Two photocopied articles, including 3 original prints of photographs, all unattributed, about the house and property known as Cantala, owned by Septimus Miller. 1/The first article is from the Australasian newspaper, dated 18/03/1893, including two original prints (from 6 photographs in the article). The article is accompanied by one page of handwritten notes, undated and unattributed, detailing and summarising the Australasian article. 2/The second article (2 copies) is from Punch, dated 29/10/1903 and includes one original print (from 7 photographs in the article).miller septimus, salway mr, miller mrs, lauderdale mr, redleap (horse), echo (sculpture), sleeping ariadne (sculpture), cantala, caulfield, caulfield north, dandenong road, kooyong road, wiora, australasian, punch, victoria racing club, photographs, towers, italianate style, mansions, balconies, stairs, drawing rooms, bay windows, architectural features, architecutral styles, gates, gardens, stables, art, sculpture, statutes, racehorses, horses, horseracing, business people, commerce, miller helen, miller damien, garden parties, social life and customs

The Congregational Church was built on the site of the first church in Kew. This church, the second on the site, was designed by the Kew architect Charles Vickers and opened in 1860. The distinctive polychrome brick façade designed by Vickers contrasted with the style that he employed for other churches he designed during this period; they were usually constructed in bluestone. In the 1960s, a new ministry saw the erection of a neon cross at the apex of the church. The illuminated cross could be seen from Church Street, Hawthorn. The church was later to be demolished, and the land sold for the construction of modern villas. The Kew Historical Society's Pictures Collection is comprised of photographs, postcards and original works of art. The photographs include original (mainly) images dating from the 1870s to the present. A number of these photographs derive from the former City of Kew's Civic Collection while others are the work of amateur and professional photographers. Most of the images in the collection depict people, places and objects within the suburbs of Kew and Kew East. Other photographs depict other locations in Melbourne and Victoria. A number of the photographs are of statewide and/or national significance.Congregational Church, Walpole Street, Kew, 1977 (now demolished). View of the polychrome facade facing Walpole Street. The use of polychrome brick by Alfred Purchas (the second architect) reflects his preference for this architectural style, such as in his design for Tarring (now Ruyton Girls' School)Inscriptions on reverse: "KH-99. Congregational Church Walpole St Kew. Built 1854. Now amalgamated with United Churches 1977."congregational church, walpole street (kew), charles vickers

The Congregational Church was built on the site of the first church in Kew. This church, the second on the site, was designed by the Kew architect Charles Vickers and opened in 1860. The distinctive polychrome brick façade designed by Vickers contrasted with the style that he employed for other churches he designed during this period; they were usually constructed in bluestone. In the 1960s, a new ministry saw the erection of a neon cross at the apex of the church. The illuminated cross could be seen from Church Street, Hawthorn. The church was later to be demolished, and the land sold for the construction of modern villas. Photograph of an historic church in Kew by noted architects Charles Vickers and Alfred Purchas.Congregational Church, Walpole Street, Kew, 1977 (now demolished). View of the polychrome facade facing Walpole Street. The use of polychrome brick by Alfred Purchas (the second architect) reflects his preference for this architectural style, such as in his design for Tarring (now Ruyton Girls' School)Inscriptions on reverse: "KH-100. Congregational Church Walpole St Kew. First church built in Kew 1860. Chapel on site 1854. Became a member of the United Churches 1970s". congregational church, walpole street (kew), charles vickers

The Congregational Church was built on the site of the first church in Kew. This church, the second on the site, was designed by the Kew architect Charles Vickers and opened in 1860. The distinctive polychrome brick façade designed by Vickers contrasted with the style that he employed for other churches he designed during this period; they were usually constructed in bluestone. In the 1960s, a new ministry saw the erection of a neon cross at the apex of the church. The illuminated cross could be seen from Church Street, Hawthorn. The church was later to be demolished, and the land sold for the construction of modern villas.Congregational Church, Walpole Street, Kew, 1977 (now demolished). View of the polychrome facade facing Walpole Street. The use of polychrome brick by Alfred Purchas (the second architect) reflects his preference for this architectural style, such as in his design for Tarring (now Ruyton Girls' School) Inscriptions on reverse: "K.H.701. Congregational Church Walpole St Kew. First church in Kew. Now amalgamated with the United Churches."congregational church, walpole street (kew), charles vickers

