The letter was printed for the donors who financed the biography informing them of the refund due to them which would go to the Sir Stanley Savige Memorial Trust unless they elected to receive it themselves. The multiple lists tracked the names and addresses of the donors.Illustrates the number and variety of people who committed funds towards the project to write up the biography of Stan Savige.White quarto printed letter with 20 foolscap sheets listing donors, some typed and some handwritten.Multiple annotations in both pencil and different coloured pens.savige book, stan savige

Tie clip or tiebar produced as a branded item by Bombardier. Bombardier Dandenong manufactured the E class trams, Velocity railcars for the Victorian Government. The Dandenong plant was sold to Alsthom when they purchased the Bombardier Rail division. The clip was given to the donor at a rail event during the early 2010s Demonstrates a tie clip produced as a branding item by Bombardier.Tiebar or tie clip - with the name Bombardier in a nickel plated finish.badges, souvenirs, tie clip, bombardier

Manufactured badge or employee pass - brass with nickel plate finish with a single hole in one side, engraved with the Metropolitan Transit Authority logo and the organisation name. A number has been stamped on the rear. Donor advised that these passes were issued to MTA Traffic Officers (see related documents). Pass numbers held: 47, 81, 98 and 182. No. 47 has a small metal key ring through badge as shown in the photograph. See also Reg Item 396 for another example.trams, tramways, tickets, mta, the met, badges, officers, passes

Manufactured badge or employee pass - brass with nickel plate finish with a green and gold glazed paint finish and a single hole in one side with a raised, engraved with the Metropolitan Transit Authority logo and the organisation name. A number has been stamped on the rear. Set of 7 passes held. Donor advised that these passes were issued to MTA official and clerical staff and city Engineers. Pass numbers held: 266, 353, 862, 950, 1002, 1016 and 1067.trams, tramways, tickets, mta, the met, badges, officers, passes

Printed map (dye line process) on a large sheet of paper contained within an envelope. .1 - Brown paper envelope with a printed sheet glued to the envelope - giving title "The Melbourne Tramway System", publisher ("Unitrans - Universal Transport Research and Planning Services" - with a space for the retail price. .2 - Map printed on paper and folded into 16 parts - details the track layouts for routes and depot, route numbers, sections, Latrobe and William St services and details of fares. Has a sketch of tram 980 in the top right hand corner along with details of the tram system. Also includes depot locations, reserved tracks and derails at level crossings, though railway level crossings are not shown. Produced by Russell J. Nowell - gives address and phone number along with the "UniTrans" logo. Advised by other members, he was a Tasmanian. Not dated, but appears to be mid 1960's. Plan scanned 1-3-2016 as a tiff file.Envelope has the name and address of the donor "Brian Weedon 5/124 Alexandra St East St Kilda"trams, tramways, map, mmtb, depots, tram routes, trackwork

Manila folder mark on the spine "MMTB Pass Count 1971 - 1983" - containing some 24 photocopied foolscap sheets of instructions and lists of names of people involved, including the donor for passenger counts at various points. Often includes a small diagram of where counts were to be taken at junctions - example for Oct. 1975 Inbound Peak scanned - See images i2 to i6. Also includes a count for the Eucharistic Congress Feb. 1973 Set of 8 stapled sheets of examples of actual counts done by the donor - form 3/201, carbon copies giving date, routes, points and checker name.trams, tramways, mmtb, passengers, junction, eucharistic congress

Black and white photograph of Conductor/Conductress Mila. Advised in subsequent email, surname not known, but was of Hungarian origin. 2nd photo of Mila received 29/5/2020 Donor noted the person went onto become a driver in the 1970's. Has embossed name "HAK N.Paka" in bottom right hand corner.On rear of photo .1 - "Mila" in ink. On rear of photo 2 - "To Bett Love Mila"trams, tramways, conductresses, conductors

