Fuzzy Wuzzy Angels pencil reproductionpicture, ww2, army

Mounted watercolour, ink and pencil on paper.Signed and dated on right image (LR): "Pali Schwarz 1943" UL image: Reinigungdienst [Cleaning Squad] CL image: Auskunftei des Orientierungsdienstes B.V. [Information and Orientation Booth- Magdeburger Barracks] Other Inscriptions: LL image: Eigene Aufwarmekuche in L124 [Private kitchen for warming up food in L124] Image on right: CIII. Frauen-Kaserne/Hamburger/Haupteingang: Allabendlicher Abscheid: Wenn's 20 Uhr Wird [CIII. Women's Barracks/Hamburger/ Main entrance: Nightly farewells at 8 pm] holocaust, second world war, 1939-1945, czech republic, jewish history & people

Appears to be a talk to architecture students about success and failure in architecture according to whether you are an architect ('a doer') as well as a talker and a writer, and the influence attached to all three.Talk notesHandwritten (pencil), quarto, 2 pagesHandwritten and torn second pagefrank lloyd wright, walter gropius, le corbusier, henry moore, alexander calder, albert einstein, buckminster fuller, robin boyd, manuscript

Discusses the future of art galleries in Victoria and the needs to improve in order to produce a better atmosphere and quality.Handwritten (pencil), quarto, 1 pagesHandwritten with a lot of edits and markings and very densegallery, whitney museum, robin boyd, manuscript

Draft of a brief screenplay. Sequence of vignettes involving seven sets and several characters. Story about an artist who paints black square paintings, including mystery, fight, theft of painting and death of the artist. After artist James A dies, H puts on A's strange sunglasses to discover that through the sunglasses, the black square paintings appear like conventional images eg landscapes. Value of paintings increases.Handwritten (pencil), quarto, 2 pagesscreenplay, contemporary art, drama, kazimir malevich, robin boyd, manuscript

A plan of double storey small apartment/house.Handwritten (pencil), quarto, 1 pagessketch plan, robin boyd

The most secretive experiments of the most secretive scientists were carried out in Room Z at the Woomera Range Space Rocket Division. The only people with a key were the topmost scientist, the Prime Minister and the cleaning lady. They had to wait until 5pm for the cleaning lady to arrive so they could get Crafty Carson Carpetbag out, who was hiding from The Flying Dogtor. The Flying Dogtor could hear Crafty making whistling, humming noises and the Secret Service Man said he was messing with Mixture 8X, the most secretive invention of them all, Special Reducing Mixture for use when travelling in small satellites.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Handwritten in pencil, foolscap, 2 pagesThe title is crossed out and it is noted that this is a contraction (eliminating sound effects) of Episodes 23, 24, and 25. Many edits.the flying dogtor, robin boyd, crawford productions, manuscript

This is a draft of the document (item D518), which relates the story of Fisher's Ghost, starting with housemaid Margaret (later married to John Farley) before her sentence of transportation for life from Britain to Australia. It appears to be a script to be accompanied by music. A page with the last few sentences are missing. (See items D518 and D520.) Handwritten, quarto, pencil, 7 pagesfisher's ghost, john farley frederick fisher, george worrell, john georg lang

Project: drawn by KNW of Grounds Romberg & Boyd. Details of sunshadeWorking Drawing, Pencil on tracing paper

Appears to be a handwritten speech where Boyd discusses the architect's role in the community and describes architecture as "getting bigger". Boyd describes the shift in architect's thinking as moving away from the individual building to the city or the community. He argues that architecture inherently affects our lives if we live in ugliness, or in attractive surroundings and that the architect is responsible as moral and artistic leaders of the built environment.Handwritten (pencil), quarto, 1 pageNumbered paragraphs. Underlined phrases. Circles in margin.w.churchill, buckminster fuller, strategic plan for sydney, megastructure, community, park the length of swanston street, japan

These are possibly the telescript illustrations used in 'The Flying Dogtor' television programme.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Photocopy of original pencil hand drawnthe flying dogtor, robin boyd, crawford productions

A note advising that Legatee Herb Greenway would undertake the renovation and replanting of the Holmbush garden at no cost to the Club. Initialled CRC, believed to be C.R. Carleton one of the architects involved in modifying Holmbush, he was also a Legatee. Holmbush was the first hostel for children that Legacy started and operated from April 1943. It was later renamed Blamey House after another hostel called Blamey House was closed. Melbourne Legacy ran three residences: Blamey House (purchased 1947) , Stanhope (purchased 1945) and Harelands (purchased 1950), to take care of children whose fathers were servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself. Harelands accommodated boys and girls under the age of 14, Blamey House looked after boys over 14, and Stanhope looked after girls over 14. The children were cared for until they were old enough to become independent. Was deposited in the archive cabinets in a file with documents pertaining to the residences, along with many other items and photos prior to the start of the cataloguing.A record of the work being completed to the first property to be purchased by Melbourne Legacy as a residence for children.Handwritten note on scrap paper in pencil. residences, holmbush, holmbush administration

