Centre page spread of an article titled "A Streetcar named Delight", from the Australasian Post - undated - c1980 about the Melbourne W2 class trams operating in Seattle, Washington. Written by Vaughan Mawbey, gives details of the trams, the construction background of the tramway, some local stories and identities associated with the tramways. Has a number of photos including W2 518. Noted Sir Rupert Hamer was at the opening.trams, tramways, seattle, w2 class, usa

Australian Railway Enthusiast Magazine - June 1995, colour front cover containing an article titled "The City Circle", written by William F Scott. Features the story behind the advent of the City Circle tram service, many photos, tram track construction, the vision, launch by Ian Dobbs and Russell Nathan, V214 on the launch day (28.4.1994), map showing future extensions to the new casino, South Melbourne Depot, commissioning event, ticket. Also has an obituary on Eldon Hogan who died on 6/5/1995. See Reg Item 5422 for a newspaper item on the opening day.trams, tramways, city circle, melbourne, launch, south melbourne depot, map, tram 957, tram 728, tram 1000, tram 214, tram 842, tram 470, tram 380

Magazine - card covers - 64 pages, centre stapled, published by Public Transport Users Association Inc., titled "Transit News and Views - September 1988 - Vol 12, Number 3" with many articles and new stories focused on public transport, train, tram and bus in the Melbourne area with some overseas news. Inside front cover lists the office holders and representatives of the PTUA on various MTA and STA board. Tram items include: - review of the last six years since the labour government was elected - use of trams for Upfield services - list of industrial actions 3/1988 to July 1988 - two public transport cartoons - page 21 and 23, Truganini Road, Carnegie, Ticket machines, Clarendon St work for the St Kilda Light Rail, Track work issues - with photographs - Spencer St, Track faults, Melbourne Tramway news, Metplan reviewtrams, tramways, tramways, ptua, upfield light rail, upfield, light rail, cartoons, carnegie, truganini rd, ticket machines, clarendon st, trackwork, spencer st, metplan

Book or magazine - 24 pages + card cover, Light Railways No. 65, July 1979, with an full article titled "The Sage of "Sandfly" and the Lost Tribe", and sub-titled "Baldwin built 0-4-0 Saddle Tanks on 3'6" gauge", written by John Buckland. Looks at the story of 8 locos purchased from Baldwin by Newell & Co and their use throughout Australia. Gives details of their construction, use and disposition, including the use of builder's number 9086, built 2/1888 and sold to Sorrento Tramway Co. Ltd. Refers to the Norm Wadeson article, with three photos of the tramway operation.trams, tramways, sorrento, steam trams, horse trams, tourism

Magazine, published by the Metropolitan Transit Authority of Victoria "Met Lines" (Metlines) - A4, printed on white gloss paper, with the MTA logo or symbol. Issued under the name of Kevin Shea as Chairman. Continues from Reg Item 1086 "Met Lines" - printed in an A4 version. Major tram and bus items listed. Tramway names only listed, not railway. .1 - Vol 3 - No. 1 - April 1987 - 20 pages - (See also Reg item 981 for more detail) - -Tramway Bowls Association, Melbourne and Metropolitan Transit band, Transporting Art featuring trams 731, 816 and 721 along with a photo of David Larwill working on 722, and painted trams co-ordinator , Wendy Miller and "20 million Americans see Melbourne and its trams" - a story about the NBC USA, breakfast broadcast on 4/2/1987. (further items of this volume to be sourced - they may not have been any??) For next volume - see Reg Item 1142.trams, tramways, transporting art, decorated trams, the met, mta, sports, bowls, tramways band, tram 2001, tram 129, tram 234, tram 50, tram 504, tram 871, tram 967, tram 223, tram 758

Australasian Post report on tramways and in particular Melbourne and their use in other places in the world. Notes Melbourne's cable system and how it operated. At the time only Adelaide was the only other Australian operator. Features photos of Melbourne's trams along with Bendigo, Geelong, Melbourne 1041, Stuttgart, Gothenburg. Written by George Hart. On page 16 is a cartoon by Ken Maynard about drink driving and blood alcohol testing. Also has a story of an absent-minded professor and his problem of getting his fare out of his pocket on a Melbourne tram.Yields information about Melbourne's tramways and its place in the world.Set of 8 pages with centre staple remaining from the Australasian Post 10/3/1977australasian post, tramways, cable trams, melbourne, ken maynard, stories

