wildflower & Nature Show. A sketch of a flower stem has been drawn on the left hand side. Certificate appears to have been hand drawn for printing.see scanned pictureevents, wildflower show -
Bright & District Historical Society operating the Bright Museum
Spoon
Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most pieces in his collection were found. Some maps drawn by Aldo Gios, also give more detail. This detail is rare as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location where they were found. This object is part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Chinese porcelain spoon, design in glazed celadon.Celadon with green and pink flower decorations.chinese, spoon, gios, tableware, glaze, porcelain, celadon -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Container - Toiletries, perfume bottle c1800, Mid 19th Century
This small, ruby glass, hand-painted lady's perfume bottle would have been one of a few small items, (such as small scissors, a pencil and note-pad, keys to the pantry) that Victorian women wore hanging from a Chatelaine attached to a belt around their waist..c1800s a small, ruby glass, hand-painted ladies perfume bottle with a brass hinged lid, small glass stopper and a brass chain attached to a Chatelaine ring. This would have been one of a few small items, (such as small scissors, a pencil and note-pad, keys to the pantry) that Victorian women wore hanging from a Chatelaine attached to a belt around their waist..Hand-painted decoration of a bird and flowers.glassware, toiletries, early settlers, chatelaine, pioneers, moorabbin, brighton, bentleigh, perfume, manufactured glass -
Coal Creek Community Park & Museum
Bottle, glass
Round thick clear glass bottle with rounded glass rings at junction of neck and body of bottle. Pattern embossed on base.A 'daisy' flower pattern embossed in base. -
Slovenian Association Melbourne
Sash of first Miss Slovenia, Sash of the first Miss Slovenian in Australia
Sash presented to the first Miss Slovenia in Australia, Miss Danila BoleSash with a circular broche in a shape of a flowerslovenian association melbourne, miss slovenia, sash -
University of Melbourne, Burnley Campus Archives
Slide, A. Pout, C76, 1949
The Mabs Younger Slide Collection is made of 20 envelopes containing 24 35mm Kodachrome colour slides. The photographs were taken in December 1949. Photographer A. Pout - Burnley School, W. Pattinson - Melbourne Conserc. C102 1 & 2, A. Pout - Botanical Gardens C99. Labelled and typed list. The collection was donated to the Archives by Mabs Younger on the 16 November 1990."Gardens - Punicum granatum Pomegranate in flower." gardens, pomegranate, flowers, mabs younger, slide collection, a. pout, kodachrome, burnley school, w. pattinson, botanical gardens -
Working Heritage Crown Land Collection
Decorative object - Wallpaper, Horticultural Hall wallpaper
Sample of wallpaper from the "west wall" of Horticultural Hall.Sample section of wallpaper from Horticultural Hall. Flora design with red and yellow flowers wallpaper, horticultural hall -
Orbost & District Historical Society
Christmas card, c.1914-1918
This postcard was hand-embroidered in France and sent to Australia during World War I. A large piece of silk would be hand-embroidered by French women with the same pattern 20 times or so, then the large completed piece would be sent to a factory to be cut up and the individual pieces mounted on card. They had varying themes and patterns, greetings such as happy birthday or thinking of you, featuring butterflies, flowers and sometimes patriotic flags of allied countries involved in the war. They were marketed to troops to send home to female members of the family and girlfriends. It was estimated 10 million silk postcards were produced in Europe between 1915 and 1919. During World War 1 postcards were a welcome means of personal communication for many people. Most information came from newspapers or broadcasts.A small Christmas postcard of fabric with embroidery of flowers around the British flag and "Happy Christmas" sewn along the bottom."I am still going well & strong Love to all Maurie"ww1-correspondence ww1 postcard -
Melbourne Water
Glass Bowl, Maroondah Dam, Healesville Souvenir, 1930s -1940s
