This girl's white cotton sun-hat has been made at home by a mother determined to get the maximum usage from the garment. The hat has been simply made with a plain crown for the child's day-to-day use. However, the mother has also made a second, very decorative crown, that can be buttoned on and is suitable to be worn on more "dressy" occassions - such as attending Sunday School or on special outings.Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these familiesGirl's home-made plain white cotton sun-hat with wide brim. There have been three rows of fine cord sewn at intervals around the circumference of the hat brim to stiffen it. There is also hand crochet decorating the edge of the hat brim. A very decorative "second" hat crown has also been made. This hat crown has hand crocheted lace, and criss-cross seams, and is designed to be buttoned on over the original plain crown to provide a more decorative hat for special occasions, such as when attending Sunday School.clothing, moorabbin, ormond, bentleigh, dressmaking, market gardeners, early settlers, craftwork

This swimsuit belonged to Audrey May Ferguson (nee Fulton), a longtime Brighton resident. Ada of California was a Melbourne swimwear company founded in the early 1950s by Brighton locals Ada and Toni Murkies. Born in Poland in 1922, Ada was 17 when the Second World War reached her doorstep. She and her family were torn from their home by Soviet soldiers and sent to a brutal labour camp in Siberia as part of a series of mass deportations. In order to escape the horrific conditions of the camp, Ada and her sister Barbara joined the Soviet-backed Polish Army. During her time in the military she became close with a handsome young Jewish officer, Lieutenant Antoni Murkies, who later became her husband. After the war Toni was awarded 15 medals including the highest Polish military honour, the Virtuti Militari. Ada was awarded 10 medals, including the Order of the Cross of Grunwald. Emigrating to Australia as postwar refugees in 1948, Ada and Toni arrived in Melbourne with little to their name. Working initially in garment factories and building their connections, by the mid-1950s the couple were able to start a company of their own, with Ada designing the garments and Toni managing the business. Within ten years, Ada of California swimwear was being sold in department stores throughout Australia, and the Murkies family were able to build a permanent home of their own in Brighton. By the early 1980s they had acquired several other major labels, including Watersun.Black one-piece rayon and cotton swimsuit. Straps button at back. Asymmetrical zig-zag front with double-line of white stitching, embellished by a large cream button.Label, white with green palm tree logo and red text: "Ada / OF CALIFORNIA" Label, white with red text: "61% RAYON, 10% RUBBER, 29% COTTON 36"swimwear, audrey may ferguson, audrey may fulton, melbourne designers, ada of california, ada murkies, toni murkies, 1950s, 1960s

Used by the MMTB as part of a tram crew or inspectors uniform .Demonstrates a MMTB uniform button.Set of two uniform buttons - two pressed metal sections provided with a lug or eye to sew the button onto a uniform jacked. The nickel-plated badge is stamped "Stokes & Sons Victoria" while the brass button is stamped "Stokes Australia". The brass button is missing the sewing eye or lug. tramways, mmtb, crews, drivers, conductors, uniforms, buttons

A gentleman's chair, gent's chair or grandfather chair is a term usually applied in Australia to a deep upholstered Victorian easy chair, often button-backed and with upholstered arms. The chair generally stood on short cabriole legs and had a 'spoon' or a wide balloon back. The 'show wood', that is, the polished frame, was usually mahogany or walnut, although many examples in Australian red cedar have survived. There are Australian versions of the gentleman's chair, ladies chair and matching settees, usually made from cedar, and occasionally from blackwood. As cedar is a softer timber than walnut, mahogany and rosewood, from which the English versions were made, the carving is usually not as crisp as in the imported version. However the Australian blackwood gentleman's chair is often difficult to distinguish from a good quality English walnut example. The Edwardian form of the gentleman's chair is much squarer in outline, with short turned legs and the arms are often supported by spindles. There was sometimes a row of spindles, like a gallery, beneath the top rail. The chairs were frequently upholstered in leather.An item probably made in Australia during the latter half of the Victorian era and is significant as it was made in Australia at a time when furniture and many other household items were imported from either America or England.Cedar Gentleman's armchair, upholstered and buttoned in brown leather, scalloped and carved with Prince of Wales Feather on back, arms are scrolled and carved with Acanthus leaf design and finished on tulip turned legs with brass and porcelain castors. circa 1870 Australian made. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, furniture, chair, armchair

A 'Boutonneur' or Buttoner; is an instrument wherewith buttons are pulled through their o'er-strait holes. To use the implement on a shoe, one firmly grasped the handle, and then inserted the steel hook through the eyelet, grasping the button and pulling it through.Small chrome plated steel hook with bone panels riveted to either side of the handle.footwear accessories, button hooks, boutonneurs, buttoners

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.World War I-era pressed tin fundraising button featuring a sprig of wattle on a dark brown background. In this ‘Wattle Day’ badge, the word copyright is emphasised on the rim of the button."For Our Own"patriotic buttons, first world war (1914-18)