Story is about Gabrielle Hartley, a TV actress purchase of W2 599 and repurposing it into a cottage while their house is being built. Located at Myrrhee, converted into a three-room cottage. Has interior photos and one exterior photo. Also has details of her working career.Yields information about tram 599 and its repurpose at a cottagePages 8 & 9 from the 8/9/1979 issue of New Idea magazine.tramways, new idea, scrapped trams, repurposed trams, tram 599, gabrielle hartly

Met lines - Vol. 3, No. 1 April 1987, staff newspaper of the Metropolitan Transit Authority - 20 pages, A4 size when centre stapled, printed on gloss paper. Has tramway related items on: 1. Tramway Bowls Association 2. Melbourne and Metropolitan Transit band (see image i2) 3. Painted trams - a paying concern - Transporting Art featuring trams 731, 816 and 721 along with a photo of David Larwill working on 722, and painted trams co-ordinator , Wendy Miller. Story includes notes on the sale to Jim Johnson at an auction late 1986, notes on the project itself, and on page 13 - notes on interviews with Michael Leunig, Lesley Dumbrell and David Larwill. 4. "20 million Americans see Melbourne and its trams" - a story about the NBC USA, breakfast broadcast on 4/2/1987 when tram ?? - could not find an entry in the Vicsig listing of decorated trams.trams, tramways, transporting art, decorated trams, the met, mta, sports, bowls, tramways band, tram 731, tram 816, tram 721, tram 722

Page 59 of the Diner's Club, Signature Magazine, April/May 1982, with an article titled "Moving Masterpieces" looking at the Clifton Pugh's work on the Melbourne Transporting Arts Programme. Article written by Geoffrey Kenihan, looks at the background of the program, its story and implementation. Details the other artists involved. Has a photograph of Clifton Pugh looking out from one of the tram's doors. Image i2 added 17-9-2015 from the Autumn 1982 issue of METRA news, see Reg Item 1026.8 - about the MMTB Apprentices who assisted with the work.trams, tramways, transporting art, decorated trams, ministry for arts, tram 502, tram 504

Autumn 1995 issue of Gateway with a trammie (Roberto D'Andrea) leaning from 870 on the front cover. Contains an article "The Lucky City", written by Michael Davie about Melbourne and its city, in particular its trams. Has a photo of a City Circle tram (866) on page 22. Gateway published the Federal Airports Corporation as an inbound magazine for overseas travellers. In an email from Roberto 2/10/2014 - "G'day Warren, Yes indeed the Gateway Magazine with a younger Roberto at South Depot. Brings to mind that South Depot did the bulk of the tramways media through the 90s until closure. On the list of programs I have in the archive is Totally Wild (Channel 10), Monty the Weatherman did 4 crosses live (Channel 9), 7.30 Reports (ABC), we hosted 4 Corners around the network and a few other programs on Channel 7. Plenty of newspapers and radio. Handy with a close to city location the PTC sent the media to South for tram stories. I have the 6 Trammie banners from the Trammies Exhibition at the Immigration Museum where we worked together back in 2003. I've used them occasionally and may need them for a tram presentation in March next year....would they be handy as a part of a exhibit at Hawthorn? The Connies are still going strong....festivals and events, sometimes in schools and we've co-funded 2 tram festivals in Kolkata with the Calcutta Tramways in 2012 and 2013....environment central to the themes. Kevin keeps me posted on how things are going at Hawthorn. I met Doug Prosser at Hawthorn a few months ago and all looking good. Kevin sends me copies of The Bellcord....and just last week I was on the Hawthorn Museum website reading about the Box Hill - Doncaster Tram for a Connie performance in Box Hill late in November. Regards - Roberto www.connies.com.au www.tramconductors.net www.tramjatra.net"trams, tramways, city circle, melbourne, tramways, tram 870, tram 866

A collection of original documents used by and written about the Kanematuse Organization, a wool business based in SydneyOne large bound book entitled 'F. Kanematsu & Co. Ltd. Private Code For Wool'. Stapled faded sheets of paper with a typed story on them, 18 pages from 1908. A printed copy of the PFA Quarterly Magazine from 1921, 5 pages. A small grey booklet entitled 'Origin of Kanematsu Organization in Australia', 16 pages. 'Japanese Wool Buying?" verse from July 26, 1957, two loose leaf sheets of faded paper held together with a paperclip.wool buying, returned soldiers and sailors mill, geelong, woolen mill, wool production, loom

