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National Wool Museum
Booklet, Hattersley Hand Loom Spare Part Catalogue; plain and circular box, also dobby
"Hattersley Hand Loom Spare Part Catalogue; plain and circular box, also dobby" - Geo. Hattersley & Sons Ltd, Keighley, c.1930.weaving, george hattersley and sons ltd, weaving machinery -
National Wool Museum
Book, Old Sheep for New Pastures
"Old Sheep for New Pastures: a story of British sheep in the hands of Tasmanian colonial shepherds" - Ivan C. Heazlewood, 1992. A history of British sheep in Tasmania.Ivan C. Heazlewoodsheep - british sheep breeding - history, australian society of breeders of british sheep, sheep - british, sheep breeding - history -
National Wool Museum
Book, How to Spin with Australian Wool
"How to Spin with Australian Wool: instructions for learning how to spin, plus a selection of simple patterns to be made from hand spun yarn" - Australian Wool Corporation, c.1985.handicrafts knitting, australian wool corporation, hand spinning, spinning wheels, handicrafts, knitting -
Nillumbik Shire Council
Ceramic (plates): Alma SHANAHAN (b.1924 - d.2015 Melb.), Alma Shanahan, Horse Power - The Flip Side, c.1965
Alma Shanahan (1924-2015) was a Victorian potter who came to live at Clifton Pugh's Dunmoochin art colony at Cottlesbridge, on Melbourne's outskirts in 1953. Unable to join the co-operative proper, as she was a potter, not a painter, she built her house at the top of the hill, 135 Barreenong Road, Cottles Bridge. The c.1953 house is historically, aesthetically and architecturally significant because it is a good example of the design and ethos of mud brick dwellings synonymous with Eltham and features the extensive use of recycled materials, which was characteristic of the 'Eltham style' of architecture. Like the others in the artist community, Alma Shanahan built her own residence in stages out of local materials. Shanahan was later joined by neighbours and Dunmoochin potters Peter and Helen Laycock. She trained for a term with Peter Laycock but was otherwise self-taught, basing her practice on the teachings of Bernard Leach. After Pugh's death in 1991 she became the longest standing Dunmoochin resident. Her works are incised with her full name. Alma Shanahan was a part of the Dunmoochin Artist's community whose (other) members (Kevin Nolan, John Howley, John Olsen, Mirka Mora, Peter Laycock, Helen Laycock, Peter Wiseman and Chris Wiseman) made an important contribution to Victoria's cultural history. From the mid 1950s Pugh persuaded a number of other painters, as well as potters and other artists, to come and live at Dunmoochin and they formed one of Victoria's most important artist communities. She started potting around 1961 (aged 37). "Horse Power" was made using Chullora clay, which indicates it was made during her first seven years of production. Horse Power is about man's search for "energy" and how the "energy" can turn around. Made from Chullora (Sydney) clay. Glazed stoneware plates (x2) with brush decorations resting on hand made ceramic stands. Plate one: 2006.64.1VA (Horse Power + stand) shows a figure on horse back with blue foliage in background. Plate two: 2006.64.2VA (Flip Side + stand) shows a horse with figure under it's hooves. Hand painted signature in brown/black on back of both plates; "Alma Shanahan"shanahan, stoneware, glaze, plates, horse, dunmoochin -
Tatura Irrigation & Wartime Camps Museum
Dinner Plate, 1940's
Hand painted by internee at Camp 3. Returned from GermanyArmy issue tin dinner plate, hand painted pale green with decorative edging of pink flowers, green stems and similar centre pieceplate, tin, dinner, rippert c, kuebler g, camp 3, tatura, ww2 camp 3, domestic, table, setting -
Tatura Irrigation & Wartime Camps Museum
Dinner Plate, 1940's
Handpainted by internment at Camp 3. Plate returned from GermanyArmy issue hand painted light tan colour tin dinner plate, circular with decorative patterned edging in black, green, red and whiteplate, tin, rippert c, kuebler g, camp 3, tatura, ww2 camp 3, domestic, table, setting -
Tatura Irrigation & Wartime Camps Museum
Clock, pre 1954