Purchased, 2000Gouache, watercolour and coloured pencil on papergippsland, artwork, permanent collection

Donated by Merle Hathaway, 2016Pencil, charcoal, ink and wash on papergippsland, artwork, permanent collection

Donated by Merle Hathaway, 2016Pencil, charcoal, ink and wash on papergippsland, artwork, permanent collection

Brass Drawing Compass with pencil Holderstawell, education

Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed pencil drawing on graph paper.wes walters, drawing, jeans, costume, alumni, available

Albert E. WILLIAMS (1899-1986) Victoria, Australia Albert Edward Williams was among the first to undertake the five-year, Technical Art Teacher’s Certificate (TATC) at the Ballarat Technical Art School in 1915, with work placement at the Ballarat Lithographic company. Williams taught for several years before he was selected to undertake further teacher training at the Working Men’s College, Melbourne, in 1926. He returned to teach at Ballarat in 1928, facilitating many student activities, while pursuing the arduous Art Teacher’s Certificate. This work was undertaken for the Art Teacher's Certificate, Part I at the Ballarat Technical Art School, School of Mines, Ballarat. From its inception in 1914, it was 30 years before the first candidate achieved the Art Teacher’s Certificate's exhaustive requirements. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Pencil figure drawing of a man in underwear.Verso "Certified as Student Work. H.H. Smith"art, artwork, albert e. williams, life drawing, ballarat technical art school, art teacher's certificate, drawing figure from life

Edwin (Ted) CANNON Ted Cannon was a student of the Ballarat Technical Art School, and a cartoonist with the local Ballarat newspaper.Pencil sketch of a barber working on a client.ted cannon, edwin cannon, cartoon, caricature, hairdresser, barber

Pencil on paper student's technical drawing technical drawing, engineering, p g myers

Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Stem view and details of a flowering plant in colour pencil. On left a stem view depicts stem with two off shoot branches of leaves and pea flowers on a long stem. The leaves are dark green, flat, long and gradually tapered with paler central vein. Flowers are purple with white partially blended striations. On right (t-b): front view of pea flower; side view with partial stem; rear view with sepals; leaf views with rear, front and side depicted in detail; side view of whithered flower. Numbered in pencil and typed letters on white paper affixed to surface of image. Mounted in double matt (pale grey on mauve), framed under glass in wooden gold and green frame.Front: Swainson phacoides (Dwarf Swainson Pea) (lower left) (pencil). CEW (lower centre in image) (maroon pencil). Back: 71 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema, botanical drawings

Alice Watson completed a course of work at the Ballarat Technical Art School, a division of the Ballarat School of Mines. Her complete folio is held by Federation University Australia. Ten works were undertaken at the Ballarat Technical Art School by Edith Alice (Alice) Watson. All paintings are of various flowers painted in watercolour. .1 is incomplete with the vase sketched in pencil; .3 has pencil sketches on the reverse side .6 .7 and .8 are still life paintings.1 urs embossed stamp " RWS Pall Mall East Guaranteed Pure Paper " with the letters "RS" in pencil; .2 lrs "A. WATSON 3rd TERM 1931 .4 upper top verso "Pass. Good tones values in red flower. Also color, one not overworked.Yellow flower rather faulty tone, but direct work. Very promising."ballarat technical art school, ballarat technical art school number 10, ballarat school of mines, alice watson, edith alice watson, artwork, lettering, flora, flowers, alumni

INFANTRY DRILL 1893 BY AUTHORITY - Infantry Drill Training - BritishCover - hard cover, cardboard, leather - dark red with gold print on front and spine, with gold military coat of arms above print on front. Front embossed to frame print. Pages - 269 pages, cut, stippled edges, coloured light red, off white. Block print including front and back end papers. Illustrated - black and white diagrams and illustrations. Grey lead pencil annotations throughout the book. Contents Page. greylead pencil - " ......./D Coy/69th Battalion" Throughout the book - grey lead pencil - "X"book, infantry, drill, british

Copies of 6 sketches done by Reinhold Eckfeld whilst an internee in camps 9 and 10 at Hay NSW. He was also on the Dunera.Collection of 6 copies of sketches done in pencil and laminated. 1 - Pencil sketch of Rudi Laqeur and Hans Abarbanell 2 - Pencil sketch of Michael Ritterman, Heinz Oschinski and Hans Feder (sketches 2 and 3 were joined together) 3 - Pencil sketch looking through 3 rows of barbed wire to trees beyond 4 - Pencil sketch looking through 3 rows of barbed wire at a different view point to no 3 5 - Pencil sketch of inside hut 39 Hay, front corner with bunks on left hand side 6 - Pencil sketch of two of the mess huts and other huts at Hay and some of the gardenhans feder, michael rittermann, heinz oschinski, internment camps new south wales, hans abarbanell, rudi laqeur, hay internment camp, dunera internees