John Frederick Warren was born in England in 1834. After coming to Australia, he married Rebecca Baird in 1868. He initially tried his hand at mining before establishing his timber and iron works. He retired in 1902 and lived at "Bowden", Barnard Street, until his death 21/10/1912. Following his retirement, the business was continued by his son John Frederick Warren jnr (b. 1879).J.F.Warren Invoice: Cream paper with red print. Torn left bottom half. Economic Timber and Iron yards. NO. 1 Ironmongery and Office, Market Square. No 2 Sawn Timber (Hard & Soft), Cement. Gal. Iron. &c. Opposite School of Mines, (Hargreaves St. E.) No. 3 Split Timber, Palings, Pickets, &c. (Hargreaves Street East). To: Mrs Waldock. Sandhurst May 9th 1891. Please receive from J.F Warren, The undermentioned Goods in good order and condition:- General Importer. For 30 Yards 36 x 2 netting £10. Paid J.F.Warren per S. H. Box 625.Printed at 'The Bendigo Independent' Office.business, retail, house furnishings, j.f. warren. mrs waldock.

Ref: Searching for Nineteenth-Century Florida Water Bottles by Catherine Sullivan, p.88-9. 'New York City directories list Murray and Lanman, druggists, at 69 Water Street from 1835 to 1849; David T. Lanman, druggist, at 69 Water Street from 1836 to 1857; and Lanman and Kemp at 69 Water Street from 1858 to 1870, when they relocated to William Street (New-York Historical Society 1834-1873).'Tall aqua tinted clear glass bottle, round in section with embossed text on sides and numerals on baseEmbossed on base '24' (indistinct). On sides 'FLORIDA WATER, MURRAY & LANMAN DRUGGISTS NEW YORK'.florida water, druggist, wholesale.

This is a paper back book with a yellow cover with black headings and annotations, black and white sketches and black and white photographs. There are 52 pages of handwritten and copied material with photographs and illustrations. The pages are stapled.non-fictionAn example of Vanda Savill's handwritten books documenting western district local histories focussing on the Henty family.henty family, vanda savill, warrnambool

Presented to the Brighton City Council by the Brighton County Borough Council, England, and formally handed over to the Council by Councillor R.H.Wallman, J.P. on 10th December 1951brighton, england, royal pavillion, old stein, city, engraving, streets

King James Bible published Aug. 1934 Family Bible of Robert William Whatmough and Mary Whatmough (nee Hill), married August 4, 1839 in Manchester, Lancashire, England and migrated to Australia with baby daughter Jemima, arriving Port Phillip Bay 19 February 1841. Inscribed in ink on inside front cover: Jemima Whatmough born January 18th 1840 on Saturday Hemmet Whatmough born March 26th 1842 on Saturday Job Whatmough born May 11th 1844 Saturday Died April 12th 1845 Sarah Whatmough born September 17th 1845 James Whatmough born June 28, 1847 Died February 1st 1848 Margaret Whatmough born June 15th 1848 Died March 24th 1850 Jessy Whatmough born January 26, 1851 Inscribed in ink on inside front cover facing page: William Jordison’s Thirty knoul (?) Bok (?) 25th – 1839 ROBERT WHATMOUGH BOOK Presented by Mr. Ferguson Robert Whatmough Presented By the Teacher Mary Ann Whatmough born September 4th 1853 Died November 11th Friday 1853 Benjamin Whatmough born 25 July 1854 Died January 2 1855 Inscribed in ink on inside rear cover facing page over: 1852 This Book Belongs to Mr. Robt. Whatmough On the River Plenty September 16th And in pencil: presented by mr sanger Jemima Whatmough married Robert Fielding on June 23, 1859 at Fitzroy, Victoria According Steve Whatmough (and sister Barbara, email 5/10/2024), Hemmet Whatmough was known as Robert Emmett Whatmough and was always refered to as Emmett within the family.benjamin whatmough, holy bible, james whatmough, jemima fielding (nee whatmough), jessy whatmough, job whatmough, margaret whatmough, mary ann whatmough, mary whatmough (nee hill), robert whatmough, robert william watmough, sarah whatmough, tom fielding collection, plenty river, pioneer family, hemmett whatmough, robert emmett whatmough

