This series presents 28 years of Thomas' journals, transcribed and annotated by Dr Marguerita Stephens (Vols 1-3). Vol 4 provides a substantial collection of Thomas' records of Kulin language - some reworked from earlier transcriptions by Dr Stephen Morey. For nearly three decades William Thomas chronicled his life and work with Aboriginal Victorians through his daily journal entries. Now this four volume set, comprehensively indexed and extensively annotated, shines new light on the history of race relations in Australia. Thomas' detailed observations give a rare insight into the process of cultural continuity and collapse, and the agency of Victorian Aboriginal leaders in social and economic interactions with settlers and colonial administrations in a time of great social upheaval. This first-hand account repopulates Victorian history, paying respect to the work, play and lives of the Aboriginal men and women who emerge from the pages of Thomas' journal.document reproductionswurundjeri, woiwurrung, woi wurrung, yarra, waverong, wavarong, waborong, warwarong, warworong, waworong, wa woo rong, wouvarong, wavorong, port phillip, boon wurrung, mount macedon, bacchus marsh, backhouse marsh, boonurrong, boonurong, boonmerong, bonwarong, boomerong, boonvarong, boonerong, bunurong, boonrong, boonworng, boonurong, boonwrung, boonurgs, taungurung, goulbourn, tongorong, devils river tribe, wathaurong, wadawurrung, barrabool, barabool, wattowrong, william thomas, geelong, ballarat, mount buninyong, booningong, leigh river tribe, dja dja wurrung, avoca, loddon river, bangerang, pangerang, pangeran, pangarran, pangarans, parngarangs, ovens river tribe, broken river tribe, gunai kurnai, omeo, monaro

Annotation. This series presents 28 years of Thomas' journals, transcribed and annotated by Dr Marguerita Stephens (Vols 1-3). Vol 4 provides a substantial collection of Thomas' records of Kulin language - some reworked from earlier transcriptions by Dr Stephen Morey. For nearly three decades William Thomas chronicled his life and work with Aboriginal Victorians through his daily journal entries. Now this four volume set, comprehensively indexed and extensively annotated, shines new light on the history of race relations in Australia. Thomas' detailed observations give a rare insight into the process of cultural continuity and collapse, and the agency of Victorian Aboriginal leaders in social and economic interactions with settlers and colonial administrations in a time of great social upheaval. This first-hand account repopulates Victorian history, paying respect to the work, play and lives of the Aboriginal men and women who emerge from the pages of Thomas' journal.document reproductionswurundjeri, woiwurrung, woi wurrung, yarra, waverong, wavarong, waborong, warwarong, warworong, waworong, wa woo rong, wouvarong, wavorong, port phillip, boon wurrung, mount macedon, bacchus marsh, backhouse marsh, boonurrong, boonurong, boonmerong, bonwarong, boomerong, boonvarong, boonerong, bunurong, boonrong, boonworng, boonurong, boonwrung, boonurgs, taungurung, goulbourn, tongorong, devils river tribe, wathaurong, wadawurrung, barrabool, barabool, wattowrong, william thomas, geelong, ballarat, mount buninyong, booningong, leigh river tribe, dja dja wurrung, avoca, loddon river, bangerang, pangerang, pangeran, pangarran, pangarans, parngarangs, ovens river tribe, broken river tribe, gunai kurnai, omeo, monaro

Clutha was the home of John Carson, the second mayor of Kew. Leonard Terry designed the house for him in 1856. Terry was the architect of the Melbourne Club (1858), the former London Chartered Bank (1861), Lothian Terrace in Carlton (1865), and the ES&A Bank in Hawthorn (1873). The commission for Clutha was won three years after Terry’s arrival in Victoria.An extremely rare photograph of a major residential architectural commission of Leonard Terry. The photograph of the house has statewide significance as the home of the Victorian pioneer and businessman, John Carson. A rare, nineteenth century photograph of ‘Clutha’ in Studley Park Road, Kew. The sepia-toned photograph is of the front of the house, with its bluestone foundations and its second storey balcony. A real estate advertisement in 1875 described the house as: 'First-class family mansion, and about 8½ acres of pleasure grounds and fruit garden. The house, erected under the plans and supervision of Mr. Leonard Terry, is most substantially built of brick, stuccoed, on solid bluestone pediment, forming a noble basement story, large entrance hall, and lobby, with conservatory on the left. *** A wide verandah and balcony, erected on cast-iron columns, runs round the house, the views from which are perhaps unequalled in extent and beauty in the neighbourhood of the city, commanding the bay, shipping, Mount Macedon, and Dandenong Ranges. Th e whole forming a most complete gentleman's residence, no expense having been spared in its erection and comfortable finish.'"Clutha West Side Studley Park Road Kew / Clutha West Side"clutha, john carson, leonard terry