The Maroondah System was first and foremost developed as a functional component of Melbourne's Water Supply System. In addition to functionality, the Melbourne and Metropolitan Board of Works (MMBW) envisioned the Maroondah Reserve to be enjoyed aesthetically and recreationally by the public. This souvenir illustrates the realisation of the Maroondah System as a local recreational and tourist attraction in the early 20th century. The Maroondah Reserve gardens were landscaped with English-style ornamental stonework, exotic trees, flower beds and rose gardens. All features of the water supply system became widely celebrated as beauty spots that continue to be very popular to this day with tourists and locals alike. This souvenir is a product of that flourishing tourist trade. These water supply sites continue to enhance Melbourne’s charm and liveability and are now recognised as places of cultural and historic significance.This souvenir item has been curated by Melbourne Water as it represents an important historical aspect of the organisation by demonstrating the popularity of its water asset sites as recreational places and tourist attractions, and although these sites are functional parts of the water supply system, they were also designed to be enjoyed by the public both aesthetically and recreationally. Clear glass flower shaped 'depression ware' bowl with photograph of Maroondah Dam Healesville in the base.melbourne metropolitan board of works, mmbw, maroondah reservoir, melbourne water, scenic view, souvenir, glass, bowl -
Halls Gap & Grampians Historical Society
Certificate - B/W
A Second Prize Certificate for the Best Ladies' Spray and Matching Buttonhole in the Halls Gap Wildflower & Nature Show. Awarded to: Lesley Meagher. Note that record 507, a First Prize Certificate, has a different flower stem sketch and writing style.A pink "Second Prize" certificate for the Best Ladies' Spray and Matching Buttonhole in the Halls Gap Wildflower & Nature Show. A sketch of a flower stem has been drawn on the left hand side. Certificate appears to have been hand drawn for printing.see scanned pictureevents, wildflower show -
Ballarat Heritage Services
Photograph - Photograph -Colour, Clare Gervasoni, Interior of the Melbourne Exhibition Building, 2019, 31/03/2019
A competition was announced to design a suitable building for the proposed Melbourne International Exhibition in December 1877. Eighteen entries were received. The winner of 300 pounds was Joseph Reed of the architectual firm Reed and Barnes. The foundation stone was laid by Governor Sir George Bowen on 19 February 1879. Prominent Melbounre builder David Mitchell, father of Dame Nellie Melba, won the tender to construct the main building. Exhibitors were able to move in by May 1880. On 01 October 1880 the Melbourne International Exhibition opened, when over 6000 people entered the main hall to see the Governor, the Marquess of Normanby open the show. Thirty three nations participated and ofver 32,000 exhibits were displayed. At the close of the exhibition on 30 April 1881 over 1.3 million people had visited the exhibition. In 1881 Victoria's population was just over 250,000. The management of the Exhibition Building and eight hectares of the Carlton Gardens was handed to the Exhibition Trustees by the Melbourne International Exhibition Commissioners on 01 OCtober 1881. The Trustees maintained the building for 'future public exhibitions and ... general public instruction and recreation' until 1996 when management of the building was transferred to Museum Victoria. In 1901 when the Australian colonies federated there was no capital and no federal parliament building. The Federal Parliament moved into the Victorian State Parliament building, and the State Parliament moved into the Western Annexe of the Exhibition Building for 26 years. After World War One, on 04 February 1919, the exhibition Building was turned into a hospital to treat Melbournians struck down with the Spanis 'Flu'. Initially housing 500 beds, the hospital grew to accomodate 2000 patients. Femals were located between the concert platform in the western nave and the done; male patients occupied the spaces beyond. The basement was used a a morgue. With the departure of the State Parliament in 1927 the western annexe became home to the Country Roads Board. In 1932 it was joined by the MOtor Registration Branch, and the Transport Regulation Board in 1934. They co-existedin cramped offices until the 1960s. In 1949 the oval at the rear of the ExhibitionBuilding was leased to the Commonealth Government for the establishment of the Migrant Reception Centre. When it closed in 1961-62, the centre comrised 29 bungalows over 1.4 hectare. The centre provided temporary accomodation for thousands of new arrivals from Britain. On 01 July 2004 the Royal Exhibition Building and Carlton Gardens were inscribed on the World Heritage List. It is the only 19th century Great Hall to survive largely intact, still in its original landscape setting, and still used as a palace of industry. The Melbourne International Flower and Garden Show is a flower show held annually since 1995 in early April each year, in Melbourne, Australia. It is located in the World Heritage Site of Carlton Gardens and the Royal Exhibition Building.