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Stawell Historical Society Inc
Photograph, Saw Mills at Childe’s Glenbower Creek in Halls Gap 1866
Saw Mills Halls Gap (Childe’s Glenbower Creek). Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866.stawell industry -
Stawell Historical Society Inc
Photograph, Concongella Home Station 1866
Concongella Home Station. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866.stawell -
Stawell Historical Society Inc
Photograph, Pleasant Creek Cemetery 1866
Pleasant Creek Cemetery. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866.stawell -
Stawell Historical Society Inc
Photograph, Grampians at Halls Gap 1866
Grampians Halls Gap. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866.stawell -
Stawell Historical Society Inc
Photograph, "Barney’s Castle" in the Grampians at Halls Gap 1866
Grampians Halls Gap (Barney’s Castle). Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866.stawell -
Stawell Historical Society Inc
Photograph, "Schoolers" Homestead at Lake Lonsdale 1866
Schoolers Homestead Lake Lonsdale. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866. Similar Photo Scoullar station Rosehill Cat No 3888stawell education -
Stawell Historical Society Inc
Photograph, Wonderland Range in the Grampians at Halls Gap 1866
Grampians Halls Gap (Wonderland Range). Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866.stawell -
Stawell Historical Society Inc
Photograph, Pleasant Creek School Students & Some Staff 1866
Staff and Pleasant Creek 502 Common School. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866.stawell education -
Clunes Museum
Document - LAND PURCHASE AGREEMENT, 1862
SIGNED IN MELBOURNE 29 TH MARCH 1862 BY SIR HENRY BARKLEY GOVENOR-IN-CHIEF OF THE COLONY OF VICTORIASALE OF CROWN LAND IN VICTORIA 1862TO ABEL GRENFELL OF CRESWICK. LAND SITUATED IN ALLIANCE STREET, CLUNES.local history, document, land purchase, government, colonial government -
Clunes Museum
Photograph, CLUNES IN THE 1860'S
CRITERION. QUARTZ MINING COMPANY REGISTERED CLUNES VIEW IN TOWNSHIP, CLUNES, SOUTH EAST CAMP PARDE, CLUNES, SOUTH WEST PORT PHILLIP AND COLONIAL GOLD MINING COMPANY, CLUNES VICTORIAN QUARTZ MINING COMPANY, REGISTERED CLUNESCLUNES IN THE 1860S FIVE VIEWS BY CHARLES NETTLETON .1 LARGE ENVELOPE WITH DESCRIPTIONS OF EACH OF THE PHOTOS. PUBLISHED BY SHIRE OF TALBOT AND CLUNES FROM ORIGINAL PHOTOGRAPHS. .2 PHOTO PRINT - VIEW IN TOWNSHIP, CLUNES, SOUTH EAST .3 PHOTO PRINT - CAMP PARADE, CLUNES, SOUTH WEST .4 PHOTO PRINT - PORT PHILLIP AND COLONIAL GOLD MINING COMPANY, CLUNES .5 PHOTO PRINT - VICTORIA QUARTZ MINING COMPANY, REGISTERED, CLUNES .6 PHOTO PRINT - CRITERION QUARTZ MINING COMPANY, REGISTERED. CLUNESC. NETTLEFOLD, HOTO, MELBOURNElocal history, photography, photographs, mining, clunes in the 1860's five views by charles nettlefold -
Clunes Museum
Photograph - PHOTOGRAPH PORT PHILLIP MINE, C. NETTLETON, PHOTO. MELBOURNE, APPROX. 1866 OR 1867
PHOTOGRAPH OF PORT PHILLIP MINE ABOUT 186 OR 1867. NOTE COVERED FLUE TO BRICK CHIMNEY TO RIGHT. IN 1966 THERE WERE A FEW BRICKS AT THE SIGHT OF THE CHIMNEY AND A SHALLOW TRENCH ALONG THE LINE OF THE FLUE. SITE OF PRESENT GOLD MONUMENT IS JUST TO RIGHT OF POPPET HEAD SHOWN ON HILL. WOOD PILE OUTSIDE BUILDING TROLLEY LINES ETC.SEPIA PHOTOGRAPH OF PORT PHILLIP AND COLONIAL GOLD MINING COMPANY, CLUNES. PHOTOGRAPH TAKEN FROM CAMP PARADE, LOOKING NORTH. GENERAL VIEW OF MINE AND WORKS IN 1866 OR 1867.photographs, mining, port phillip and colonial gold mining company -
Clunes Museum
Photograph, C 1865
.1 PHOTOGRAPH - ORIGINAL SEPIA - OF PORT PHILLIP AND COLONIAL GOLD MINE, CLUNES, POPPET HEAD ON SKYLINE. .2 SEPIA PRINT OF PHOTOGRAPH .3 PHOTOCOPY OF A LITHOGRAPH OF THIS PHOTOGRAPH .4 BLACK AND WHITE COPY .5 MOUNTED BLACK AND WHITE COPY .6 BLACK AND WHITE COPY .7 BLACK AND WHITE COPY PORT PHILLIP AND COLONIAL MINING COMPANY, CLUNES. GENERAL VIEW, MINE AND WORKS. C. NETTLETON, PHOTO MELBOURNE.local history, photography, photographs, mining -
Nillumbik Shire Council
Prints (solar etchings): Christine JOHNSON (b. 1959 AUS), Voyages Botanical, 2014