This camera is a folding one, the Ensignette No 2 model made by the British firm of Houghtons Ltd which was originally a glass warehouse founded in 1834. The firm of George Houghton and Sons, dating from the late 19th century, established their camera business at Ensign House in London in 1903 and the Ensignette No 2, designed by a Swedish engineer, was introduced in 1912. Eastman Kodak of America produced a film for this model. This camera was a popular one with amateur photographers and the general public, being affordable, compact and easy to use. This camera is retained as an example of a British-made folding camera dating from nearly 100 years ago. It will be useful for display..1 This is a black metal camera which is rectangular in shape. It is a strut folding rollfilm camera with a lens that is folded inside in a thin leather concertina or bellows covering. It has the maker’s name and logo etched into the front of the camera. The logo is a flag with the British Union Jack in one corner and the word ‘Ensign’ inside the flag. The metal on the back of the camera is rusted. .2 This is a brown leather cover for the folding camera described above. It has a top lid flap which closes with a metal stud and a leather handle stitched on to the sides of the case. The cover is much worn and scuffed. Ensignette No 2 Ensign British Made Made by Houghtons Ltd England vintage cameras

This book is one volume of a series of six volumes of Bible commentaries. It was a 30 year project for the writer, Adam Clarke. He was the great uncle of Daniel Clarke, a 19th century resident of Warrnambool. Daniel Clarke, as a social worker for the Anglican Church, established the Framlingham Aboriginal Reserve in the 1860s. For thirty years he was a prominent businessman in Warrnambool as a photographer and artist. He is well-known today for his paintings of Tower Hill and the Hopkins River mouth. This book is retained not only because of its antiquarian value but also because of its link with Daniel Clarke, important in Warrnambool’s 19th century history. This is a hard cover book with a black leather spine and black leather trimming on the cover edges. The cover is green with gold lettering and ornamentation on the spine. The pages have a mottled blue and brown pattern on the edges. The cover is a little torn and stained. adam clarke, daniel clarke, bible commentary

Severe foxing throughout book but Regency binding in good condition but some pages loose.Inscribed to James Moore from James Goold Bishop of Melbourne.bishop goold, james moore, regency binding, presentation, book.

The Congress of Verona: Comprising a portion of Memoirs of his own Times.Brown board cover with cloth spine. Spine detached from rear cover.Moderate foxing particularly to front pages. Page edges rough, some torn. 484 pp. Volume 1 of 2. Poor condition.Label with Kilmore Mechanics Institute stamp inside front cover. Flyleaf '66' crossed out in red ink, '19'/Klmore Mechanics Institute stamp. Title page signed 'John Pascoe Fawkner'. P.1 'Presented to the Kilmore Mechanics Library July 9th 186[?] By John Pascoe Fawkner'. P.484 Sinature 'John Pascoe Fawkner'.memoirs, kilmore mechanics institute library.

The Congress of Verona: comprising a portion of memoirs of his own times. Vo. 2 of 2.Brown board cover with cloth spine, Fading and staining on cover. Moderate foxing throughout. Spine separating at rear. 435 pp. Fair condition. Vol. 2 of 2. Label inside front cover with Kilmore Mechanics Institute stamp. Flyleaf '67' crossed out in red ink. '20' / Kilmore Mechanics Institute stamp. Title page signature 'John Pasco Fawkner'. P.1 'Presented to the Kilmore Mechanics Library By John Pascoe Fawkner July 9th 186[?]'. 'John Pascoe Fawkner' signature P. 484.memoirs, kilmore mechanics institute library.