[1] It is the largest horticultural event in the southern hemisphere, attracting over 100,000 visitors. It is rated among the top five flower and garden shows in the world. (Wikipedia)Colour photograph of the interior of the Melbourne Exhibition Buildings during the 2019 Melbourne Flower and Garden Show.melbourne international flower and garden show, carlton gardens, melbourne exhibition building, royal exhibition buildings -
National Wool Museum
Textile - Quilt, Rosemary A.O. Cameron, Celebration Quilt, 1990
From Rosemary Cameron - This quilt has been made in 100% wool to celebrate the diversity, durability and beauty of pure wool, especially the lightweight cool wools. The woollen patches were kindly donated by Mr. David Jones, managing Director of Fletcher Jones and Staff which were pre-cut samples of European Fabrics in various weights, textures and colours. I had the task of creating a design around the fabrics available, some of which I only had to sample. I chose to surround my design with dark shades to encompass at the top of the quilt, the lightness of the sky and the trees, in the middle the warmth of summer, the dryness of central Australia and at the bottom the rick tones of Opals, our mineral wealth and the internal heart of earth. To add excitement and texture to this design I chose 31 Australian Wildflowers including all the Australian Floral Emblems, some unusual wildflowers and favourite small wildflowers. Twice life size, these flowers have been made of silk wool and cotton, embroidered, painted and beaded by our creative and talented Hamilton Quilters, their results are fantastic! The brilliance and timeless quality of these Australian Wildflowers intensify and complement the colours of the Wool Quilt. The Quilt was hand pieced and hand quilted at quilting bees. It has a woollen batting, binding and backing which was a delight to work with and very easy to quilt. The flowers were assembled and attached in small working bees. To the fifty-two Hamilton Quilters who have worked on this quilt for six months thank you for you hard work and creativity especially Joan H. Lyons for her time, enthusiasm and knowledge when difficulties arose. Joan M. Lyons has worked with me on various stages of this Quilt, her help and support has been tremendous. To my family who have tolerated scraps of wool and silk, photographs, wildflower books and specimens and drawings which have at times almost taken over our house, a year from ideas to completion, thank you for your support and help in many ways.Multi coloured patchwork quilt with native flowers protruding from centre in a diamond shape.Embroidered on back - "The Celebration Quilt" Made in 1990 by The Hamilton Quilters, Designed by Rosemary A.O. Cameron. Made of Pure Wool. Beryl Anderson, Joan Askew, Bett Basham, Marilyn Baulch, Rau Blaby, Pauline Boyd, Aileen Beckwith, Dorothy Beveridge, Ros Brommell, Rosemary Cameron, Gwen Cook, Anne Cordner, Kaylene Cowland, Elaine Denby, Barbara Dolman, Rosalie Duffield, Helen Fry, Glennys Gardner, Nola Gunning, Margaret Irvine, Bev Jeffrey, Emma Jensen, Betty Lacy, Helen Lampard, Joan H. Lyons, Joan M. Lyons, Elaine McDonald, Carole McEwan, Joy McLeod, Joyce McLeod, Mary May, Joan Mallinson, Susan Mason, Anne Menzel, Val Mills, Betty O’Brien, Di Pettigrew, Therese Read, Sherry Robertson, Lee Rowland, Irene Saddler, Nanette Templeton, Glenys Tindall, Liz Wallis, Ruth Walter, Marion Warburton. Alison Waterman, Pat Wilmot, Nola Malcolm, Ann Nicholls, Margaret Rowe, Jill Hillier.celebration, flowers, hamilton quilters, quilt, native flowers -
National Wool Museum
Sample, Wool
Wool was dyed in dyeing workshop at Warrnambool TAFE College. (unconfirmed)Geranium petals/Red flowers/Alum-mordanthandicrafts, south west college of tafe - textiles department, dyeing -
Whitehorse Historical Society Inc.