Presented to Arthur Knee by Tatura Royal Tour Committee in appreciation of services rendered as secretary on the occasion of the visit to Tatura of H.M. Queen Elizabeth 11 5 March 1954.Mantle clock c 1950's Polished wood casing, silver face and hands. Wind up. Not working. Chiming and striking type.Presented to Arthur Knee by Tatura Royal Tour Committee in appreciation of services rendered as secretary on the occasion of the visit to Tatura of H.M. Queen Elizabeth 11 5 March 1954.arthur knee, mantel clocks, tatura royal tour committee -
Tatura Irrigation & Wartime Camps Museum
Serviette, c 1920
Used at Tatura Commercial Hotel, corner Hogan and Ross Streets, Tatura. Early 20th century.Damask serviette used at Hogans Commercial Hotel Tatura c 1920's.Commercial Hotel (hand written with indelible ink)damask serviettes, tatura commercial hotel -
Tatura Irrigation & Wartime Camps Museum
Drawing - Woodcuts, 1943
Camp 3. made by Gudrun and Isolde Frank, camp 3 c.Black and white sketches for calendar. 1943. 5 sketches (all have 1943 above them): 1 - 3 men with part of hut on left hand side and huts behind. Poles with wire in front of huts; 2 - 5 guards marching with rifles with a big tree to the right of the photo and a fence with 4 posts in front; 3 - part of a hut showing an open door and open window; 4 - wild flowers from in camp; 8 people standing behind a bonfire holding signs. the number 4 top right hand cornercamp 3, gudrun frank, isolde frank, frank zimmer, camp calendars, templers -
Tatura Irrigation & Wartime Camps Museum
Photograph, Rover Scouts Group c.1931
Rover Scouts Group c.1931. R. Canobie; Reg Louden; Reg Maskell; M. Crouch; Willis Phair; Re Jones (Leader); Len Williams; A. Hampton A.S.M.; Bob Veale; J. Milne.Black and white photograph of10 men in scouts uniform , with hats and stick in hand, standing behind a table with a white cloth which has a red cross on it.rover scouts, r canobie, reg lauden, reg maskell, m crouch, willis phair, r jones, len williams, a hampton a s m, bob veale, j milne, rover scouts group 1931 -
Puffing Billy Railway
Bread Plate, Victorian Railways Black & White, June 1953 "6-53" = "month-year"
Victorian Railways Bread Plate - Black & White Maker : W H Grindley & Co (Ltd) Earthenware manufacturer at the Newfield Pottery and then the Woodfield Pottery, Tunstall, Stoke-on-Trent The company was founded at the Newfield Pottery in 1880 by William Harry Grindley (princliple partner) and Mr Turner (the '& Co.') They produced Earthenware and Ironstone China - particularly for the Canadian, United States, South American and Australian markets. In 1891 the company moved to the Woodfield Pottery, Woodland Street, Tunstall. In 1960 the business was purchased by Alfred Clough Ltd. In 1978 renamed Grindley of Stoke (ceramics) Ltd. Federated Potteries Co. Ltd. took them over in 1982 and in 1988 the business was re-purchase by W. H. Grindley. 1991 saw the company in the hands of the receivers. and the same year they were taken over by Woodlands Pottery. DURALINE (trade mark) printed mark used by Grindley Hotel Ware Co Ltd c.1930's onwards The Number i.e "6-53" = "month-year" Supplier to Victorian railways : Loftus Moran, Melbourne: Mr Loftus Henry Moran was well known in the tea trade. Originally employed by Griffiths Bros Ltd, he started his own business, Loftus Moran Pty Ltd, in 1909 In 1913 he purchased the tea business of Mcintyre Bros, and later' that of Steele Bros, and absorbed them in his own company. He had a wide business connection among hotels and guest houses for supplying crockery and other supplies. Ref: DEATH OF MR LOFTUS MORAN (1944, May 27). The Argus (Melbourne, Vic. : 1848 - 1957), p. 4. http://nla.gov.au/nla.news-article11809686 1st Advertisement of the Plates in the papers: CHIPPED CROCKERY. Nothing is more objectionable than chipped crockery--besides its use is illegal. DURALINE Plates, manufactured by The Grindley Hotel Ware Co., are tough as raw-hide. This is why they are used by practically every hotel and institution in Australia. Obtainable only from LOFTUS MORAN PTY. LTD., Hotel Supply Specialists, 131 Queen's Bridge Street, Melbourne South Advertising (29 March 1933, ). The Argus (Melbourne, Vic. ), p. 7. http://nla.gov.au/nla.news-article4726734Historic - Victorian Railways - Refreashment Services crockery - plateceramic Victorian Railways Bread Plate - Black & White Victorian Railways ( in black on fount of plate ) "DURALINE" ( in Black on back of plate ) super Vitrified GRINDLEY HotelWare Co England Loftus Moran Pty Ld Melbourne 8 -53puffing billy, victorian railways, crockery, plate -