Bottle with cardboard lid - Metro Dairy Glass Milk BottleMetro Dairy 22 Jessie Street, Preston. This bottle is the property of Milk Bottles Recovery Ltd. On lid: Metro Dairy Farmers Pura pasteurised milk. 1 imperial pintbeverage bottles, milk containers

Roselia Isabell Welch was an actress born 16 November 1838, probably in England. Father John Murrell Welch, mother Angela Towsey. Dress has been worn by her descendants.|This decorative day dress was worn by Roselia Welch to the 1872 Melbourne Cup. Roselia made her Cup Day dress by hand - she may have used a published dress pattern but her skill as a needlewoman is evident as the entire surface is decorated with narrow hand beaded black braid applied in a fern-like motif over the blue cotton fabric of the dress creating a lace-like effect.Dress worn by Roselia Isabel Welch to the 1872 Melbourne Cup. White lining inside dress, blue lining inside train. V neck, front hook and eye opening. Handmade hook holes down centre front. Set in sleeves with black piped armhole seams. Fitted bodice with black piped seams Flat front skirt, full bustle area at back with centre back opening. Floor length train. Blue printed label on lining of centre back panel, right side. Upper case letters 'SUP' visible. Brown tape at waist with hook. Two pairs of tapes either side of back opening for bustle. Black lace around neck, sleeve, train and back opening edges. Black cotton loop in centre of train. Inset pockets right side at hip level and very small one left side at waist level. Entire surface of dress decorated with black braid hand stitched in a fern-like pattern.

John Bliss (1795-1857) was born in Norwich Connecticut, trained as a silversmith and clockmaker in Vermont, and began in business as a jeweller in New York around 1830. In 1834, now trading as Bliss & Creighton, he made and marketed a range of nautical instruments. The business subsequently became John Bliss & Son in 1855 and John Bliss & Co. in 1857. It remained in business until 1957 when it was acquired by West Marine. The Bliss company used to make a range of instruments supplied to a variety of customers including the US Navy. An object made as an aid for marine navigation, to plot a course on a nautical map for a vessel to follow. The item was made by a well known American maker of nautical instruments and is significant in regards to it's provenience and history of the maker and his family who over the years had been innovators and makers of various types of nautical instruments since 1795. Parallel map ruler. Bliss of New York & Nautical instruments engraved on face of ruler, ruler divided into degrees for use on nautical mapsflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, parallel rule, map reading, nautical object, navigation instrument

One of a series of photographs and documents donated by Jean Woollard relating to her father, Wilfred Charles Woollard, (and to herself). Wilfred Charles Woollard (1892-1971) was the grandson of William Woollard (1834-1923) and Charlotte Woollard, nee Lott (1828-1902), early settlers in Kew. Wilfred's father and mother were Walter Herbert Woollard (1856-19) and Rosa Anna Woollard, nee Morgan, (1859-1936). Wilfred Woollard's siblings were Walter James Woollard (1882- ), and Arthur Reginald Woollard (1888-1973).Black and white photograph mounted on card of workers at Richardson's Glass. The formally posed portrait of the workers was taken out of doors with buildings in the background. Wilfred Charles Woollard is seated on the far right of the second row. All the workers assembled for the photo are men. The name of the photographer is printed on the lower right of the mount.Richardsons Glass / Wilfred Woollard d 1975 1927glass manufacturers, wilfred charles woollard, woollard family, jean woollard

One of a series of photographs and documents donated by Jean Woollard relating to her father, Wilfred Charles Woollard, (and to herself). Wilfred Charles Woollard (1892-1971) was the grandson of William Woollard (1834-1923) and Charlotte Woollard, nee Lott (1828-1902), early settlers in Kew. Wilfred's father and mother were Walter Herbert Woollard (1856-19) and Rosa Anna Woollard, nee Morgan, (1859-1936). Wilfred Woollard's siblings were Walter James Woollard (1882- ), and Arthur Reginald Woollard (1888-1973).Black and white photographic positive of Wilfred Charles Woollard, sitting at a desk taking a phone call. Wilfred Woollard was trained as a draftsman and engineer and at one stage worked for the Australian Glass Manufacturing Company. woollard family, jean woollard, wilfred charles woollard