The Daylesford Botanic Gardens are of historic, scientific (botanic), and aesthetic significance to the State of Victoria. The Daylesford Botanic Gardens are historically significant as a fine example of a regional botanic garden demonstrating the typical characteristics of a carriage drive, informal park layout, decorative structures and works such as the memorial tower, conservatory, rotunda, cascade and fernery, which contrasts with the open lawns planted with specimen trees, areas of intensive horticultural interest and close proximity to a township developed during the mid to late nineteenth century. The Daylesford Botanic Gardens are historically significant for the design input by noted landscape designer William Sangster, and for the survival of his 1884 plan, which is a rare example of a plan from this prolific garden designer. The Daylesford Botanic Gardens are of scientific (botanic) significance for the extensive conifer collection and cool climate plants. The Gardens contain an outstanding collection of conifers and other mature trees, many of which were donated by renowned botanist Ferdinand von Mueller. Significant trees include Pinus ponderosa (Western Yellow Pine), Pinus coulteri (Big Cone Pine), twoAbies nordmanniana (Caucasian Fir), Abies pinsapo, (Spanish Fir) and a Cedrus atlantica f. glauca(Blue Atlas Cedar), Pinus wallichiana (Bhutan Pine), Pinus pinaster (Maritime Pine), Sequoiadendron giganteum (Giant Redwood), (Monkey Puzzle) and Aesculus hippocastanum (Horse Chestnut), many the largest or finest examples in Victoria. Other outstanding trees include a Tilia cordata (Small-leaved European Linden), a row of Cupressus lusitanica (Mexican cypress), a Quercus robur (English Oak) planted in 1863, avenues of Dutch Elms and a rare Quercus leucotrichophora (Himalayan Oak). The Daylesford Botanic Gardens are of aesthetic significance as a rare example of a botanic garden spectacularly sited on an extinct volcanic cone which allows a panoramic view, aided by the 1938 Pioneers’ Memorial Tower, as well as vistas within and out of the gardens and from the township to the gardens. As the most prominent local landmark, the Garden’s vertical dominance in the landscape provides a dark contrast to the elms avenues, oaks and other deciduous species. (Heritage Victoria Register, )Digital imagesdaylesford, snow, weather, climate, winter, daylesford botanic gardens, botanic gardens, wombat hill, wombat hill botanic gardens, pinetum, trees, reservoir

The Daylesford Botanic Gardens are of historic, scientific (botanic), and aesthetic significance to the State of Victoria. The Daylesford Botanic Gardens are historically significant as a fine example of a regional botanic garden demonstrating the typical characteristics of a carriage drive, informal park layout, decorative structures and works such as the memorial tower, conservatory, rotunda, cascade and fernery, which contrasts with the open lawns planted with specimen trees, areas of intensive horticultural interest and close proximity to a township developed during the mid to late nineteenth century. The Daylesford Botanic Gardens are historically significant for the design input by noted landscape designer William Sangster, and for the survival of his 1884 plan, which is a rare example of a plan from this prolific garden designer. The Daylesford Botanic Gardens are of scientific (botanic) significance for the extensive conifer collection and cool climate plants. The Gardens contain an outstanding collection of conifers and other mature trees, many of which were donated by renowned botanist Ferdinand von Mueller. Significant trees include Pinus ponderosa (Western Yellow Pine), Pinus coulteri (Big Cone Pine), twoAbies nordmanniana (Caucasian Fir), Abies pinsapo, (Spanish Fir) and a Cedrus atlantica f. glauca(Blue Atlas Cedar), Pinus wallichiana (Bhutan Pine), Pinus pinaster (Maritime Pine), Sequoiadendron giganteum (Giant Redwood), (Monkey Puzzle) and Aesculus hippocastanum (Horse Chestnut), many the largest or finest examples in Victoria. Other outstanding trees include a Tilia cordata (Small-leaved European Linden), a row of Cupressus lusitanica (Mexican cypress), a Quercus robur (English Oak) planted in 1863, avenues of Dutch Elms and a rare Quercus leucotrichophora (Himalayan Oak). The Daylesford Botanic Gardens are of aesthetic significance as a rare example of a botanic garden spectacularly sited on an extinct volcanic cone which allows a panoramic view, aided by the 1938 Pioneers’ Memorial Tower, as well as vistas within and out of the gardens and from the township to the gardens. As the most prominent local landmark, the Garden’s vertical dominance in the landscape provides a dark contrast to the elms avenues, oaks and other deciduous species. (Heritage Victoria Register, )Black and white postcard of Wombat Hill Botanical Gardens, Daylesford.wombat hill botanical gardens, daylesford, gardener, wombat hill botanic gardens