Magazine published at the time of Elizabeth II's visit to Australia. The Rt Hon R G Menzies was the Member for Kew.Single issue of the Australian Women's Weekly, published on March 10, 1954, picturing Queen Elizabeth II and the Australian Prime Minister, The Hon Robert Menzies, on the cover. This 63-page edition was published during the Royal tour of Australia. It contains photographs, articles, stories, letters, advertisements etc.australian womens weekly - 1954, royal tours - 1954

This book is a collection of magazines entitled Aussie - The Australian Soldier's Magazine Volumes 1 - 13 Dated January 1918 to April, 1919 Price 10 centimes and are a collection of stories, poems and Aussie humour. The magazines are the originals that were printed at the time 1918-1919 and they have been bound into a collection Book of cream coloured pages with two columns of writing with pictures. Book contains a collection of magazines Volumes 1 - 13Aussie aussie - the australian soldiers magazine, 1918, ww1

This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. WARRNAMBOOL PUBLIC LIBRARY The Warrnambool Mechanics’ Institute (WMI) was formed by a voluntary community group in 1863, within six years of Warrnambool’s beginnings, and its Reading Room opened in 1854. The WMI operated until 1963, at which time it was one of the oldest Mechanics’ Institutes in Victoria. Mechanics’ Institutes offered important services to the public including libraries, reading rooms and places to display and store collections of all sorts such as curiosities and local historical relics. In 1886 a Museum and Fine Arts Gallery were added to the WMI and by the beginning of the 20th century there was also a billiards room and a School of Art. By this time all Mechanics’ Institutes in country Victoria had museums attached. Over the years the Warrnambool Mechanics’ Institute Library was also known as the Warrnambool Public Library the Warrnambool Library and the Free Library. Early funding from the government was for the “Free Library”. The inscription in a book “Science of Man” was for the “Warrnambool Public Library”, donated by Joseph Archibald in 1899. Another inscription in the book “Catalogue of Plants Under Cultivation in the Melbourne Botanic Gardens 1 & 2, 1883” was presented to the “Warrnambool Library” and signed by the author W.R. Guilfoyle. In 1903 the Warrnambool Public Library decided to add a Juvenile Department to library and stock it with hundreds of books suitable for youth. In 1905 the Public Library committee decided to update the collection of books and added 100 new novels plus arrangements for the latest novels to be included as soon as they were available in Victoria. In July 1911 the Warrnambool Council took over the management of the Public Library, Art Gallery, Museum and Mechanics’ Institute and planned to double the size of the then-current building. In 1953, when Mr. R. Pattison was Public Librarian, the Warrnambool Public Library’s senior section 10,000 of the 13,000 books were fiction. The children’s section offered an additional 3,400 books. The library had the equivalent of one book per head of population and served around 33 percent of the reading population. The collection of books was made up of around 60 percent reference and 40 percent fiction. The library was lending 400 books per day. In 1963 the Warrnambool City Council allocated the site of the Mechanics’ Institute building, which included the Public Library, Museum and Art Gallery, for the new Municipal Offices and the Collections were dispersed until 1971. The Warrnambool Library took over the Mechanics’ Institute Library’s holdings on behalf of the Warrnambool City Council. Since the closure of the Warrnambool Mechanics’ Institute the exact location and composition of the original WMI books and items has become unclear. Other materials have been added to the collection, including items from Terang MI, Warrnambool Court House and Customs House. Many of the books have been identified as the Pattison Collection, named after the Librarian who catalogued and numbered the books during his time as Warrnambool Public Librarian in the time before the Mechanics’ Institute closed. It seems that when Warrnambool became part of the Corangamite Regional Library some of the books and materials went to its head office in Colac and then back to Warrnambool where they were stored at the Art Gallery for quite some time. Some then went to the Warrnambool Historical Society, some stayed at the Art Gallery and some were moved to Flagstaff Hill Maritime Village. The various stamps and labels on the books held at Flagstaff Hill show the variety of the collection’s distribution and origin. The books in the collection at Flagstaff Hill Maritime Village date from the 1850’s to the late 1950’s and include rare and valuable volumes. Many of the books are part of the “Pattison Collection” after the Warrnambool’s Public Librarian, Mr. R. Pattison. Rolf Boldrewood (1826-1915) ‘Rolf Boldrewood’ is the pen-name used by Thomas Alexander Browne as a writer. Browne was the eldest child of Captain Sylvester John Brown and Elizabeth Angell nee Alexander. He was born in London on 6th August 1826 and arrived in Australia with his parents and siblings when he was 5 years old and grew up in Sydney. In the 1860’s Browne added the ‘e’ to his surname. As a 17 year old Browne took up land in the Western District of Victoria between Portland and Port Fairy on a property named “Squattlesea Mere”. He remained there until 1858, enjoying the squatters’ life on his 32,000 acre property, growing potatoes and running cattle and horses. He sold in 1858 and purchased a sheep station on the Murray River near Swan Hill. He later sold this and bought another sheep station near Narrandera until bad seasons and severe droughts eventually caused him to change his career after 25 years as a squatter. Over the next 25 years Browne held the position of Police Magistrate and as a gold commissioner in various locations. His third career as an author lasted approximately 40 years. In 1865 he wrote two articles on pastoral life while he was recovering from a riding accident. In the 1870’s his writing was bringing in the income to support his family, changing his focus to the writing of novels. A series of these was written for the Australian market and published in The Sydney Mail and the Centennial Magazine. His later novels were aimed at the overseas markets. His best known novel “Robbery Under Arms” was written from 1882 to 1883 and has been serialised on radio in Australia and Britain. The novel was filmed in 1907, 1920 and 1957, and in 1985 it was made into a television series. It is now an Australian Classic. He also wrote short stories, several nonfiction graziers’ guides, and an autobiography named “Old Melbourne Memories” in 1884. [This information has been taken from Wikipedia; Australian Authors-Perry Meddlemiss; Australian Dictionary of Biography, Browne, Thomas Alexander (1826-1915)] The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. The Miners Right A tale of the Australian Goldfields Author: Rolf Boldrewood Publisher: Macmillan And Co Date: 1922Label on spine cover with typed text R.A. 823.91 BOL Pastedown front endpaper has sticker from Warrnambool Public Library warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, the miners right, australian goldfields, australian rush, rolf boldrewood, gold rush