The MMTB Timetable details the trips from Elsternwick or Point Ormond for each day of the week. The sheet records the time of the last tram, 1036pm, driver G Loft No. 2480, and the tram as X2 677 on 22-10-1960. The donor advised that the MMTB following the practice adopted for the Bourke St changeover in 1940, the MMTB chose to pull the tram service before the last advertised trip for the day. Those present to ride the last started early and rode up and down for quite a few runs, then, on one arrival at Elsternwick Station, the Inspector (known as grasshoppers or Braids) on board instructed the driver to keep going and we rode through to GH Depot without paying another fare. They noted a half-cab bus, destination 'Clifton Hill', lurking ready to take up the running. The donor reported (and as you will see from the endorsements on the timetable) “I circled the time of the last run and got the signature and badge number of the driver. The rubber-stamp impressions were also applied to souvenir tickets (3d).” Yields information about the Point Ormond Service prior to its closure and records details of the last tram service.Foolscap Gestetner duplicated sheet, dated 29/1/1960Marked to show the last tram on 22-10-1960, time, tramcar and driver's name and number.tramways, timetables, tram 677, point ormond, closure, last tram

Personal papers - set of papers and notes collected at the launch of the City Circle service on 28-4-1994 by the donor. Excludes the two badges - see Reg Item 665. 1 - City launch pamphlet with a Souvenir ticket attached. The pamphlets lists prizes and discounts from various businesses in the city. 2 - City Circle pamphlet - duplicate of Reg Item 2993 3 - two copies of newspaper cutting from the Age 28-4-1994. 4 - Name badge for "Maxwell Hayes" with the City Circle logo. 5 - Agenda 21, Better Cities and PTC logos on a cut out card - the project sponsors and images that appeared on the back of the ticket. 6 - hand written notes about the City Circle service.trams, tramways, tickets, city circle, launch, melbourne

Black and white reproduction print from an original commercial print of the "Victorian Tramways Union Popular Conductresses Competition" ball in 1944. Features 12 ladies standing or seated for a formal photograph at the ball. Has the name of the ladies, underneath. Most popular conductress. Back Row Miss J Lake Miss J McCurdy Mrs. S. Mitchell - Ballarat Mrs G. Morrison Mrs. M Berry Mrs R. Bale Front Row Mrs L. Pickup Mrs. M. Holmes Mrs D. Rosewarne Miss M. Pelly Mrs. W. Gibson - Preston Depot, mother of donor. Miss B, Campara President - R. Broadby - Essendon Depot Hon Secretary - H. Nott - Malvern Depot Photographer - Adamson Melbourne. .1 - large A4 with top line cut off .2 - small A5 photo with top line and photographer etc details. See Reg Item 181 for a funding raising ticket of Mrs. W. Gibson See Reg Item 1026 for a story about this photograph that appeared in the Autumn 1982 (Reg Item 1026.8) Metra News or see image htd180i3 for the story. Added 17-9-2015.On .2 - in ink (Top line of writing missing on larger photo) and "My dear Mum - Winifred Gibson (Preston Depot)trams, tramways, most popular conductress competition, conductresses, world war 2