One of a series of photographs and documents donated by Jean Woollard relating to her father, Wilfred Charles Woollard, (and to herself). Wilfred Charles Woollard (1892-1971) was the grandson of William Woollard (1834-1923) and Charlotte Woollard, nee Lott (1828-1902), early settlers in Kew. Wilfred's father and mother were Walter Herbert Woollard (1856-19) and Rosa Anna Woollard, nee Morgan, (1859-1936). Wilfred Woollard's siblings were Walter James Woollard (1882- ), and Arthur Reginald Woollard (1888-1973).Black and white photographic positive mounted on backing card of Wilfred Charles Woollard, posed in a variation of a sailor's outfit (with skirt) with a background of ship's rigging. woollard family, jean woollard, wilfred charles woollard

One of a series of photographs and documents donated by Jean Woollard relating to her father, Wilfred Charles Woollard, (and to herself). Wilfred Charles Woollard (1892-1971) was the grandson of William Woollard (1834-1923) and Charlotte Woollard, nee Lott (1828-1902), early settlers in Kew. Wilfred's father and mother were Walter Herbert Woollard (1856-19) and Rosa Anna Woollard, nee Morgan, (1859-1936). Wilfred Woollard's siblings were Walter James Woollard (1882- ), and Arthur Reginald Woollard (1888-1973).Black and white photographic negative on a 1/4 glass plate of Wilfred Charles Woollard.woollard family, jean woollard, wilfred charles woollard

The Henty family and their descendants were notable settlers in Australia, initially in Western Australia, then in Launceston and finally in Victoria. While most family members settled in Victoria from 1834, others remained in England and in Tasmania. The identity of the sitters in this mid 19th century pair of portraits is as yet unidentified. The locket was purchased by the Society as part of a small collection of Henty memorabilia and portraits from the owner of Moorabool Antiques, Geelong in 2021, which had in turn acquired the item from the estate of Dennis Alston of Alston's Antiques in Hamilton, Victoria.Members of the extended Henty family were notable British settlers of southeastern and southwestern Australia. The connection to Kew (Vic.) is that members of the Henty family owned important mansions in Kew in the 19th century. Stephen George Henty's family lived at 'Findon', and Francis Henty of 'Merino Downs' in the Western District lived in his final years at 'Field Place', Kew. Numerous members of the Henty family are buried in the Boroondara General Cemetery.Small hinged locket made of tortoiseshell inlaid with mother-of-pearl, silver and gold. The locket is designed to be worn as a pendant. The two hand-tinted encased oval portraits are of an elderly woman on the left and an elderly bearded man on the right. The inlaid locket is probably Indian given the style of the floral inlay on the front and reverse. The portraits do not appear to be daguerreotypes, ambrotypes or tintypes and require further technical investigation.henty family, australia - early settlers

The Henty family and their descendants were notable settlers in Australia, initially in Western Australia, then in Launceston and finally in Victoria. While most family members settled in Victoria from 1834, others remained in England and in Tasmania. The identity of the woman in this mid 19th studio portrait is as yet unidentified. The daguerreotype was purchased by the Society as part of a small collection of Henty memorabilia and portraits from the owner of Moorabool Antiques, Geelong in 2021, which had in turn acquired the item from the estate of Dennis Alston of Alston's Antiques in Hamilton, Victoria.Members of the extended Henty family were notable British settlers of southeastern and southwestern Australia. The connection to Kew (Vic.) is that members of the Henty family owned important mansions in Kew in the 19th century. Stephen George Henty's family lived at 'Findon', and Francis Henty of 'Merino Downs' in the Western District lived in his final years at 'Field Place', Kew. Numerous members of the Henty family are buried in the Boroondara General Cemetery.Three quarter length studio portrait of a female member of the Henty family, taken using the daguerreotype photographic process, and encased in a standard daguerreotype frame made of tooled leather, velvet and gilt metal. The woman is dressed in a silk dress, typical of the 1860s, with a lace collar and bonnet. She appears to be holding a locket in her right hand.henty family, australia - early settlers