Overview of residential architectural styles from 1925 to 1965 to celebrate the 40th anniversary of "Home Beautiful" magazine. Discussions include the future of housing technology, Californian Bungalow design and the future of the 'modern house'.Original manuscript of 'Is our frozen house design about to thaw', published in Australian Home Beautiful, Vol, 44, No. 10, October 1965, pp. 4-11.Typewritten (c copy), quarto, 23 pages. (Two copies)home beautiful, queen anne, californian bungalow, charles greenhill, walter burley griffin, harold desbrowe-annear, home beautiful, modernism, robin boyd, manuscript

Discusses the exploitation of architecture in commercial signage; the use of architecture as signage can prove disturbing and a threat to curating an architectural style; argument reads like a reflection on Scott Brown and Venturi's Duck and the Decorated Shed.This is the original manuscript of a presentation to Victorian Employers Federation Franchising Seminar. Discussion of Fishbowl, 11.3.1971. It includes notes for slides.Typewritten. Major pencil and pen edits and additions (in one copy), quarto, 7 pages. (Two copies)One copy with annotations in pen and pencilfranchises, franchise buildings, advertising architecture, signage, fishbowl, colonel sanders, robin boyd, manuscript

Building A at Mount Helen Campus Side view of Building A on Mount Helen Campus showing Brutalist style architecture brutalism, federation university australia, federation university mount helen campus, buildings, mount helen campus, a building mount helen campus, brutalist

During construction, commentators described the house as being in the ‘Elizabethan style’. The architectural style of the exterior, with its innovatory use of red brick and Italian tiles was more influenced by American models. Edward George Kilburn, of Ellerker & Kilburn, designed Byram for the industrialist George Ramsden in 1888.This is an original small photograph of this historic Kew mansion with provenance by descent from the first owners of the house.The main entrance to Tara Hall (previously named Byram, Goathland and Lowan). The entrance, through a porte-cochère, was located on the east side of the house. Inscription reverse: KH-323 Tara Hall once stood on Studley Pk Road on vast landscaped gardens. Donated by Mr Peter Ramsden, 49 Kamilaroy Road, West Pymble 2073 N.S.W. Dec.1979."byram, tara hall, lowan, goathland, edward g. kilburn (architect), george ramsden

Boyd discusses Australia and New Zealand's search for their own 'modern' architectural style. Boyd points out the influence of the natural landscape that affects these designs and architectural decisions. In addition, he argues that the search for 'modern' architecture isn't rushed due to the need of respecting the natural landscape of both Australia and New ZealandOriginal manuscript of an article 'Australia in seclusion’ published in Journal of the New Zealand Institute of Architects, Vol. 34, September 1967, pp.270-275.Typewritten (c copy), foolscap, 21 pages (two copies of page 9)walter burley griffin, harold desbrowe annear, robert haddon, seabrook and fildes, roy grounds, geoffrey mewton, edward f. billson, best overent (overend), modern architecture, sydney opera house, ian mckay's c/b/ alexander presbyterian agriculture college, ernest kump, sydney school, california, robin boyd, manuscript

This is a manuscript associated with the Royal Australian Institute of Architects Convention, "Civic Architecture, the Architect and Society" which discusses city development. Boyd argues that an Australian architectural style is growing with the contemporary generation of architects departing from international modern architectural influences from which they studied. Boyd explains how a pattern of Australian architecture can be seen through materiality and the expression of structure.Typewritten (c copy), foolscap, 4 pages (two copies)Minor handwritten edit on both copiesroyal australian institute of architects, convention, technology, australian cities, urbanism, australian architecture, international modern architecture, walkabout, robin boyd, manuscript

Building T Mount Mount Helen CampusBuilding T Mount Helen Campus / Brutalist style architecture / middle section of T building adjacent to Building A brutalism, federation university mount helen campus, buildings, mount helen campus, building t