The artist: Marianne Louise Charlotte Amalie Wehl (19 Sept. 1867, Mt Gambier; 26 Oct. 1926, Melbourne), a flower painter who was active in South Australia and Victoria, and not to be confused with Marie Magdalene Wehl. Connection with Baron von Mueller: Von Mueller’s younger sister, Clara married Doctor Eduard Wehl and they lived in South Australia. They had 14 children, 6 of whom collected and painted botanical studies – some now in the National Herbarium, Melbourne. A cousin of Doctor Wehl – Carl Wehl – married Sophia Caroline (née Gorte) and one of their daughters was Marianne Wehl. It is recorded that von Mueller visited the Wehls and D’Altons in Halls Gap (Henrietta D'Alton was also a painter of wildflowers), so it is hard to believe that there is no influence at least. Von Mueller had over 1,400 collectors/artists working for him and 225 of them were women and children. Their work is housed in the National Herbarium, Melbourne. The donor believes that Marianne contributed to this work. There is no record of that, however, as only 169 of the artists have been identified, it may be a possibility. Marianne was one of six children of Carl Jakob Wilhelm Wehl (1830–1899) and Sophia Caroline Wehl (née Gorte) (1843–1920). She never married. https://data.environment.sa.gov.au/Content/Publications/JABG34P001_Dowe.pdf The plants: All of the plants painted by Marianne Wehl's in this donation were identified by Botanist Neil Marriott & Wendy Marriott, in July 2022. Neil Marriott said that the quality and beauty of these botanical studies made it easy for them to identify all the plants. He suggested they may be some of the first paintings of Grampians wildflowers. This makes the paintings highly important scientifically and botanically. Visitors to WAMA will be able to compare them with today’s plants in the Endemic Garden. Neil marvelled that Marianne found the specimens, as some of them are endemic and found only in the highest parts of the Grampians (Mt Rosea, Mt William and Major Mitchell Plateau) and are listed as rare and endangered. Some of these same rare plants have now been propagated by the WAMA team and in winter 2022 were planted in WAMA's Endemic Garden. This framed work is considered by him to be the most significant botanically. Boronia pilosa – Hairy boronia. [Wikipedia says it’s a plant in the citrus family Rutaceae and is endemic to south-eastern Australia MH] Pultenaea subalpina - Rosy Bush-pea. Grampians endemic listed as endangered and only found on the tops of Mt William, Major Mitchell Plateau and Mt Rosea - named for the Rosy Bush-pea that grows on its top! This is the only rose-coloured bush pea in the entire genus, which occurs right across Australia!! We have plants ready to plant in the WAMA endemic garden! Boronia latipinna - Grampians Boronia. Grampians endemic only found on the higher peaks of the central Grampians ranges - listed endangered. NB In some records she is called Marianna (as the donor calls her) and in others Marianne. Wildflower art, Wildlife art, wildflowers, Marianne Wehl, Marianna Wehl, Flower paint, Botany, works on paper, von Mueller, Baron von Mueller, Ferdinand von Mueller, Henrietta D'Alton, WAM, Wild Art Museum Australia, Wildlife Art Museum AustraliaGift of Barbara Crick in memory of Marjorie and Lachlan McLennanThree small paintings of pink wildflowers mounted together in original frame. The central image is an oval, flanked by two rectangular images. The frame is probably original – smooth gloss olive green simulating wood or bamboo. It has a new backing paper.Each image LL ' MW' (underlined), central image has signature obscured by oval vignetted matt. On the reverse side it is marked in black felt pen, “McLennan 106 Bennet Rd (4)” This refers to preparation (rematting / framing?) for exhibiting at Horsham Art Gallery in 1981.wildflowers, flowers

Digital image: Matthews Bros, Hargreaves Street, Bendigo, document issued to Miss. D. Cherry, c/-Mrs. Burke, Old House at Home Hotel, c/- Whytes Bus, Andrews Auction Rooms, On label ' Matthews Bros., Hargreaves Street, Pall Mall, Bendigo. Look for the busy red emporium where quality tells. Drapers, mercers, ladies wear etc. Sent by email from Maurice Austin, Oak Park Vic., ([email protected]) His email states, 'was given this label today by the 80-year-old son of the D. Cherry noted on the label. She was in fact to become Dorothy Fartch, my donor's mother. …. Before she was married, she was employed by Ma Burke at the Old House at Home pub, and often acted as a 'cockatoo' out from on Sundays! … the name Whytes still sadly in the news I note from searches today the pub still exists also I note. …. the label was and still is attached to a large piece of brown wrapping paper that was used to line a big wooden box as was typical usage in the old days. Please credit 'Maurice Austin Collection' if the label is used for any purpose.bendigo, cherry, old house and home hotel

