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Ballarat Tramway Museum
Photograph - Digital image Set of 11, Floyd Bromley, BTM Tram Showcase day, 30/9/2018, 30/09/2018
Yields information about BTM Tram Showcase day, 30/9/2018Set of 11 digital images of tram operations at the depot during the BTM Tram Showcase day, 30/9/2018 (Oct. 2018 Fares Please!) by Floyd Bromley. .1 - 26, 28 and 40 .2 - depot interior with 28 and 40 .3 - 671 and No. 1 .4 - 27 on the fan.. 5 - 27 with Neville Britton and Carl Mahoney .6 - 33 and 27 .7 - 27 .8 - 33 and 13 .9 - 33, 13 and 28 on the fan .10 - 33 running out - P. Bruce taking a photo. .11 - 28 - side on view with Dave Macartney inside. Note: The white discs was a trial to indicate that a tram is following. This was an SEC practice in Bendigo. It was not subsequently adopted.trams, tramways, btm, depot, events, tram 40, tram 28, tram 26, tram 27, tram 13, tram 671, tram 1, tram 33 -
Bendigo Historical Society Inc.
Programme - BENDIGO OPERATIC SOCIETY ''VIKTORIA AND HER HUSSAR''
Bendigo Operatic Society Programme: ''Viktoria and Her Hussar'' Capital Theatre Bendigo. Opening Friday, 14th April 1961, for Five Nights. Price 1/6. Bendigo Operatic Society Presents by permission of J.C.Williamson Theatres Ltd. ''Viktoria and Her Hussar'' A Norman Lee Production, Music by Paul Abraham, Book and Lyrics by Harry Graham. Cast in Order of Appearance: Leonard Carr as Stephan Koltay (A Hungarian Cavalry Officer) - Ferd Lorenz as Janzci (His Servant) - Reginald Boromeo as A russian Sergeant - Peter Houston as A Cossack Sentry - Gerald Hayward as Tokeramo Yagani (A Japanese Secretary) - Carol McKenzie as Viktoria - Brian Thomas as John Carling (American Ambassador at the Court of Japan) - Frederick Trewarne as Miki (A Japanese Servant) - Annette Wilson as Riquette (Viktoria's Maid) - Bryan Brewer as Count Ferry Hegedu - Greta Smyth as Suzuki (A Japanese Maid) - Patricia McCracken as O Lia San - Peter Haines as Webster (Butler to the American Ambassador) - Patricia Lyon as O Muki San - Alfred Annison as Bela Porkelty. Musical Director: Max O'Loghlen. Ballet Mistress: Madge Welch. Society Pianist: Mrs. P.House. Synopsis of Story: Viktoria believing her lover Stephan to have been killed in action against the russians, has maried John Carling. Stephan wasn't dead but taken prisoner of war. With the help of Janzci escapes and take refuge in the american embassy. Here he meets Viktoria who remembering the vows she made before the war is torn between her love for him and her loyalty to her husband.program, theatre, bendigo operatic society -
Melbourne Legacy
Audio - Recording, tape, Anzac Communication, 1962
The tape has not been played. From the label it is an ABC broadcast of the Anzac Day commemoration on 19 April 1962. It is the Legacy run Anzac Commemoration for Students that is held just prior to Anzac day for school students to attend. Legacy has run the student ceremony annually and it is well attended. The ceremony provides a valuable opportunity for students to gain an appreciation of the Anzac spirit, the significance of the Shrine and the meaning of Anzac Day. ABC would broadcast the student ceremony so that schools unable to attend would be able to listen to the service.An audio record of a ceremony for school students at the Shrine.Metal cannister with reel and audio tape inside (no perforations present). Note loose inside container, detailing information on the audio recording. Visible tape marks on lid.Front of lid has handwritten label: VP 819 Note is as follows: AUSTRALIAN BROADCASTING COMMISSION TAPE IDENTIFICATION SLIP All material contained in this recording is subject to copyright control. Its use is PROHIBITED for any purpose other than that authorised by the A.B.C. TITLE: Any at Communication Heard at Legacy 17.5.62 State Film Carl 27.6.62 REEL: V.Good TAPE NUMBERS: VP819 REC 19-4-62anzac day, anzac commemoration for students -
Melbourne Legacy
Photograph, Darge, Board of Management 1938, 1938
Members of the Board of Management in 1938 included Syd Birrell, Carl Carleton, Jack Barnes, Os Gawler, H Nicholson, W(Bill) Pearce, Lionel Wallace, Brian Armstrong, Eric Harding, Doug McKinlay. Text below the photo shows it was presented to J G Gillespie to commemorate his year as president, which was 1938. Another copy of this photo exists that is labelled as Board of Management 1949 - which is incorrect. Legatee Eric Harding OBE, MM, was also a member of the Limbless Soldiers' Association of Victoria as he lost a leg as a gunner in France in WW1. He served with the Australian Field Artillery in the original Anzac Corps. Despite loosing a leg he was active enough to ride with a Light Horse Party at the head of Melbourne's 1975 Anzac Day march. (Source Trove 18/4/1975)A record of the Board of Management of Legacy Club Melbourne in 1938.Black and white photo of the 1938 Board of Management mounted on brown card in a black wooden frame under glass. Handwritten above photo 'Legacy Club Melbourne, Board of Management 1938' and below photo 'Presented to the President L/. J G Gillespie to commemorate his year of office', in white fancy script. White note stuck to the glass tries to identify the names of the men.board of management, syd birrell, os gawler, carleton, brian armstrong, eric harding -
Warrnambool and District Historical Society Inc.
