Eltham Gateway, Chiropractors, 856 Main Road, Eltham This Californian Bungalow style house is now the oldest surviving building in this vicinity of Main Road. Previously it was Dave Lyon’s original home and immediately to the right (carpark) was the location of his original motor garage – a tin shed with petrol bowsers out front. When Dave Lyon built a new garage opposite Arthur Street, Charmac Industries then operated out of the tin shed. In early 2021 the house had a new coat of paint and a For Rent sign out frontTomorrow's history documented todayeltham, jim connor collection, main road, eltham gateway, chiropractor, dave lyon house

Launch of the Kinloch Gardens development, 12 new double and triple storey homes along a private road in the gardens of Kinloch, a mansion set on 2.4ha in Arthur St. The launch was attended by Planning Minister Rob Maclellan and Nillumbik Shire president Robert Marshall, Architects Graeme Gunn and Ian Jelbart and approximately 100 guests.1 images; digital file only; created from scan undertaken by EDHS of a set of 29 colour 10 x 15 cm prints arthur street, eltham, houses, jelbart property, john graves, kinloch gardens, the barn, woodridge estate

Launch of the Kinloch Gardens development, 12 new double and triple storey homes along a private road in the gardens of Kinloch, a mansion set on 2.4ha in Arthur St. The launch was attended by Planning Minister Rob Maclellan and Nillumbik Shire president Robert Marshall, Architects Graeme Gunn and Ian Jelbart and approximately 100 guests.3 images; digital file only; created from scan undertaken by EDHS of a set of 29 colour 10 x 15 cm prints arthur street, eltham, graeme gunn, houses, jelbart property, jenny graves, john graves, kinloch gardens, robert marshall, woodridge estate

Ada Zull and her daughter Susan photographed with a puppy in front of a weatherbaord house, possibly their home in Burnswick. Early 1960s. Florence Ada Zull, known as Ada was an illustrator for the 'New Idea for Women" magazine. In 1961 she lived in Brunswick. From 1963 she and her husband Robert built a Alistair Knox designed house at Lot 8. Metery Road, Eltham ada zull, susan zull, susan bennett, puppy, pet

Contents: Minutes of Eltham RSL and Community Meeting held at 29 Nyora Road, Eltham, 23 June 2010 (Community meeting re closure of Eltham RSL sub-branch and relocation of the WW1 Obelisk) Open Letter to the Residents of ELTHAM and MONTMORENCY [And their Surrounding Districts]; 19 March 2012 draft (Invitation to attend the Montomorency Eltham RSL 2012 Anzac Day service at the new site of the Cenotaph in front of the Eltham War Memorial. Includes a brief history of the obelisk and the Eltham War Memorial) Newspaper clipping - Hall 'scruffy' - war vet, Diamond Valley Leader, 17 February 2010, p2 Newspaper clipping - RSL branch has a fight on its hands by Alana Schetzer, Heidelberg & Valley Weekly, 3 August 2010, p7 Newspaper clipping - Locals battle state RSL over building, Diamond Valley Leader, 4 August 2010, p7 Newspaper clipping - New home for cenotaph; Councillors support proposal for relocation to Eltham's War Memorial Hall, Diamond Valley Leader, 12 January 2011 Newspaper clipping - CFA hot for RSL site; MP presses for 'fast-track' purchase, Diamond Valley Leader, 23 february 2011, p1 Newspaper clipping - New home for cenotaph delights war veterans, Diamond Valley Leader, 31 August 2011, p9 Council's Heritage Advisor, Samantha Westbrooke Pty Ltd advised Council in 2014 that the relocation of the cenotaph had compromised the significance of the War Memorial Building Complex as the two memorials, while both commemorating World Wars, demonstrate two very different methods of memorialising. The World War Two War Memorial Building Complex with its civic purpose was a conscious shift away from memorialisation by monuments and a focus on the future and not the past. The cenotaph is an example of the post World War One memorialising practice of erecting monuments to commemorate the past. The location of the cenotaph in front of the former Infant Welfare Centre confuses the history of the site and obscures the ability to view the three buildings as a united complex. Additional subsequent modifications with the provision of access ramps and rails has further impacted upon the garden design. Nine A4 pages printed and six newspaper clippingsalan field, cfa, eltham rsl sub-branch, eltham war memorial hall, eltham war memorial, john cohen, montmorency-eltham rsl sub-branch, obelisk, war memorial garden

Wood family home (1969-2011) pre and post construction by Knox and HellemonsKodachrome 35mm colour transparency in cardboard mount Processing date FEB70M6Inscribed in ink "Front verandah, 184 Progress Rd Eltham North 1970"alistair knox design, eltham north, hellemon, houses, progress road