Blue hard cover book with multiple sections inside, each section containing its own numbering system. Some advertisements and photos throughout the book. non-fictionThe Australian Fisheries Magazines fisheries, fishing, maratime

Blue hard cover book with multiple sections inside, each section containing its own numbering system. Some advertisements and photos throughout the book. non-fictionThe Australian Fisheries Magazines fisheries, fishing, maratime

students, excursion, sequoiadendron gigantum, wellingtonia, john delpratt, evan gaulke, lou stocker, dietes, connections, student magazine

The volume contains some 68 issues of the MMTB Tramway Topics from 1941 to 1950. Some issues have been typed rather than printed. Possibly copy-typed from the originals to make up a complete set. Finishes soon after the appointment of Mr Risson as Chairman. Provides observations, stories, news and information about the MMTB activities, and news from other tramway systems and buses. Also includes notes on the PCC car, wartime work, and why trams are better than buses.Yields information about the war time activities of the MMTB during the second world war and to 1950.Digital image of a book or bound volume of a set of 68 magazines published by the MMTB 1941 to 1950. Has a letter from Lewis Russell Public Relations Officer stapled into the front page, loose copy of issue 67. Scanned from the copy held in the Peter Duckett Library at the Museum. Scanned into 6 volumes with word recognition software.tramways, news, mmtb, lewis russell