Artefact, Model of Church, C1900
This model of St. John’s Presbyterian Church in Warrnambool was made by Johan Carl August Landmann (1826-1920). August Landmann and his wife, Christina came from Silesia to Australia in 1854. They settled in Warrnambool where August made a living as a carpenter and joiner. At first he rented shops in Timor Street and then built a two-storeyed shop and residence in Henna Street. Landmann built many of the early commercial buildings and residences in Warrnambool and he and his family were associated with the management of the Warrnambool Western Brewery. When he retired in 1900 he built another residence in Mickle Street and it was at that time that it is believed he made the model of the Presbyterian Church and the model of the Ozone Hotel (which is in the Warrnambool Art Gallery today). St. John’s Presbyterian Church, designed by Andrew Kerr, was built in the English Gothic style and opened in 1875. It was destroyed by fire in 1920 but was rebuilt to a similar style. This model is of great significance for two reasons: 1. It was made by a prominent early Warrnambool carpenter and joiner, Johan Carl August Landmann. 2. It is the only known model of the Warrnambool St. John’s Presbyterian Church which was destroyed by fire in 1920.This model is on a wooden stand or base which is painted black with metal screws. The edging of the stand contains straw which is now brown but was originally green to resemble grass or lawn. The church is a wooden structure (hollow inside) with some sections painted to resemble sandstone. The roof is slanted and painted grey and has six dormer windows or ventilation pieces on each side. The main body of the church has a nave with dual arched windows, the west end has dual arched windows and a door with louvre ventilation and the east end has a door and dual arched windows and two conical-shaped finials. The windows, some of which are triangular, have frosted decorated glass. Some of the glass in the windows is missing. The main tower is square-shaped with four conical-shaped finials. The upper part has four sets of louvres and two arched windows. The centre and lower sections have rosette patterns and several sets of dual arched windows with frosted decorated glass panels. The north east corner has a smaller tower.johan carl august landmann, st. john’s presbyterian church, warrnambool, warrnambool history -
Cheese World Museum
Photograph, Percy Uebergang and Myrtle Wright wedding party, 1924
The Percy Uebergang family lived at Tooram Park, Allansford from 1912 until 1992. Percy and Myrtle Uebergang's children were twins, Ray and Joyce born in 1926 who lived at Tooram Park until their deaths, Ray in 1986 and Joyce in 1992. Neither Ray nor Joyce married and following the death of her brother Joyce set up the Ray and Joyce Uebergang Foundation which supports the local community. This photograph is part of the collection of items given into the care of the Cheese World Museum. Percy Uebergang and Myrtle Wright were married on 3 September 1924 at Koroit. The attendants were Miss Ida Wright and Carl Uebergang. Newspaper reports of the wedding and welcome home reception are held in the collection. Myrtle's cousin, Florence Trigg, recalls that the wedding was held at 6am at Koroit in order to catch the train to Melbourne at 7am. This photograph was taken following their return. Percy and Myrtle are the parents of Ray and Joyce Uebergang. Black & white photograph of the wedding party of Percy Uebergang and Myrtle Wright and their attendants. The bride is wearing a calf length suit trimmed with a lace collar and shoes with lattice weave uppers. She has a horseshoe on her left arm and a small handbag in her right hand. The bridesmaid is wearing calf length long sleeved dress featuring a shawl collar and a sash at the waistline. She is carrying a handbag. The men are wearing 3 piece suits and lace-up boots, shirts with winged collars and ties.allansford, uebergang, percy, wright, myrtle, wright, ida, uebergang, carl, marriages, trigg, florence, koroit -
Glen Eira Historical Society
Article - Glen Eira Parks and Gardens
This file contains four items. An article in the Glen Eira News reporting on a new park with indigenous planting and an interpretive walk being developed to link Duncan Mckinnon Reserve and Packer Park in Murrumbeena, dated September 2000. An article from the Glen Eira Leader on the converting of sports grounds from cool season to warm season grasses, as well as the installation of subsurface drip irrigation at Princes Park, Caulfield South, dated March 2012. An article from the Caulfield/Port Phillip leader reporting Caulfield RSL military historian Carl Johnson’s appeal to have a “lone pine” in Caulfield Park designated as a war memorial, dated 11/9/2012 An article from the Glen Eira/Port Phillip leader reporting on the Friends of Caulfield Park organising the first band stand concert in over twenty years with the city of Glen Eira Band, dated 6/11/2012glen eira council, hawthorn rd caulfield, glen eira rd caulfield, glen eira, caulfield, parks, reserves, leila rd caulfield, glen eira city council, landscaping, memorial park, kooyong rd caulfield north, caulfield recreation tennis club, murrumbeena rd caulfield, churchill green housing estate, north rd caulfield, boake street caulfield, exservices organisation, rsl clubs, sporting clubs, recreations, sportsgrounds, clubs, tennis clubs, associations, leisure, cultural events, cultural activities, sports establishments, recreations establishments, irrigation, water conservation, conservation of natural resources, water supply, ovals, playing fields, tennis courts, murrumbeena park, school concerts, musical activities, musical events, glen eira artists society, dimarco lisa, st. aloysius college, band rotundas, entertainment structures, musical ensembles, city of glen eira band, bands, the friends of caulfield park, gallipoli lone pine, princes park, packer park, duncan mckinnon reserve, king george reserve, caulfield park, glenhuntly park, glen huntly park, bentleigh reserve, victory park, schools, education establishments, recycling, water disposal, cultural structures, cultural establishments, caulfield rsl, johnson carl, war memorials, monuments, memorials, avenue of honour, “lone pine”, glen eira leader, glen eira news, caulfield/port phillip leader, glen eira leader -
Melbourne Legacy
Photograph, Darge, Board of Management 1938 (labelled 1949), 1938