Johnson undertook this project with a State Library of Victoria 'Creative Fellowship' in 2012, drawing on early botanical illustrations by Sydney Parkinson, Pierre-Joseph Redoute, Ferdinand Bauer and others from the Library's 'Rare Books' Collection. Johnson printed this series in 2013 while working as artist in residence at Baldessin Press, St. Andrews. 'Voyages Botanical' celebrates the untamed treasures of Australia’s (Nillumbik) vast native flower garden. The work speaks to Nillumbik's natural environment and colonial heritage in the context of our national story. Charcoal solander box with artwork title, artist name and flower motif in silver lettering bottom centre (edition 4/5). Catalogue: 52 colour pages. Solar plate engravings x 30; ink on paper. Series A: Ten multi-layered solar plate engravings (edition of 12); Series B: Ten flower images drawn from living specimens (edition of 12); Series C: Ten details from early botanical art engravings (open edition) Charcoal solander box with artwork title, artist name and flower motif in silver lettering bottom centre. Solar plate engravings x 30: Series A, B: all prints have edition number '4/12' to bottom left of image, artwork title () centre and artist signature 'Christine Johnson 2014' to bottom right of image. Series C: all prints have artist initials signed 'CJ' bottom right of images. All inscriptions in pencil. johnson, solar plate, engravings, creative fellowship, baldessin press, state library of victoria, botanical, flora, native, european explorers, cartography, wildflowers -
Nillumbik Shire Council
Sculpture, Ghost, 2012
The (logging) truck carries a representation of John Glover’s painted landscapes, which Cox has painted on a solid block of wood. John Glover is one of Australia’s most celebrated colonial landscape painters. Born in England, he was a highly successful water-colourist and painter of landscapes in the tradition of French artist Claude Lorrain. Arriving in Australia in 1831, Glover adapted his picturesque style and luminous technique to his new surrounds, creating naturalistic and atmospheric paintings of Australian nature, settler life, and Aboriginal culture. Working out of doors, Glover developed an understanding of the unfamiliar Australian landscape, especially the twisting forms of native eucalyptus trees. His direct experience of nature, as both pioneer settler and painter, resulted in a new approach using a subtle palette of olive greens, ochres, misty greys and intense blues, and layered glazes of mauve, grey and gold, to portray Australian light and atmosphere. Dale Cox continues the ongoing preoccupation and tradition of landscape painting in the Nillumbik area and our impact on the environment in a contemporary way. The truck creates a playful nexus between painting (representational landscape) and sculpture, purposely bluring boundaries across these traditionally distinct disciplines. ‘Ghost’ seeks to convey the idea that when we remove something significant from a location, like the landscape itself, the remaining ‘place’ changes to become a new ‘place’. This may seem self-evident until we think more deeply about location and landscape. The white truck is a ghost, an ethereal, transient being that spirits away an entire place, forever removed from itself, and forever changed. Logging wild trees can never be like harvesting a ‘crop’. Logging removes a landscape, and changes a place forever. The ‘packaging’ of this painted landscape highlights the anomaly between commodity and our environment. Dale Cox was a local artist and this work was highly commended at the 2012 Nillumbik Prize. White plastic toy (logging) truck with a landscape painting on a wooden block. The landscape painting is reminiscent of paintings by colonial artist John Glover. N/Alandscape, truck, sculpture, environment, john glover, colonial, painting, ghost, nillumbik prize -
Yarrawonga and Mulwala Pioneer Museum
Stripper, The Stripper, 1843
The Stripper was invented by John Ridley in 1843, while trying to overcome harvest labour shortage. In the early ays of Colonial South Australia a labour force was essential to harvest the wheat crop quickly before the grain shook out and fell to the ground. The stripper solved this problem, as t could strip 10 acres [4 hectares], handling approx. 180 bushels [5 tonnes] per day. This replaced 14 men using scythes.Strippers were used in this area between 1870's to the early 1900's.Then the Stripper Harvestors took over this processprinciple of the stripper----The wheat heads were knocked off the straw by a fat revolving beater ,and the grain, mixed with the husks and short straw, was propelled to the rear tin box. When the box became full, the contents were emptied into a winnower for cleaning. Recorded as Mitchell Stripper -