"Who would have thought that a boy born in 1889 from the Victorian Mallee would become a successful artist on New York’s Staten Island? This finely illustrated, exhaustively researched and beautifully written biography on Leason features the artist’s entire career as a painter and cartoonist renowned for his depictions of Australian society in the 1920s and 1930s. Leason’s story is a poignant one tracing his beginnings as a cartoonist, to the bohemian Melbourne art scene in the early 20th century, to his involvement in the artists’ camps of Eltham, to his important series of portraits of Lake Tyers Indigenous Australians, and his eventual move to the US where he has been acknowledged as making an enormous contribution to the New York arts scene. This story, as yet untold, fills a gap in the history of art in Australia and offers a new perspective on Australian art in the first half of the 20th century." - Thames and Hudson website A NEW HOME IN ELTHAM Once they had settled back into Melbourne, Perry and Belle began to look for a place to make a permanent home. Having enjoyed the bush setting of Mosman, they decided to explore the rural fringes of Melbourne. Each weekend they packed a picnic and travelled to the towns in the nearby hills - such as Ferntree Gully, Sassafras, Lilydale and, of course, Cockatoo Creek. Eventually deciding these places might be a little too far from The Herald office, they searched closer to the city. The Heidelberg and Box Hill regions that had inspired his old teacher McCubbin, had become busy, urban areas but further east, towards Warrandyte and Templestowe, there were still large tracts of bush. Finally they settled on Eltham, an area Percy knew very well, having often painted there with Jock Frater. Perry's old friend Dick McCann and his wife Margery had also settled in Eltham. The township was fifteen miles from Melbourne and serviced by an electric train that went to the central Melbourne station of Flinders Street, near where The Herald offices were located. Eltham was a small village in 1925, separated from Melbourne by the Yarra River, and surrounded by orchards and large tracts of bush. Small farms dotted the landscape and the main businesses revolved around ironmongers, blacksmiths, and farming supplies. Of particular appeal to artists was Eltham Park, a large expanse of bushland bounded by the Yarra River on the south side and the Diamond Creek on the east. The park included a playing field that was busy on weekends with cricket or football matches, but for the rest of the week it was mostly empty and an ideal place to paint. The scenery there provided the inspiration for many paintings by Leason, Meldrum and other artists such as Colin Colahan and Peter (A.E.) Newburv. The Leasons found a rundown old farmhouse on four-and-a-half acres of land in New Street, now known as Lavender Park Road. The site was splendid, at the top of a gentle slope which gave panoramic views east to the Dandenong hills, south over the Templestowe orchards and north to Kinglake. The front lawn was taken over by onion grass (or wiregrass as Leason called it) and scattered about the property were many wattles and gum trees. Aloe cacti covered much to the front of the house, while old quince and lucerne hedges separated the house and out-buildings from a rundown apple orchard. Here they would build a new home. ·with financial assistance from The Herald, Leason bought the property and immediately commissioned an architectural firm to design a new house in the popular bungalow style of the time. The old farm house was demolished but Percy saved the siding boards, bricks and corrugated iron for the outbuildings of his new home. The new house was a two storey, triple brick with a large, gabled, terracotta tiled roof. It was situated at the very top of the slope. The paint and varnish were barely dry when the family moved in during the summer of 1925-26 and the fumes were overpowering in the heat. Despite the house being wired for electricity, power poles had not yet reached the area and initially the family had to rely on kerosene lamps and candles. When electricity did arrive, Leason reflected on the community's reception of electricity at the expense of the old growth gum tree corridors in his cartoon, Electricity comes to Wiregrass. The family had now grown to seven. Jack was nearly nine, Jean was seven, Marjory was four, Nancy was two and the baby Patricia was seven months old. Jack and Jean were enrolled in the local primary school down the hill. A retired farmer, Jock McMillan, came to live on the property and help out with the general maintenance. Jock built himself a shack and Belle provided him with meals. He was kept occupied building structures around the property·, such as the garage, the outside toilet, garden beds, trellis arbours and a number of ponds. The elderly, bearded Scotsman with his old hat and baggy pants also provided the inspiration for one of the characters Leason regularly included in his cartoons. Like Leason, Jock smoked a straight stemmed pipe. A neighbour was employed to help Belle with domestic chores, and so the family settled down to live comfortably in their new Eltham house. Two dogs, Maginary and Wodger, completed the large and vibrant household. “Percy Leason; an artist’s life” by Margot Tasca, Thames & Hudson Australia Pty Ltd, Port Melbourne 2016, pp 63-64 Hardback Bookpercy leason, margot tasca, biography, artist, landscape

Digital file only scanned by EDHS from item on loanbatman road, houses, ron stranks, rosalie stranks (nee kent)

A history of forestry in Victoria Paperback. Cover is green with only the title on the front cover. On the inside back cover is a map of Victoria with the state forests indicated.Stamp of Marysville & District / Historical Society Inc / P.O. Box 22 / Marysville 3779victoria, forestry, forest, trees