This program was given to attendees at the Bendigo Symphony Orchestra performance on 2 June 2024. Strauss’ Radetzky March kicks off a rousing program, which follows an extraordinary exploration through the relationship between music and power. Shostakovich’s gripping Symphony No. 5 is a powerful insight into Soviet Russia while Elyane Laussade brings her dazzling touch to Beethoven’s beloved fifth piano concerto.EMPEROR Sunday 2 June, 2024, 2.30pm Ulumbarra Theatre, Bendigo Luke Severn Conductor Elyane Laussade Piano Johann STRAUSS I Ludwig van BEETHOVEN Radetzky March, Op. 228 Conducted by Will Slow Piano Concerto No. 5, Op. 73 in E-flat major, ‘Emperor’ INTERVAL Dmitri SHOSTAKOVICH Symphony No 5, in D minor, Op. 47bendigo symphony orchestra, luke severn, regional victorian orchestra, performance

The Douay (Douai) Rheims Bible is an English translation of the Latin Vulgate Bible (which had been the Latin Bible used by the Catholic Church since the 4th century). It was produced by Roman Catholic scholars in exile from Elizabethan Protestant England at the English College of Douai (then in the Spanish Netherlands but later part of France). The New Testament translation was published in 1582 at Rheims where the English College had temporarily located in 1578. The Old Testament was translated shortly afterwards but was not published until 1609-1610 in Douay (which makes it older than the King James version). The completed work was the only authorized Bible in English for Roman Catholics until the 20th Century. Its purpose was to uphold the Catholic tradition in the face of the Protestant Reformation and was produced as an alternative to the several Protestant translations then in existence. Prior to it being published, the Roman Catholic practice had restricted personal use of the Bible, in the Latin Vulgate, to the clergy. Bishop Richard Challoner issued a series of revisions (1749 - 1772) intended to make the translation more easily understandable and subsequent editions (including this one) were based upon this revision. In 1871, an edition of the Douay - Rheims Bible was published by Thomas Kelly & Sons of Philadelphia (and later, New York). Thomas Kelly described himself as a "Publisher, Printer, Binder, Lithographer and Steel Plate Engraver". In 1876, Thomas Kelly won an award (a Diploma of Honor and a Medal of Merit) for "the Best Catholic Bibles and Prayer Books" at the International Centennial Exhibition held in Philadelphia and his firm continued to print editions of the Bible throughout the 1870's but little is known of him after 1880 when this edition was published. This Bible has been in the Kermond family from 1888 until 1984 when Laurence Kermond (its last owner) died. The Kermonds were an old Warrnambool family with ties to the district going back to the mid 1840's. Joseph Kermond's mother, Catherine (1818 - 1895) and her husband John Kermond,, an ex-convict (1809 - 1877), had moved from Tasmania around 1843 and were living in the Warrnambool area in 1844 where their eldest son was born. They had six more children born at Port Fairy (or Belfast as it was then called). Catherine is buried at the Tower Hill cemetery. The last owner of the Bible was Laurence Kermond (1918 - 1984). He was the great grandson of John and Catherine Kermond and was a well known painter who lived in the Merimbula and Paynesville areas of N.S. W. and Victoria during the 1970's and early 1980's. The story of Joseph Kermond finding the Bible on a beach on the Shipwreck Coast near Peterborough on the southern coast of Victoria, Australia is plausible as it was not uncommon for items from shipwrecks to be washed ashore. However this Bible would not have come from the wreck of the Loch Ard as the dates don't align. The Loch Ard was wrecked in 1878 and this Bible was printed in 1880. It appears to have been printed for the Australian market as there is a page (with an engraved portrait) dedicated to the "Most Rev. Roger Bede Vaughan, O. S. B. Archbishop of Sydney, N. S. W.". It