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Bendigo Military Museum
Book - BOOK, WW1, Photographs collected and arranged by Francis J Reynolds, "Collier's Photographic history of the European War", WW1
""Collier's Photographic history/ of the European War" including Sketches and drawings made on the battlefields/ PHOTOGRAPHS OF THE OFFICIAL PHOTOGRAPHERS, ACCOMPANYING EACH ARMY/ COLLECTED AND ARRANGED BY FRANCIS J. REYNOLDS AND C. N. TAYLOR".Hard cover book. Cover - cardboard with light grey colour and dark blue fabric spine tape. Black print on front cover and illustrated black and white photograph of a cannon battle scene. 144 pages - cut, plain, glossy white paper. Pictoorial book - illustrated black and white photographs, sketches and drawings.books, pictorial, ww1 -
Tatura Irrigation & Wartime Camps Museum
Sketch, B. Roberts (dec) artist, Harston Memorial Hall, 1991
Framed sketch of Harston Memorial Hall. Sketched by B. Roberts, 1991.harston hall, b. roberts -
Tatura Irrigation & Wartime Camps Museum
Binder, Kurt Strassewski
Information relating to Kurt's time as an internee in Camp ?. Letters and cards to and from other ex POW's. Dossier on Kurt. The names of many other POW 's are mentioned. To be translated. Including some lovely sketches. ALL IN GERMAN. Document years 1981 and 1986.2 ring blue binder A4 size containing over 100 plastic sleeves each with a sheet of paper with typed information and some documents relating to Kurt Strassewski who was an internee in Camp. Including some lovely sketches. ALL IN GERMAN. Document years 1981 and 1986.kurt strassewski, german pow's -
Wangaratta RSL Sub Branch
Card
Capture of Hamel Village July 4th 1918 - card size colour copy from the original painting specially executed for the Australian Comfort Fund by A Pearse War Artist. Other side depicts a colour sketch of a German tank captured by the Australians near Villers-Bretonneux Card with coloured war scene with caption beneathFront - Capture of Hamel Village July 4th 1918 by Australians assisted by a detachment of Americans. From original painting specially executed for the Australian Comfort Fund by A Pease, War Artist. Rear - narrative and sketch of a German tank captured by the Australian near Villers-Bretonneux.ww1, hamel village, a pearse, acf -
Warrnambool and District Historical Society Inc.
Album - Autograph Album, Early 1900s
This album is believed to have belonged to Jessie Bonnett ( 1897-1990) the daughter of Frederick and Charity (nee Phillips) Bonnett. Jessie spent her life on the family farm at Mepunga. She was a keen collector of newspaper cuttings recipes, postcards and collectable cards of the day. She won prizes at the local agricultural show for her flower collections. Most young girls early to mid 20th century had autograph albums Today the entries in these are a source of great social history. This album contains many local names of the time (Flett, Wiggs, Jenkinson Philips, Hortle etc.) and there are several interesting sketches and works of art. This album is of considerable significance as it was owned by Jessie Bonnett a member of a pioneer family in the Mepunga district. It is an important contribution to social history (1910 -12).This is an autograph album with a dark red leather cover. It has gold lettering on the front cover, pages with gilt edges, hand written entries, hand paintings and sketches. Autographs vintage autograph albums, jessie bonnett -
Eltham District Historical Society Inc
Architectural Sketch, Eltham Community Centre; Sketch Design Perspective; Whitford & Beck Pty Ltd, Architects, October 1979, 1979
Ink sketcheltham community centre -
Robin Boyd Foundation
Drawing - Aerial perspective, Tower Hill Lake Reserve Museum, Jun-61
Project: Tower Hill Lake Reserve Museum drawn by Robin Boyd of Grounds, Romberg & Boyd. Drawing no 1. Aerial perspectiveSketch, Dyeline -
Robin Boyd Foundation
Drawing - Cross section, Tower Hill Lake Reserve Museum, Jun-61
Project: Tower Hill Lake Reserve Museum drawn by Robin Boyd of Grounds, Romberg & Boyd. Drawing no 3 (but different to item PL139). Preliminary cross sectionSketch, Dyeline -
University of Melbourne, Burnley Campus Archives
Plan - Sketch, Widening road for parking. Buildings in College area occupied by other branches, c. 1950
Sketch plan.burnley school of horticulture, roads -
Warrnambool and District Historical Society Inc.