The Daylesford Botanic Gardens are of historic, scientific (botanic), and aesthetic significance to the State of Victoria. The Daylesford Botanic Gardens are historically significant as a fine example of a regional botanic garden demonstrating the typical characteristics of a carriage drive, informal park layout, decorative structures and works such as the memorial tower, conservatory, rotunda, cascade and fernery, which contrasts with the open lawns planted with specimen trees, areas of intensive horticultural interest and close proximity to a township developed during the mid to late nineteenth century. The Daylesford Botanic Gardens are historically significant for the design input by noted landscape designer William Sangster, and for the survival of his 1884 plan, which is a rare example of a plan from this prolific garden designer. The Daylesford Botanic Gardens are of scientific (botanic) significance for the extensive conifer collection and cool climate plants. The Gardens contain an outstanding collection of conifers and other mature trees, many of which were donated by renowned botanist Ferdinand von Mueller. Significant trees include Pinus ponderosa (Western Yellow Pine), Pinus coulteri (Big Cone Pine), twoAbies nordmanniana (Caucasian Fir), Abies pinsapo, (Spanish Fir) and a Cedrus atlantica f. glauca(Blue Atlas Cedar), Pinus wallichiana (Bhutan Pine), Pinus pinaster (Maritime Pine), Sequoiadendron giganteum (Giant Redwood), (Monkey Puzzle) and Aesculus hippocastanum (Horse Chestnut), many the largest or finest examples in Victoria. Other outstanding trees include a Tilia cordata (Small-leaved European Linden), a row of Cupressus lusitanica (Mexican cypress), a Quercus robur (English Oak) planted in 1863, avenues of Dutch Elms and a rare Quercus leucotrichophora (Himalayan Oak). The Daylesford Botanic Gardens are of aesthetic significance as a rare example of a botanic garden spectacularly sited on an extinct volcanic cone which allows a panoramic view, aided by the 1938 Pioneers’ Memorial Tower, as well as vistas within and out of the gardens and from the township to the gardens. As the most prominent local landmark, the Garden’s vertical dominance in the landscape provides a dark contrast to the elms avenues, oaks and other deciduous species. (Heritage Victoria Register, )Digital imagesvictoria, 150, anniversary, botanic, gardens, wombat hill, botanic gardens, heritage, celebration, garden party, daylesford, people, crowd, community, john hawker, john madigan, stilt, trees, owls, wombat hill botanic gardens

The Daylesford Botanic Gardens are of historic, scientific (botanic), and aesthetic significance to the State of Victoria. The Daylesford Botanic Gardens are historically significant as a fine example of a regional botanic garden demonstrating the typical characteristics of a carriage drive, informal park layout, decorative structures and works such as the memorial tower, conservatory, rotunda, cascade and fernery, which contrasts with the open lawns planted with specimen trees, areas of intensive horticultural interest and close proximity to a township developed during the mid to late nineteenth century. The Daylesford Botanic Gardens are historically significant for the design input by noted landscape designer William Sangster, and for the survival of his 1884 plan, which is a rare example of a plan from this prolific garden designer. The Daylesford Botanic Gardens are of scientific (botanic) significance for the extensive conifer collection and cool climate plants. The Gardens contain an outstanding collection of conifers and other mature trees, many of which were donated by renowned botanist Ferdinand von Mueller. Significant trees include Pinus ponderosa (Western Yellow Pine), Pinus coulteri (Big Cone Pine), twoAbies nordmanniana (Caucasian Fir), Abies pinsapo, (Spanish Fir) and a Cedrus atlantica f. glauca(Blue Atlas Cedar), Pinus wallichiana (Bhutan Pine), Pinus pinaster (Maritime Pine), Sequoiadendron giganteum (Giant Redwood), (Monkey Puzzle) and Aesculus hippocastanum (Horse Chestnut), many the largest or finest examples in Victoria. Other outstanding trees include a Tilia cordata (Small-leaved European Linden), a row of Cupressus lusitanica (Mexican cypress), a Quercus robur (English Oak) planted in 1863, avenues of Dutch Elms and a rare Quercus leucotrichophora (Himalayan Oak). The Daylesford Botanic Gardens are of aesthetic significance as a rare example of a botanic garden spectacularly sited on an extinct volcanic cone which allows a panoramic view, aided by the 1938 Pioneers’ Memorial Tower, as well as vistas within and out of the gardens and from the township to the gardens. As the most prominent local landmark, the Garden’s vertical dominance in the landscape provides a dark contrast to the elms avenues, oaks and other deciduous species. (Heritage Victoria Register, )Colour photograph of Wombat Hill Botanical Gardens, Daylesford.heritage, daylesford, townscape, wombat hill, wombat hill botanical gardens, wombat hill botanic gardens

The Daylesford Botanic Gardens are of historic, scientific (botanic), and aesthetic significance to the State of Victoria. The Daylesford Botanic Gardens are historically significant as a fine example of a regional botanic garden demonstrating the typical characteristics of a carriage drive, informal park layout, decorative structures and works such as the memorial tower, conservatory, rotunda, cascade and fernery, which contrasts with the open lawns planted with specimen trees, areas of intensive horticultural interest and close proximity to a township developed during the mid to late nineteenth century. The Daylesford Botanic Gardens are historically significant for the design input by noted landscape designer William Sangster, and for the survival of his 1884 plan, which is a rare example of a plan from this prolific garden designer. The Daylesford Botanic Gardens are of scientific (botanic) significance for the extensive conifer collection and cool climate plants. The Gardens contain an outstanding collection of conifers and other mature trees, many of which were donated by renowned botanist Ferdinand von Mueller. Significant trees include Pinus ponderosa (Western Yellow Pine), Pinus coulteri (Big Cone Pine), twoAbies nordmanniana (Caucasian Fir), Abies pinsapo, (Spanish Fir) and a Cedrus atlantica f. glauca(Blue Atlas Cedar), Pinus wallichiana (Bhutan Pine), Pinus pinaster (Maritime Pine), Sequoiadendron giganteum (Giant Redwood), (Monkey Puzzle) and Aesculus hippocastanum (Horse Chestnut), many the largest or finest examples in Victoria. Other outstanding trees include a Tilia cordata (Small-leaved European Linden), a row of Cupressus lusitanica (Mexican cypress), a Quercus robur (English Oak) planted in 1863, avenues of Dutch Elms and a rare Quercus leucotrichophora (Himalayan Oak). The Daylesford Botanic Gardens are of aesthetic significance as a rare example of a botanic garden spectacularly sited on an extinct volcanic cone which allows a panoramic view, aided by the 1938 Pioneers’ Memorial Tower, as well as vistas within and out of the gardens and from the township to the gardens. As the most prominent local landmark, the Garden’s vertical dominance in the landscape provides a dark contrast to the elms avenues, oaks and other deciduous species. (Heritage Victoria Register, )Black and white photograph of a treed landscape covered with fog. The trees are in the Daylesford Botanical Gardens on Wombat Hill.wombat hill botanic gardens, wombat hill, daylesford, daylesford botanic gardens, fog, weather, arboretum