This majestic peacock embodies the technical achievement, skill and ingenuity of artisans during the 19th century. It is now known as the 'Loch Ard Peacock' and was designed and modelled in 1873 by Paul Comolera (1818-1897) and fired in one piece at the Minton factory at Stoke-on-Trent in the United Kingdom in 1875. The peacock has been portrayed in symbolic motifs and has figured heavily in folktales and fables since antiquity, and many cultures around the world see it as a symbol of beauty, rebirth and power. Wealthy Victorians loved majolica, and the large peacock would have been the ultimate home accessory as a conservatory ornament – combining their desire for nature, the exotic and vibrant colours. The peacock model was listed in catalogues by Minton & Co. for a retail price of 35 guineas or sold as a pair for 90 guineas. Minton & Co. was founded in 1793 by Thomas Minton (1765–1836) and became a famous pottery and porcelain manufacturer. Comolera was a French artist and sculptor, renowned for dramatic naturalistic forms and life-size renditions of birds and animals that won him admiration in public and artistic circles. He was employed by Minton & Co. from 1873 to 1880, and the life-sized peacock became his best-known work. Comolera kept a live peacock loaned from the nearby Duke of Sutherland's Trentham Hall Estate in his studio to create a life-size model of fine buff earthenware model, which was then hand painted in brilliantly coloured green and blue glazes to mimic the peafowl’s dazzling plumage. There are no surviving production records, but according to documents in the Minton Archive, nine peacocks were made by Comolera. However, today, some historians now believe that twelve were fired at the Minton factory; research is ongoing. These peacocks were so admired that Minton & Co. used them as exhibition showpieces at International Exhibitions in London, Paris, and the United States of America, ensuring the company had a worldwide reputation. So, when Melbourne hosted an International Exposition in 1880, Minton & Co. sent out ceramics and tiles, and in particular, this peacock was intended to be part of their exhibit in the British Court in the Exhibition Building, built in the Carlton Gardens. The early dispatch date (1878) indicates that the company may have intended to exhibit their wares, including the peacock, at the 1879 Sydney International Exhibition, but the company did not take up this option. The ship that Minton & Co. used to bring the peacock and their other wares to the Australian colonies was the ill-fated Loch Ard, which sunk after striking Mutton Bird Island near Port Campbell, Victoria, in calm foggy weather in June 1878 on the final leg of the ship's journey to Melbourne. The loss of 52 lives made it one of Victoria’s worst shipwrecks. Therefore, this peacock never made it to the grand exposition in Melbourne, as Minton & Co. had planned. Charles McGillivray dragged this peacock, still in its original packing case, onto the beach in the gorge just two days after the Loch Ard went down. The peacock was rescued unscathed apart from a chip on its beak (only repaired in 1988). After a disagreement with a Melbourne Customs Officer, Joseph Daish, McGillivray stopped his salvage operations, leaving the peacock on the beach. The second salvagers were James Miller and Thomas Keys. Miller was a member of the firm Howarth, Miller and Matthews, Geelong, who had brought the salvage rights to the Loch Ard wreck on 10 June. When Miller and Keys arrived at the wreck site, a storm had washed many of the salvaged goods, including this peacoc,k back into the sea. The two men found the peacock in its case ‘bobbing along in the water’ and pulled it back to the beach. To ensure the peacock wasn't washed out to sea again, Miller and Keys hauled the packing case containing the peacock up the gorge's cliff face to the top, ready to be transported. In an interview in 1928, Keys claimed that at the time of the rescue, the head had broken from the body. This account was proven to be true in 1988, following the birds' display in Brisbane. This peacock began its life in Australia, not in the grandeur of an International Exhibition as intended, but in the hallway of a simple domestic house in Geelong. It appears Minton & Co. did not attempt to buy this peacock back. Florence Miller, daughter of James Miller (Loch Ard salvage rights holder), later remarked that the only item of real value rescued from the wreck had been the peacock and that this had been kept by her father in the family home at Malvern for many years and became a treasured family possession. As such, this 'Loch Ard peacock' was almost forgotten and mistaken with other Minton peacocks around the world. Miss Florence Miller tried to sell the peacock due to financial difficulties in the 1930s but was unsuccessful. While attempting to sell her Loch Ard relic, it was displayed in the window of the old Argus newspaper office, which was at 76 Collins Street, Melbourne; the Argus had relocated to the corner of Elizabeth and La Trobe