may also have been aimed at the Irish immigrants as the four "Family Register" pages are decorated with borders of shamrocks. The donor found the Bible in a box of secondhand books on a market stall in Gippsland and recognised its links to the Shipwreck Coast through the name of previous owners (a well-known Warrnambool name) and the story of it being found on a beach near Peterborough. This Bible is a rare example of Douay and Reims Catholic Bible of the late 19th century that was once a treasured item belonging to the Kermond family - one of Warrnambool's early settlers. It also has a most unusual story attached to it - being found (and rescued) washed up on a local beach and almost one hundred years later, being rescued again from a secondhand book stall.This Catholic Bible is an 1880 edition of a "Douay Bible and Rheims Testament", printed and published by Thomas Kelly of New York. Its full title is "The Holy Bible translated from the Latin Vulgate Diligently Compared with The Hebrew, Greek and Other Editions in Various Languages". It is revised with annotations by the Right Rev. R. Challoner D.D. The Bible has brown leather embossed front and back covers decorated with identical ornate gilt patterns and a central picture of a cross. It has two coloured illustrations and numerous black and white lithographs and engravings including portraits of past popes, events and places from Bible stories and decorative borders. The Bible includes the Old and New Testaments, approbations from Pope Pius the Sixth and Archbishops of the United States and other countries (including Archbishop Vaughan of Sydney), a Family Register with handwritten notes on births, deaths and marriages from the Kermond family (as well as a description of how they obtained the bible), a Catholic dictionary of the Bible, a history of the Holy Scriptures, a chronological list of heretics (Theological history) and a description of the "Centennial Award - Diploma of Honor and medal of Merit" won by Thomas Kelly (for the "Best Catholic Bible") at the Centennial Exhibition at Philadelphia in 1876. The Records section has a note on the Memoranda page written by William John Kennard in 1920.Spine: HOLY BIBLE Title Page: THE/ HOLY BIBLE /TRANSLATED FROM/ THE LATIN VULGATE/ DILIGENTLY COMPARED WITH/THE HEBREW, GREEK AND OTHER EDITIONS/ IN VARIOUS LANGUAGES/ THE OLD TESTAMENT WAS FIRST PUBLISHED BY THE ENGLISH COLLEGE AT DOUAY, A.D. 1600 / AND THE NEW TESTAMENT, BY THE ENGLISH COLLEGE AT RHEIMS, A.D. 1582./ REVISED WITH ANNOTATIONS/ BY THE RIGHT REV. R. CHALLONER D.D./ TOGETHER WITH REFERENCES, AND AN HISTORICAL AND CHRONOLOGICAL INDEX./ NOW CAREFULLY CORRECTED ACCORDING TO THE CLEMENTINE EDITION OF THE SCRIPTURES/ NEW YORK / THOMAS KELLY, PUBLISHER/ 17 BARCLAY STREET. / 1880 Dedication Page: DEDICATION OF THE ORIGINAL EDITION/ TO/ THAT LOYAL, RELIGIOUS AND ENLIGHTENED BODY OF MEN / THE/ CATHOLICS OF THE UNITED STATES OF AMERICA/ IN ADMIRATION OF THE STEADY ZEAL WITH WHICH THEY HAVE KEPTTHE/DEPOSIT OF FAITH/ BEQUEATHED THEM BY THEIR FOREFATHERS/ AND HANDED DOWN, WITHOUT INTERRUPTION OT ADULTERATION, TO THEIR GRATEFUL POSTERITY/ THIS EDITION/ OF THE/DOUAY BIBLE AND RHEIMS TESTAMENT/ IS / WITH GRATITUDE FOR PAST FAVORS AND HOPES OF FUTURE ENCOURAGEMENT/ MOST RESPECTFULLY ENSCRIBED. Handwritten note: ""This Holy Book was found . on the beach . near Peterborough Vic. having been washed ashore . from the wreck of the Loch Ard, (sailing ship) in the year 1888 . By .Joseph . Kermond; and presented to . his mother . Catherine Kermond , who in turn passed it - on . to her youngest . son ; one Jacob Kermond. He in turn presented . it to his son . William John Kermond , (the writer), 23/3/20)" [Original punctuation]flagstaff hill maritime museum and village, warrnambool, shipwreck coast, peterborough, kermond, kermond family, loch ard, bible, douay and rheims bible, catholic bible, thomas kelly and sons publiisher, douai, rheims, holy bible, religious bible, catherine kermond, john kermond, william john kermond'