The Daylesford Botanic Gardens are of historic, scientific (botanic), and aesthetic significance to the State of Victoria. The Daylesford Botanic Gardens are historically significant as a fine example of a regional botanic garden demonstrating the typical characteristics of a carriage drive, informal park layout, decorative structures and works such as the memorial tower, conservatory, rotunda, cascade and fernery, which contrasts with the open lawns planted with specimen trees, areas of intensive horticultural interest and close proximity to a township developed during the mid to late nineteenth century. The Daylesford Botanic Gardens are historically significant for the design input by noted landscape designer William Sangster, and for the survival of his 1884 plan, which is a rare example of a plan from this prolific garden designer. The Daylesford Botanic Gardens are of scientific (botanic) significance for the extensive conifer collection and cool climate plants. The Gardens contain an outstanding collection of conifers and other mature trees, many of which were donated by renowned botanist Ferdinand von Mueller. Significant trees include Pinus ponderosa (Western Yellow Pine), Pinus coulteri (Big Cone Pine), twoAbies nordmanniana (Caucasian Fir), Abies pinsapo, (Spanish Fir) and a Cedrus atlantica f. glauca(Blue Atlas Cedar), Pinus wallichiana (Bhutan Pine), Pinus pinaster (Maritime Pine), Sequoiadendron giganteum (Giant Redwood), (Monkey Puzzle) and Aesculus hippocastanum (Horse Chestnut), many the largest or finest examples in Victoria. Other outstanding trees include a Tilia cordata (Small-leaved European Linden), a row of Cupressus lusitanica (Mexican cypress), a Quercus robur (English Oak) planted in 1863, avenues of Dutch Elms and a rare Quercus leucotrichophora (Himalayan Oak). The Daylesford Botanic Gardens are of aesthetic significance as a rare example of a botanic garden spectacularly sited on an extinct volcanic cone which allows a panoramic view, aided by the 1938 Pioneers’ Memorial Tower, as well as vistas within and out of the gardens and from the township to the gardens. As the most prominent local landmark, the Garden’s vertical dominance in the landscape provides a dark contrast to the elms avenues, oaks and other deciduous species. (Heritage Victoria Register, )A tree in the Wombat Hill Gardens.wombat botanical gardens, daylesford botanical gardens, daylesford, trees, wombat hill botanic gardens

The Daylesford Botanic Gardens are of historic, scientific (botanic), and aesthetic significance to the State of Victoria. The Daylesford Botanic Gardens are historically significant as a fine example of a regional botanic garden demonstrating the typical characteristics of a carriage drive, informal park layout, decorative structures and works such as the memorial tower, conservatory, rotunda, cascade and fernery, which contrasts with the open lawns planted with specimen trees, areas of intensive horticultural interest and close proximity to a township developed during the mid to late nineteenth century. The Daylesford Botanic Gardens are historically significant for the design input by noted landscape designer William Sangster, and for the survival of his 1884 plan, which is a rare example of a plan from this prolific garden designer. The Daylesford Botanic Gardens are of scientific (botanic) significance for the extensive conifer collection and cool climate plants. The Gardens contain an outstanding collection of conifers and other mature trees, many of which were donated by renowned botanist Ferdinand von Mueller. Significant trees include Pinus ponderosa (Western Yellow Pine), Pinus coulteri (Big Cone Pine), twoAbies nordmanniana (Caucasian Fir), Abies pinsapo, (Spanish Fir) and a Cedrus atlantica f. glauca(Blue Atlas Cedar), Pinus wallichiana (Bhutan Pine), Pinus pinaster (Maritime Pine), Sequoiadendron giganteum (Giant Redwood), (Monkey Puzzle) and Aesculus hippocastanum (Horse Chestnut), many the largest or finest examples in Victoria. Other outstanding trees include a Tilia cordata (Small-leaved European Linden), a row of Cupressus lusitanica (Mexican cypress), a Quercus robur (English Oak) planted in 1863, avenues of Dutch Elms and a rare Quercus leucotrichophora (Himalayan Oak). The Daylesford Botanic Gardens are of aesthetic significance as a rare example of a botanic garden spectacularly sited on an extinct volcanic cone which allows a panoramic view, aided by the 1938 Pioneers’ Memorial Tower, as well as vistas within and out of the gardens and from the township to the gardens. As the most prominent local landmark, the Garden’s vertical dominance in the landscape provides a dark contrast to the elms avenues, oaks and other deciduous species. (Heritage Victoria Register, 2025)An avenue of trees in the Wombat Hill Gardens. wombat botanical gardens, daylesford botanical gardens, daylesford, trees