Container - Powder Box, 1950s
Belonged to Donor's GrandmotherPale Green Plastic Box deep base with a clear plastic lid containing a green velvet puff.Poudr Dream Flowers, Perfumed Dusting Powdercostume accessories, female -
University of Melbourne, Burnley Campus Archives
Slide, A. Pout, C89 (1,2), 1949
The Mabs Younger Slide Collection is made of 20 envelopes containing 24 35mm Kodachrome colour slides. The photographs were taken in December 1949. Photographer A. Pout - Burnley School, W. Pattinson - Melbourne Conserc. C102 1 & 2, A. Pout - Botanical Gardens C99. Labelled and typed list. The collection was donated to the Archives by Mabs Younger on the 16 November 1990."Gardens - Strelitzia reginae (Bird Tongue Flower.)gardens, bird tongue flower, mabs younger, slide collection, a. pout, kodachrome, burnley school, w. pattinson, botanical gardens -
Churchill Island Heritage Farm
Clothing - Lace Trim
A machine made length of lace trim which is off-white in colour, the delicate design features a six-petalled flower with a zigzag motif and a scalloped picot edge. Close inspection reveals subtle picots in the square net to achieve shading. One can imagine how feminine a woman would feel with this lace adorning her garments, possibly at the neck and cuffs of an afternoon dress or as an edging on a petticoat or nightgown. By the mid 19th century, machine made lace had improved so much that it was used by the couture houses on fashionable garments and the handmade lace makers countered by broadening the scope of their lace and marketing it as ‘real’ lace. By the end of the 19th century machines could make perfect copies of any handmade lace.The Amess family owned Churchill Island from 1872 to 1929machine made off-white length of lace trim with zig-zag and flower motif and scalloped picot edge.churchill island, lace, janet amess lace collection, amess -
Halls Gap & Grampians Historical Society
Photograph - Coloured, C 1886
This is a photo of one of a series of wildflower paintings by Henrietta D'Alton. This is one of twelve separate original wildflower paintings mounted within one large frame (this one us on the upper right). Beneath the frame is a plaque which reads "Henrietta D'Alton (1836-1922). This collection of wildflower water-colours won an award at the Colonial & Indian Exhibition of 1886 in London".This is a photo of a painting of a spray of flowers and leaves. There are blue flowers in the upper centre, yellow/red flowers to the right and left and white flowers near the bottom. A few pink flowers are on the lower right."2" appears on the right side of the photo. It is on the original painting.painting, floral -
Melbourne Legacy
Photograph, Moorlands, 1947
The photo shows a small girl presenting a bunch of flowers to Lady Lavarack on the steps of Moorlands. The Queensland Governor Sir John Lavarack and his wife were attending the opening of the Legacy childrens' residence, Moorlands, in Brisbane on 20 February 1947. Legatee Stan Savige had travelled to Brisbane for the event, he is at the centre rear. From TROVE: Telegraph (Brisbane, Qld. : 1872 - 1947), Tuesday 18 February 1947, page 7 FOR OPENING OF LEGACY HOME Lieutenant-General Stan Savige (left) arrived in Brisbane this afternoon to attend the opening of the new Legacy home, Moorlands, at Coronation Drive. On the right is Mr. F. E. Lascelles, Brisbane president of Legacy. Moorlands will be opened by the Governor (Sir John Lavarack) on Thursday. Moorlands is a heritage-listed villa at 451 Coronation Drive, Auchenflower, Queensland, Australia. It was designed by Richard Gailey and was built c. 1892 by contractor Arthur Smith. It was added to the Queensland Heritage Register on 21 August 1992. In 1947 the building was sold to the Brisbane branch of the Legacy War Widows and Orphans Fund, and accommodated war-orphaned children and widows until 1971.Some Legacy events were attended by dignitaries, such as the State governors' and their wives and the events were covered by press photographers and reported in newspapers.Black and white photo of a girl presenting flowers to the Queensland Governor's wife at Moorlands.Handwritten 'Complements from J D Coots(?)' in pencil. Stamped with copyright of 'The Telegraph Feature Service Brisbane', in purple ink.residences, moorlands -
Churchill Island Heritage Farm
Clothing - Stole, Silk