A history of the town of Matlock, VictoriaPaperback. Green cover. Front cover has a drawing depicting two men with packs and walking poles walking through knee deep snow past a wooden hut. In the background are several tree stumps and a small town of wooden buildings.For/ James and Lucienne/ Bailey Stamp of the Marysville & District Historical Society Inc / P.O. Box 22 / Marysville 3779gold mining, gold mine, matlock, victoria, australia, history, anne bailey, robin bailey

Front cover has a photograph of Sharon Guest and her daughter Patricia in the ruins of their Mt Macedon home, Ash Wednesday.non-fictionThe story of bushfires in Australiaforest fires, bush fires, australia, history

Book was awarded to Stephen John Holgate in 1891 for first prize in bookkeeping. Stephen (D.O.B. 09/07/1877) entered the college on 27/01/1890. The original registry notes parent as Stephen Holgate from Miners Rest and Stephen's previously school is noted as 'Home Tuition'. Other family members noted as attending the college are Harold, George, Edward, Robert and Thomas. Archives also hold war memorabilia for Edward and George Holgate.Presbyterian educators placed great value on a classical education matched with diligence in study. Book prizes were highly regarded and academic success admired. In the school’s early years prizes were ordered direct from London and had the school crest embossed in gold on the front or back cover. Many of the prizes given in early years were returned to the school to equip the Weatherly Library when it opened in 1936. Connection to college war memorabilia and war heroes.Bound in soft red calf with gilt lettering and college crest embossed on front cover and gilt lettering on spine. Floral end papers, foxing on pages, black and white illustrations throughout. 595 p.Book plate inside front cover: College crest/ Bookkeeping/ V Form./ First Prize. Awarded to/ S. Holgate/ Christmas, 1891.stephen-john-holgate, 1891, book-prize, miners-rest, harold-holgate, george-holgate, edward-holgate, robert-holgate, thomas-holgate.

Sandy was the only horse repatriated back to Australia from WW1. Australia sent 136,000 horses to the front. It was estimated that 8 million horses in total were killed. Sandy belonged to Major General Sir William Bridges who was fatally shot at Gallipoli. His dying wish was for his horse to be returned home.Only Dead Soldier to be returned to Australia from WW1. Only horse to be returned to Australia.Newspaper Articlesandy horse ww1 william bridges

Letter dated 23/6/1941 from Chris McKinley VX46283. From 21st Aust Infantry Training Battalion, abroad in Middle East. Letter sent home to Miss L. Crozier. Letter is signed off by soldier's Officers and filled in on Salvation Army stationary specifically for Australian troops.1 & 2. Two page letter on Salvation Army stationary of approx A.4 size. Paper faded to a yellow colour. Folded into sixth size. 3. Envelope has address and stamp saying "Passed by Censor". Corners of the envelope ripped.Front marked "Air-Mail" and signature of Officer. Two pages off content and also signature of Officer. Both envelope and letters marked in imprint of "The Salvation Army" and red shield has stamp saying "Passed by Censor".middle east, 21st infantry training battalion., letter

Diary outlining History of Service in WW2 of Ron Morrell No.4985826 1/5 Sherwood Foresters, 18th Division. Joined in England and posted to Singapore where captured as POW and was at Changi. Diary was written in 1986. He later migrated to Australia. Refer Cat No. 316, 305P for details.Home made book of the Diary of Ron Morrell, from enlistment through being a Prisoner of War to discharge. Yellow cardboard cover with title sheet glued on front. Four staples and 45 pages inside contain maps and history of service, all handwritten with some maps and sketches all in black and white.Title on front "Blood, Sweat and Tears by Ron Morrell". Contents are all handwritten.diary, changi, ww2, pow

Christmas card given to services men active during WW1 to send home to family. Henry William Reilley No3607. Enlisted 1.3.16 age 22 8th Reg 29th BTN. Emb 1.8.16 RTA 21.3.19 Warrnambool.Paper folded Christmas card from a soldier from the front in WW1. Black printed Christmas message and signature. “ 13.10.16 PTE H.W. Reilley”christmas card, ww1

PRIVATE WILLIAM JOHN MOYLE, NO 6544, 14TH INFANTRY BATTALION, RTA 5/4/1919.. PRIVATE/DRIVER CHARLES MOYLE, No 2400, 7th Battalion, wounded twice while on active service, RTA 23/7/1919. PRIVATE RICHARD JOHN MOYLE, (aka Henry) No. 15152, 14th Australian General Hospital, RTA 29//4/1919. PRIVATE GEORGE THOMAS MOYLE, No. 1836, 5th Infantry Battalion, 58th Battalion, wounded 4 separate occasions, RTA 13/3/1918. PRIVATE EDGAR WALTER MOYLE, No 4028 24th Infantry Battalion, 1st ANZAC Entrenching Battalion, wounded twice, RTA 2/3/1919. PRIVATE REUBEN IVOR MOYLE, No 4477, 21st Infantry Battalion, invalided home 8/4/1917. PRIVATE LESLIE MAFEKING MOYLE, No. 5439, 6th Infantry Battalion, 21st Battalion RTA 14/1/1917. Memorabilia - framed story of seven brothers, soldier, in colour, using memorabilia of soldiers and their lives Printed on paper. Frame - black extruded plastic, glass front, cardboard backing.MOYLE FAMILYframed item, anzacs, eaglehawk