'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author. Porte-cochere, Tara Hall, circa 1957. The main entrance to Tara Hall (previously named Byram, Goathland and Lowan). The entrance, through a porte-cochère, was located on the side of the house facing east. During construction, commentators described the house as being in the ‘Elizabethan style’. The architectural style of the exterior, with its innovatory use of red brick and Italian tiles was more influenced by American models. Edward George Kilburn, of Ellerker & Kilburn, designed Byram for the industrialist George Ramsden in 1888. Typed inscription on reverse: "Goathland, also known as Tara Hall (Royal Women's Hospital, Melbourne)."goathland -- kew (vic), byram -- kew (vic), tara hall - kew (vic), studley park road

The Kew Historical Society's map collection includes a substantial number of real estate subdivision plans, mainly of Kew but also of surrounding suburbs in Melbourne. Most of the subdivision plans date from the 1920s and 1930s when the districts old homes and local farmland were being split up to accommodate residential growth in the postwar period. These early plans were assembled by a local firm, Jas R Mather & McMillan, which had an office in Cotham Road. Many of the plans, and sometimes photos, were annotated by the agents.Subdivision plans are historically important documents used as evidence for the growth of suburbs in Australia. They frequently provide information about when the land was sold as well as evidence relating to surveyors and real estate and financial agents. The numerous subdivision plans in the Kew Historical Society's collection represent working documents, ranging from the initial sketches made in planning a subdivision to printed plans on which auctioneers or agents listed the prices for which individual lots were sold. In a number of cases, the reverse of a subdivision plan in the collection includes a photograph of a house that was also for sale by the agent. These photographs provide significant heritage information relating house design and decoration, fencing and household gardens.The photograph may also be aesthetically significant depending on the importance of the photographic atelier.An unusual bungalow that does not conform to a particular architectural style but which contains eclectic elements of the style of varying periods. The most striking element of the design is the cantilevered veranda that is supported by heavy chains that are attached to the central gable. This deep gable extends across most of the façade, forming an extensive veranda. Parts of this are infilled with screens. Seven wooden posts, whose lower halves are encased in rendered brick pillars, support this gabled veranda. The roof would appear to be covered with corrugated iron. The location of the house, which was advertised for sale, has to date not been identified. The real estate photo is on the reverse of a plan for the Myrtle Hill Subdivision, Kew.bungalows - kew, architecture - 1920s, real estate photographs

These stairs are on display at Victoria and Albert Museum, London. Salisbury Cathedral is still in existence and houses the famous Magna Carta. Standing 123 metres high above the city that grew up around it Salisbury Cathedral is almost entirely Early English Gothic in architectural style. The Magna Carta housed at SAlisbury is the best preserved of the four originals dating from June 1215 and still in existence.It is written in Latin with a quill pen on treated animal skin (parchment). The sealed documents were sent throughout the country after the Charter was forced on King John barons who were unhappy with the way he was ruling England. Wooden stairsmagna carta salisbury cathedral king john stairs

A speech describing the modern architecture movement, its different styles.Typewritten (c copy), quarto, 9 pagesmodern architecture, modernism, anti-classicism, walter gropius, harold desbrowe-annear, robin boyd, manuscript

What House is That? A Guide to Victoria's Housing Styles. Housing styles, colours, architecture. Photographs & illustrations. 27 pages. Green sft coverhouses, housing styles, colours, architecture. early victorian, mid victorian, late victorian boom style, queen anne, edwardian, californian bungalow, early modern, modern

Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 5, Boyd identifies three styles of interior decoration in Australia. The first, Exhibit A is directly influenced by the fashions of Paris, London and New York and does not integrate the interior with the exterior. Exhibit B is the Australian architectural style of the 1960s. Exhibit C is characterised by practical, cheerful and easy to clean up interior fittings based on colourful plastics. Boyd refers to this style as "Australian pop art". He continues by explaining why Exhibit C came to be the preferred Australian style over Exhibit B. He suggests that the Australian public is ill-informed and misguided, ultimately concluding that Australian interior design reflects the public's lack of taste. (Same content as item D193, differing side notes on left side of pages)This is a draft script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965.Typewritten (c copy), foolscap, 15 pages (compared to D193, 11 pages) (Two copies)One copy has crisper letters typed over on pages 1 and 5.university of the air, design in australia, australian style, interior decoration in australia, frederick ward, lester bunbury, frances burke, grant featherston, modernage fabrics, manuscript

Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 5, Boyd identifies three styles of interior decoration in Australia. The first, Exhibit A, is directly influenced by the fashions of Paris, London and New York and does not integrate the interior with the exterior. Exhibit B is the Australian architectural style of the 1960s. Exhibit C is characterised by practical, cheerful and easy to clean up interior fittings based on colourful plastics. Boyd refers to this style as "Australian pop art". He continues by explaining why Exhibit C came to be the preferred Australian style over Exhibit B. He suggests that the Australian public is ill-informed and misguided, ultimately concluding that Australian interior design reflects the public's lack of taste. (Same content as item D188, differing side notes on left side of pages)This is a script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965. Item D188 is the draft version.Typewritten, foolscap, 11 pages, (compared to D188, 15 pages)university of the air, design in australia, australian style, interior decoration in australia, frederick ward, lester bunbury, frances burke, grant featherston, modernage fabrics, manuscript, ohm2022, ohm2022_30

St Mary's Catholic Church, cnr Main Road and Henry Street, Eltham was opened/blessed October 13, 1912. The wooden church was built to replace an earlier brick church also known as St Mary's (1865-1912), which had been situated on the main road near present day Wingrove Park. The church and land cost £1,400 (Evelyn Observer). The wooden church was destroyed by fire in 1961. A new modern architecture (1960s) style church was erected - Our Lady of Help Christians Church. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Neg Print B&Wsepp, shire of eltham pioneers photograph collection, eltham, roman catholic church, church, catholic church, henry street, main road, st marys catholic church

Centre section of building was built by the original owner, who was of Scottish decent. The two side sections were added by the Burgoynes (later owners), who were French. The different styles of architecture showing the influences of the owners origins.Photograph of Mt Ophir Cellars. The red brick building is in three sections. Five arched double doors. Arched windows. Ventilator on Roof. Pine tree in background. Car in front. mt ophir cellars, mt ophir winery, burgoynes winery

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between 1983 and.2006. Each work is signed and dated by the artist. The series of drawings in the Picken Collection are invaluable assets for identifying architectural features and styles. The year in which the drawing was created is also a valuable record for house historians, as a number of the properties depicted have either been altered since that date or demolished.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film by Margaret Picken.4 bright street -- kew (vic.), californian bungalows, margaret picken, bright street, woodards -- kew (vic), property illustrations

Bendigo Advertiser ''The way we were'' from 2000. Malmo: View and Valentine streets, Bendigo. The Queen Anne-style of architecture meant roofs became an important component of design. Malmo had many unusual features such as an oval window above the mantelpiece and ground floor verandah posts built to simulate turned wood. The clip is in a folder.newspaper, bendigo advertiser, the way we were

The original St Mary’s Roman Catholic Church (1865-1912) was built of clay brick with buttress walls and a slate roof on the corner of Fordhams Road and Maria Street (Main Road), Eltham South, opposite the present-day Wingrove Park. It was blessed on September 3, 1865. With the arrival of the railway in 1901 and the town centre moving closer to the station, the decision was made to relocate the site of the church to its present-day location on Henry Street at the corner of Main Road. A new timber weatherboard church, also called St Mary's was erected and blessed on October 13, 1912. The church and land cost £1,400 (Evelyn Observer). The original brick church was demolished in the 1920s and the bricks and windows were recycled to build a dairy on the Brinkkotter farm at Research. The timber church was destroyed by fire in 1961 and a new modern architectural (1960s) style church was erected in its place and named Our Lady of Help Christians Church.Colour photographresearch (vic.), brinkkotter, catholic church, eltham, roman catholic church, st marys catholic church