The Daylesford Botanic Gardens are of historic, scientific (botanic), and aesthetic significance to the State of Victoria. The Daylesford Botanic Gardens are historically significant as a fine example of a regional botanic garden demonstrating the typical characteristics of a carriage drive, informal park layout, decorative structures and works such as the memorial tower, conservatory, rotunda, cascade and fernery, which contrasts with the open lawns planted with specimen trees, areas of intensive horticultural interest and close proximity to a township developed during the mid to late nineteenth century. The Daylesford Botanic Gardens are historically significant for the design input by noted landscape designer William Sangster, and for the survival of his 1884 plan, which is a rare example of a plan from this prolific garden designer. The Daylesford Botanic Gardens are of scientific (botanic) significance for the extensive conifer collection and cool climate plants. The Gardens contain an outstanding collection of conifers and other mature trees, many of which were donated by renowned botanist Ferdinand von Mueller. Significant trees include Pinus ponderosa (Western Yellow Pine), Pinus coulteri (Big Cone Pine), twoAbies nordmanniana (Caucasian Fir), Abies pinsapo, (Spanish Fir) and a Cedrus atlantica f. glauca(Blue Atlas Cedar), Pinus wallichiana (Bhutan Pine), Pinus pinaster (Maritime Pine), Sequoiadendron giganteum (Giant Redwood), (Monkey Puzzle) and Aesculus hippocastanum (Horse Chestnut), many the largest or finest examples in Victoria. Other outstanding trees include a Tilia cordata (Small-leaved European Linden), a row of Cupressus lusitanica (Mexican cypress), a Quercus robur (English Oak) planted in 1863, avenues of Dutch Elms and a rare Quercus leucotrichophora (Himalayan Oak). The Daylesford Botanic Gardens are of aesthetic significance as a rare example of a botanic garden spectacularly sited on an extinct volcanic cone which allows a panoramic view, aided by the 1938 Pioneers’ Memorial Tower, as well as vistas within and out of the gardens and from the township to the gardens. As the most prominent local landmark, the Garden’s vertical dominance in the landscape provides a dark contrast to the elms avenues, oaks and other deciduous species. (Heritage Victoria Register, 2025)A large tree in the Wombat Gardens. wombat botanical gardens, daylesford botanical gardens, daylesford, trees, lisa gervasoni, wombat botanic gardens

Rare postcard showing view looking down Bridge Street with the Eltham Obelisk in situ in its original location. The Obelisk War Memorial was unveiled 3 August 1919. Subsequent to the unveiling provision was made of a stone retaining wall topped with a chain link and granite stone boundary. Along with the use of the name Obelisk Corner, the Bridge Street bridge was also known as Obelisk Bridge. The Obelisk was relocated to the fornt garden of the Eltham RSL sub-branch in the mid 1950s as a result of road widening and corner improvements. The Bridge Street Bridge was replaced with a new concrete bridge in 1956-1957.Digital file only Postcards scanned from the collection of Michael Aitken on loan to EDHS, 2 Sep. 2022michael aitken collection, eltham, postcards, bridge street, bridge street bridge, obelisk, obelisk corner, eltham cenotaph, eltham obelisk, war memorial, main road

One of the oldest houses in Eltham, the cottage was built around 1861 by pioneer builder George Stebbing whose family lived in it until the 1900s. It’s plain and simple style reflects the functional design of the house. George Stebbing was responsible for the construction of some of Eltham's principal township buildings, including the Uniting (former Methodist) church, St. Margaret's Anglican church (1861) and Shillinglaw Cottage (1879). The house is historically and aesthetically significant because it is a rare surviving example of the modest homes constructed for and by artisans within the early Eltham township and is a significant feature of the streetscape In the 1960s Albert Downing owned this propertyThe Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Colour photographic print eltham, houses, streets, margaret ball (pre 1960s houses) collection, pitt street, stebbing's cottage, downing

176 pages : illustrations (chiefly colour) ; 27 cm.non-fictionEXHIBITION CATALOGUES &​ SPECIFIC COLLECTIONS. Spanning four centuries, the V&​A's Fashion Collection is the most comprehensive in the world, housing unrivaled collections of dress,accessories, shoes and hats from the 17th century to the present day. This thoroughly revised and redesigned edition shows the collection, from rare eighteenth-century gowns and exquisite bodices to 1930s evening wear, post-war couture, and showstopping ensembles by contemporary designers. Among the designers featured are Charles Frederick Worth, Madeleine Vionnet, Coco Chanel, Cristobal Balenciaga, Christian Dior, Mary Quant, Stephen Jones, Vivienne Westwood, and Alexander McQueen.fashion design - history - exhibitions., fashion - history - pictorial works., victoria and albert museum -- catalogs.