Members of the Legacy Club, Melbourne, Board of Management in 1938 which included Syd Birrell, Carl Carleton, Jack Barnes, Os Gawler, H Nicholson, W (Bill) Pearce, Lionel Wallace, Brian Armstrong, Eric Harding, Doug McKinlay. Another copy of this photo is labelled as being 1938 which appears to be correct as it was written and framed for presentation to J G Gillespie to commemorate his year as President. The names list around the photo may not be correct either. Second from Right is Legatee Eric Harding OBE, MM, who was also a member of the Limbless Soldiers' Association of Victoria as he lost a leg as a gunner in France in WW1. He served with the Australian Field Artillery in the original Anzac Corps. Despite loosing a leg he was active enough to ride with a Light Horse Party at the head of Melbourne's 1975 Anzac Day march. (Source Trove 18/4/1975)A record of the Board of Management of Melbourne Legacy.Black and white photo of the Board of Management mounted on brown card. Names in black pen around the border, including C Carleton, J Barnes, O Gawler, H Nicholson, W Pearce, L Wallace, B Armstrong, S Birrell, E Harding, D McKinlay. A yellow sticker of the photographer 'Darge 360 William Street Melbourne.'board of management, syd birrell, carleton, os gawler, brian armstrong, eric harding -
Port Melbourne Historical & Preservation Society
Photograph - Sandridge Beach, 1871
Photographed in 1872 by William PATERSON as one of a series for the Melbourne Exhibition of 1873; original mount hanging in Engineering Department at Port Melbourne Town Hall at 19-9-1994 but now in Port Phillip,City Collection. This set of original prints belonged to Town Clerk Syd ANDERSON, then to his daughter-in-law Phyllis ANDERSON (donor). Accompanied by list of captions, both hand written and typed (the latter a partial listing).View of Beach and piers from Sugar Works, c1871, showing Railway and Town Piers and two jetties in between (caption refers to Donaldson's Jetty), Pier Hotel, gates and some of the yard of the Victorian Sugar Works, and site where Morley's Coal Depot will soon be built, its timber stable and workshop occupied at the time by Carl SEISMAN, mail contractor and owner of the Royal Mail Hotel next door (unseen). The first curved roofed shed can be seen at Town Pier; this remained until demolition in the 1950s. The Post Office Boat House is also visible just before the first small jetty (which is at the place where Alfred LINGHAM's Marine Hotel - the first in the area, 1840 - had its jetty). In the extreme distance Watson's Baths are just visible."P. Anderson" ink, on back.:"7" ink, on face, upper left.piers and wharves - town pier, piers and wharves - railway pier, piers and wharves - donaldson's jetty, sydney sims anderson, town clerks, carl frederick julius seismann, bay street, business and traders - hotels -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Tools, Blowtorch 'Sievert', 20thC
A blowtorch or blowlamp is a fuel-burning tool used for applying flame and heat to various applications, usually metalworking. Early blowlamps used liquid fuel, carried in a refillable reservoir attached to the lamp. Modern blowtorches are mostly gas-fuelled. The blowlamp is of ancient origin and was used as a tool by gold and silversmiths. They began literally as a "blown lamp", a wick oil lamp with a mouth-blown tube alongside the flame. This type of lamp, with spirit fuel, continued to be in use for such small tasks into the late 20th century. In 1882, a new vaporizing technique was developed by Carl Richard Nyberg in Sweden, and the year after, the production of the Nyberg blow lamp started. It was quickly copied or licensed by many other manufacturers. Carl Richard Nyberg (May 28, 1858, – 1939) was the founder of Max Sievert’s Lödlampfabrik, then one of the largest industries in Sundbyberg, Sweden. After school he started working for a jeweller and later he moved to Stockholm and worked with various metalworks. 1882 and set up a workshop at Luntmakargatan in Stockholm making blowtorches. However the business didn't work well because it took too long to both manufacture and sell them. In 1886 he met Max Sievert (1849 - 1913) at a country fair and Sievert became interested in Nyberg's blowtorch and started selling it. In 1922 the company was sold to Max Sievert who continued to own it until 1964 when it was bought by Esso. The blowtorch is commonly used where a diffuse high temperature naked flame heat is required but not so hot as to cause combustion or welding: soldering, brazing, softening paint for removal, melting roof tar, or pre-heating large castings before welding such as for repairing. It is also common for use in weed control by controlled burn methods, melting snow and ice from pavements and driveways in cold climate areas, road repair crews may use a blowtorch to heat asphalt or bitumen for repairing cracks in preventive maintenance. It is also used in cooking; one common use is for the creation of the layer of hard caramelised sugar in a crème brûlée. A brass blowtorch, 'Sievert' with a wooden handleSIEVERTtools, blow torches, blow lamps, welding, brazing, jewellery, cookery, soldering, nyberg carl, sievert max, stockholm, sweden, spirit fuel, kerosene, gas fuel, moorabbin, bentleigh, cheltenham, market gardeners, pioneers, early settlers, plumbing, carpenters, -
Ringwood and District Historical Society
Photograph, Ringwood State School - Grade 2, 1979
Colour photograph - Grade 2,1979."Attached to photograph" Back Row-L to R: ?, Frances (?), Steven Harris, Brett Davenport, Chris McEwan, Peter Rigg, Melissa Beard, Nicole Banks. 2nd Row- L to R: ?, ?, ?, ?, Troy Larkins, ?, Steven Chambers, ?, Mark McDougall. 3rd Row L to R: Pauline Shone, Cindy Bellangerie, Tina Gould, Anthony Day, Cameron Browne, Debbie (?), Carl (?), ?. Front Row- L to R: Frances Bellangerie, Donna Somers, Joanne Tabone, Natasha Haggar. -
Orbost & District Historical Society
black and white photograph, October 1931
This is a photograph of the first committee and members of the Orbost Bowling Club in 1931. L-R: Rev. Montgomerie, Ab Trewin, Dave & Dick Pardew, Jack Cameron, Harry Cameron, Carl Dreverman, Lance Herbert, Rupert Mosley, J. McKeown, Sam Lynn, T. Bartold - Geo. Haymes. The first meeting was held on 23/3/1922, then the Orbost bowling Club was formed in 1929 when the funds for the construction of the green were issued by debentures of five pounds each. These were all taken up and a six rink green was laid down. Inaugural President, Sam Lynn and Secretary T. Bartold, the first Club Champion was M. Rothberg. It was not until 1951 that women were admitted as associates albeit restrictions.Associate members were not to exceed 25 and ladieswere to be of good character with preference to be given to wives of male members. Ladies had tot be off premises by 4pm. It was not until 1935/1936 that Orbost became a member of the Central Gippsland Bowling Association. Bowling clubs play a significant role in community recreation needs. The Orbost Bowling Club plays an important role in the Orbost community.A small black / white photograph of a group of men wearing lawn bowling uniforms. In front of them are two balls.on back - handwritten - "Opening Orbost BC Committee Oct 1931" -
Surrey Hills Historical Society Collection
Photograph, Albert Cunnington with horse and cart