The original St Mary’s Roman Catholic Church (1865-1912) was built of clay brick with buttress walls and a slate roof on the corner of Fordhams Road and Maria Street (Main Road), Eltham South, opposite the present-day Wingrove Park. It was blessed on September 3, 1865. With the arrival of the railway in 1901 and the town centre moving closer to the station, the decision was made to relocate the site of the church to its present-day location on Henry Street at the corner of Main Road. A new timber weatherboard church, also called St Mary's was erected and blessed on October 13, 1912. The church and land cost £1,400 (Evelyn Observer). The original brick church It was demolished in the 1920s and the bricks and windows were recycled to build a dairy on the Brinkkotter farm at Research. The timber church was destroyed by fire in 1961 and a new modern architectural (1960s) style church was erected in its place and named Our Lady of Help Christians Church.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years. The Reynolds family were early settlers in Research. The Reynolds/ Prior collection of photographs were taken by Tom Prior, the maternal uncle of Ivy Reynolds, around 1900 and the 60 photos in the album give a fine overview of many of the landmarks of Research and Eltham over 100 years ago. lvy lived in the family home for many years at 106 Thompson Cres Research. Ivy's father, Ernst Richard Reynolds and grandfather, Richard Reynolds, lived at the same address. Ivy's father Richard worked for Mr. Trail on his property in Research. Reynolds Road is named after the family. Mr Tom Prior (wife Eva) worked at the Melbourne zoo. He was very innovative and made his own camera, using the black cloth hood to exclude the light. The photographs are a reminder of the rural nature of Research and Eltham and its rich heritage.Digital image 4 x 5 inch B&W Negsepp, shire of eltham pioneers photograph collection, eltham, roman catholic church, brinkkotter, catholic church, church, reynolds prior collection, st marys catholic church

The original St Mary’s Roman Catholic Church (1865-1912) was built of clay brick with buttress walls and a slate roof on the corner of Fordhams Road and Maria Street (Main Road), Eltham South, opposite the present-day Wingrove Park. It was blessed on September 3, 1865. With the arrival of the railway in 1901 and the town centre moving closer to the station, the decision was made to relocate the site of the church to its present-day location on Henry Street at the corner of Main Road. A new timber weatherboard church, also called St Mary's was erected and blessed on October 13, 1912. The church and land cost £1,400 (Evelyn Observer). The original brick church It was demolished in the 1920s and the bricks and windows were recycled to build a dairy on the Brinkkotter farm at Research. The timber church was destroyed by fire in 1961 and a new modern architectural (1960s) style church was erected in its place and named Our Lady of Help Christians Church.PostcardReturn to Garnet Burges, Judge Bookchurches, catholic churches, st marys, main road, henry street, eltham

Boyd explores the evolution of Australia's architecture and the constant search for an 'Australian' style of architecture. Influences includes the isolation of Australia, natural resources that would require experimentation in order to make it buildable, and most importantly the imports and exports of foreign material that increased the building boom. Comparisons of Australian's architecture landscape to USA and Sweden in his commentary aims to reflect Australia's dilemma to search for an architectural identity.Original manuscript published as 'Architecture in Australia’ in Texas Quarterly Vol. 5, No 2, Summer 1962, pp 61-76.Typewritten (p/copy), quarto, 11 (+title page) pagesrobert haddon, harold desbrowe annear, 'antipodean isolation', sweden, california, housing, australian architecture, natural resources, building boom, american architecture, robin boyd, manuscript

Eltham - Old R.C. Church (building not there in 1923). The original St Mary’s Roman Catholic Church (1865-1912) was built of clay brick with buttress walls and a slate roof on the corner of Fordhams Road and Maria Street (Main Road), Eltham South, opposite the present-day Wingrove Park. It was blessed on September 3, 1865. With the arrival of the railway in 1901 and the town centre moving closer to the station, the decision was made to relocate the site of the church to its present-day location on Henry Street at the corner of Main Road. A new timber weatherboard church, also called St Mary's was erected and blessed on October 13, 1912. The church and land cost £1,400 (Evelyn Observer). The original brick church It was demolished in the 1920s and the bricks and windows were recycled to build a dairy on the Brinkkotter farm at Research. The timber church was destroyed by fire in 1961 and a new modern architectural (1960s) style church was erected in its place and named Our Lady of Help Christians Church.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Negsepp, shire of eltham pioneers photograph collection, eltham, roman catholic church, catholic church, church, main road, st marys catholic church