Buda Historic Home & Garden Castlemaine
Photograph, Leviny Silver Standing Cup, c1863
The Silver Standing Cup was made by Ernest Leviny c1860 and presented to Mr Charles Abraham Saint, editor of the Mount Alexander Mail newspaper, by the town's citizens on his departure from Castlemaine on 31 December 1863. Mount Alexander Mail report; 23 January 1864. This substantial silver centrepiece was the second masterpiece created by Ernest Leviny around 1859. It is decorated with highly detailed cast figures, fine embossing and chasing. This work of Australian Colonial significance reflects Leviny's rich European artistic background which he successfully merged with new Australian motifs, which epitomise the great wealth, ambition and pride at that time in the emerging, young Colony of Victoria.Semi matt surface albumen print mounted on cream coloured card with border around image drawn in pencil. Albumen photograph of Silver Standing Cup (Eperne). Elaborate silver cup, with lid highly decorated with cast figures, etc.Handwritten in pencil under image: I.1 'Photo Davies & Co' I.r 'Melbourneernest leviny, silver, silversmithing, cup, london exhibition 1862, mount alexander mail, william davies, photograph, charles a. saint -
Buda Historic Home & Garden Castlemaine
Illustration - Watercolour, Dorothy Leviny, Original Wallpaper Design by Dorothy LEviny, 1906
Original design by Dorothy Leviny, aged 25, while she was a student at the Bendigo School Of Mines under the tutelage of Arthur T. Woodward. Woodward, who had come to Australia from Britain, was a renowned proponent of the Arts and Crafts Movement in Australia during the late nineteenth and early twentieth centuries. Dorothy Leviny, along with two of her sisters, entered a number of items in the First Australian Exhibition of Women's Work, Melbourne, 1907, and was awarded second prize for one of her wallpaper designs. Dorothy Leviny was the ninth child born to noted colonial silversmith and jeweller, Ernest Leviny, and his wife, Bertha (nee Hudson).This original wallpaper design by Dorothy Leviny is one of few that remain in existence from the early twentieth century showing the influence of the British Arts and Crafts Movement in Australia.Original wallpaper design made by (Bertha) Dorothy Leviny painted in watercolour. The repetitive floral design consists of pale pink bell-shaped flowers with green stems and leaves. Paper, card, watercolour paint.'D. Leviny /06'.dorothy leviny, watercolour painting, arts and crafts movement, 1906, buda, castlemaine, arthur t woodward, bendigo school of mines, exhibition of womens work 1907, wallpaper design, illustration -
Koorie Heritage Trust
Book, Brockwell, C. J, Aborigines and the Law : a bibliography, 1979
This bibliography covers Aboriginal customary law, its interaction with the Australian legal system and the latter's relevance to the Aborigines. It has been assembled in three sections: Books and Articles; Statem Federal and Colonial Legislation; and Bibliographies and other aids.iii-vi; pp71; This bibliography covers Aboriginal customary law, its interaction with the Australian legal system and the latter's relevance to the Aborigines. It has been assembled in three sections: Books and Articles; Statem Federal and Colonial Legislation; and Bibliographies and other aids.australia. law. implications for australian aborigines. bibliographies. | aboriginal australians -- legal status, laws, etc. -- bibliography. | law -- australia -- bibliography. -
Koorie Heritage Trust
Book, Bassett, Marnie, The Hentys : an Australian colonial tapestry, 1962
This book tells the remarkable story of a family who left England to settle in Australia in 1829 and 1831. The Henty family is well known in all ?ustralianStates, particularly in Victoria, Western Australia and Tasmania.pp.578; bibliography; Table; index; plates; maps; This book tells the remarkable story of a family who left England to settle in Australia in 1829 and 1831. The Henty family is well known in all ?ustralianStates, particularly in Victoria, Western Australia and Tasmania.henty family. | pioneers -- australia -- biography. | frontier and pioneer life -- australia. | western australia -- history -- to 1829. | victoria -- history -- 1834-1851. -
Koorie Heritage Trust
Book, Buggy, Terry et al, Race relations in colonial Australia : an enquiry approach, 1982