The Henty family and their descendants were notable settlers in Australia, initially in Western Australia, then in Launceston and finally in Victoria. While most family members settled in Victoria from 1834, others remained in England and in Tasmania. The identity of the woman in this mid 19th studio portrait is as yet unidentified. The tintype was purchased by the Society as part of a small collection of Henty memorabilia and portraits from the owner of Moorabool Antiques, Geelong in 2021, which had in turn acquired the item from the estate of Dennis Alston of Alston's Antiques in Hamilton, Victoria.Members of the extended Henty family were notable British settlers of southeastern and southwestern Australia. The connection to Kew (Vic.) is that members of the Henty family owned important mansions in Kew in the 19th century. Stephen George Henty's family lived at 'Findon', and Francis Henty of 'Merino Downs' in the Western District lived in his final years at 'Field Place', Kew. Numerous members of the Henty family are buried in the Boroondara General Cemetery.Small tintype of a female member of the Henty family. The hand-tinted close-up studio image is of an unidentified member of the family. The sitter's hair is parted in the middle as was typical of the period. She wears a dark dress with a white collar and a cameo at the throat.henty family, australia - early settlers, tintypes

The Henty family and their descendants were notable settlers in Australia, initially in Western Australia, then in Launceston and finally in Victoria. While most family members settled in Victoria from 1834, others remained in England and in Tasmania. The identity of the woman in this 1920s studio portrait is as yet unidentified. The photograph was purchased by the Society as part of a small collection of Henty memorabilia and portraits from the owner of Moorabool Antiques, Geelong in 2021, which had in turn acquired the item from the estate of Dennis Alston of Alston's Antiques in Hamilton, Victoria.Members of the extended Henty family were notable British settlers of southeastern and southwestern Australia. The connection to Kew (Vic.) is that members of the Henty family owned important mansions in Kew in the 19th century. Stephen George Henty's family lived at 'Findon', and Francis Henty of 'Merino Downs' in the Western District lived in his final years at 'Field Place', Kew. Numerous members of the Henty family are buried in the Boroondara General Cemetery.Oval convex portrait of an as yet unidentified member of the Henty family. The unsigned photograph mounted on a metal backing is sepia tinted. It shows a woman, photographed at an oblique angle, gazing at the photographer. Her dress and hairstyle allow us to date the portrait to the 1920s.henty family, australia - early settlers

Europeans arrived in the Kiewa Valley in the 1830s and 40s. Following the drought of 1838-44 seeking out the rich pastures in the fertile Kiewa Valley. . The next major increase in population was as a result of the Kiewa Hydro Scheme. The beginning of construction of the Kiewa Hydro-electric scheme in the late 1940s introduced changes and led to the enlargement and improvement of local roads and the townships of Mount Beauty and Bogong Village were constructed by the SECV from the 1930’s to the 1950’s to house workers on the Kiewa Hydro Electric Scheme. At its peak the Kiewa Scheme employed around 4000 people from all walks of life and as many cultures.The influx of European migrants to work on the Hydro Scheme along with their rich cultural backgrounds, all played a major part in establishing the history of the area and in shaping the future character of the Mount Beauty, the Kiewa Valley and Falls Creek areas. Photographs may depict descendants, family or friends of early settlers or workers in the Kiewa Valley region.1. Sepia photograph, mounted on heavy buff card with yellowing marks from sticking tape across the bottom of the photograph. Photograph is of a group of nurses taken at the Sunbury Sanitorium 2. Sepia photograph mounted on heavy buff card with yellowing marks from sticking tape at top and bottom of photo. Mark from drawing pin in centre top of photo. Photograph is of a middle aged woman posing dressed in period costume 3. Sepia photograph mounted on heavy buff card with yellowing marks from sticking tape at top and bottom of photo. Mark from drawing pin in centre top of photo. Photograph is of an older woman posing dressed in period costume sepia photos; nurses; kiewa valley; sunbury sanitorium; period costume