Unsubstantiated photograph of the Asylum for the Blind in 1875. The four storey bluestone building rises above a group of trees planted in the garden. A picket and wire/string fence border the unpaved circular driveway. 2 black and white images of the Guiding Light at Elanora Blind Asylum School, St Kilda Road Victoria c. 1875 Charles Nettleton 1826-1902 Spencer Scott Sandilands 546 High Street, East Preson, 3181 Melbourne, Victoria, Australia, Tel: (03) 529 8011 Fax: (03) 521 1754 33 George Street, The Rocks, 2000 Sydney, New South Wales, Australia, Tel: (02) 241 4251 Fax: (02) 2414535 Rare Prints, Antiquarian Books, Old Maps, Australiana, Antiques, Photographs, Framing c.1875 Charles Nettleton School from the Blind Original Photograph $65 Guaranteed over 100 years oldroyal victorian institute for the blind, buildings

Tait (Red Rattler) train bound for Mordialloc at McKinnon Road level crossing, McKinnon Railway Station, Frankston line, c. Feb. 1964 The level crossing is the old McKinnon Rd. level crossing right at Mckinnon Railway Station on the Melbourne-Franston line. It no longer exists as the level crossing was amongst the first to be removed in the State Govt. grade separation programme c 2015. The line now runs under Mckinnon Rd in a cutting that holds the new station as well. The folding metal lattice gates were the only ones of their kind in Victoria and fairly rare anywhere else in Australia as well.Digital TIFF file Scan of 35mm Ilford FP3 black and white transparencyfrankston line, george coop collection, level crossing, mckinnon railway station, mckinnon road, mordialloc, red rattler, tait train

A rare travelling piano numbered no. 26 made by James Semple circa 1850s, one of only three left in the world. The piano's maker, James Semple, was a piano maker in Glasgow, from 1850-1875 and the inscription indicates that Semple held a patent for a check on the downstriking action. This little piano has a keyboard of only 4 octaves (F-f3) knee levers instead of pedals work as a moderator and damper. It was designed to provide entertainment and to accompany devotions during the long journey from the UK to Australia. The piano was named the travelling piano due to its ease of transportation with handles on each end and removable legs. Small wooden piano"SEMPLES/ PATENT/ NON-BLOCKING/ CHECK ACTION/" "JAMES [OBSCURED]/ MANUFAC[OBSCURED] 7 STIR[OBSCURED]/ GLASGOW"

This cloth or rag book “The Life of a Bold AB on his Ship in the Rolling C” is a child’s ABC or A-Z illustrated book written in poetic form with the theme of the British Navy at turn of 20th century. This rare book is one of the first cloth books manufactured for children. It is likely that the book was illustrated by Will Kidd and published in London by Dean and Son, circa 1902, according to research of similar books. The book was sent to Flagstaff Hill as padding around the donated medal of Nelson Johnson for bravery at the time of the shipwreck of Eric the Red. This medal is also in our collection. The book was published by Dean & Son of London, established around 1800.This book is an early example of early 20th century children's literature.Rag book (or cloth book), child's book "The Life of a Bold AB on his ship in the rolling C". Illustrated ABC book with poetic text, telling the story of a young sailor's life at sea. Images are screen printed onto cloth pages. Bottom edges are salveges, top and side edges are frayed. The book is bound by stitching through the middle of the centre pages. Original red coloured print of front cover has faded. Theme of book is British Navy at turn of 20th century. Published by Dean and Sonflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dean and son, child’s book, cloth book, rag book, children’s sailor book, 20th century children's literature, abc book, nautical book, maritime storybook, dean & son, toy book

Provenence is unknown but contains potentially rare photos. A comprehensive record of the types of events provided for Junior Legatees in the 1940s. Events such as the Government House Christmas parties and Annual Demonstrations. Also a record of the classes offered to girls and boys. There are photos of Anzac Commemoration Ceremony for school students that has been held annually by Legacy in April. It helps educate and promote the observance of Anzac Day to students. Some of the photos are Junior Legatees that joined the armed forces in the second World War. Pages 7 and 8 show the visit of the Duke and Duchess of Gloucester to Legacy. They were in Australia to start his term as Governor General of Australia - until 1947. An important photographic record of the work of Legacy in the 1940s.Large photo album with blue leather look back and front cover. Decorative front and back end pages. Screws in left hand side to keep paper pages bound together. 20 pages with black and white photos attached to the majority of both sides of the pages.Handwritten at top of pages. Page 1 'Christmas Party, Government House Grounds, 1945' Page 2 'Christmas Party, Government House Grounds, 1945' Page 3 'Christmas Party, Government House Grounds, 1945' Page 4 'Senior Girls 6/2/1945' Page 5 'Senior Girls 6/2/1945' Page 6 'JL (?) Cecil Waters 6/2/1945' Page 7 'Duke and Duchess of Gloucester at the Club Rooms, 27/11/1945' and 'At the Club Rooms' Page 8 'At the Grosvenor Theatre' Page 9 '20/2/45 Speaker Wlliamstown' Page 10 '6/2/45 Mr Justice(?) Monty Phillips' Pages 11 - 16 no inscription Page 17 'Annual Demonstration, 1946' (photo missing) Page 18 'Annual Demonstration, 1946' Page 19 'Annual Demonstration, 1946' Page 20 Sepia photo Savige Page 21 'Junior Legatee N Shiels' Page 22 'Legatee E.T. Scott' Page 23 'Legatee H.E. Cohe (?)' Page 24 ‘Christmas Party, Government House Grounds 1948’ (Photo missing bottom right) Page 25 ‘Christmas Party, Government House Grounds 1944’ (Page cut in half) Page 26 ‘Christmas Party, Government House Grounds 1944’ (Page cut in half) events, government house party, anzac commemoration for students, junior legatee outing, annual demonstration, royal visit