A history text for secondary students. It explores three main areas of conflict in 19th century, Aboriginal relations with white settlers in Sydney area; Poonindie; Coranderrk; uses period documents.vi, 154 pages : illustrations, facsimiles, maps, portraits ; 26 cm.A history text for secondary students. It explores three main areas of conflict in 19th century, Aboriginal relations with white settlers in Sydney area; Poonindie; Coranderrk; uses period documents.australia -- race relations | race relations. australia, 1800-1900. for schools | australia -- race relations. | settlement and contacts - colonisation - 1851- | education - indigenous studies - secondary | race relations - violent - massacres, murders, poisonings etc. - to 1900 | poonindie (west sa si53-11) | southwest new south wales (sw nsw si54, si55) | sydney (nsw si56-05) | healesville / coranderrk (e vic yarra valley sj55-06) | -
Koorie Heritage Trust
Book, Broome, Richard, Aboriginal Australians : a history since 1788, 2010
Richard Broome tells the history of Australia from the standpoint of the original Australians: those who lost most in the ealy colonial struggle for power. 'In this book Richard Broome has managed an enviable achievement. The vast sweeping story of Aboriginal Australia from 1788 is told in his typical lucid and imaginative style.v-vi; 400 P. facs. photographs; notes; maps; bib. indexRichard Broome tells the history of Australia from the standpoint of the original Australians: those who lost most in the ealy colonial struggle for power. 'In this book Richard Broome has managed an enviable achievement. The vast sweeping story of Aboriginal Australia from 1788 is told in his typical lucid and imaginative style.aboriginal australians -- social conditions. | race discrimination -- australia. | australia -- race relations. | australia -- colonization -- history. | stolen generations (australia). | aboriginal australians -- removal -- government policy. | aboriginal australians -- history. | colonization. | race discrimination. | race relations. | australia -- colonization. | australia. | aborigines. | colonisation. | racial discrimination. | social conditions. | history. | aboriginal australians - social conditions. | race discrimination - australia. | australia - race relations. | australia - colonization - history. -
Koorie Heritage Trust
Book, Pybus, Cassandra, Community of thieves, 1992
In 1892 Richard Pybus took up a large land grant on Bruny Island, the traditional home of the Nuenone people of south-east Tasmania. Within months of his arrival there were no Nuenone left on the island - they had either died from disease, or been murdered or exiled. Truganini, the last of the Nuenone, died in 1876, having spent her adult life in exile as a dependent of the colonial government. Describes sealers use of Tasmanian women and Robinson's Port Phillip expedition.xiv, 198 p., [2] leaves. : ill., maps & ports. ; references; appendix; 20 cm.In 1892 Richard Pybus took up a large land grant on Bruny Island, the traditional home of the Nuenone people of south-east Tasmania. Within months of his arrival there were no Nuenone left on the island - they had either died from disease, or been murdered or exiled. Truganini, the last of the Nuenone, died in 1876, having spent her adult life in exile as a dependent of the colonial government. Describes sealers use of Tasmanian women and Robinson's Port Phillip expedition.truganini, 1812?-1876. | aboriginal tasmanians -- tasmania -- bruny island -- history -- 19th century. | nuenone (australian people) -- tasmania -- bruny island -- history -- 19th century. -
National Wool Museum
Trophy
This trophy was awarded to William Kermode of Mona Vale for the best pair of Merino ewes exhibited at the Southern Tasmanian Agricultural and Pastoral Society in October, 1879. William Kermode formed the Mona Vale flock in 1829 with VDL C. Saxons. In the early 1870s under Kermode, Ercildoun rams were tried, as was a St Johnstone ram. It is well documented that the famous Steiger-blood ram, Sir Robert (out of a Mona Vale ewe), had considerable impact on a number of Tasmania's influential studs. At its height in the late nineteenth century, Mona Vale was regarded as "... one of Tasmania's leading and parent studs, producing robust fine-wool sheep with quality, long-stapled and dense wool." (Massy 1990: p.406). The first agricultural society in Australia was formed in Hobart on 1 Jan. 1822. The trophy was retailed by Walsh Brothers, Melbourne in c.1875. The cup has no makers marks, but has been attributed by Christie's