University of Melbourne, Burnley Campus Archives
Slide - Glass slide, Hand coloured, 1891-1905
'Yellow Austrian Briar R. foetida hermi (C?. Wilmott)'history of the rose, flowers -
Port Fairy Historical Society Museum and Archives
Medal
Medal presented to J Goldie from local farm family at Port Fairy Agricultural Show, formerly named Villiers and Heytesbury Agricultural ShowRepresents medal awarded to entrants in Agricultural Shows c.1900Horse, cow, sheep, goat, pig, rooster in a rural sceneVilliers and Heytesbury Agricultural Association Awarded to J Goldie Jun. for Single Pony - not more than 14 hands 1900j goldie, agricultural, villiers and heytesbury, show -
Port Fairy Historical Society Museum and Archives
Photograph
... "Boshter Junior F C Port Fairy 1904" hand printed in right... team in 1904 "Boshter Junior F C Port Fairy 1904" hand printed ...Boshter Junior Football Club Port Fairy 1904Black and white photograph of the Boshter Junior Football Club Port Fairy team in 1904"Boshter Junior F C Port Fairy 1904" hand printed in right hand corner of photographfootball, sport, club, team, boshter -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white photocopy, Mending the Mower, 1929
(a) Donated by Carine Williams (nee Wettenhall) (1930) in 1991 for the Centenary Year. (b) Photograph donated by Pat McVickar in 1991 for the Centenary Year, a note associated with the photographs states that she went to England in 1930 and finished the course at Burnley in 1931. (c,d) Copy of the original Sepia (by E.B. Littlejohn) lent by P. Hayne(s) (1928) for the 1991 Centenary Year who described it as a group of 15 students and Frank Weavers. 10 of these people graduated in 1928 including P.. Haynes, H. Kirkhope (centre with neck tie?) and Harry Wiseman, one of 2 boys in applecatchers?" (large spacious underwear, must mean trousers). Dairy in the background.Sepia 2 copies, c 2 copies. Also see paper catalogue.(a) On reverse, "Mending the mower (hand-pushed, of course) 1929."mending, mower, carine williams (née wettenhall), centenary, pat mcvickar, 1991, e.b. littlejohn, p. haynes, students, frank weavers, h. kirkhope, harry wiseman -
Victorian Aboriginal Corporation for Languages
Book, C W Peck, Australian legends : tales handed down from the remotest times by the autocthonous inhabitants of our land, 1933
Different text to the original edition. Does not include stories of White Pioneers, but concentrates on Creation Stories, flora and fauna, etc.B&w illustrations, b&w photographscreation stories, mythology, folklore -
Victorian Aboriginal Corporation for Languages
Book, C W Peck, Australian legends : tales handed down from the remotest times by the autocthonous inhabitants of our land : parts 1 and 2, 1925
Peck has collected a range of myths and legends from Aboriginal people, and also stories of the early pioneers in Australia.b&w illustrationscreation stories, myths and legends -
Victorian Aboriginal Corporation for Languages
Book, Chris Illert, Early ancestors of Illawarra's Wadi-Wadi people. Part 1., The unacknowledged sources of traditional stories in C. W. Peck's book 'Australian legends, tales handed down from the remotest times--' (publ. 1925 and 1933), 2003
Includes stories about people and the languages, word lists,pronunciation and sources of stories.Maps, b&w photographs, b&w illustrations, word lists, newspaper articleswadi wadi, wulungulu, gundungara, korewal, south coast nsw, cooma -
Brighton Historical Society
Clothing - Bodice, circa 1865
A bodice belonging to the family of George Ward Cole in the late 1800s. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn cream silk satin evening bodice from c.1865. This bodice features a very low, wide scooped neckline with a set in sleeve and four small pleats across the head of the shoulder. The elbow length, straight fitted sleeves are trimmed with a pleated ruffle that extends around the arm finishing at the elbow crease at the inside arm and tapering to mid forearm length at the back. The fitted bodice, lined with waxed linen, fastens down the centre front with eight covered buttons of the bodice fabric. The front two panels wrap around the sides of the bodice to meet another series of panels creating a princess line with a delineated central spine. The waist position is just below the natural waist at the sides, tapering to an elongated front covering the belly. From the sides towards