The boy is Albert Cunnington who in about 1930 helped with deliveries for Atkinson's greengrocery business and general store located at 815 Whitehorse Road. The photo is taken in Whitehorse Road, near the corner of Elgar Road looking towards Zetland Road. No details are known about Albert. The business was owned by Emma and William Atkinson. Emma was born in East Doncaster in 1903, the daughter of Carl Heinrich Uebergang and Sarah Buck. Emma’s grandparents were pioneers in Doncaster from 1855 and her father had an orchard in Andersons Creek Road, which was sold in 1961. She married William James Atkinson in 1930 and the Atkinsons ran the store from c1930 to c1950. (See file for further details). In retirement the couple lived at 63 Zetland Road, Mont Albert and William continued to work as an orchard hand. Emma died in March 2000 and is buried in Templestowe Cemetery. (Chivers Lawn TE-CHI_L*H***28) along with her husband who died in 1977.A black and white photograph of a young boy holding a horse, who is attached to a cart.land transport, carts and wagons, horse drawn vehicles, fruiterer and greengrocer, mont albert, box hill, whitehorse road, elgar road, mr william james atkinson, miss emma gerte uebergang, mrs emma gertrude atkinson, mr albert cunnington -
The WAMA Project : The National Centre for Environmental Art
Painting, Marianne Wehl (1867 - 1926), Untitled (Epacris impress - Common Heath), c1887 to 1924
The artist: Marianne Louise Charlotte Amalie Wehl (19 Sept. 1867, Mt Gambier; 26 Oct. 1926, Melbourne), a flower painter who was active in South Australia and Victoria, and not to be confused with Marie Magdalene Wehl. Connection with Baron von Mueller: Von Mueller’s younger sister, Clara married Doctor Eduard Wehl and they lived in South Australia. They had 14 children, 6 of whom collected and painted botanical studies – some now in the National Herbarium, Melbourne. A cousin of Doctor Wehl – Carl Wehl – married Sophia Caroline (née Gorte) and one of their daughters was Marianne Wehl. It is recorded that von Mueller visited the Wehls and D’Altons in Halls Gap (Henrietta D'Alton was also a painter of wildflowers), so it is hard to believe that there is no influence at least. Von Mueller had over 1,400 collectors/artists working for him and 225 of them were women and children. Their work is housed in the National Herbarium, Melbourne. The donor believes that Marianne contributed to this work. There is no record of that, however, as only 169 of the artists have been identified, it may be a possibility. Marianne was one of six children of Carl Jakob Wilhelm Wehl (1830–1899) and Sophia Caroline Wehl (née Gorte) (1843–1920). She never married. https://data.environment.sa.gov.au/Content/Publications/JABG34P001_Dowe.pdf The plants: All of the plants painted by Marianne Wehl's in this donation were identified by Botanist Neil Marriott & Wendy Marriott, in July 2022. Neil Marriott said that the quality and beauty of these botanical studies made it easy for them to identify all the plants. He suggested they may be some of the first paintings of Grampians wildflowers. This makes the paintings highly important scientifically and botanically. Visitors to WAMA will be able to compare them with today’s plants in the Endemic Garden. Neil marvelled that Marianne found the specimens, as some of them are endemic and found only in the highest parts of the Grampians (Mt Rosea, Mt William and Major Mitchell Plateau) and are listed as rare and endangered. Some of these same rare plants have now been propagated by the WAMA team and in winter 2022 were planted in WAMA's Endemic Garden. Neil identifies this plant as Epacris impressa - Common Heath - white flower form. Common and widespread. NB In some records she is called Marianna (as the donor calls her) and in others Marianne.Wildflower art, Wildlife artGift of Barbara Crick in memory of Marjorie and Lachlan McLennanPainting of white heath spray, on brown paperLL ' MW' (underlined)wildflowers, flowers, marianne wehl, marianna wehl, flower painter, botany, works on paper, baron von mueller, von mueller, henrietta d'alton, wama, wildlife art, painter, goache, halls gap, wildlife art museum australia -
Federation University Historical Collection
Poster - Honour Roll, Tulloch and King, Ballarat School of Mines Honour Roll, c1915
Printers Tullock and King possibly produced an honour roll for organisations to fill in. A World War One Honour Roll lithograph on card featuring flags of the allied countries. The words 'Ballarat School of Mines' and a list of names have been handwritten onto the poster: Virgil Tucker; P. Sinclair Anderson; Carl W. Janssen, [illegible], H. S. Thomas; Robert Tremaine; Alexander Campbell; Leslie De Jersey Grut; Leigh Timpson; Herbert Hawkesworth; R. Ingrame Moore; Stanley Roots; William E. Figgis; Thomas Rhys Williams; John R. Sides; Stanley Hepburn; William WIlliams; Garfield Bolton; Theodore Serjeant; Louis G Buchner; William H. O'Bern; Robert M. Serjeant (Jnr); Leslie W. Matthews, Basil N. D. Ross; Milton Williamson; Hugh M. Conran; Leslie C. Hall; E. Sleeman Anderson, John Bolton, Reginald Callister and Harold H. Martell.ballarat school of mines, world war, world war 1, virgil tucker, p. sinclair anderson, h. s. thomas, robert tremaine, alexander campbell, leslie de jersey grut, leigh timpson, herbert hawkesworth, r. ingrame moore, stanley roots, william e. figgis, thomas rhys williams, john r. sides, stanley hepburn, william williams, garfield bolton, theodore serjeant, louis g. buchner, carl w. janssen, william h. o'bern, robert m. serjeant (jnr, leslie w. matthews, basil n. d. ross, milton williamson, hugh m. conran, leslie c. hall, e. sleeman anderson, john bolton, reginald callister, harold h. martell, william figgis, roll of honour, honour roll -
Bendigo Historical Society Inc.
Document - CERTIFICATE OF ADMITTANCE TO FREE MASONRY
Vellum Certificate of Admittance to the Free Masonry of the United Grand Lodge for Carl Mueller, dated 30 March 1871. At the top of the certificate is crest with a lion wearing a crown on the left and a unicorn with a chain on the right of a circle divided into quarters, two of the quarters have three lions in them, the third has one lion standing on one leg, and the fourth has a human like figure with wings. Above the circle is a crown with a lion standing on it and an elephant on each side. Around the edge of the circle is ' Honi Soi -- Mal Y - - E (parts are obscured by the animals legs and a helmet between the circle and the crown. Underneath is printed ' Dieu Et Mon Droit'. Under the main headings are three columns spaced across the page with, on the left, the details of the admittance and on the right are the details in Latin. In the left margin is the Mason Seal. Between the columns are various tools? boxes and two spheres. Certificate No. 1730.organization, club / society, freemasonry - lodge, certificate of admittance to free masonry, carl mueller, zenith lodge no 1133 sandhurst, brothers warrington london -
Victorian Interpretive Projects Inc.
