The c1860 St Andrews Hotel, with the c1930 additions, and the Canary Island Palm, and the surrounding site to the title boundaries are historically, socially and aesthetically significant to the Shire of Nillumbik. The St Andrews Hotel is historically significant because it may have given its name 'St Andrews' to the town (another suggestion is that the name came from St Andrews church) and for its connection to Ewen Hugh Cameron (1831-1915) the prosperous local farmer, member of the Eltham Roads Board/Shire Council and local MP. It is also significant as the oldest hotel building in the former Shire of Eltham, as one of the few surviving buildings connected with the Caledonian goldfields era and as one of a handful of early structures to have survived the 1960s bushfires; the additions and alterations to the hotel reflect its long life. The hotel is socially significant because it has served as an important meeting place for more than 160 years. The Canary Island Palm is historically significant as a rare example of exotic tree planting in this rural area. The tree is aesthetically and historically significant as a local landmark and for its contribution to the streetscape and landscape value. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p71 Built around 1860, St Andrews Hotel has changed little since it first welcomed thirsty gold diggers from the Caledonia Goldfields. The timber building, with gabled roof, beamed ceilings and a massive fireplace, is Nillumbik Shire’s oldest hotel and has always been an important community centre, particularly in its early days. Fortunately, the hotel and the near-by Canary Island Palm Tree, which is quite rare in this area, survived the 1960s bushfires, along with a few other early buildings. St Andrews (formerly Queenstown) was founded on gold, as were Panton Hill (formerly Kingstown), Research and Diamond Creek, from the mid-1850s to the 1860s. But by the early 20th century common use changed the name Queenstown to St Andrews, possibly after this hotel or after the church or the mining district.1 The Caledonia Diggings were probably named by Scottish settlers after the Roman name for Scotland, despite this land bearing little similarity to their homeland.2 Queenstown, which was proclaimed as a township in 1861, was the gold-mining centre on the Upper Diamond and in the 1850s had up to 600 European inhabitants and a small camp of Chinese on the flats along the creek. Queenstown was the administrative centre of the Upper Diamond with three hotels, a brewery and a slaughterhouse.3 It is unclear which hotel was the district’s first, as distinct from the earliest unlicensed grog shops, some of which operated in tents. John Corke Knell was one of eight unlicensed storekeepers supplying drink to miners at Caledonia in 1857, named by Sgt. McNamara of the Caledonia Police Station.4 In February 1859, Knell apparently bought most of the present hotel’s site at the first township land sales. As he was a local storekeeper, he might have first established a store there.5 Knell and his wife Eliza were early licensees of the St Andrews Hotel. The hotel had eight bedrooms – including three for public use – and the dining-room seated 30 people. It is thought they named the hotel St Andrews after Eliza’s hometown of St Andrews in Scotland. St Andrews Hotel was an important local centre in several ways. In the same building the Knells also operated a post office and general store. In 1867 Mrs Knell was appointed Deputy Registrar of Births and Deaths for Queenstown. The hotel was also used to hold inquests into people’s deaths when the police residence became too small.6 The hotel also became a fashionable destination at Christmas for parties from Melbourne. In 1868, possibly following her husband’s death, Mrs Knell applied for a temporary licence, which was then transferred to Robert Smith after their marriage in 1869. But then, possibly after Robert’s death, Mrs Smith operated the hotel until 1892. This contradicts a report in The Evelyn Observer 1882 that JC Knells of the St Andrews Hotel was granted a publican’s licence in the Queenstown Police Court. At that time he was supposed to have been dead for around 14 years! Although Mrs Smith was a respected citizen, known for her geniality and as an ideal hostess, she had a minor brush with the law when she was fined ten shillings for not lighting a lamp outside her licensed premises.7 From 1892 several publicans owned the hotel including W Atkins, from 1895. In 1909 the licensee was apparently Mrs Smith’s son, Walter Knell, who held the licence until at least the 1920s. Not surprisingly, this old hotel has attracted romantic stories. Mrs Smith is said to be seen roaming the pub in her nightdress – even though she was buried in the Queenstown Cemetery in 1911.8 A musical The Hero of Queenstown, set in the hotel, was written and produced by local actor Reg Evans in the 1970s.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, st andrews hotel