Item sent home to daughter, " Elizabeth Dorothy Irene Wood". Private John Edward Wood 5239, 6th Battalion, Killed in Action 20/9/1917. No known grave. Name on the Menin Gate Panel 7, AWM Panel 49, Bendigo RSL Museum Front wall Honour Roll. Headstone at the Eaglehawk Cemetery erected by his wife Ethel Irene Wood.Rectangle pouch, brown, green and apricot colour geometric pattern, wool embroidered. Peach coloured nylon fabric on inside with blue cotton embroidery. Two small pockets for storing items have a blue satin bow on the edge.souvenir, textile

The program shows training places such as Georges Heights, Holdsworthy, Broken Ridge, RAAF Williamstown. Activities such as Home Trg, Basic Infantry, Parachute Trg, Amphibious Raids, Climbing, Driving, Coxswains.This is a single sheet of cardboard when folded make a pocket size 'Booklet'. The printing is in green ink. the front has the Boomerang & Dagger symbol of Commando's. The C.O. was Major P. T. Johnston. The address of Unit was Georges Heights, Mosman, NSW. The rear page is a basic summary of joining the CMF.cmf, commando trg

1. This is a home made training booklet made from sheets of A4 paper folded. It has words "Coaches Guide" on top of front cover, 15th TPT SQN badge is in the centre. Inside are 25 pages of words and illustrations. 2. This is a single sheet of paper folded 3 ways to make it pocket size. The front cover has written "Aide Memoire" at the top with a photo of a prone rifleman. Issued by HQ 3 Division.passchendaele barracks trust, coaching, rifle shooting

“THE WESTERN FRONT- AND AUSTRALIAN PERSPECTIVE “ “It is a snapshot of war, with the focus on the sacrifices made by 60,000 Australians who died and the manny more who returned home but were changed forever “Hard cover book with dust cover. Hard cover- cardboard, green colour buckram with white print on spine. Dust cover- paper, white, red and gold print on front, spine and back. Illustrated- front Peter Corlett’s statue “COBBERS” in colour with red cloud background. Book- colour photographs “Villers - Bretonneux Military Cemetry” End papers- illustrated green tones names on a honour roll. Owners label. Front 217 pages, plain ,white. Illustrated black and white, colour and sepia photographs and maps.Front end paper- owners label- J.E. WILES 2/7th INF BN VX16067books, histroy, ww1, western front

The main Units of the 10th Brigade were the 37th, 38th, 39th, 40th Battalions of the 3rd Division AIF. The magazines were in the collection relating to Edgar Stanbury MM C Coy 38th Bn, refer Cat No 5032.3P for his details..1) - .6) 10th Brigade News, paper, covers are red, inside cover has advertising followed by 12 pages of stories, Comforts Fund works, news re units of the 10th Bgd, articles, awards, casualties, letters from the front. Volumes are; Vol 1 No 4 June 1917, Vol 1 No 11 Jan 1918, Vol 1 No 12 February 1918, Vol 1 No 4 June 1918, Vol 2 No 5 July 1918, Vol 2 No 7 Sept 1918. Price was 3 pence, each is held together by 2 staples.On front cover, “Work for it, Fight for it, Die for it”. On first page heading, “10th Brigade News - Work of the Men abroad & the Women at home”.magazines, c coy, 38th bn, 10th brigade, 3rd div aif

Soft cover book. Soft cover - cardboard, black and white print on front, spine and back. Background colour - muted greys and cream. 174 pages, cut plain, off white. No illustrations. Title page - handwritten inscription.non-fiction"When He Came Home - The impact of War on partners and children of Veterans"books, impact of war, veterans

WW!, Tourist cards sent home by Joe Stuart.1. Sepia coloured photo of small house in Great Britain, located at Conway Quay, North Wales. The house is 6 feet wide. 2. Colourised picture of smallest house in Great Britain, Conway Quay. There is Lady in National dress, seated at the door doing knitting. 3. Colourised photo of kitchen of above. 4. Colourised photo of bedroom of above. The house size frontage 72 inches. Back to front 100 inches, Height 122 inches.1. On the rear Is addressed to "Dear Susie - Best love Joe". 2. 3. & 4. Nil on rear.wales, small housing