Streets in 1926. Between 1935 and 1939, the old Argus building was occupied by the Joshua N. McClelland Print Room, which sold not only paintings and prints but also antiques and authentic replicas, as well as hosting exhibitions. Miss Florence Miller loaned her peacock for display at the Victorian Historical Exhibition held in the National Gallery on 1st June 1935, the 57th anniversary of the Loch Ard wreck. As a result, the peacock attracted public attention in books, newspapers and magazine articles that told the story of its survival from a shipwreck. Miss Florence Miller was keen to sell the peacock, even writing overseas to Captain Blain on November 30th, 1938, about the possibility of a sale, but this became no longer possible due to the outbreak of war. Recent information points to the Loch Ard peacock being owned by John S R Heath before its sale to Frank Ridley-Lee in May 1941. Research is ongoing, but it seems likely that John Samuel Robert Heath, a leading Melbourne dentist with a practice in Collins Street, and his wife, a dental mechanic, had purchased Miss Miller’s Loch Ard peacock before its sale in 1941. They were lovers of fine arts, music, wine and food. The peacock in the window of the old Argus building could have attracted their attention as they had already purchased the old stone Presbyterian Church on Warrigal Road, Oakleigh, in 1933 and had converted its interior. The home, renamed The Studio, even included Melbourne’s first all-electric kitchen. The peacock was perfect for display in the Studio’s entrance. A magazine article published after the conversion was completed included photographs of the interior. The picture of the ‘portico’ had a caption below that stated, “Some of her [Mrs Heath’s] finest pottery was salvaged from the Loch Ard Wreck”. In 2025, Heath’s two remaining sons remember running around in the entrance with the peacock standing there, oblivious to its value. Heath was an accomplished artist, studying under Max Meldrum. He painted and exhibited his works at The Studio and in a public exhibition, and he was a finalist eight times in the coveted Archibald Prize portrait competition, including the submission of his self-portrait that is now part of his grandson’s collection. The next owner of the Loch Ard Peacock was Frank Ridley-Lee. He displayed it at his home in Ivanhoe after buying it at an auction in May 1941. The peacock remained in the hands of the Ridley-Lee family until it was offered for sale by auction in 1975 as part of an art collection belonging to Mrs Ridley-Lee's estate. The peacock was not sold at this time, as the reserve price of $4500 was not met. This news was passed on to the board of the newly created Flagstaff Hill Maritime Village. Urgent efforts were made to collect the necessary money through fundraising by the Warrnambool City Council and public donations. The Fletcher Jones Company and the Victorian Government contributed half the cost. On 9 September 1975, the Loch Ard peacock was purchased by Flagstaff Hill Maritime Village, and it found a new home at the maritime museum. Since then, it has only left Warrnambool twice. Firstly, in 1980, at the centenary celebrations of the Royal Exhibition Building in Melbourne, and secondly, in 1988, the peacock was given pride of place at the entrance to the Victorian Pavilion at the Brisbane World Expo, acknowledging that this Minton Majolica peacock is the most significant shipwreck object in Australia. The Minton majolica peacock is considered of historical social and aesthetic significance to Victoria and is one of only a few 'objects' registered on the Victorian Heritage Register (H 2132), as it is a most notable and rare object associated with the Minton factory of the 1870s and works by the celebrated sculptor Paul Comolera along with the wreck of the Loch Ard on the Victorian coastline. This Minton peacock is historically significant for its rarity; it was one of only 9-12 known to exist. The shipwreck of the Loch Ard is also of significance for Victoria and is registered on the Victorian Heritage Register Ref (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's early social and historical themes. The collection is historically significant is that it is associated, unfortunately with the worst and best-known shipwreck in Victoria's history. The peacock, resplendent in polychrome glaze, stands perched on a rocky plinth decorated with vines, leaves, flowers, blackberries and wild mushrooms. The peacock’s breast is cobalt blue; the wings and legs are in naturalistic colours. The tail is a mass of feathers coloured in green, ochre blue and brown — a fantastic display of artistry and Minton expertise. Inscribed at the base :P Comolera, and a Minton & Co. design number: 2045.flagstaff hill, warrnambool, maritime museum, shipwreck coast, loch ard, loch ard gorge, peacock, paul comolera, victorian heritage register, minton peacock, minton & co., stoke upon trent, bird figures, mintons, ceramics, international expositions, majolica, naturalistic, staffordshire, john samuel robert heath