Book, Janice Newton, 'Mullawallah: The Last King Billy of Ballarat' by Janice Newton, 2015
Dr Janice Newton has had a long term interest in Indigenous Studies and Aboriginality, and has published papers linking Aboriginality to the counterculture and to artists and musicians. She has published a paper commenting on Ballarat's response to the death in 1896 of King Billy, the so called 'last of his tribe'. Janice has recently taught courses on 'The Anthropology of Indigenous Art' and 'Indigenous History' at Federation University Australia.56 page soft covered booklet outlining the life of Ballarat's Mullawallah (also known as King Billy or Frank Wilson). Numerous photographs. The book 'Mullawallah: The Last King Billy of Ballarat' is an initiative of Victorian Interpretive Projects. It is available for purchase for $15.00 (additional for postage). Please email [email protected] for further details. Images include: Ercildoun, Lake Burrumbeet, Lal Lal Falls, William Buckley, Warrenheip, King Billy and his Camp in McCree's Paddock, King Billy and His Tribe, Carl Walter King Billy, Mary of Carngham, Rosa of Carngham, King Billy (Bullip Bullip), Queen Mary of Buninyong, Queen Marie of Ballarat, Queen Mary and King Billy and their original mia mia, Football at Ercildoune, Thomas Jerusalem, Samuel Wilson, Frank the last of the Ballarat Tribe, The Burial of King Billy, King Billy's Grave. mullawullah, frank wilson, king billy, aborigines, wathauwrung, wadawurrung, aboriginal, ercildoun, ercildoune, lake learmonth -
Bendigo Historical Society Inc.
Programme - BENDIGO OPERATIC SOCIETY ''THE KING AND I''
Bendigo Operatic Society ''The King and I'' at the Capitol Theatre View Street Nendigo for Five Nights Commencing 6th June, 1969. Producer: Cid Ellwood - Musical Director: Max O'Loghlen - Assistant Producer, Ballet Mistress and Wardrobe Mistress: Madge Welch - Society Pianist and Chorus Mistress: Gwen Grose. Cast in Order of Appearance: Ferd Lorenz as Captain Orton - Carl Steinberg and Robert Stout as Louis Leonowens (Alternating) - Carol McKenzie as Anne leonowens - John Canno as The Interpreter - Peter Housto as The Kralahome - Brian Thomas as The King - Ian Unmack as Phra Alack - John Boquest as Lun Tha - Patricia McCracken as Tuptim - Patricia Lyon as Lady Thiang - Ray Austin and Robert Spicer as Prince Chululongkorn (Alternating) - Bert Donovan as Sir Edward Ramsay - Ann Mason and Wendy Kent as Princess Ying Yoawlak (Alternating). Stage Manager: Malcom Cannon.program, theatre, bendigo operatic society -
Ringwood and District Historical Society
Photograph, Ringwood State School - Grade 3, 1980
Black and white photograph - Grade 3, 1980"Attached to photograph" Back Row- L to R: Frances Barbato, ?, Deanne Dinic, Rachael (?), Melissa Beard. 2nd Row- L to R: ?, Steven Gillen, Dean Mavroudis, Chris McEwan, Peter Rigg, Sean Cawley, Steven Harris. 3rd Row- L to R: Cory Price, Cameron Browne, Dean Munzie, Scott (?), Andrew (?), Mark McDougall, Anthony Day, Carl (?). Front Row- L to R: Cindy Belingeri, ?, Tina Gould, Nichole Banks, ?, Joanne Tabone, Natasha Haggar, ?. Teacher: Mr Foreman -
The WAMA Project : The National Centre for Environmental Art
Painting, Marianne Wehl (1867 - 1926), Untitled (Correa reflexa var angustifolia ), c1887 to 1924
The artist: Marianne Louise Charlotte Amalie Wehl (19 Sept. 1867, Mt Gambier; 26 Oct. 1926, Melbourne), a flower painter who was active in South Australia and Victoria, and not to be confused with Marie Magdalene Wehl. Connection with Baron von Mueller: Von Mueller’s younger sister, Clara married Doctor Eduard Wehl and they lived in South Australia. They had 14 children, 6 of whom collected and painted botanical studies – some now in the National Herbarium, Melbourne. A cousin of Doctor Wehl – Carl Wehl – married Sophia Caroline (née Gorte) and one of their daughters was Marianne Wehl. It is recorded that von Mueller visited the Wehls and D’Altons in Halls Gap (Henrietta D'Alton was also a painter of wildflowers), so it is hard to believe that there is no influence at least. Von Mueller had over 1,400 collectors/artists working for him and 225 of them were women and children. Their work is housed in the National Herbarium, Melbourne. The donor believes that Marianne contributed to this work. There is no record of that, however, as only 169 of the artists have been identified, it may be a possibility. Marianne was one of six children of Carl Jakob Wilhelm Wehl (1830–1899) and Sophia Caroline Wehl (née Gorte) (1843–1920). She never married. https://data.environment.sa.gov.au/Content/Publications/JABG34P001_Dowe.pdf The plants: All of the plants painted by Marianne Wehl's in this donation were identified by Botanist Neil Marriott & Wendy Marriott, in July 2022. Neil Marriott said that the quality and beauty of these botanical studies made it easy for them to identify all the plants. He suggested they may be some of the first paintings of Grampians wildflowers. This makes the paintings highly important scientifically and botanically. Visitors to WAMA will be able to compare them with today’s plants in the Endemic Garden. Neil marvelled that Marianne found the specimens, as some of them are endemic and found only in the highest parts of the Grampians (Mt Rosea, Mt William and Major Mitchell Plateau) and are listed as rare and endangered. Some of these same rare plants have now been propagated by the WAMA team and in winter 2022 were planted in WAMA's Endemic Garden. This particular plant is Correa reflexa variety angustifolia – Grampians Correa. It is endemic to the Grampians and listed as rare. It has been propagated by the Marriotts and planted in the new Endemic Garden at the WAMA site. NB In some records she is called Marianna (as the donor calls her) and in others Marianne. Wildflower art, Wildlife artGift of Barbara Crick in memory of Marjorie and Lachlan McLennanSmall painting of red/yellow Correa reflexa angustifolia showing 2 flowers and 1 in bud, painted on brown paperLL ' MW' (underlined)wildflowers, flowers, marianne wehl, marianna wehl, flower painter, botany, works on paper, von mueller, baron von mueller, henrietta d'alton, wama, wildlife art, halls gap, painter, goauche -
The WAMA Project : The National Centre for Environmental Art
Painting, Marianne Wehl (1867 - 1926), Untitled (Hardenbergia violacea - Purple Sarsaparilla Creeper and Ultricularia dichotoma - Fairy's Apron), c1887 to 1924