David Robertson (1855-1953) was a founding member of the Association for the Advancement of the Blind and president 1895-1899 and 1913. For centenary celebrations of the Association, portraits were painted of past presidents and photographs gathered in preparation of this. This image was collected, however the donor is unidentified.1 A4 page cut into two with image and notesDavid Robertson 1st President at AAB & Co-founder with Miss T Aston Held Presidency 5 times until Health gave way he carried out his Carried on his own Business until 59 yrs of age died at 96 yrs His sister Janet inaugurated the Visiting of the Blind & was treasurer for 8 yrs D.R. was responsible for getting the free pass & gave the AAB its name They both lost their sight in Gov homes as orphans Their Brother (William of New Zealand was champion Sculler of New Zealand for 20 yrs) (Hearn) called after step father Kindly acknowledge Warwick Studio, Albert Parkdavid robertson, association for the advancement of the blind

This program was given to attendees at the Bendigo Symphony Orchestra performance on 8 September 2024. Bravo Bendigo presents a spectacular showcase of local talent. This concert features two exceptional compositions by musicians from Bendigo Symphony Orchestra’s very own ranks, and Kaid Normington as soloist in Arutiunian’s brilliant Trumpet Concerto. BSO is joined by renowned concert organist Thomas Heywood for Saint-Saens’ mighty Organ Symphony. BRAVO BENDIGO Sunday 8 September, 2024, 2.30pm Ulumbarra Theatre, Bendigo Luke Severn Conductor Kaid Normington trumpet Thomas Heywood organ Claude DEBUSSY Les Couleurs Debussique arr John Matthews Alexander ARUTIUNIAN Trumpet Concerto in A flat major Cally BARTLETT Kati Thanda – Lake Eyre INTERVAL Camille SAINT-SAËNS Symphony No 3, in C minor, Op. 78bendigo symphony orchestra, luke severn, regional victorian orchestra, performance

This program was given to attendees at the Bendigo Symphony Orchestra performance on 24 March 2024. Bendigo Symphony Orchestra welcome their 2024 concert season with Sculthorpe’s shimmering Sun Music III alongside monuments of the classical repertoire. ARIA award-winning pianist Tamara-Anna Cislowska joins BSO for Tchaikovsky’s majestic Piano Concerto No. 1, and the orchestra take a stormy journey through Beethoven’s iconic Symphony No. 5. SUN MUSIC Sunday 24 Marchr, 2024, 2.30pm Ulumbarra Theatre, Bendigo Luke Severn Conductor Tamara-Anna Cislowska - Piano Peter SCULTHORPE - Sun Music III Ludwig van Beethoven - Symphony No 5, Op. 67 Pyotr Ilyich Tchikovsky - Piano Concerto No 1, Op.23 in B-flat minorbendigo symphony orchestra, luke severn, regional victorian orchestra, performance

Two folded blue coloured writing paper handwritten pages without date, signature, addresses or donor. Author's surname Jackson. Mary Jackson daughter listed. L Jackson, Elizabeth Jackson, author's brother William and a John Christopher name referred to. Author seeking information regarding his brother John who with his wife immigrated to Gippsons Vale [Gippsland?] Australia. Probable date of letter late 20th Century. No connection with Bendigo apparent in letter, however circumstantially possible.bendigo, history, jackson

