Photograph. Harry Biggs Collection. A black & white photo of a man in a suit sitting in a sulky. The top of the sulky has a cover with a fringe around it & the man has a rug over his knees. He is holding the reins of a decorated horse which the sulky is attached it. At the back is a work place & the letters RSONS can be seen. Beside that is a brick building & 2 school children, a boy and girl are standing in front of it.person, individual, casual, harry biggs collection, horse drawn carriage

Colour photograph of a 4 wheeled buggy in the Bon Accord Museum, Burra, South Australia.horse drawn, carriage, burra

Coloured photo of Horse Drawn Stagecoach at Blackburns's Centenary of Federation Celebrations. Paid for by Federal Government Grant to Blackburn Chamber of Commerce.centenary of federation, blackburn chamber of commerce, carriages and coaches

Coloured photo of Horse Drawn Landau - Part of Blackburn's Centenary of Federation Celebrations. Paid for by Federal Government Grant to Blackburn Chamber of Commerce.centenary of federation, blackburn chamber of commerce, carriages and coaches

Metal support for a gig or buggy lamp, curved bar with circular end, 2 holes in flat end of barlamp, gig, buggy, carriage, horse

Black and white image of a typical bush inn, in the Eastern Highlands of Victoria.tara hotel, horse and carriage', bush inn, hotel

Colour photograph of a horse team in the main street of Sovereign Hill, Ballarat.sovereign hill, horse and carriage

Jeanette in her horse drawn 4 wheel phaeton accompanied by a child in Lyons Street South. Jeanette died in the Sunshine Rail Disaster.jeanette thomas, vehicle, person, lyons street south, ballarat

Photo of Puffing Billy coming around the horseshoe bend at Selby and beginning to cross the trestle bridge, heading away from Belgrave. The engine is only part shown. It is hauling four open-sided carriages with canvas covers, and a further six or so enclosed carriages. There appears to be no wind as the smoke is hanging above the train. Railway infrastructure (barrier fences) can be seen in the foreground, and there are wires across the left side of the photo. c. 1920

Frederick Martin Straw, Richard Morton & Edith Rose Hand's house on Bay Road, Sandringham 1921, watercolour, 14 x 18.8 cm. Bayside City Council Art and Heritage Collection. Donated by Miss Mary Gillan and Dr Helen Gillan, 2008.watercolourroad, landscape, horse, sandringham, frederick martin straw, bay road, bayside, carriage, house, f.m. straw

Original photograph by William Bardwell, with the original image held by the State Library of Victoria. Edited by Richard Conn. Purchased by the Museum.Provides information about the appearance of Sturt St Ballarat, looking from the Town Hall. Shows the topography of the area, along with many buildings, including the London Chartered Bank of Australia (later the Commonwealth Bank), the Unicorn Hotel, J. Dodds Bucks Head Hotel, road works in Bridge St, Albion House Drapery, Bryce & Chalmers Produced Merchants, a fenced central median strip and two horse-drawn carriages parked in Lydiard St.Black & White copy photograph aerial view A4 size, titled ""Ballarat looking east from the Town Hall ca 1872" looking along Sturt St towards Grenville St. Original photo by William Bardwell.ballarat, sturt st, grenville st, lydiard st, bucks head hotel, bryce & chalmers, london chartered bank, albion house, bridge st

photoaif, ww1, world war 1, a.i.f, soldiers, resting, horse and carriage, horses

two photosww1, world war 1, transport, aif, a.i.f, horse and carriage, train

Taken outside ‘Graceburn’, 9 Victoria Crescent. The name 'Graceburn' came from the area in Healesville where the Bailey family came from. The Bailey family were members of the Wyclif Congregational Church. (Ref: Letter from donor dated 26/4/2002.A black and white photograph of a horse and buggy with three people sitting in the buggy and one lady standing beside it. There is a well established garden in the background.surrey hills, victoria crescent, miss florence bailey, graceburn, house names, buggies, horse drawn vehicles, carriage and coaches, horses, clothing and dress