The artist: Marianne Louise Charlotte Amalie Wehl (19 Sept. 1867, Mt Gambier; 26 Oct. 1926, Melbourne), a flower painter who was active in South Australia and Victoria, and not to be confused with Marie Magdalene Wehl. Connection with Baron von Mueller: Von Mueller’s younger sister, Clara married Doctor Eduard Wehl and they lived in South Australia. They had 14 children, 6 of whom collected and painted botanical studies – some now in the National Herbarium, Melbourne. A cousin of Doctor Wehl – Carl Wehl – married Sophia Caroline (née Gorte) and one of their daughters was Marianne Wehl. It is recorded that von Mueller visited the Wehls and D’Altons in Halls Gap (Henrietta D'Alton was also a painter of wildflowers), so it is hard to believe that there is no influence at least. Von Mueller had over 1,400 collectors/artists working for him and 225 of them were women and children. Their work is housed in the National Herbarium, Melbourne. The donor believes that Marianne contributed to this work. There is no record of that, however, as only 169 of the artists have been identified, it may be a possibility. Marianne was one of six children of Carl Jakob Wilhelm Wehl (1830–1899) and Sophia Caroline Wehl (née Gorte) (1843–1920). She never married. https://data.environment.sa.gov.au/Content/Publications/JABG34P001_Dowe.pdf The plants: All of the plants painted by Marianne Wehl's in this donation were identified by Botanist Neil Marriott & Wendy Marriott, in July 2022. Neil Marriott said that the quality and beauty of these botanical studies made it easy for them to identify all the plants. He suggested they may be some of the first paintings of Grampians wildflowers. This makes the paintings highly important scientifically and botanically. Visitors to WAMA will be able to compare them with today’s plants in the Endemic Garden. Neil marvelled that Marianne found the specimens, as some of them are endemic and found only in the highest parts of the Grampians (Mt Rosea, Mt William and Major Mitchell Plateau) and are listed as rare and endangered. Some of these same rare plants have now been propagated by the WAMA team and in winter 2022 were planted in WAMA's Endemic Garden. Neil says "This one is a composite of Purple Sarsaparilla Creeper Hardenbergia violacea (common and widespread throughout SE Australia), and Fairies Aprons Utricularia dichotoma - reasonably common and widespread in SE Australia." NB In some records she is called Marianna (as the donor calls her) and in others Marianne. Wildflower art, Wildlife art, wildflowers, Marianne Wehl, Marianna Wehl, Flower painter, Botany, works on paper, von Mueller, Baron von Mueller, Henrietta D'Alton, WAMA, Wildlife Art Museum Australia, Wild Art Museum AustraliaGift of Barbara CricksPainting of purple pea flower and pink fan-shaped flower, intertwined & placed asymmetrically to left, trailing to right. On textured brown paper with mottled brown matt.Signed “M.W.” left of stems. Reverse side backed with stained brown paper shield-shape stamped centre top: “J.A. Reynolds. Decorator & Picture Framer, 28 Sturt St., Ballarat”. Hand-written right side (in black felt pen) “McLennan, 106 Bennett Rd. (5)”. wildflowers, flowers -
Bendigo Historical Society Inc.
Accessory - Superba Skin Food - Cosmetic
When Carl Sandner began Sandner and Sons Eucalyptus Distillery in 1875, he probably had no idea his archives would end up in the National Library. The distillery operated until 1967 and the Uley Street site was the subject of archaeological monitoring in 2011 prior to Bendigo’s new ambulance station being built there. But his great great grandson Alec Sandner handed over some mint-condition documents that he has held on to for many years. “I had this tin and the more I opened it, the more interested in it I became,” Mr Sandner said. “There was a letter from the Kaiser in 1888 because the business had written to them asking them to endorse. They had politely refused. “There was also a letter from the Italian consulate saying the King of Italy was satisfied with the product he received. From then the advertising said the products had been approved by the King of Italy.” At its peak, Sandner and Sons had agents up and down the east coast of Australia as well as in New Zealand and the United States of America. https://www.bendigoadvertiser.com.au/story/3854951/sandner-and-sons-to-be-preserved-in-national-library/ Rectangular cream coloured box with attached fold back lid. Printed in purple on the lid and also inside the lid "SUPERBA" SKIN FOOD Brings Beauty. All Chemists & Stores.1/3. No Lady should be without it. SANDER & Sons. BENDIGO, Victoria, Australia. A centred circle frame includes the following Removes wrinkles, tan, sunburn blemishes &c. Beautifies the complexion. Heals chapped hands and inflemed skin. Inside the box is a loose advertising card for the product. The box contains eleven small tins of the skin cream. Each tin has a small red wax seal on one side. Seven appear to be intact and unopened and four have been opened. Some of the printing on the tins is gold coloured in places but all tins show various stages of wear Two of them are inside original smaller boxes. The tins contain a waxy substance covered with a piece of waxed paper. Folded information sheet inside one of the boxes. There are no ingredients listed. sandner, cosmetics, eucalyptus distillery -
Ringwood and District Historical Society
Photograph, Ringwood State School - Grade 6, 1979
Colour photograph - Grade 6,1979."Attached to photograph" Back Row-L to R: Susan Green, Robyn Ison, Kim Lun, Sandra Dennis, Carolyn Ashton, Belinda Kempton, Julie Ignatidis, Grace Esposita, Nicole Gill, ?. Middle Row- L to R: Cheryl Atkins, Greg Berisniak, Garth Kellet, Mark Bomar, Terry Aravanis, Darren De Jersey, Gavin Thorpe, Jim Pumpa. Front Row- L to R: Milio Baltas, Michelle Gordon, Cathy Johnston, Paul Evans, Sandra Slowley, Julie Fawcett, Carl Handreck, Peter(?), Phillip Merisch. -
Clunes Museum
Document - DOCUMENTS
Weickhardts operated a tank making business in Clunes, Victoria, Australia.1 Plumbers Registration Card dated 1958 for Carl Weickhardt .2. Letter of reference dated 1904 hand written and signed by J Weickhardt April 14, 1904 .3 Letter of reference dated 1904 hand written and signed by Ralph Coundon JP April 15, 1904 .4 Letter of reference dated 1904 hand written and signed by Dr J Matthews JP April 15, 1904 .5 Letter of reference dated 1904 hand written and signed by John A Cue Vicar of Clunes April 14, 1904 .6 Letter of reference dated 1901 hand written and signed by (illegible) Mayor of Northam, Western Australia November 29, 1901 .7 Letter of reference dated 1901 hand written and signed by J V Cox, November 30, 1901 .8 Letter of reference dated 1901 hand written and signed by (illegible) Councillor of Northam, Western Australia November 30, 1901.1 Registration No. 6524plumber, employment references, weickhardt -
Bendigo Historical Society Inc.