This handmade women’s combination undergarment features hand-worked lace panels and trim, and fine pintucks. It is one of seven handmade items of white cotton underwear, all made with beautiful needlework and embroidery skill. The lingerie once belonged to the donor’s great-grandmother’s family, the Paton family of ‘Trefnant’, Yangery, in southwest Victoria. The design of this combination undergarment, or ‘combination’, includes a chemise attached to a pair of drawers or bloomers. The combination is divided, or bifurcated, from the waist to the crutch for easier urinating. This one-piece type of underwear was worn by females from the 1860s and into the early 1900s. The 19th Century garments had front button closures like this one, and those made in the 1900s more often had back closures. Combination underwear was popular because the all-in-one design had far fewer gathers and bulk, making the other clothing look much smoother. The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The fine linen fabric and the careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear. Women’s white cotton and lace all-In-one combination undergarment. The handmade underwear is a combined chemise and bloomers. It has a front button closure and is trimmed with hand-worked lace panels on the bodice and lace edging around armholes, the neck, and the bottom of the legs. The left and right sides are divided from the waist to the crutch.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, southwest victoria, victorian era, combination undergarment, all-in-one underwear, combination, ‘combinations’, one-piece underwear, one-piece undergarment, chemise and bloomers, combination chemise and bloomers, divided, bifurcated, split, chemise and drawers, women’s underwear, ladies’ underwear, undergarment, women’s clothing, women’s fashion, lingerie, under-structure, 1900s undergarments, 19th-century undergarment, 20th century, handmade clothing, handmade lace, hand-worked lace, paton family, trefnant, yangery, lady's combinations, ladies combinations

Part of the Kevin John Herdman, No. 397661, Collection. See Catalogue No. 5942P for details of his service record. Commonly called a "Housewife".Khaki coloured roll up style sewing kit with fawn coloured tape to secure it closed. Inside has one and one buttoned pocket. Item contains needles, safety pins, various cottons and a thimble. Button pocket secured with a brown Bakelite button. White manufacturers label sewn on inside.Printed in black on white manufacturers label; "R.G.C.F., VIC, 1977 (upwards arrow) 8315-66-013-0931", No. Name. Handwritten in black on label: "398130, LIVINGSTON"accessory, sewing, housewife, kevin john herdman

Pressed tin buttons were produced in large numbers between 1900 and the Second World War and being ephemeral have rarely survived. This button was produced for fundraising for local charities at Ballarat on Button Day in October 1925.Historically and socially significant artefact, revealing much about the attitudes and values of the period in which they were produced. Button days were a popular way of fundraising and commemoration that developed through Wattle Days and the First World War retaining their popularity into the early 1950s. Small tin badge with stylised rising sun motif in red with forget-me-nots in blue beneath a banner and on beneath the nosegay the words forget not. in blue. ballarat, charities, fund raising, button day, 1925, badges

A man's dark brown leather wallet with a leather strap buttonA.F ENNISmoorabbin, brighton, early settlers, pioneers, cheltenham, craftwork, leather, wallets, purses

The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of the many items that exhibit the skill and craftsmanship of the women of these familiesThis pair of white cotton baby's pants with button holes is an example of the dressmaking skills and craft-work of the women of the pioneer families. The Peck family were early settlers in Moorabbin Shire.A pair of baby's white cotton pants with button-holes at waist.clothing, brighton, moorabbin, bentleigh, dressmaking, early settlers, craftwork, mr peck

Part of local man Ren Smith, ex RAAF, WW2 serviceman's memorabilia.Small round black shank button featuring crown and eagle.To - 283ren smith, raaf uniform accessories, bakelite buttons

Button Hook with elaborate silver handle. A long shaft with hookstawell

Metal Button L.C. Phillips Stawell, dug up in backyardstawell

Button hook with bone handle used for fastening buttons on dressescostume accessories, clothes accessories

C Caldwell 1894White lace short sleeved blouse with one button at neck.child clothes, heather ncnamara

STC Microphone with cable attached with PTT button front and back STC

Black and white photo of two men playing button accordions.photo, group, musicians, peter ellis collection

Ten Pearl Buttons, various size. One ornamental Button.stawell

Green knitted long sleeved cardigan with button front and collar.knitwear, fashion, 1950s, cardigan

Small red and white plastic object with sensors in one end and a white switch and black knob on the other end. A black strap is attached to the base and the letters 'RNIB' are inscribed on the red plastic.1 red and white sensory with black dial and white buttonRNIBassistive devices, royal national institute for the blind

Since their Australian introduction in the early 20th century, public telephones have undergone several design iterations; diversifying methods of payment from coin to card, incorporating solar charging, mobile charging and Wi-fi access and of course, mitigation against vandalism. This model, a coin-operated Gold Phone, replaced the easily pilfered Red Phone and was succeeded by the Blue Phone in the 1990s. Although the prevalence of public telephones has decreased alongside the increase in mobile phone usage, public telephones remain under Telstra’s universal service obligation as vital communications infrastructure for low-income citizens and those needing to communicate in disasters. According to the Conversation, 13 million calls are made annually from public payphones, 200,000 of which are to triple zero.Orange plastic cased public payphone with button dials on face.public telephone, payphone, public services, telecom