Jim (James Bernard) Williams, who was the owner of this manual, was a long-time resident of Warrnambool having the opportunity to work at two notable historical businesses of the town. The first, Cramond & Dickson a drapier store established around 1852-1855 and which remained a store that traded under the same name for the longest in Victoria, before it closed its doors in 1974. The second business was Fletcher Jones a highly successful textile and clothing Australian business. Some of Jim’s spare time was devoted to the model ship making which would conjure up many fascinating stories of maritime history. In addition to Jim witnessing the tail end of ships at port in Warrnambool, his "father was as sea captain and operated his vessel in Bass Strait coastal trade between Tasmania and Victoria". The intricately detailed model made by Jim is full of precise detail. The manual and the blueprints held by Flagstaff Hill Maritime Village also reflect the intricate process and devotion to the task completed by Jim. The history of the shipwreck and maritime stories of the Victorian Southwest coast surrounding Warrnambool would have continued to inspire his passion. Three photos of the model and Jim, like the photo of Harold T. Bodkin in the manual, attest to the enthusiasm and enjoyment that was gained by him through this hobby. The manual opens to a photo of “Mr. Harold T. Bodkin adding finishing touches to model of the “Sovereign of the Seas”. The “Forward to Reader” which is on the next page is written by “E. R. HAAN, Technical Editor, Popular Mechanics Magazine. The forward explains the methodology used to achieve the fine detail that is part of the body of the model, by “applying imitation carvings”, and is cited as “a museum type of model”. The following page “Blueprints and Craftmats on the ‘Sovereign of the Seas’” discusses the availability of a set of blueprints to purchase separately. Followed by a description of the moulding process for the “miniature carvings”. “Historical Notes of Interest on the “Sovereign of the Seas (1637)” follow on the next page. The manual is divided into the following parts from pages 8 to 71: “Part I – Shaping the Hull/Part II – The Rudder, Quarter Galleries and Gunports/Part III Wales, Gunport Covers and Initial Ornamentation/Part V – Beakhead Decoration, Bulkhead and Rails, Etc./Part VI Carvings, Lanterns, Knights, Bitts and Painting/Part VII – Details of Mast Construction/Part VIII – Standing Rigging/Part IX – Running Rigging and Final Details. All of these instructions include photographs and detailed graphs. Then instructions on “How to Read and Use Ship-Model Drawings”, “The Shop-Model Maker’s Tools”, and “Simplified Ship-in-a-Bottle”. This is finished off with “Helpful Hints….” And numerous pages of advertising. Some adverts include aids for completing the “Sovereign of the Seas” model. Part I uses blue and black ink to illustrate a dramatic picture of the “Sovereign”, otherwise all print is in black ink on buff paper. This book in significant to the collection as it was donated along with other tools and blueprints which have been used by the donor of the "Sovereign of the Seas" model ship. It also connects with the wider community in that it is related to historical maritime interest and the donor, Jim Williams is also connected to other significant retail and manufacturing businesses of the past in Warrnambool. This manual has been covered with brown paper, including an extra strip for the spine. The front has a watermark at the top middle, some pencilled compass circles segmented into eight parts across the area and a small amount of script writing. The back also has the same type of compass circles and some other small shapes. There are also grease marks. The cover has a patina adding to variations of colour to the paper indicative of the book being handled often. The title page reads “Sovereign of the Seas” in an Old English font. This is followed by a lithograph print around 1 inch square of a ship at full sale. By HAROLD T. BODKIN/Charter President of the Ship Model Club of Chicago/Copyright, 1933, By Popular Mechanics Company/POPULAR MECHANICS PRESS/CHICAGO/Printed in the U.S.A. By HAROLD T. BODKIN/Charter President of the Ship Model Club of Chicago/Copyright, 1933, By Popular Mechanics Company/POPULAR MECHANICS PRESS/CHICAGO/Printed in the U.S.A.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, model ship, vessel sovereign of the seas, jim williams, james bernard williams, the forth tasmania, freda williams, heather williams, phyllis bowditch, fletcher jones staff 1936, 17th century sailing ship, cramond and dickson, sovereign of the seas, royal sovereign, sovereign, charles 1, fletcher jones, warrnambool breakwater