This is one of a series of photos donated by Arthur Lyons. From 1907 a cab service operated from near the railway gates in Union Road. It was established and maintained by Mr C Fraser until c1916. George Rea either took over then or set up in opposition. Fred Lyons initially worked for George until he set up his own business. In time he changed over to a motor vehicle and continued his service until 1960. Frederick Adolphus Lyons (1891-1980) was born in Surrey Hills, son of Thomas and Catherine Lyons. He married Elizabeth Ruby Hall in 1918. They lived just around the corner at 55 Sunbury Crescent. The Lyons’ home in Sunbury Crescent was called ‘Knopshambury’ - this was probably a misspelling of Knockshanbally in Co Kilkenny, the birth place of Fred’s father, Thomas Edmund Josias Lyons (1846-1915). Arthur Lyons was born in Surrey Hills on 12 Jun 1920. He became a motor mechanic / welder and lived at 55 Sunbury Crescent. The donation was made while he was in hospital. He died shortly afterwards (23 Sep 1990). Donation was finalised by a neighbour, Mrs Florence Ann Armitstead, wife of Glen Victor Armitstead. Glen was a local hairdresser. They moved to 11 Sunbury Crescent after their marriage in 1939. Arthur had no relatives to distribute the material to.Black and white photo of Fred Lyons with his hansom cab, taken between 1916-1920. It shows a horse harnessed to the cab, the door of which is open so that the buttoned seat is visible. The cab has large lamps on each side. Mr Lyons, in hat, is standing on the back of the cab. There is a large brick wall of a building to the right of the cab with a mature tree beside it and houses can be seen behind the cab. horse-drawn vehicles, carriages and coaches, fred lyons, george rea, frederick adolphus lyons

The collection of thirteen model horse drawn vehicles were carefully handmade by Mr Chas W Davis 1925 - 2002. He was a talented artist and saw doctor. This model of a horse drawn Canestoga Wagon replicates the vehicle that enjoyed respect from the public during the 1880's. A model of a long covered Conestoga Wagon with two horses, brown and tan. The cream fabric covers curved shaped metal bands and is laced with string around the base to attach it to the wagon.It has a green base, green wooden seat and footrest. There are two wooden barrels attached by wire on one side and the other side has a luggage box. It has two small gold painted spoked wheels with painted black tyres at the front and two larger ones at the back. The forerunner of the Conestoga Wagon had its origin in Europe as a mobile home for shepherds and nomads in the early 1800's. The east coast of America became home to people from all over Western Europe so the old wagon designs were carried to the New World. The wagons were named after a river in Lancaster County Pennsylvania where the Stutz family built them for the western treks of history. Fondly known as the 'Prairie Schooner', the cost in 1840 was $48.00, unpainted spare wheels $8.00, Lawson axles $12.00. They came in 12 and 14 feet beds.replicas, models, scale models, vehicles, carriages, horse drawn vehicles, toy horses, drays

As made by kendalls for the carriage of their product ca 1900Imported and sold by Holden and FrostRectangular wooden box without lid sign written as to the contentsKendalls Spavin cure. Drawing of a Horse being constrained by riderwooden, box, kendalls

A large hardcover with the title printed in red at the top, My Adventure Book of stories for children by multiple authors, with a coloured illustration on the front cover of two men floating on a raft at sea waving to a sailing ship in the distance. The spine has the title, publisher and a lined drawing of a man on a horse. It is illustrated in monochrome and also colour plates. fictionA collection of adventure stories for children.adventure stories, children's fiction

The Churchill Island collection includes objects from the late 1800s to the mid-1970s. The collection is presented in sets and series, of which this image shows an object representing the Amess era.Churchill Island has been variously imagined and used to make a permanent settler colonial space since the mid-1800s. The history of the island offers a rich example of the complexity of private settlement in Victoria up until 1976 when it was sold to the Victorian Government.Black four-wheeled carriage with a front-facing seat for the driver, along with two side-facing benches for passengers. Carraige is sheltered by an awning or roof enclosure and features two glass encased lamps.farm machinery, horse drawn vehicles, wagonette