Document - Invitation to the opening of the Parliament of the Commonwealth of Australia, 2014
Gideon Nicol (1836-1908) was a seaman who came to Warrnambool in 1858. In 1865 he selected land at Mount Warrnambool. He was one of the founders of the Farnham Cheese and Butter Factory and the Garvoc Cheese and Butter Factory and was a Warrnambool Shire Councillor from 1879 to 1906. He received to invitation to attend the opening of Australia’s first Parliament as the President of the Warrnambool Shire at the time. This scan will be useful to include in the Gideon Nicol file.This is a scan of an invitation to Gideon Nicol and Lady as President of the Shire of Warrnambool for the opening of the first Parliament of the Commonwealth of Australia in 1901. It is on an A4 sheet. Multi-coloured sketches of Britannia etc with invitation detailsfederation, gideon nicol, warrnambool, opening of parliament -
St Kilda Historical Society
Artwork, other - Lithograph, St Kilda Esplanade, 20/05/1882
20 May 1882black and white lithograph, unmounted copy, very good conditionSuburban Sketches: St Kilda Esplanade on a Saturday afternoon -
Warrnambool and District Historical Society Inc.
Book, The History of Warrnambool by Richard Osburne, 1980
Richard Osburne (1825-1895) came to Warrnambool in 1847, a pioneer resident in the new settlement. In 1851, with John Wilkinson, he founded Warrnambool’s first newspaper, the Warrnambool Examiner, and issued it weekly for some months until he left the town for the goldfields. Returning in 1853 he resumed publication of the Examiner and continued it, intermittently in its last few years, until 1880. He was acknowledged in his day as the Father of the Warrnambool Press and was a dominant figure in Warrnambool’s early history. He was associated with the establishment of the Aboriginal Reserves, Fire Brigade, Mechanics’ Institute, Warrnambool Council, National School, Presbyterian Church, Public Wants Committee, Villiers Building Society, Fish Protection Society, Dramatic Club, Cricket Club, Otway Gold Exploration Syndicate and other institutions. In 1882 he went to live in Melbourne, returning to publish his ‘History of Warrnambool’ in 1887, a Queen’s Jubilee publication. Richard Osburne’s book is a seminal work of the 19th century history of Warrnambool and its importance cannot be over-emphasized. The original copies of this book are now hard to get and are very valuable. This facsimile is kept because the facsimiles are also now becoming rare and they are good examples of the way a facsimile is reproduced and the reason for the existence of this particular reprint– the importance and usefulness of Osburne’s history and the need to make it accessible to researchers today.This is a facsimile edition (1980) of Richard Osburne's book on the history of Warrnambool from 1847 to 1886. It is a hard cover buff-coloured book with gold lettering on the spine. The dust cover is cream-coloured paper with black writing. Inside the cover is a map of southwest Victoria (1880). There are five fold-up inserts (sketches, diagrams etc), a number of business advertisements, sepia photographs and sketches and an index. The dust cover includes information on the author. There are 25 chapters, a foreword by the Prime Minister of Australia, Malcolm Fraser and a Preface The proceeds of the book reprint went to Flagstaff Hill Maritime Village.This is a facsimile edition (1980) of Richard Osburne’s book on the history of Warrnambool from 1847 to 1886. It is a hard cover buff-coloured book with gold lettering on the spine. The dust cover is cream–coloured paper with black writing. Inside the cover is a map of southwest Victoria (1880). There are five fold-up inserts (sketches, diagrams etc), a number of business advertisements, sepia photographs and sketches and an index. The dust cover includes information on the author. There are 25 chapters, a foreword by the Prime Minister of Australia, Malcolm Fraser and a Preface The proceeds of the book reprint went to Flagstaff Hill Maritime Village.richard osburne, the history of warrnambool, warrnambool examiner -
Port Melbourne Historical & Preservation Society
Photograph - Sketch, loading wheat for export to England, Australia Sketcher, 26 Feb 1881
Photo of Sketch - loading wheat for export to England. Australian Sketcher. 26-02-1881piers and wharves - waterside workers -
Port Melbourne Historical & Preservation Society
Photograph - Sketch, 'The Pier on Sunday Afternoon', Australian Sketcher, 1905
Photograph of sketch 'The Pier on Sunday Afternoon' from Australian Sketcher, 5 September 1874piers and wharves -
Victorian Interpretive Projects Inc.