Winner of the 175th Anniversary of Edward Henty landing at Portland, Acquisitive Art Prize.Gouache on paper depiction of Edward Henty's arrival at Portland Bay. Cream coloured mat board. Light coloured wooden frame. Wire hanging cord. A colourful border depicting native animals as well as other items such as a steam train, shovel, cartwheels surrounds an image of the coastline. Each corner of the border shows a sailing ship. In the foreground are two Indigenous Australians seated on the floor surrounded by bushland. To the left stands a man in European clothing - green trousers and a striped top. He is ankle deep in the water. Behind him are two baskets which he holds with a chain. Behind that are two sheep. Top left is a parchment which says, Thistle the Pioneer, Nov 19th 1834.Front: Back - 'Jennifer McCarthy Edward Henty - Arrival 2009' - Brown texta Also framers sticker1834, the thistle, henty, colonial, portland bay

Not much is known of John Partridge other than he operated his business of making wood planes and other edged woodworking tools in Birmingham. The Birmingham General Directory of the borough of Birmingham businesses of 1849 has him listed as a "Plane/iron maker" however he was probably making planes from around 1815. Birth and death records indicate he was born in 1797 in West Bromwich, Staffordshire England and that he died in 1851. His wife Sarah Nee Ashton he married at Harborne Staffordshire in 1822 and she also died in 1851, it appears they were survived by three children, John born 1826, Sarah 1835, and William 1838. John Partridge tools are now collector's items and represent a time in history when tools of all kinds were predominately still being made by hand in small family workshops. This was during a time known as the first industrial revolution, a time that was regarded as a transition period in history to new manufacturing processes that were occurring in Europe and the United States. A period of industrial change that began about 1760 and lasted until sometime between 1820 to 1840.Moulding plane Side Bead - Single Box type. Partridge maker stamped on end.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

This etching by British engraver Arthur Willmore was created from Russian born artist Nicholas Chevalier’s original watercolour landscape of Bontharambo, Wangaratta (Chevalier’s watercolour is held in the collection of the National Library of Australia). Chevalier moved to Australia during the Colonial period and is famous for his landscape paintings, which were most commonly commissioned by wealthy landowners or merchants wanting to record their material success. Bontharambo is a historic property located in Wangaratta which was made famous by pastoralist Joseph Docker who took up the Bontharambo run in 1838 and has remained in the family since. The historic homestead on the property was built between 1857-1859 and was designed by architect Thomas Watts.ColonialWangaratta Art Gallery CollectionA rectangular landscape etching of the homes on Bontharambo station printed in black ink on off-white paper.Obverse: N. Chevalier/ A. Willmore/ THE OLD & NEW HOME STATIONSwangaratta art gallery, arthur willmore, nicholas chevalier, bontharambo, wangaratta

In the 1800s, the stereoscope was the only way to view with world in 3-D. A viewer would look through the lenses of the stereoscope's eyepiece to a card called a stereograph. On the stereograph, two of the same image were printed side by side, which when viewed through the stereograph transformed the one dimensional images into relatively life-like representations. A popular form of entertainment among the middle classes in Europe and America, people could use a stereoscope to view images of real faraway places, or fantastical magic scenes. The first patented stereo viewer was invented by Sir Charles Wheatstone in 1838, and remained a favoured leisure activity until the advent of cinema in the 1930s. This object contributes to our understanding of social life, leisure and entertainment in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history. A wooden stereoscope with a cardboard 'view' of a streetscape.stereoscope, stereographs, entertainment, fun, leisure