The seven photographs shown above are part of an anonymous donation, by a relative, of the photographic collection of a former member of No. 3 Squadron RAAF 1939-1945. They cover the African, Sicily and Italian campaigns. The entire collection comprises 175 photographs. The collection has been divided into sets depicting various aspects of 3 Squadron operations. The above images are representative of this particular set of 31 photographs, featuring Italian and German aircraft abandoned by the Axis as the Allies advanced through Africa and Italy. They range from various versions of the ME109, German bombers and rare and interesting Italian aircraft. The museum has digitized the complete set.Set of 31 black and white photographs featuring German and Italian aircraft shot down, shot-up and captured at airfields taken over by 3 Squadron . The full set numbering and description is as follows: 9663.01P Africa BF109E.jpg 9663.02P Wrecked Junkers 52 Africa.jpg 9663.03P BF 109 and JU 88.jpg 9663.04P BF 109 worse for wear.jpg 9663.05P Caproni Ghibli caption - Italian kite Gibly.jpg 9663.06P Caproni transport.jpg 9663.07P Fiat CR42.jpg 9663.08P Focke Wulf 109 Italy Foggia.jpg 9663.09P Focke Wulf 190F8 of SG4 Italy 1944.jpg 9663.10P FW109 and JU88 Italy.jpg 9663.11P Heinkel III Africa.jpg 9663.12P Heinkel III.jpg 9663.13P Henschel HS129.jpg 9663.14P Italy Fiat CR42.jpg 9663.15P Italy Fiat G50.jpg 9663.16P Italy Junkers 88 Squiggle camo.jpg 9663.17P Italy Junkers 88.jpg 9663.18P Italy Messerschmitt 109G.jpg 9663.19P Italy Sicily Junkers 88 of Kampfgeschwader 54.jpg 9663.20P JU 87 Stuka and BF 109.jpg 9663.21P JU 88 Italy Foggia.jpg 9663.22P JU 88.jpg 9663.23P Junkers 88.jpg 9663.24P Macchi C200 Saetta.jpg 9663.25P ME 109 Africa 2.jpg 9663.26P ME 109 Africa.jpg 9663.27P ME 109.jpg 9663.28P ME 110 in boneyard.jpg 9663.29P Messerschmitt 109E with Italian post-armistice markings 9663.30P Italian Savoia Marchetti SM81.jpg 9663.31P Italian Piaggio P108.jpgno. 3 squadron raaf 1939-1945, african campaign ww2, italian campaign ww2, luftwaffe, regia aeronautica

The Wombat Hill Botanic Gardens 150 anniversary event organiser was Gael Shannon. The Daylesford Botanic Gardens are of historic, scientific (botanic), and aesthetic significance to the State of Victoria. The Daylesford Botanic Gardens are historically significant as a fine example of a regional botanic garden demonstrating the typical characteristics of a carriage drive, informal park layout, decorative structures and works such as the memorial tower, conservatory, rotunda, cascade and fernery, which contrasts with the open lawns planted with specimen trees, areas of intensive horticultural interest and close proximity to a township developed during the mid to late nineteenth century. The Daylesford Botanic Gardens are historically significant for the design input by noted landscape designer William Sangster, and for the survival of his 1884 plan, which is a rare example of a plan from this prolific garden designer. The Daylesford Botanic Gardens are of scientific (botanic) significance for the extensive conifer collection and cool climate plants. The Gardens contain an outstanding collection of conifers and other mature trees, many of which were donated by renowned botanist Ferdinand von Mueller. Significant trees include Pinus ponderosa (Western Yellow Pine), Pinus coulteri (Big Cone Pine), twoAbies nordmanniana (Caucasian Fir), Abies pinsapo, (Spanish Fir) and a Cedrus atlantica f. glauca(Blue Atlas Cedar), Pinus wallichiana (Bhutan Pine), Pinus pinaster (Maritime Pine), Sequoiadendron giganteum (Giant Redwood), (Monkey Puzzle) and Aesculus hippocastanum (Horse Chestnut), many the largest or finest examples in Victoria. Other outstanding trees include a Tilia cordata (Small-leaved European Linden), a row of Cupressus lusitanica (Mexican cypress), a Quercus robur (English Oak) planted in 1863, avenues of Dutch Elms and a rare Quercus leucotrichophora (Himalayan Oak). The Daylesford Botanic Gardens are of aesthetic significance as a rare example of a botanic garden spectacularly sited on an extinct volcanic cone which allows a panoramic view, aided by the 1938 Pioneers’ Memorial Tower, as well as vistas within and out of the gardens and from the township to the gardens. As the most prominent local landmark, the Garden’s vertical dominance in the landscape provides a dark contrast to the elms avenues, oaks and other deciduous species. (Heritage Victoria Register, )Four people photographed at the 150th anniversary event at the Wombat Botanic Gardens.victoria, 150, anniversary, botanic, gardens, wombat hill, botanic gardens, heritage, celebration, garden party, daylesford, people, crowd, community, organiser, tour, gael shannon, don henderson, wombat hill botanic gardens