This silver trophy is named "Sir W. Clarke's Trophy" after its donor. Sir William John Clarke, Baronet, who was a citizen and philanthropist, well known in Melbourne and throughout Victoria. He gave donations to many public projects including Melbourne University and was a patron of many and varied sports. He encouraged the defence services with prizes for competitions among both military and naval forces. In colonial Australia in the 1880s there was an increase in the size of the colonial military forces, rising from 8,000 in 1883 to 22, 000 in 1885. In 1885 there was a return of unpaid volunteer soldiers, along with a fear of a Russian attack on Australia. As a result, the Sir W.J. Clarke's Trophy was given as a prize in 1885 to Victorian Militia Garrison Battery competition winners, for artillery firing target accuracy. On 12th December 1885, the conclusion of the first artillery competition for Sir W. Clarke's Trophy was held at the Williamstown battery. The first winner of the Sir W. Clarke's Trophy was the Geelong Garrison Battery, with the prize Sir W. Clark's Trophy presented to them in 1886. In 1887 Warrnambool Garrison Artillery, under the command of Major W.S. Helpman, was the proud winner of the Sir W. Clarke’s Trophy. The contest was held at Point Gellibrand with the trophy formally unveiled at the Warrnambool orderly-room on 3rd August 1887. In June 1892 the annual competition was held at the Gellibrand battery in Williamstown. The canvas targets were moored at sea and fired upon from three breech-loading guns mounted on disappearing carriages. Each team was allowed 4 shots fired from each of the 3 guns. An article in the Portland Guardian stated that "the Warrnambool team is certainly looked upon as the certain winners." The same article reported that In this particular year the Government withdrew its previous award of 10-pound cash to the men of the winning team, described in the Portland Guardian as a petty economy of the Government. As the Warrnambool Militia Garrison Artillery had won the Trophy, for the third time, they became Absolute Possessors of the prize. The Trophy is locally significant to the community of Warrnambool for its connection to the Warrnambool Volunteer Rifle Corps., which formed part of the original Warrnambool Garrison to protect the Warrnambool Harbour. The site of the 1888 Warrnambool Garrison and Fortifications is Victorian State Heritage-listed is significant for its intact and operational nature and is one of the best-preserved pieces of Victoria's early colonial heritage.This is the Sir W. Clarke's Trophy for the Victorian Militia Garrison Artillery, first presented in 1886. The silver trophy with lid rests on a square black timber base that displays award shields on each side edge. Inside the hollow trophy is a removable copper alloy bowl with a wide edge. The inner walls of the trophy are unpolished and there is a metal bracing plate between the sides and fitted metal bolts with nuts and washers. near the base. The large, elaborately decorated, silver bowl has a conical pedestal, two handles on the top edge of the bowl and a matching fitted lid. Much of the decoration is three-dimensional. Fine, detailed decoration includes a semi-kneeling figure with an upturned face on top of the lid, vine-like handles resting on necks of swans with outspread wings, figures seated on a ridge, two on each side, with ends of limbs hanging over the ridge, two holding lyres, patterns of leaves, flowers and draped ribbons. The timber base is painted black on the outside. The engraved silver shields around its sides have inscriptions of trophy winners and the name of the trophy. There is a handwritten, pencil inscription of the date 1887 under the timber base. The first award was made in 1886 and the last in 1892. The Warrnambool Garrison wond this trophy three times, including the last award given.Front centre large shield; “VICTORIAN MILITIA / GARRISON ARTILLERY / SIR W. CLARKE’S / TROPHY” Left side, right shield; “1886 / WON BY / GEELONG / GARRISON BATTERY / Major J PRICE / COMMANDING OFFICER” Front, right shield; ” 1887 / WON BY / WARRNAMBOOL / GARRISON ARTILLERY / Major W.S. Helpman / COMMANDING OFFICER” Left side shield: “1888 / WON BY / NORTH MELBOURNE / Garrison Battery / Major F.R.Y. Goldstein / Commanding Officer” Right side, left shield; “1889. / WON BY / WARRNAMBOOL / Garrison Battery / Major W.S. Helpman / Commanding Officer” Right side, centre shield; “1890 / WON BY / HARBOUR TRUST / BATTERY / Major J.H. Haydon / Commanding Officer” Right side, right shield; “1891 / WON BY / WILLIAMSTOWN / BATTERY /l Major W.H. Hall / Commanding Officer” Back, left shield; “1892 / WON BY / WARRNAMBOOL / Garrison Battery / Major W.S. Helpman / Commanding Officer” In pencil underneath timber base “1887”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, sir w. clarke's trophy, warrnambool volunteer rifle corps, statistics of warrnambool volunteer rifle corps, warrnambool volunteer rifle company, warrnambool rifle volunteers, warrnambool garrison, 1886, 1887, 1888, 1889, 1890, 1891, 1892, trophy, garrison, competition, prize, winners