Photograph - PETER ELLIS COLLECTION: DEBUTANTE BALL
Black and white reproduction photograph. Debutante ball. 4th Row: Jeff Hamiliton, John Lythgo, Adam Barbary, Brendan Hillier, Robert Hooper, Peter Wood, Carl Jenkins, Martin Smith, Dennis Jones. 3rd Row: Lester Gilmore, Jim Carolan, Travis Hester, Grant Balsillie, Stuart Kiel, Darren Lacy, Justin Lister, Barnaby Seviour, Scott McNamara, Andrew David. 2nd Row: Neville Sharpe (Organiser), Trina Warren, Rebekah Freeman, Tracy Gunn, Anita Van Zanten, Jackie Brierley, Tracey Lowndes, Nydia FitzGibbon, Tracey Garrett, Sandra Pell, Bronwyn Day, Kirrily Willman. 1st Row: Melinda Lane (Flowergirl), Anita Scinetti, Karenna Kairns, Kylee Pearse, Megan Baxter, Mrs Norma Cook (Chaperone), Jodie Ferguson, Donna Jones, Jo-Anne Chalkley, Suzi Davis, Scott Davis (Pageboy).photo, group, debutante ball -
The WAMA Project : The National Centre for Environmental Art
Painting, Marianne Wehl (1867 - 1926), Untitled (Daviesia brevifolia - Leafless Bitter Pea), c1887 to 1924
The artist: Marianne Louise Charlotte Amalie Wehl (19 Sept. 1867, Mt Gambier; 26 Oct. 1926, Melbourne), a flower painter who was active in South Australia and Victoria, and not to be confused with Marie Magdalene Wehl. Connection with Baron von Mueller: Von Mueller’s younger sister, Clara married Doctor Eduard Wehl and they lived in South Australia. They had 14 children, 6 of whom collected and painted botanical studies – some now in the National Herbarium, Melbourne. A cousin of Doctor Wehl – Carl Wehl – married Sophia Caroline (née Gorte) and one of their daughters was Marianne Wehl. It is recorded that von Mueller visited the Wehls and D’Altons in Halls Gap (Henrietta D'Alton was also a painter of wildflowers), so it is hard to believe that there is no influence at least. Von Mueller had over 1,400 collectors/artists working for him and 225 of them were women and children. Their work is housed in the National Herbarium, Melbourne. The donor believes that Marianne contributed to this work. There is no record of that, however, as only 169 of the artists have been identified, it may be a possibility. Marianne was one of six children of Carl Jakob Wilhelm Wehl (1830–1899) and Sophia Caroline Wehl (née Gorte) (1843–1920). She never married. https://data.environment.sa.gov.au/Content/Publications/JABG34P001_Dowe.pdf The plants: All of the plants painted by Marianne Wehl's in this donation were identified by Botanist Neil Marriott & Wendy Marriott, in July 2022. Neil Marriott said that the quality and beauty of these botanical studies made it easy for them to identify all the plants. He suggested they may be some of the first paintings of Grampians wildflowers. This makes the paintings highly important scientifically and botanically. Visitors to WAMA will be able to compare them with today’s plants in the Endemic Garden. Neil marvelled that Marianne found the specimens, as some of them are endemic and found only in the highest parts of the Grampians (Mt Rosea, Mt William and Major Mitchell Plateau) and are listed as rare and endangered. Some of these same rare plants have now been propagated by the WAMA team and in winter 2022 were planted in WAMA's Endemic Garden. Neil identifies this particular plant as Daviesia brevifolia - Leafless Bitter Pea - a widespread but very showy plant in the heathlands. "It's very difficult to propagate, but due to its extremely showy nature, we have plants ready to plant in our Grampians Endemic Garden as ‘filler plants’." NB In some records she is called Marianna (as the donor calls her) and in others Marianne.Wildflower art, Wildlife art, Wildflowers, Marianne Wehl, Marrianna Wehl, Flower painter, Botany, works on paper, von Mueller, Baron von Mueller, Ferdinand von Mueller, Henriette D'Alton, WAMA, Halls Gap, painter, gouache, Wildlife Art Museum Australia, Wild Art Museum AustraliaGift of Barbara Crick in memory of Marjorie and Lachlan McLennanUnframed pinky orange pea flower painted in gouache on smoother side of brown cardLL ' MW' (underlined)wildflowers, flowers -
Flagstaff Hill Maritime Museum and Village
Functional object - Gas lamp wall bracket, Late 19th to early 20th Century
Gas lamps worked by heating something called a 'mantle' with a gas flame. The mantle then glowed brightly, lighting up the room. Lamps had either two chains, for a ceiling-mounted lamp or a tap for a wall-mounted burner to turn off the gas. These chains or taps could also adjust the flow of the gas and hence the brightness of the mantle. Before Carl Auer von Welsbach invented the gas mantle in the 1890s, all gas lights in homes and street lights had simple gas jets that pointed upwards. In the home, these lights were covered with glass globes and had an overall ornate look making the lamp ascetically pleasing and protecting the flame from being blown out. However, this arrangement was extremely inefficient: To get as much light as possible, the gas had to be turned fully up, resulting in large sheets of flame rising towards a ceiling. Also, because the lamp had to be point upwards, the illumination was directed upwards, i.e. at the ceiling rather than where it was needed. So the usable light for a given amount of gas was minimal but the invention of the gas mantle eventually changed this. It enabled gas lights to have a small flame and to direct their light downwards. The item is significant as it is part of a very ornate gas lamp wall bracket from the late 19th to early 20th century. Its provenance is currently unknown and at this time cannot be associated with a historical event, person or place and the item is assessed as a collective asset.Gas lamp wall bracket; part of a gas lamp. A single burner fancy wall mounted bracket, brass, ornate and decorative, featuring a Lamassu - figure with the body of a lion , wings of an eagle and human head. It was recovered from the wreck of the Loch ArdNoneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, gas lamp, brass lamp, gas burner bracket, domestic artifact, gas lighting, gas lamp bracket -
Bendigo Historical Society Inc.