the back it curves up to the natural waistline and then down again to a central point. The bodice is decorated with strips of the same fabric, which has been tucked, pleated and padded to create ruching. The ruching edge has a multi coloured thread, suggestive of rosettes, on both sides. In the front of the bodice, a strip runs down the centre front, concealing the buttonholes, and finishing at the elongated point. It then goes up the bodice over the bust line where it meets the neckline. It follows the neckline around the nape of the neck and back down the front over the bust line to the centre front. More strips run around the base of the fitted sleeve near the elbow above the ruffle. The rosette like coloured thread finishes the base of the ruffle. st ninians, george ward cole, bodice, late 1800s, brighton, margaret morrison ward cole -
Brighton Historical Society
Clothing - Nightgown, Mid 19th Century
This nightgown is believed to have belonged to Mrs Thomas Anne Ward Cole, an early Brighton resident and wife of George Ward Cole. The item appears to have been made or altered to accommodate a pregnant belly, however purpose made maternity clothing was not common at this time. Mrs Ward-Cole’s six pregnancies took place in 1843, 1844, 1845, 1847, 1849 and 1851. The style of this garment in particular the shape of the sleeves would indicate that it is most likely to have been constructed in circa 1860, so whilst it appears to be a maternity item, and historically has been referred to as thus, this purpose cannot be confirmed. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolishedA hand sewn ivory cotton muslin nightgown, c. 1842–1850. The bodice is made of delicately embroidered muslin in a floral design. The open flat collar features a scalloped lace frill underneath. The bodice fastens with thirteen mother of pearl buttons down the centre front. After the fourth button, the remaining buttons are concealed beneath a full gathered modesty skirt, which falls from just below the bust line. The modesty panel is secured horizontally across the bodice by six mother of pearl buttons. The sleeves finish over the back and palm of the hand in two flattened peaks. The front of the gown consisting of the modesty front is full length. The modesty gown at both sides joins two panels that are an integrated part of the bodice. At the centre back there is a very full gathered panel with lace trim that falls to create a train. It is semi-attached to the bodice with a top section secured with mother of pearl buttons and small ties. The purpose of this design feature is unknown. st ninians, george ward cole, brighton, night gown, thomas anne ward cole -
Brighton Historical Society
Dress, Evening dress, 1974
The dress is an excellent example of mid-1970s evening wear and comes with its original box and dockets. It was purchased from a local op shop by a Brighton Historical Society volunteer, who subsequently donated it to BHS in 2017. The receipts tell us that the dress was originally purchased from Georges department store on Collins Street by Mrs Eunice Amelia Hill (b. 1917) of 6 Webb Street, Brighton. Eunice placed the dress on lay-by and paid for alterations in December 1974; it was delivered to her home in January 1975.Full-length knit dress of blue, green and silver patterned lurex with Georges box and receipts. High neck with metal zip centre back. .1 - dress .2 a-b - Georges box with lid .3 a-c - envelope & 3 layby & alteration receipts stapled together & separate delivery invoice .4 - Receipt for dress alteration & delivery chargeLabel, woven black on white acetate, centre back: PRINTED BY HAND / Pelilla / MADE IN ITALY Label, printed black on white acetate, centre back: 65% RAYON / 35% POLYESTER / MADE IN ITALYevening dress, maxi dress, 1970s, brighton, eunice amelia hill, georges of collins street, pelilla -
Wangaratta Art Gallery
Ceramic, Tom Strachan, Untitled Bowl, 2004
Wangaratta Art Gallery CollectionA hand sculpture ceramic square bowl glazed in green, blue, white and grey featuring an pattern engraved and stamped into the glaze. Design of the bowl is based on the 16th Century Japanese Oribe ware.tom strachan, after 16th c japanese oribe ware, ceramic bowl -
Stawell Historical Society Inc
Photograph, R 748 Class Steam Engine pulling freight in cutting