Black and white copy of original photograph showing a funeral cortege of horse and carts on a dirt road in front of a large building.nelson funeral, nelson brothers, newport power station, 1922, horses, carriage, buggy

The Border Inn located on the corner of Main Street and Graham Street Bacchus Marsh opened in 1851 making it a very early hotel in Victoria. It was built and owned by John Pilmer. The first licensee was James Watt. The building has been added to and changed many times. It was originally a single storey building. A second storey was added in 1863 by John Pilmer. In 1866 the hotel was purchased by Edward Jones. The Jones family owned and operated the hotel until 1939. Additional second storey sections were added in 1883, 1904 and 1936. For a number of years the Border Inn was a stopping post for coaching services between Melbourne and Ballarat. The first licensee of the hotel James Watt was among the first in Victoria to offer a regular coaching service and his hotel was used for overnight accommodation by coach travellers. At the time this picture was taken coach services were still operating between Bacchus Marsh and other locations. The coach in this picture is possibly one of those coaches.This building has been documented as of state significance by Richard Peterson and Daniel Catrice in their 1995 heritage study for the then Shire of Bacchus Marsh. Their assessment of the heritage significance of the building was: "The Border Inn is of state historical significance as a pioneering pre-gold rush building, on the route to the Ballarat goldfields. It is the representative-embodiment of several historical periods and their way of life. It demonstrates a complex changing sequence of patterns of occupancy and architectural styles. Its development at this location, demonstrates the effect of a social movement, the gold rush, as a transport stopover.It is also historically significant for its association with the first rural public transport in Victoria. Locally, the hotel is significance for its association with the first meeting of municipal government, and also for its social significance as a traditional community, visitor focus and meeting place".Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The image shows the Border Inn Hotel at an angle depicting the front of the building facing directly to the camera. It is a two storey brick building, with one-story additions at either end. Five chimneys can be seen extending from the building. The bottom storey has a verandah extending onto the footpath. A covered wagon, probably a coach, with four horses in harness is in front of the building. There are several people in the image. Two people are sitting on the driver’s seat of the wagon. Another man is standing holding the reins of the horses. At his feet is a dog. Behind them are two male adults. One is holding a small child. A young boy stands beside him.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, hotels bacchus marsh, border inn hotel bacchus marsh, carriages and coaches, stagecoaches, james watt bacchus marsh, john pilmer bacchus marsh, edward jones family bacchus marsh

The Alfred Hospital commissioned architect Charles Webb to design the hospital. [Picture submitted 1869. Open for inspection Dec 1870.]A historical record of the original Alfred Hospital designFramed photo print of original design of Alfred HospitalPerspective of original design of Alfred Hospital / by C Webb, Architectstreet view of building elevation, horse and carriage in foreground, alfred hospital, architects drawing

Upper Main Street Stawell. Mining Exchange and Commercial Hotel built 1861. Photo c1880. Hotel housed the Victoria Theatre. Commercial Hotel built and licensed in 1861 and added to over the years. About 1865 an assembly room/theatre was erected at the hotel, part of this was the assembly room of the Quartz Miners Hotel in Upper Main Street which had been demolished on account of the increased mining in the area. The assembly room was the only theatre at the Reefs until the Town Hall was erected. It was called the Victoria Theatre. In 1878 the Stawell paper reports that the Court of Petty Sessions had been held in the Victoria Theatre at the Commercial Hotel. Mr Sauerbrey was the owner of the Hotel in 1869 and he advertised extensive additions of sitting-rooms, bedrooms & bathrooms. First class stabling and carriage house. Rooms for Mining Meetings and bookings for Cobb & Co.Commercial Hotel with first floor balcony. Eight men lined up in street and three women on balcony. Two horse drawn buggies on right.stawell streetscape, hotel