non-fictionFrom the comfort and culture of rural England with its ordered estates and "green lanes and fields", to the dusty heat of a rough, unfloored cabin in outback Queensland — that is just part of the journey Rachel Henning made and reports on in her letters. Yet these reveal no sorry tale of struggle in adversity — amazingly they form a lively adventure story and a vivid family saga. Expertly edited by David Adams, a former editor of the Sydney Bulletin magazine, the collection reads like a novel — partly of courtships and romances, partly of the progress of a pioneering family, and partly of Rachel Henning's own progress towards acceptance of her new way of life. The letters were first published in the Bulletin in 1951 and were so well received that they were quickly presented in book form. Thereafter they have scarcely been out of print and the grace, liveliness and gossipy intimacy of Rachel's prose have earned them a unique place in Australian literature. This edition is illuminated with illustrations of the period - some believed to be by Rachel herself, others by members of her family and others by artists and sketchers who would have been Rachel's contemporaries. Wherever possible, the work of women has been included. Taken from sketchbooks and note pads, their often unfinished images give as intimate a view of life in Australia from the 1850s to the 1880s as do Rachel's letters. (Inside Cover)colonial life, rachel henning, letters

A 160 page book of poetry and short stories relating mainly to snow life, with some skateboarding, surfing, mountain biking and skydiving additionsnon-fictionPeter Corney originally studied maintenance engineering and then became a pioneer snowboarder, moving to Falls Creek in 1991 . After 30 years of following winters, working in all aspects or mountain resorts and contributing to magazines and advertising as a model, writer and photographer, he put together poetry for the people along with ten short journals.peter corney, snowboarding, snow photography, falls creek

General biographical article tracing her whole life through to her retirement activities.A page from a magazine with a blue border, three columns of text with a portrait black and white photograph near the centre of the page of a woman looking over her left shoulder.'Womans Day 20.7.53 WWII' [blue ink across the top of the page] 'CBE. RRC' [blue ink next to caption under photograph. CBE = Commander of the British Empire, RRC = Royal Red Cross Award]wwii, world war two, ww2, florence nightingale medal, annie moriah sage

A journal including articles, images, illustrations and reviews.The Victorian Historical Journal, first published as the Victorian Historical Magazine in 1911, is the official journal of record and scholarly publication of the Royal Historical Society of Victoria. It is the second oldest history journal in Australia, containing a vast collaborative history of Victoria with hundreds of individual contributors and topics. The cover features photos of Frederick Dickson who was convicted of fraud against the University of Melbourne whilst employed there as a book keeper and accountant for 17 years. Frederick Dickson was taken to Pentridge prison on 13 March 1902, where he spent the first months of his sentence in A Division. He was released on 23 December 1905, his sentence having been reduced for good conduct.victorian historical journal, university of melbourne fraud

A journal including articles, images, illustrations and reviews.The Victorian Historical Journal, first published as the Victorian Historical Magazine in 1911, is the official journal of record and scholarly publication of the Royal Historical Society of Victoria. It is the second oldest history journal in Australia, containing a vast collaborative history of Victoria with hundreds of individual contributors and topics. The cover features a photograph of the wedding of Alexander Wilkie and Joyce Cosstick with an honour guard formed by the Victorian Scottish Regiment.victorian historical journal, victorian scottish regiment

A journal including articles, images, illustrations and reviews.The Victorian Historical Journal, first published as the Victorian Historical Magazine in 1911, is the official journal of record and scholarly publication of the Royal Historical Society of Victoria. It is the second oldest history journal in Australia, containing a vast collaborative history of Victoria with hundreds of individual contributors and topics. The cover features a photograph of open air classrooms at Fintona School c1915.victorian historical journal, victorian history publications

A journal including articles, images, illustrations and reviews.The Victorian Historical Journal, first published as the Victorian Historical Magazine in 1911, is the official journal of record and scholarly publication of the Royal Historical Society of Victoria. It is the second oldest history journal in Australia, containing a vast collaborative history of Victoria with hundreds of individual contributors and topics. The cover features a photograph of South Melbourne showing the Robur Tea Building c1927.victorian historical journal, victorian history publications, robur tea

A journal including articles, images, illustrations and reviews.The Victorian Historical Journal, first published as the Victorian Historical Magazine in 1911, is the official journal of record and scholarly publication of the Royal Historical Society of Victoria. It is the second oldest history journal in Australia, containing a vast collaborative history of Victoria with hundreds of individual contributors and topics. The cover features a photo of a Short Eared Brushtail Possum by Michael Piper, c1985 which are the focus of an article in this issue.victorian historical journal, victorian history publications, short eared brushtail possum

A journal including articles, images, illustrations and reviews.The Victorian Historical Journal, first published as the Victorian Historical Magazine in 1911, is the official journal of record and scholarly publication of the Royal Historical Society of Victoria. It is the second oldest history journal in Australia, containing a vast collaborative history of Victoria with hundreds of individual contributors and topics. The cover features a photograph of Alfred and Ellen Waugh arriving at the Amsterdam Town Hall with the Uiver bronze statuette for presentation to the Burgemeister of Amsterdam, Willem de Vlugt on 15 August 1935.victorian historical journal, victorian history publications, the uiver