St. Matthew's Church has historic significance as the town's church and physical and social focus for the community. The standard design buildings are good examples and important streetscape elements. The war memorial cross is the area's monument to the 20th century wars and its modest scale in comparison with the granite Eltham and towered Kangaroo Ground memorials illustrates the lack of affluence in the town and surrounding area. The grouping of church, school, store and post office is typical of country villages throughout Victoria. The Radiata Pine plantings are significant as an intact line of shelterbelt planting typical of the early 20th century. (Bick Study 1992) Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p63 Panton Hill’s first church services were held in a simple building made of paling timber, opposite the Hotel de France. The building was also used for Sunday School, a school and a hall.1 The St Matthew’s Church and hall at the corner of Church Road and Kangaroo Ground-St Andrews Road, were built in the early 20th century in the standard rectangular style of the times. The intact belt of Radiata Pines was common at that time. The war memorial concrete cross is the area’s monument for the 20th century wars. It is much more modest than those in Eltham, and particularly in Kangaroo Ground, demonstrating those townships’ comparative affluence.2 Early settler J Hughes, who donated the land to the Church of England, was the first to be married at St Matthews when he married Rachel Coutie. In later life he became a minister of religion.3 One much-liked preacher was George Hollow, who with his sister playing the harmonium, conducted church services at Panton Hill, St Andrews and Christmas Hills, for many years.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, panton hill, st matthew's church, panton hill war memorial

'Fulling', the half-hectare property at Pitt Street, Eltham was the home of landscape designer Gordon Ford and his wife Gwen. Ford bought the property in 1948, originally part of an orchard. The garden encapsulates the major trends of Australian garden design in the second half of the 20th century. The garden design is based on mass (plants) and void (paths and pools), textures and forms. It epitomises the Eltham style because of its relaxed informality and attraction to native wildlife. The mud brick house and designed and built by Ford commenced in 1948. Several extensions were added up to 1970 and were built by Graham Rose (Source: information panel for exhibition, n.d.) Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p147 A narrow timber gate opens onto a garden that has had a huge impact on natural garden development in Australia since the 1950s.1 Fulling, the half-hectare property at Pitt St, Eltham, was the home of the landscape designer, Gordon Ford, who died in 1999. The garden ‘encapsulates the major trends of Australian garden design in the second half of the 20th century...and epitomises the Eltham style of garden’.2 It in turn, was influenced by several Victorian major landscape designers of the mid 20th century – Ellis Stones, Peter Glass and Edna Walling. The gate opens onto a sandy gravel path, one of several, which wind around dramatic pools and what appear to be natural bush, but on close inspection are carefully integrated native, indigenous and exotic plantings. Retaining walls and steps of rock through the garden link different terrace levels. Lichen-covered boulders serve as steps across a pool, leading to the triple level mud-brick house. Ford bought the property, which was originally part of an orchard, in 1948. As the son of a Presbyterian minister, Ford received a good education, which included learning Latin. This was advantageous when he worked in plant sales for the Forestry Commission, before the Second World War. In the late 1940s, however, Ford turned to building and landscape gardening. He worked on the Busst house, an early mud-brick building designed by Alistair Knox and at the same time, Ford was employed by Ellis Stones. Knox described Ford as, ‘one of the funniest men of the district. ...Rocky’s (Ellis Stones) Depression stories and Gordon’s memory and quick tongue made the jobs the most enjoyable of all those hysterical times that made Eltham the centre of the eternal laugh, between the years of 1945 and 1950’.3 Ford’s house, like so many after the war, was built progressively, as more space was needed and formerly scarce materials became available. It began with an army-shed of timber-lined walls, now used as the kitchen. Ford then built what is now the lounge room, and the house grew ‘like topsy and on a shoestring,’ says his widow Gwen. A lot of second-hand materials such as window frames were used, a style made famous particularly with their extensive use at Montsalvat, the Eltham Artists’ Colony. The house was constructed as a joint venture with friends, including artist Clifton Pugh, who built Ford’s bedroom for £10. The polished floorboards and solomite (compressed straw) ceilings, interspersed with heavy beams, exude warmth. The result is a home of snug spaces, with soft light and garden vistas. Several other mud-brick buildings were constructed as needed, including a studio and units for bed-and-breakfast clients. The garden, which has been part of the Open Garden Scheme since the mid 1980s, is based on a balance of mass (plants) and void (paths and pools), textures and forms. It epitomises the Eltham style because of its relaxed informal ethos and attracts native animals. Wattlebirds, scrub wrens, pardalotes, currawongs, owls and even kangaroos, have been seen at Fulling. Gwen, a former English teacher who has worked on the garden since around 1970, urged and helped Ford write his book, The Natural Australian Garden.4 Several of Ford’s favourite trees are in the garden, including the native Casuarina or She-Oak. In spring, the garden is dusted with the purple Orthrosanthus multiflorus or blue native irises and rings with the calls of birds attracted to plants like the callistemons, correas and grevilleas.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, fulling, gordon ford garden, pitt street, eltham mud brick buildings, mud brick house

Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Drawings of a cutting of plant with dark green foliage and eight white flowers. Single drawing on white background with name and signature in lower corners. The work is on white paper mounted in a double matt (grey on gold), unframed and wrapped in plastic.Front: White Correa Correa alba (lower left) (blue pencil) CEWoolcock (lower right) (brown pencil) Olearia speciosa (Netted Daisy-bush) (lower left) (pencil) Back: 23 (upper left) (pen) White Correa (Correa alba) $80. C E Woolcock (sticker, upper left)collin woolcock, botanical, woolcock collection, cema, botanical drawings

Part of 'Woolcock Gallery Collection' Exhibition CEMA 1989.Detail of plant stem on left and on right details of pea flowers and stem views. Stem view on right is a long stem with many fine green leaves (long and thin). At top of stem is a cluster of range pea-flowers and buds. On right of page (t-b): view of pea-flower from top, showing orange petals and dark pink and magenta colouration at centre; side view of emergent bud; stem detail with leaves; side views of full bloom flower; rear view of flower. All views are numbered in both pencil and on typed paper affixed to surface of image. Mounted in double matt (white on faun) framed under glass in wooden frame with gold detail.Front: Dillwynia cinerascens (lower left) (pencil). CEW (lower left, in image) (purple pencil). Back: 41 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema, botanical drawings

Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Stem, flower and leaf details of flowering plant in colour pencil. On left is a stem view depicting a woody central stem with thin leaves and smaller leafed stems ending in clusters of buds or orange pea flowers. On bottom left is a side view of orange pea-flower. On right (t-b): front view of flower; side view of emergent bud; leaf detail; rear view of flower depicting petals and sepals. Mounted in double matt (white on apricot), framed under glass in gold wooden frame. All views numbered in pencil and typed letters and numbers on white paper affixed to paper surface.Front: Dillwynia hispida (lower left) (pencil). 15/?/77 (lower left) (pencil, erased). Back: 40 (top left) (pen)collin woolcock, botanical, woolcock collection, cema

Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Colour drawings of flowering stem and detailed leaf and flower views. The largest stem view depicts thin woody stem with small fine green leaves along length of stem. Branching stems at top end in clusters of buds or small orange and yellow pea flowers. At centre left are 3 details of leaves (front, rear and end views). On right are (t-b): top view of yellow pea flower; side view (orange and yellow); rear view (orange) with sepals; sepal detail; side view in full bloom. All views are numbered in pencil and printed on white paper affixed to image surface. Mounted in double matt (white on faun), under glass in wooden frame with gold detail.Front: Pultenaea sub-umbellata (lower right) (pencil). CEW (signature, lower centre in image) (maroon pencil). Back: 37 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema

Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Two pen and ink drawings of two daisy plants. On left is stem with fine hairs, large serrated leaves with dark upper side and pale under side, clustered at base of stem, with single flat topped daisy flower at top of stem. To the right is stem view with hairy stem, rippled leaves with dark upper side and pale under side, and three stems at top with 2 daisy flowers in full bloom and one bud. Mounted in a double matt (white on grey), framed under glass in wooden frame with silver detail.Front: O. grandiflora (Mt. Loty Daisy-bush) S.A. O. tomentosa (Toothed Daisy-bush) S.A. (lower left) (pencil). CE Woolcock (signature, lower right) (pencil). Back: 31 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema, bontanical drawing

Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Illustration of a plant with prickly pointed leaves (holy-like) and pink flowers with thin tubular petals and yellow stamens (toothbrush-like in appearance). New leaves are at top with brown-red colouring. To mid-right of plant are two seed pods with a pink petal tube emerging from end. Mounted in double matt (faun on orange), framed under glass in gold, blue and brown wooden frame.Front: CE Woolcock (lower left) (green pencil) Back: Grevillea aquifolium (Variable Prickly Grevillea) (Sticky label, blue pen) CE Woolcock (signature)collin woolcock, botanical, woolcock collection, cema

Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Drawing of a stem and flower detail of plant with flat, elongated serrated leaves of a pale sage green, bigger at base of plant and diminishing in size as they ascend the stem. At top of stem are flower heads consisting of multiple small yellow blossoms. At lower right is a detail of one of these flowers. Work is mounted in a double matt (pale cream on faun), framed under glass in gold and green wooden frame.Front: Senecio odoratus (Scented Groundsel) (lower left) (pencil). CEW/85 (lower centre in image) (maroon pencil). Back: 38 (top left) (pen)collin woolcock, botanical, woolcock collection, cema, botanical drawings

Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Framed drawing of two plant cuttings. Two drawings include one cutting of grey-green multiple stems with green leaves and white and yellow flowers and one single stem cutting with green leaves (grey-green underside) and a large white, yellow and orange flower. Mounted in a double matt (grey on apricot) in a gold painted wooded glazed frame.Front: Helichrysum obtusifolium (Blunt Everlasting) Helichrysum dealbatum (Silver " " ) (lower left) (pencil) CEW 84 (signature, left left in image) (green pencil) Back: 14 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema, botanical drawings

Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Two flowering stems. View on left depicts long stem with many large serrated leaves (blue-green) with some showing darker edges of a purple tinge. Top of stem has yellow flowers coming from long slim stems. Flowers have 8 long yellow petals each and yellow centres. View on left has fine pale green leaves (fern-like). At top of stem are floral stems, ending in buds and full flowers. Flowers are yellow, with 13 petals and darker yellow centres. Mounted in a double matt (white on faun), framed under glass in gold and green frame.Front: L. Senecio magnificus (Tall yellow-top). R. Senecio lautus (Variable Groundsel) (lower left) (pencil). CE Woolcock (lower right, signature) (pencil) CEW (lower left in image) (purple pencil). Back: 24 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema, botanical drawings

Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Two views of orchids. Large green leaf at base from which a long stem rises with leaves unfurling along its length. View on left depicts two red and white flowers unfurling; plant on right depicts three flowers. Mounted in double matt (grey on burgundy), framed under glass in wooden frame with gold detailing.Front: CEW/72 (lower left) (red pencil) Back: 77 (upper left) (pen) Lyperanthus nigricans 'Red Beak orchid' (sticky label and pen, top left)collin woolcock, botanical, woolcock collection, cema

Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Stem view and details of a flowering plant in colour pencil. On left a stem view depicts stem with two off shoot branches of leaves and pea flowers on a long stem. The leaves are dark green, flat, long and gradually tapered with paler central vein. Flowers are purple with white partially blended striations. On right (t-b): front view of pea flower; side view with partial stem; rear view with sepals; leaf views with rear, front and side depicted in detail; side view of whithered flower. Numbered in pencil and typed letters on white paper affixed to surface of image. Mounted in double matt (pale grey on mauve), framed under glass in wooden gold and green frame.Front: Swainson phacoides (Dwarf Swainson Pea) (lower left) (pencil). CEW (lower centre in image) (maroon pencil). Back: 71 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema, botanical drawings

Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Drawing of stem and flower detaisl. At far left is back view detail of an orange flower with paler, yellow edges to petals. At centre is a stem detail, depicting a long stem with a large leaf and flowering stem partnered and situated at staggered intervals up the central stem. Flowers are yellow with red centres. On right are three details of a flower (t-b): top view of flower; side view of flower; and side view of emergent bud. Mounted in double matt (white on faun), framed under glass in wooden frame with gold details.Front: Daviesia latifolia (lower left) (pencil). CEW (lower left in image, signature) (maroon pencil). Back: 19 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema, botanical drawings

Shire of Eltham Heritage Study 1992 prepared by David Bick and Carlotta Kellaway; Garden Evaluation by John Patrick and Planting Evaluation by Ken Wallace Volume One: Recommendations, Conservation Areas, Identified Places Volume Two: Environmental History and Bibliography Volume Three: Culturally Significant Themes and the Evaluations of the Individually Identified Places that Illustrate the ThemesProvides the foundation for future planning assessments in the Shire of Eltham.167 A4 pages (double sided), spiral bound with clear pastic front cover and black card end cover.background history, carlotta kellaway, conservation areas, culturally significant themes, david bick, garden evaluation, heritage study, identified places, john patrick, ken wallace, planting evaluation, recommendations, shire of eltham heritage study

Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.View of flowering plant with stem and flower details. On left is a view of stem with three smaller stems bearing long, thin green leaves and ending in clusters of pea flowers (apricot in colour). On right (t-b): stem detail with leaves; end view of leaf depicting curve; top view of flower; side view; rear view. All views are numbered in pencil and typed numbers on paper affixed to surface of paper. Mounted in double matt (white on apricot), framed under glass in wooden frame with gold detail.Front: CEW (signature, lower left in image) (maroon pencil). Dillwynia sericea (lower right) (pencil). Back: 39 (upper let) (pen)collin woolcock, botanical, woolcock collection, cema, botanical drawings

State Rivers and Water Supply Commission. Seven-page typed document titled 'General description and particulars of the Eppalock Project.' Subheadings: General, Administration and Works Installation, Field laboratory, Construction programme, Design statistics, Major items of plant in use on the project, Progress to 1st August 1961, Eppalock Reservoir Locality Plan (diagram), Eppalock project works area & arrangement plan (diagram), Eppalock Project cross section of dam along? tunnel (diagram).state infrastructure, water supply, coliban system, state rivers and water supply commission. coliban system. eppalock.

This must have been put out for tender - no information on which was used1. Site Plan Floor Plan Job No. 89038. Drawing No. SKA001 by Godfrey and Spowers Australia Pty. Ltd. Scale 1:100, 1:200 X 4. 2. Proposed Laboratories & Offices at Swan Street, Richmond for VCAH-Burnley. College of Horticulture: Floor Plan, Section A-A, Elevation 1, 2, 3 and $. Sheet No. 8952 WD2 by Fooks Martin Sandow Pty Ltd. Scale 1:100vcah, burnley, laboratory, fooks martin sandow p/l, godfrey and spowers australia p/l

Six paged duplicated paper or report titled "Future Development of Tramways in the Melbourne Central Business District", by Graeme Breydon, presented to the AETA 1973 Convention, based on an article prepared for the August 1972 issue of Electric Traction. Has references, looks at proposals for underground part of the Swanston St tramway, alternatives for flinders St and a Yarra crossing, St Kilda Road issues, William St, CBD problems and travel issues, shortcomings of proposals, alternatives, Flinders Gate interchanges, associated track improvements, cost benefit ratios, comments and conclusions. 2nd copy contains within a brown manila quarto sized folded marked "Tramways in the Melbourne. Central Business District" G. Breydon (Aug. 1972). See also Reg Item 3069 and 2812 for further references. .2 - letter - c Jan 1973 - carbon copy of a Letter to the Editor for response to a letter in Electric Traction Dec. 1972 responding to H. Moses and making specific comments. .3 - letter - 29/1/1973 to Graeme Breydon from the Ian Cooper of the AETA responding and accepting an offer of Graeme to present on the Board's plan for the forthcoming AETA Canberra Conference in April 1972. .4 - Report - 17 Quarto pages, stapled on the left hand side titled "Future Development of Melbourne Tramway System, with particular reference to possible improvements to the fixed plant of the Central Business District", written by Graeme Breydon, dated Jan. 1972. Refers to the 1962 report of Risson, and scheme presented to Council, Has hand drawn maps of the central area of Melbourne, Looks at the background, traffic issues, proposed underground loop, employment distribution, an extension to Elisabeth St, reversing loops, St Kilda Road and comments on the MMTB proposals. Refers to a paper delivered by D Lees, MMTB Planning Engineer, Swanston St underground proposal,on outside of the 2nd copy, and on top right hand corner of paper AETA Library mark "4E11"trams, tramways, mmtb, melbourne, traffic control, swanston st, st kilda rd, elizabeth st, bourke st, aeta, transportation, underground tramways