Digital Image, Fawkner's House (Melbourne), c1903
John Fawkner was an early settler of Melbourne, Victoria.Sketch of John Fawkner's house in Melbourne. The sketch shows a sailing vessel in the Yarra River.john fawkner, melbourne, yarra, yarra river, sailing boat -
Tatura Irrigation & Wartime Camps Museum
Magazine, POW WOW, 1941-1942
Two magazines donated by Don Mc Pherson of McPherson Newspapers.|Sketches of Army Officers. eg. Colonel Tackaberry and Quarter Master Ted ScatesTwo soft covered magazines consisting of eighteen pages of articles and sketches. (1) Fawn colored cover with red barbwire squares and a soldier in a slouch hat and army huts in the background, red and black printing on the front cover and an advertisement for Foster's Lager on the back cover. (2) Fawn cover with green barbwire squares and a soldier in a slouch hat and army huts in the background, green nd black printing on the front cover. An advertisement for Foster's Lager on the back cover.documents, reports -
Eltham District Historical Society Inc
Negative - Photograph, Sketch; Sweeney's Cottage, Culla Hill, Eltham (n.d.), c.1970
The original sketch was photographed in 1970 for reproduction in the Shire history publication Pioneers & Painters (1971). The very fragile original was kept in the Council stoungroom and suffered significant damage to its edges over the years, no doubt it has also yellowed. A comparison of the original as digitised (2022) with the negative taken 50 years earlier also reveals that the left 20% of the sketch has been cut off, probably due to damage. In June 1842 Thomas Sweeney applied to the Superintendent, C.J. La Trobe, asking permission to purchase a portion of the recently surveyed ‘Parish of Nillumbik'. His request was allowed and handed to the sub-treasurer and Land Board. He paid £110 for 110 acres and called the land 'Culla Hill'. He first built a temporary house, a slab hut 12 feet by 10 feet, in which he lived with his wife, an Irish girl whom he had married in 1838. (His first wife had been drowned at Port Jackson.) Some time later he built a permanent residence on the model of a Tipperary farmhouse. It was a rectangular building of hand-made bricks and stone quarried from the Western Hill with a recessed verandah in front, and bore a slate roof. The out-buildings consisted of a detached kitchen, stable and a barn. It was in this house that succeeding generations of Sweeneys were reared. The original slab hut became a washhouse and survived till recent years. 'Culla Hill' became a social centre for the district, church services being held there on various occasions. The first wheat crop in the district was planted by Sweeney who also supplied the first grain for a mill that later was built at Eltham. He took an active interest in the development of the district. At this time travelling people--many of them runaway sailors or convicts--often passed the settlement, and some of them stayed and worked with Sweeney. A tribe of aborigines living on the river below 'Culla Hill' were apparently on good terms with Sweeney, for it is said that they helped him with the building of his house. Very little is known about the aborigines who originally lived in the Eltham district. There must have been many of them; their stone axes, grinding stones, and anvil stones have been found in the gullies around Research and canoe trees and artifacts were found on the Kangaroo Ground hills. Early settlers remembered a tribe that camped on the site of the present railway bridge at Eltham. They held corroborees there and visited settlers for hand-outs of 'flour and bacca’. There was an aboriginal reserve on the Yarra, upstream from Eltham, but most of those who had collected there later went to live on the Pound Reserve at Warrandyte, where the last aborigines in the area finally ended their days. The Pound Reserve, of 1,103 acres, was established at Pound Bend in 1841. The chief protector, George Robinson, and his four assistants, were given instructions to care for the aged and sick, to provide blankets and rations for all who lived there, to train the able-bodied men in agriculture and other trades and to find them jobs. The Yarra blacks, who later came under the protection of William Thomas, have been described as a 'fine race, well made and above the average height'. Thomas Sweeney died on 6 September 1867 and was buried in the Eltham Cemetery. To his wife Margaret and his son John, he left the entire property of 'Culla Hill'. To his other son Patrick, he left 150 acres, including a small two-roomed wooden cottage. He had five daughters: Kate and Margaret (twins) who were born in 1842, Ellen 1846, Annie 1848 and Johanna 1851. John Sweeney farmed 'Culla Hill' until his death in 1909. He had ten children; one of them, Mary, became Mrs M. Carrucan whose son, Mr John Carrucan, still lives at Eltham. 'Culla Hill' passed out of the Sweeneys possession in 1939 and was renamed by its new owners, 'Sweeneys', in memory of its pioneers. - Pioneers & Painters: One Hundred Years of Eltham and its Shire, Alan Marshall 1971, pp10-12 4 x 5 inch black and white negative of original colour sketchculla hill, sweeey's cottage -
Tatura Irrigation & Wartime Camps Museum
Sketch - Pastel
Josef Thum was an Austrian artist in Camp 13, as a POW. Ken Hill was a member of AAAS - Mobile Cinema Unit 36 around 1946-47 and based at Murchison. After hostilities ceased Thum was permitted to assist Hill, in the presentation of "Pictures" as was the common term of the period, each time there was a screening at MurchisonBlack and white pastel sketch of "Head of Christ". A pieceof tissue paper is attached to cover the sketchhead of christ, sketch, thum j, hill k, camp 13, tatura, illustrations, pastel -