Note the extensive cracking of the mortar and bricks in the front facade near the portico entrance. The original St Mary’s Roman Catholic Church (1865-1912) was built of clay brick with buttress walls and a slate roof on the corner of Fordhams Road and Maria Street (Main Road), Eltham South, opposite the present-day Wingrove Park. It was blessed on September 3, 1865. With the arrival of the railway in 1901 and the town centre moving closer to the station, the decision was made to relocate the site of the church to its present-day location on Henry Street at the corner of Main Road. A new timber weatherboard church, also called St Mary's was erected and blessed on October 13, 1912. The church and land cost £1,400 (Evelyn Observer). The original brick church It was demolished in the 1920s and the bricks and windows were recycled to build a dairy on the Brinkkotter farm at Research. The timber church was destroyed by fire in 1961 and a new modern architectural (1960s) style church was erected in its place and named Our Lady of Help Christians Church.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Neg Sepia postcardsepp, shire of eltham pioneers photograph collection, eltham, roman catholic church, church, catholic church, main road, st marys catholic church

SEAMEN'S INSTITUTE FOR THE VICTORIA MISSIONS TO SEAMEN In architectural style, the new Seamen's Institute for the Victorian Missions to Seamen, in Flinders street Extension which is to be opened early in September by Sir Ronald Munro Ferguson, the Governor-General, may be said to resemble the type adopted by the early settlers in California, and known in recent years by the name of Spanish Mission architecture. This character is particularly sympathetic with the object for which the building has been erected, and is exemplified in a marked degree in the unique chapel tower of oblong shape with its four pinnacles and open bell turret, with an almost rustic cross as terminal point: also in the arcaded Eastern Court cloisters, with simple round arch arcading, and in the chapel roof, which is framed of heavy rough-hewn hardwood timber work left as it came from the saw, and erected green from the forest. but so well framed and bolted that no harm can result from shrinkage. The foundations are constructed of reinforced concrete, and in some places are nine feet wide. The ground is very treacherous, and considering the irregular weights of the one story, two-story, and three-story parts of the building, the result achieved in sta bility is eminently satisfactory. The main hall has a vaulted ceiling of reinforced concrete construction, and, spanning 35f., is the widest span of any floor in Melbourne of similar construction. The chaplain's residence is built above the lecture hall, and consists of a most complete, up-to-date dwelling-house of eight rooms. It is fitted with every modern convenience and labor-saving device. The cupboard in the pantry, for instance, has two faces — one in the diningroom and the other in the pantry. Dishes are washed in the pantry, put into the cupboard, and taken out in the diningroom, ready for the next meal. Special rooms are designed for the many and various works carried out for the sailors by the industrious workers of the mission. One room is shelved and fitted for the reception, sorting, and distribution of books, periodicals, and other reading matter that is parcelled up by willing hands and given to sailors as ships leave port, to beguile the weary hours of leisure on the sea. Any old books or magazines, illustrated papers, and the like are always welcome at the insti tute. Reading matter of this kind can easily be saved and sent along in bundles. The gymnasium is not yet built. This is the only part of the building required to complete the block; and when its concrete dome, with open eye at summit like the Pantheon at Rome is erected, the whole effect of the groups of buildings will be most striking. In the entrance hall is a floor of marble mosaic, with a central feature of a mariner's compass seven foot in diameter, well executed by the Adamant Pavement Company, and the gift of Mr George Russell. The architect has designed a copper ship as a finial for the main gable of the building, and it, like the gymnasium, is awaiting the collection of more funds or the generosity of a special donor. The whole of the woodwork of the in terior of the building, including high dados round the walls of halls, stair cases, billiard and other rooms is car ried out in Tasmanian hardwood, fin ished in a dull beeswax polish, and the floors of the entire building, except the lavatories, which are tiled, are also executed in Tasmanian hardwood. Mr Walter R. Butler, F.R.I.B.A., was the architect, and the work was carried out by Mr A. B. Robertson, builder. PICTURESQUE BUILDING AMID SOMBRE SURROUNDINGSThe article gives a valuable description of the Mission at the end of its construction and before its opening.4 columns article with photograph of the front of the Missionlady fraser, walter richmond butler (1864–1949), architecture, spanish mission, california, reinforced concrete, tasmanian hardwood, gymnasium, norla dome, pantheon, adamant pavement company, george russell, compass, finail, weathervane, chaplain's residence, manse, chapel, courtyard, cloisters, main hall, spannig