Silk is a fascinating fabric and its existence dates back to antiquity. Several kinds of wild silk produced by caterpillars other than the mulberry silkworm, have been known and spun in China, South East Asia and Europe since ancient times. The major trade route between Asia and Europe was known as the Silk Road. Commercial silk is produced from the mulberry silkworm which produces two white filaments of thread held together by a glue-like substance called sericin which hardens on the cocoon in the air. These filaments are so fine that it takes anywhere from three to ten strands to make a useable silk thread. The molecular structure of the silk is such that the surface of the woven fabric has a sheen that reflects light to give a characteristic lustrous appearance. Silken fabric feels cool against the skin yet its structure is such that it holds body heat and mosquitoes and biting insects can’t sting through it. This luxurious silk stole would have been warm over an evening gown on a cold evening. At 269cm in length and 67cm wide it would be the ultimate in comfort and appears to be hand painted with chrysanthemum style flowers leading one to assume that the silk fabric is of Chinese origin, although it is unknown when the painting would have been done.Rectangular length of white silk with hand painted pink flowers and leaves.Packaged with note: "Hand painted silk stole from Janet Amess Collection".churchill island, silk, stole, jane, janet, amess -
Halls Gap & Grampians Historical Society
Photograph - Coloured, C 1886
This is a photo of one of a series of wildflower paintings by Henrietta D'Alton. This is one of twelve separate original wildflower paintings mounted within one large frame (this one is the larger centre painting). Beneath the frame in its current (2010) location in the Halls Gap Hall is a plaque which reads "Henrietta D'Alton (1836-1922). This collection of wildflower water-colours won an award at the Colonial & Indian Exhibition of 1886 in London".This is a photo of a painting of a spray of flowers and leaves. There are red flowers in the centre; yellow/red "pea" flowers and white flowers on the upper left, with white, purple and one small spray of yellow flowers beneath them and white flowers and green/red "bells" on the upper right with white flowers beneath them.painting, floral -
Upper Yarra Museum
Serviette holder
Used by the Mayer Chalet, WarburtonWooden Serviette holder made of two tone wood, with hand painting. Four blue flowers, two small groups of pink flowers and a small number of green leaves. Creme writing "From Mayer Chalet"serviette holder, mayer chalet -
Ringwood and District Historical Society
Certificate, Set of 6 certificates of Merit for outstanding exhibits at the Ringwood Horticultural & Agricultural Society - 1954-1971, 1954 - 1971
6 certificates awarded to S.Winch for vases of cut flowers (23-Oct-1954); equal best exhibit - Fuchsia Section - 12-Mar-1966 (2 certs), Best exhibit Fuchsia Section (13-May-1967), Double Fuchsias 3 varieties (8-May-1971) & exhibit in Fuchsia Section (6-Mar-1971)Set of 6 certificates of Merit for outstanding exhibits at the Ringwood Horticultural & Agricultural Society: 3 buff coloured with blue lettering, 3 white with blue lettering - each with a picture of flowers. +Additional Keywords: S Winch(5) and D HollowayRingwood Horticultural & Agricultural Society Certificates of Merit for outstanding exhibits -
University of Melbourne, Burnley Campus Archives
Certificate, Melbourne City Council 1939, 1939
Certificate issued by Melbourne City Council inscribed, 'This is to Certify that School of Horticulture Burnley Exhibited Cultivated Native Flowers at "Garden City," Treasury Gardens, Melbourne during the period 23rd October to 18th November, 1939, Town Hall, Melbourne. Signed by A.W. Coles, Lord Mayor of Melbourne.Certificate issued by Melbourne City CouncilCertificate issued by Melbourne City Council inscribed, 'This is to Certify that School of Horticulture Burnley Exhibited Cultivated Native Flowers at "Garden City," Treasury Gardens, Melbourne during the period 23rd October to 18th November, 1939, Town Hall, Melbourne. Signed by A.W. Coles, Lord Mayor of Melbourne.certificates, melbourne city council, flowers, plants, exhibition, treasury gardens, a.w.coles, 1939 -
Bendigo Historical Society Inc.
Slide - GARDEN (FLOWERS) 12 HOPE STREET, Nov 1960
Slide, Garden (Flowers) 12 Hope Street.Ferns and flowers.slide, bendigo, garden (flowers) 12 hope street., garden (flowers) 12 hope street.