Warrnambool RSL Sub Branch
Work on paper - Pencil Sketch, Night at Mersa Matruh, June 1942
drawn during the allies retreat into Egypt June 1942 by Private Tom MeagherBlack and White sketch -
Federation University Historical Collection
Document, The Pikeman's Dog, a ballad for those who fought, and for those who died, at Eureka, 1854, 03/12/2018
Printed sheet with sketcheseureka, ballad, the bard, pikeman's dog -
Ringwood and District Historical Society
Drawing, Ringwood Bowls Club - Sketch of old Clubrooms building. Circa 1929. Artist unknown
Copy of original sketchNil -
Robin Boyd Foundation
Drawing - Aerial perspective, Tower Hill Lake Reserve Museum, Jun-61
Project: Tower Hill Lake Reserve Museum drawn by Robin Boyd of Grounds, Romberg & Boyd. Drawing no 1. Aerial perspective (same as item PL136 but watercolour and pastel)Sketch, Watercolour on dyeline -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Booklet
Sketches of a POW in Koreadocuments, korea, general -
Federation University Art Collection
Drawing - Pencil on Paper, [Group of sketches] by Sybil Craig, 1935
Sybil CRAIG (18/11/1901-09/09/1989) Born London, England Arrived Melbourne 1902 Died Melbourne, Victoria Sybil Frances Craig was a student of John Shirlow in 1920 who introduced her to French avant-garde artists such as Matisse and Gauguin. In 1924 she studied at the National Gallery of Victoria Art School. She also underook private classes with George Bellfor several months where individual expression was encouraged, and she became associated with a group of Modernist artists including Sam Atyeo. In 1945 Sybil Craig became the third woman to be appointed as an official war artist. Based in Melbourne she worked for fourth months at the Commonwealth Ordinance Factory at Maribyrnong, becoming the first female artist to paint women working in the munitions factories. In her work Craig was attracted to many changing ideas and continued to explore line, rhythm, colour, simplicity and design. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed pencil sketch.art, artwork, sybil craig, australian war artist, kitchen -
Federation University Art Collection
Drawing - Pencil ink & Water colour on paper, [Flower Study] by Sybil Craig
Sybil CRAIG (18 November 1901-09 September 1989) Born London, England Arrived Australia 1902 The National Gallery School, Melbourne, gave Craig a sound training for her popular flower and portrait studies. However, her association with leading modernists between the wars led her to pursue her art in a deliberately experimental and spontaneous way. Sybil Craig was the third woman appointed by the Australian War Memorial as an official war artist. She was the first woman to paint women working in the munitions’ factories. The Castlemaine Art Gallery & Historical Museum, held the first retrospective exhibition of Sybil Craig's in 2006. The exhibition highlighted her wonderful use of colour and design in a diverse range of media, techniques and subject matter. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed sketches of plantsSigned lower left side "Sybil Craig"art, artwork, sybil craig, craig, flora, plants, flowers, available -
University of Melbourne, Burnley Campus Archives
Plan - Sketch, Extension of Canteen and Recreation Room, C. 1961
Original coloured sketch.canteen, recreation room, burnley school of horticulture -
Federation University Art Collection
Painting, Andrew Antoniou, Some Distance, Some Time, 2015
Andrew ANTONIOU (B 1951- ) Born London, United Kingdom Arrived Australia c1985 Painter and printmaker Andrew Antoniou completed a Bachelor of Fine Art at the Winchester School of Art and a Master of Art at the Central School of Art, London in 1974. He was awarded an Australian Print Council Commission in 2004 and 2014. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed watercolour sketchavailable -
Kew Historical Society Inc
Work on paper, Joy Stewart, Southesk, c. 1978
Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Pencil, pen & Ink sketch on paper of 'Southesk' (demolished) in Cotham Road, Kew by the artist Joy Stewart. To see the image at the next stage as an image created with watercolour, pen and ink on paper, see 1980.0013.Inscription: "Southesk". Signed lower right: "JStewart". c.1978ordsall, cotham road (kew), southesk -
Warrnambool and District Historical Society Inc.
Book - British Military Uniforms, T.H. Holding, London, Uniforms- Holding, 1894
A Guide to the Making of British Military and Naval UniformsThis is a book of 82 pages. It has a red cover with gold printing, scroll work, heraldic flags and the official British crest. The pages contain printed text and sketches of military and naval uniforms, hats, badges and other accoutrements. A colour photograph of the Duke of York has a tissue covering. The spine is partly damaged.non-fictionA Guide to the Making of British Military and Naval Uniformsbritish military and naval uniforms, t h holding, 1894 british uniforms -
Bendigo Military Museum
Book - ARMY SONG BOOK, The Adjutant Generals Office U.S Government, 1941
The book is published by the U.S Government. Alan Mason collection, refer cat No 3979.2.Book, “Army Song book”, cardboard light fawn colour covers, front has cartoon character depictions in black, 63 pages, all print in black.Inside front cover, “ hand drawn sketch believed to be a Japanese”army songs u.s, 1941.