MEDIUM: Oil on canvas

MEDIUM: Oil on canvas

MEDIUM: Oil on canvas

Gift of the Department of Infrastructure, 2002diptych, oil on canvas

Gift of the Department of Infrastructure, 2002diptych, oil on canvas

Gift of Mack Jost, 1986oil on canvas board

Oil on canvas board Signed and dated 'T De Kessler 1962' in lower right corner of painting.

Oil on canvas board.Not signed. Not dated.

Oil on canvas on board

Donated from the estate of the artist, 2016Oil on canvas on boardgippsland, artwork, permanent collection

Donated from the estate of the artist, 2016Oil on canvas on boardgippsland, artwork, permanent collection

Donated from the estate of the artist, 2016Oil on canvas on boardgippsland, artwork, permanent collection

Donated by John Leslie OBE through the Australian Government Cultural Gifts Program, 2009Oil on canvas on boardgippsland, artwork, permanent collection

Donated by Alexander Thurston Watson through the Australian Government Cultural Gifts Program, 1979Oil on canvas on boardgippsland, artwork, permanent collection

Donated from the estate of the artist, 1995Oil on canvas on boardgippsland, artwork, permanent collection

Purchased, 1969Oil on canvas on boardgippsland, artwork, permanent collection

Donated by the artist, 1966Oil on canvas on boardgippsland, artwork, permanent collection

Acrylic and oil on canvasSigned and dated

Painted by Sylvia Jones 1960s from a photograph of Lower Plenty Hotel taken 1940s.Oil on canvas painting, framed and glazedlower plenty hotel, sylvia jones

Local SceneOil on Canvas, painting of an old house

Donated from the estate of Patricia Marie White, 2013Acrylic Paint, Oil Paint, Canvasgippsland, artwork, permanent collection

MEDIUM: Oil on canvas DESCRIPTION: Oil painting on canvas. Brown, blue and green. No outer frameTitled, signed and dated on reverse of frame2, oil, banksia, howie, bluff, canvas

One of a series of paintings by F. DischOil on Canvas, oil painting of The organ Pipes (rock formation) in Keilor.

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. This work was purchased from the University of Ballarat 'Goodbye Helen' end of year exhibition.Oil on canvas painting featuring blue, orange and yellow. art, artwork, churchill, gippsland campus, school of business collection, janelle vaughan

David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.Oil on canvas painting depicting a Panton Hill bush scape.Signed: D. Armfield in lower right hand corner. Not dated.david armfield, eltham art prize, panton hill

Possibly a local historic reference ??Quarry Scene. Oil on canvas, 91 x 121cm - AR0066

Premier 23rd January 1893 – 27th September 1894. Born in Alnwick, England, Sir James Patterson (1833-1895) migrated to Victoria in 1852 to try his luck on the goldfields. After little success he turned his hand to farming, and later operated a slaughter yard at Chewton. Patterson served on the Chewton local council, being elected mayor four times before moving with his wife Anna and family to Melbourne in 1870. Patterson established a real estate business, and after two unsuccessful attempts to enter parliament in 1866 and 1868, he won the by election for Castlemaine in the Legislative Assembly in December 1870. He would hold this seat until his death 25 years later. Patterson served in Sir Graham Berry’s brief August to October 1875 government as Commissioner of Public Works and Vice-President of Board and Land Works. He repeated these roles two years later in Berry’s second government and additionally served as Postmaster-General, and in Berry’s third government was Commissioner of Railways and again Vice-President of the Board of Land and Works. In April 1889 after a time in Opposition, Patterson became Commissioner for Trade and Customs in Duncan Gillies’ Government. The following year he returned to the familiar positions of Public Works, Board of Land and Words and Postmaster-General. By 1891 Patterson was leader of the opposition, and when William Shiels’ government succumbed to a motion of no confidence, led by Patterson, he became premier on the 23rd of January 1893. During his premiership, James Patterson was also Chief Secretary and Minister for Railways. His term as premier coincided with a period of severe economic depression, and his enforced economies earned Patterson few public admirers. In May 1893 his government attempted to prevent a run on bank withdrawals and stabilise the sector, by declaring a 5 day 'bank holiday'. Patterson was awarded a knighthood in May 1894, however this did not increase public confidence in his government who were not returned to power in the August 1894 election. Again leader of the opposition, James Patterson died suddenly of influenza on the 30 of October 1895.This portrait was presented to Sir James Patterson by 'grateful citizens of Victoria' in appreciation of his services during the land boom depression. In 1929 the painting was donated to the Victorian Parliamentary Library by H. Lavinia Patterson, the wife of Sir James Patterson's nephew Colonel George Patterson.Oil on canvas, framed. Frame: ornate wood, gesso mouldings, unglazed. Signed on bottom right corner "G. Coutts" Stamped inscription along inner edge of canvas: "WINSOR AND NEWTON". Inscription on canvas, handwritten in ink: "13 1 92" from reverse.patterson, james brown (1833-1895)