In 1872 William Tulloch and Alexander McLaren constructed a new brick 'Royal Standard Brewery' to the design of architect Henry R. Caselli. They had been operating a much smaller 'Royal Standard' Brewery, possibly since 1859. The Ballarat Brewing Company was established in 1895 and took over operations of the 'Royal Standard'. This new company resulted in the merger of the 'Royal Standard Brewery', James Coglans 'Phoenix Brewery' (Warrenheip) and Henry Leggo's 'Barley Sheaf Brewery' (Creswick Rd). J. Coglan and W. Tulloch were principals of the new company. By 1912 the Ballarat Brewery buildings fronting Armstrong Street were upgraded and new plant installed. Ballarat Brewing Company was well established as a thriving business. In 1926 'Ballarat Bertie' (the cellar-man) advertising image was introduced. It was used successfully until 1994 on 'Ballarat Bitter' labels. During the1940s and 50s the Ballarat Brewing Company was significantly upgraded and extended equipment and buildings. In 1959 Carlton and United Breweries purchased the Ballarat Brewery, its brewing rights and the land (but not the 114 BBC hotels or the Dana Street offices). The Lydiard Street frontage become the 'front' of the CUB Brewery. CUB ceased brewing at the Ballarat Brewery site in 1989 and closed the plant. Four years later the 'brewery site' was purchased by the Ballarat School of Mines to enlarge its campus area as TAFE was a rapidly expanding areas of education. In 1994 plans were developed for the 'Brewery Complex' with careful regard for needed educational facilities and due concern regarding historical aspects of the site and its buildings. There was close consultation and cooperation with the Ballarat City Council during the planning process. In 1995 most of the Brewery buildings were demolished by some special structures and features are preserved. The old brewery chimney was retained as a permanent reminder of the original industrial site, as were two boilers. The SMB Brewery Complex was completed in 1996 and reflects aspects of the former brewery's appearance. It was opened by Prime Minister John Howard on 28 February 1997. Further details at http://guerin.ballarat.edu.au/curator/buildings/site_listing_brewery-complex.shtml Twenty five colour photographs of the Brewery Building at the University of Ballarat SMB (Ballarat School of Mines) campus. The Brewery Building is built on the site of the former Ballarat Brewery and incorporates the chimney and 'Cowley' boilers from that site. ballarat school of mines, henry richards caselli, henry caselli, ballarat brewing, brewery, beer, cowleys foundry, carlton and united breweries, ballarat brewery site

Plan (engineering drawings) for construction of crushing and elevating plant at Lansell's Comet Proprietary Mine, Bendigo. Drawings show detail for crusher and elevator, brick foundations. Plan is annotated with e.g. number of revolutions of jaw crusher. On bottom written in black pen: arrangement crushing and elevation plant for Lansell's Proprietary Comet Mine Bendigo, Hargreaves & Daggar, Consulting Engineers, Victoria Chambers.mining, crushing & milling, lansell's comet mine

Two handwritten and three typed copies of a Condensed Historical Record of Lansell's Big 180 Mine on the New Chum Line of Reef. Notes include location, shaft, first worked, size of lease, plant, engine house, boiler rooms, mullock heap, early history, Prominent, best gold, underground connections, pressurised hot water, diamond drill bores and a table with depths and the increase in temperature with the depth (in Fahr). Albert Richardson Collection. document, gold, lansell's big 180 mine, lansell's big 180 mine, condensed historical record of lansell's big 180 mine, wittscheibe, ballerstadt, ernst mueller, theodore ballerstadt, george lansell, north old chum, victoria quartz, mines dept special edition 'australian mining standard' 1/6/1899, mines dept booklet 'bendigo goldfield' 1936, quarterly reports, lansell's 180 mine 'transverse sections, annals of bendigo mining sections, a richardson's observations from old photographs and measurements of mining plans, measurements taked from caleb thomas' report mines dept 1875, 'report on observation of underground temperature at bendigo' james stirling government geologist 1899, a richardson

1962 plans, interior drawings and specifications for G. Scambler's brick house at 16 Wolsley Crescent, Blackburn, and the 2013 Barry Plant Real Estate flyer. non-fiction1962 plans, interior drawings and specifications for G. Scambler's brick house at 16 Wolsley Crescent, Blackburn, and the 2013 Barry Plant Real Estate flyer. The architect was Drayton and Colman.scambler gk, drayton & colman architects, wolsley crescent

One typed, one handwritten and one handwritten carbon copy of notes on the North Johnsons Mine on the Garden Gully Line of Reef. Notes include size of lease (which was very small, only 83 yards along the line of reef, and the late 1890's absorbed the Rose of Denmark lease, the next mine north, of 57 yeards along the line of reef, Depth of shaft, height of Sill, Locality, Plant, Early History, Prominence, Best Gold, Total Gold Yield and Dividends,Underground Connections and References. Albert Richardson Collection. document, gold, north johnsons mine, north johnsons mine, garden gully line of reef, rose of denmark, camerons reef, dagmar reef, johnsons no 1, johnsons no 2, special edition australian mining standard 1/6/1899, mines dept booklet bendigo goldfield geo brown 1936, mines dept quarterly and annual reports, annals of bendigo mining sections 1866 - 1917, a richardson, e j dunn's special report no 1 measurements taken from north johnsons mine transverse section 22/9/1892, wood & mcnair sharebrokers plan of leases of portion of bendigo goldfield to 4/5/1912