This painting was inspired by an original painting by Wilhelm Melby held at the National Gallery of Victoria. Melby is a Danish artist (1824-1882). It depicts a famous Devonshire coastal region famous now for its lighthouse and the pick up point for the pilot when entering waters approaching Dartmouth. The sailing vessels pre-date the construction of the famous lighthouse. Over the centuries the view would have been familiar to many sailors as they left or approached the English mainland and south coast ports in the English Channel. Madeline Mary Ravenna Lewellin (1854 – 24 November 1944) was born in Victoria to Dr John Henry Hill Lewellin, a physician, and Grace Elizabeth (née Danneby). She was one of five daughters, and the family lived in Prahran. Lewellin's brother, Captain Herbert Gordon Hill Lewellin, was a commander in the P. and O. fleet (apprentice on the Romanoff, Lieutenant RNR on the HMS Arethusa in 1899, RMS Mongolia in 1913 sunk in 1917, Naldera in 1920). She studied painting at the National Gallery School in 1879 under Eugene von Guerard. She's also known for collecting and painting specimens, and became a member of the Field Naturalists Club of Victoria in 1885. In 1884 she won a silver medal for her studies of fungi. She collected plants for Australian botanist Ferdinand von Mueller, and the variety of Dicrastylis lewellinii (Purple sand-sage) is named after her. Miss Lewellin, who had a love of the sea and ships as subject matter is listed in 1910 as a donor as a 10/6 member donating to the motor launch fund and in 1918 as a working member of the Ladies Harbour Lights Guild which involved regular volunteer shifts at the Mission to Seamen on canteen and other duties.Marine art, Maritime artThis oil painting has a dark polished wood and gold leaf slip. The painting depicts two masted boats. The choppy sea takes up the lower-third of the painting, and the other two-thirds of the image of made up of stormy grey clouds. A rocky cliff face can be seen on the right-hand side of the painting. A small church can be seen on the hillside. The ship on the left third of the painting sits on the horizon line of the sea. The centre ship with two masts appears to be leaning to the right and its deck is exposed to the viewer showing four men attempting to handle the masts and rigging. The left-hand ship with three masts is surrounded by two grey distant silhouetted mast ships. There are three seagulls at the upper left-centre of the image. There are another three gulls down on the lower-left of the image. Front: ENGRAVED PLAQUE: Start Point Light. Devonshire. SIGNATURE: After W. Melby / M.M.R Lewellin. 1875. Reverse: IN BLACK MARKER PEN: * Hang from two points * WHITE STICKER WITH CONSERVATOR DETAILS: Art Conservation Frames / 118 Bridport Street, Albert Park, VIC, 3206 / 9696 9066 / artconservationframers.com.aupainting, ships, mast, church, sea, storm, oil painting, seagulls, madeline r. lewellin, artwork-paintings, ngv, wilhelm melby, eugene von guerard, botanist, rms mongolia, captain herbert gordon hill lewellin (1862-1935), paddy lewellin, reproduction