Book - LA TROBE UNIVERSITY BENDIGO COLLECTION: THE EDUCATIONAL MAGAZINE
A blue magazine titled ' The Educational Magazine.' Volume 12 No. 9, 1955. Published by The Education Department of Victoria. This magazine covers a wide variety of educational articles for teachers for general reading. The contents are listed as - The United Nations: tenth birthday; The Disappearance of zoological species by Jean-Paul Harroy; The Brontes and the Yorkshire Moors by Frank Madigan; An Australian looks at America's Schools by Donald McLean; Schools help in battle against poliomyelitis by Hollis A. Moore; Gunpowder, Treason and Plot by D.J.S.; End of a Decade. Ten years at a Provincial Teachers' College by Jessie C. Burnett; Four o'clock and After by various contributors; Mother and Child by anonymous; Clock Watching for a Purpose by K. Norman; Essayist at Work by E.T. Brown, Concerning the Time-Book by E. Elliott; Subtraction in Arithmetic by Carl Petterson; Here's What a Good Teacher Does by Albert J. Phillips; A disabled Children's Young Farmers' Club Project by D. R. Newman and Train up a Child by Alice Downward. 432 pgs. photographsbendigo, education, magazine, la trobe university bendigo collection, collection, bendigo, education, tertiary education, teachers, teaching, reading, magazine, magazine, united nations, literature, brontes, schools, poliomyelitis, disease, diseases, guy fawkes, history, bendigo teachers' college, parenting, female, mother, mothering, women, children, clocks, mathematics, subtraction, disability, young farmers' club, farming, pre-school education, kindergartens, frank madigan, donald mclean, hollis a. moore, d.j.s., jessie c. burnett, k. norman, e.t. brown, e. elliott, carl petterson, albert j. phillips, d. r. newman, alice downward -
Bendigo Historical Society Inc.
Document - VIKKI SPICER COLLECTION: CID ELLWOOD OPERTAIC PRODUCTIONS 'NO RHYME OR REASON' THEATRE PROGRAMME, October, 1959
Pale Green Cover & Buff Interior With Black Text Booklet Theatre Programme Cid Ellwood Operatic Productions Present 'No Rhyme or Reason' Spring Season 1959. Town Hall, Moonee Ponds October 8th, 9th, 13, 15th & 16th; M.L.C. Theatre Kew October 29th & 30th. Libretto Robert Clarke, Music & Lyrics Cid Ellwood, Musical Director Cid Ellwood Choreographer Eileen Hattam. Main cast: Joyce Hexter, Joy Chandler, Phyllis Fowler, Charles O'Neill, Tommy Worland, Cid Ellwood, Carl Heiner, Frank Dale, Lorraine Quinn, Terry Donovan, Kevin Ashman, Fay Smith, Fay Brennan, Eileen Hattam, Lindsay Bunting, Alan Wakling, Judy Thompson. Songs Include: 'No Rhyme or Reason,' 'Daughters of Egypt,' 'I'm in Love,' 'Cleo, The Minx of the Sphinx,' 'Three Ruddy Soldiers,' 'Why Was Man Born for Woman?' 'Hail, Thou Mighty Caesar!' 'Quintette (a la Gran Opera)' 'Á Soldier Never Knows,' and many others.clubs and associations, theatre, cid ellwood operatic productions -
Bendigo Historical Society Inc.
Programme - THEATRES COLLECTION: PLAZA THEATRE PROGRAMMES
Thirteen programmes for the Plaza theatre. 1) ''Accent on Youth'' with Sylvia Sidney and Herbert Marshall. 2) ''Transatlantic Merry-go-Round'' with Nancy Carroll and Gene Raymond. 3) ''We Live Again'' with Anna Sten and Fredric March. 4) ''Lilies of the Field'' with Winifred Shotter and Anthony Bushell. 5) ''Carnival in Spain'' with Marlene Dietrich, Lionel Atwill, Cesar Romero. 6) '' Kid Millions'' with Eddie Cantor and Ann Sothern. 7) ''The Mighty Barnum'' with Wallace Beery. 8) ''All the King's Horses'' with Mary Ellis and Carl Brisson. 9) ''Behold my Wife'' with Sylvia Sidney and Gene Raymond. 10) '' Without Regret'' with Elissa Landi, Paul Cavanagh, Kent Taylor and Frances Drake. 11) '' Clive of India'' with Ronald Colman and Loretta Young. 12) ''Texas Trail'' with William Boyd, Russell Hayden, Judith Allen, George Hayes. 13) ''Danny Boy'' with Ronnie Hepworth, Frank Forbes-Robertson, Dorothy Dickson, Cyril Ritchard.entertainment, theatre, plaza