to Edward Fischer, a local Geelong silversmith. This attribution is based upon stylistic criteria. However, Ms Veronica Filmer of the Geelong Art Gallery (curator of "Geelong's Colonial Silversmiths", Geelong Art Gallery, 1988), has suggested that the lack of stamps is unusual (most of Fishcher's work was stamped) and also that it is somewhat heavy for Fischer's work. The trophy originated from the collection of Edward Clark, an antique dealer. Prior ownership of the trophy is uncertain, but it is believed that Clark purchased it in the mid 1990s from descendants of the original prize recipients.Trophy, sterling silver. Circular, stepped base and tapering stem decorated with cartouches of leaves on a matt background. The bowl of the trophy has an applied belt cartouche with an inscription. Within the belt cartouche is an engraved and embossed panel of two sheep with a cottage in the background. There are ribbon tied floral swags on either side of the cartouche, and a presentation inscription with a beaded border on the reverse of the bowl.SOUTHERN TASMANIAN AGRICULTURAL & PASTORAL SOCIETY Presented / to / Joseph Clarke Esq / and awarded to / W.A. Kermode Esq / of Mona Vale / for Best Pair Merino Ewes, / October 1879southern tasmanian agricultural and pastoral society, logo merino: sheep in australian art and design - exhibition (29/07/2000 - 04/02/2001), fischer, mr edward - silversmiths and jewellers kermode, mr william - mona vale stud clarke, mr joseph, mona vale stud, tasmania -
Whitehorse Historical Society Inc.
Document, Wild Colonial Ball, 1972
Photocopy of Programme for Mayor's 'Wild Colonial Ball', 19 Aug 1972Photocopy of Programme for Mayor's 'Wild Colonial Ball', 19 Aug 1972 to celebrate the centenary of the proclamation of the Shire of Nunawading and the launching of 'The History of Nunawading' by Niall Brennan. David Gawler - MayorPhotocopy of Programme for Mayor's 'Wild Colonial Ball', 19 Aug 1972local government, city of nunawading, gawler, david, brennan, niall, festivals and celebrations -
Whitehorse Historical Society Inc.
Article, St John's celebrates in colonial style, 1/10/1980
Article about St John's Anglican Church, Blackburn's 90th anniversary celebrations.st johns anglican church, blackburn, brown (archdeacon), bennett, edna -
Whitehorse Historical Society Inc.
Pamphlet, Wisteria Time Garden Party & Colonial Day, 1996
Flyer advertising Friends of Schwerkolt Cottage Wisteria Time Garden Party & Colonial Day, 13th October, 1996.Flyer advertising Friends of Schwerkolt Cottage Wisteria Time Garden Party & Colonial Day, 13th October, 1996.Flyer advertising Friends of Schwerkolt Cottage Wisteria Time Garden Party & Colonial Day, 13th October, 1996.friends of schwerkolt cottage, colonial day -
Whitehorse Historical Society Inc.
Illustration, Dr L.L. Smith's colonial ointment, 1993
Photocopy of the lid of Dr L.L. Smith's colonial ointment and as used at 1993 show of collectibles.Photocopy of the lid of Dr L.L. Smith's colonial ointment and as used at 1993 show of collectibles.Photocopy of the lid of Dr L.L. Smith's colonial ointment and as used at 1993 show of collectibles.patent medicines, smith, l.l. (dr), mornington peninsula antique bottle club, gippsland historical bottle club -
Whitehorse Historical Society Inc.
Card - Ephemera, Centenary Ball, 1972
Articles, invitation cards and programs from and about the 'Wild Colonial Ball' to celebrate the City of Nunawading's centenary.festivals and celebrations, city of nunawading -
Whitehorse Historical Society Inc.
Document - School Project, The Formation of Burwood East Primary School, 1850 - 1910
Document on the formation of Burwood East Primary School, how the growth and development of the local area and the values and development of Colonial Australian society affected Burwood East Primary School in its formative period.burwood east primary school no. 454 -
Whitehorse Historical Society Inc.
Article, Blackburn Lake painting, 1988
Two paintings in Darwin Science and Art Museum by Theo Hansen (1870 - 1945) of Blackburn Lake.Two paintings in Darwin Science and Art Museum by Theo Hansen (1870 - 1945) of Blackburn Lake. Studied in Melbourne National Gallery School and Paris. Exhibited at Victorian Artists Society until 1906.Two paintings in Darwin Science and Art Museum by Theo Hansen (1870 - 1945) of Blackburn Lake. artists, hansen, theo brooke, victorian artists society, heidelberg school, colonial school, shimmin, bruce