R 748 Class Steam Train Engines pulling freight in cutting. the freight trucks have material coverings. Houses can be see in the background of the photo. The photo was taken approximately in c 1962. Large black & white photo (copy) showing two steam train engine pulling freight trucks, on the railway at Stawell. This rail line is the main line between Melbourne & Adelaide. The first engine is an "R" class 748. c 1951R 748 on Engine and 1962 hand written on the back.railways -
Stawell Historical Society Inc
Photograph, Mr Herman Schneider
Herman Schneider brother of Peter Schneider who ran the Boarding & Dining Rooms at the corner of Victoria & St. George St. Stawell. c 1901Photo of Herman Schneider standing with his right hand on a book beside a decorative desk. stawell portrait -
Stawell Historical Society Inc
Photograph, Main Street Stawell looking West with the Coles Variety Store on the right c 1950 -- Postcard
Post Card Valentines c 1950. Main Street Stawell looking West. The view show cars parked at an angle down Main St. and shops mainly along one side. The town hall clock can be seen above the building with the Coles sign, Macrows and Geo on the right hand edge.Valentine's Post card of Main St., Stawell looking West. The scene is of many 1950 cars parked along the street with Coles Variety Store, Macrows and Geo stores dominating to the right of the photo."VII" "Main Street, Stawell" (on the front) "Valentine's Post Card sending you greetings" (on the back)stawell business streetscape -
Stawell Historical Society Inc
Photograph, Cato Lake looking towards the Stawell Swimming Clubrooms. c1930 - 1940
Looking across Cato Lake to Stawell Swimming Club Changing Rooms. Black Range in the distance and Gazebo on the right. There are 2 bench seats beside the lake and a person sitting in one on the right hand side. "Cato Park Stawell" is printed on the right lower corner. c 1930-1940Black & white photo of Cato Lake with change rooms in the distance. The view shows one side of the lake with trees along the edge and Gazebo on the right. Cato Park Stawellstawell -
National Wool Museum
Shearing Hand piece
Shearing handpiece inscribed "MUNRO / 4134/ MADE IN ENGLAND", "MUNRO/ PAT. APPLIED FOR/ OIL", "REGISTERED DESIGN". Munro manufacturers in Ballarat, created by George Munro c.1927. Handpeice manufactured in England by Burgon and Ball (Sheffield) for Austrlaian market. Handpiece contains Wolseley start spindle similar to Burgon, missing a 'bush' in tension nut.Metal, leather and plastic shearing handpiece inscribed "MUNRO / 4134/ MADE IN ENGLAND", "MUNRO/ PAT. APPLIED FOR/ OIL", "REGISTERED DESIGN". Plastic hand piece with leather casing attached with wire, covering swivel joint."MUNRO/ PAT. APPLIED FOR/ OIL" Munro 4134 made in england Registered designshearing -
National Wool Museum
Textile Handcraft, The Afternoon Tea Party: Celebration Cake
The Geelong Handweavers and Spinners Guild Inc. entered "The Afternoon Tea Party", designed by Val Ingeme, into the "Five Articles" Section of the Melbourne Sheep and Woolcraft Show c.1992. To qualify, the entry needed to form a group and be able to demonstrate a number of wool crafts in at least five different items. The covering of the cake was woven by Anneli Rickards, the plate woven by Jean Inglis, Mary Donnan and Val Ingeme made and assembled the floral trimmingsagricultural shows handicrafts textile art knitting weaving, geelong handweavers and spinners guild inc., spinning - hand, felting, weaving, ingeme, mrs val inglis, jean - geelong handweavers and spinners guild inc. rickards, anneli - geelong handweavers and spinners guild inc. donnan, mary - geelong handweavers and spinners guild inc., melbourne, victoria, agricultural shows, handicrafts, textile art, knitting -
National Wool Museum
Manual, Dubied Type MR The Best Hand Machine for knitting all the current stitches
Specification manual for the Dubied Type MR hand knitting machine, which also forms part of the collection.10. N.P.I. 100 C/Mmachine knitting, sartori, mrs genitilia -
National Wool Museum
Photograph, [South Africa]
Photograph of three men, two shaking hands (Mr R W Pettitt on the left), the third man looking on. Possibly taken at an agricultural show in South Africa 1972.Mr R.W. Pettitt in South Africa, c.1972.South Africacorriedale sheep sheep breeding agricultural shows, australian corriedale association, pettitt, mr r. w., corriedale sheep, sheep breeding, agricultural shows