The Ballarat School of Mines was Australia's first School of Mines, which was established in 1870.Large letter book with rough calf spine and corners, green fabric cover, green marbled end papers, and leather spine labels. Sample letters are shown below Melbourne July 20/77 My Dear Maskelyne, The object of this note is to introduce Mr Barnard the Registrar of the School of Mines at Ballarat to you, and to your Department at the museum as a Correspondent. I presume you still collect specimens all over the world, and from time to time exchange with other museums. The Ballarat School of Mines is subsidized by the State, and is not unlikely to become our chief mining school if indeed it is not that already. As it is in the midst of an interesting geological district it may now and again be able to contribute something rare and valuable even to the British Museum, and on the other hand what is valueless to you may be of greatest use to us. You may place implicit confidence in Mr Barnard who has been connected with the School for years, and is an enthusiast in Scientific matters. Very Truly Yours Charles H. Pearson. P.E. Day Esq M.A. London My dear Sir I have the pleasure to inform you that I have this day written to Professor Maskelyns of the British Museum asking his help in the way suggested by Professor Pearson in a not of introduction with which he has favoured me, and copy of which is now enclosed. May I beg you to be so good as to call on Professor Machelyne make arrangement for the shipment of any case or cases of specimens which the may be able and willing to present to the School. Need I add that your prompt attention to this matter will be much esteemed by Yours faithfully W.H. Barnard Registrar Pro tem ballarat school of mines, correspondence, w.h. barnard, barnard

This specimen was recovered from the Nigretta Falls (previously named the Upper Wannon Falls), Victoria. The falls are fed by the Wannon River that has its head waters in the Grampians mountains. Approx. 10km upstream of the Wannon Falls, Nigretta is a multi-channel segmented cascade of smaller drops and bounces guided by patterns of joints in a much older (Devonian) rhyolitic volcanic rock. Both the Wannon and Nigretta Falls are iconic landscape features, entrenched in the history and identity of the region. These falls are particularly rare as they are the product of volcanic activity, which is unique in the context of the Volcanic Plain of Victoria. Waterfalls of this capacity are generally associated with the Uplands areas of Victoria, rather than the edges of the Volcanic Plain. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study. A solid, dark grey mineral specimen with pale terracotta coloured inclusions. Rhyodacite is a volcanic rock intermediate in composition between dacite and rhyolite. Rhyodacites form from rapid cooling of lava relatively rich in silica and low in alkali metal oxides.GEOLOGICAL SURVEY / R / S 55 FELSTONE PORPHYburke museum, beechworth, indigo shire, beechworth museum, geological, geological specimen, porphyritic rhyodacite, lava, nigretta falls, upper wannon falls, dacite, rhyolite, volcanic geology

These items were in the Ballarat School of Mines Museum, and when the museum was closed they were saved from the tip, and returned decades later. The Alafolo or afui are anthropomorphic clubs found across the island of Malaita. As war clubs, blows were struck with the edges of the club, which varied in length from under three to four feet. At least some of these clubs served a largely ceremonial function, particularly those rare examples with shell inlay. Malaitans war clubs are usually made of tooa, a reddish hardwood. Most finished clubs are submerged in mud (saltwater or fresh) for about a month, during which time they acquire a glossy black finish.Two native weapons, probably South Pacific in origin. .1) light coloured timber paddle with carving. Possibly Solomon Islands. .2) A dark coloured Alafolo made with heavy ironwood, with geometric designs from the Solomon Islands with stylized face, carved geometric design at top end; two carved rings with geometric design between them toward bottom end.ballarat school of mines, ballarat school of mines museum, ethnographic, paddle, club, ethnographic material, new number, solomon island, alafolo, malaita, weapons, new guinea

This was the uniform of junior girls from the 1960s until the new campus for secondary students began at Truganina in 1978. Shortly after the opening of the secondary campus a new dress, green in colour, was adopted for all girls. This summer uniform dress, donated by a past parent, was handmade and worn by a prep student in 1977. It is a rare example of the school dress from this period. Together with a dress pattern and a sample of the same fabric donated by another past parent, these items have historic significance and interpretive capacity. Current students enjoy learning about how different the provision of school uniforms was not so long ago, as Westbourne uniforms can now be ordered online.Small belted dress in blue checked pattern with white collar and sleeve cuffs and three white buttons down the front.

This publication was produced in the mid 1900s when the study of learning disabilities in children was in its infancy stage. The complexities of teaching methodologies to cover various symptoms uncovered by pre-school and primary school education facilities was that "one method suites all". This format changed in the later 1900s when specific "tailor made" teaching facilities where introduced and the "average" pre-school and primary school teaching professionals where not "on the whole" faced with the requirement to apply special remedial programs themselves but instead instigated a referral to dedicated specialists. This book covers the rural student with slow reading, comprehension and writing problems, in an environment where specialist speech therapists and child psychologists were and are still rare.This book although very thorough and highlights the major "communication and reading symptoms, in school children" and remedial treatment, places undue pressure upon those teachers, who, at some rural schools are faced with teaching classroom of students varying in age and thereby abilities of comprehension. Schools in rural Australia sometimes had smaller numbers of classrooms and facilities due to their small feeder population and their regional isolation. The Kiewa Valley before the dramatic increase in population in the mid 1950s (SEC Hydro Scheme) was one of these rural communities whose "schooling population" was diverse and small. This reference book, which was used at a Kiewa Valley primary school, reflects upon the Department of Education in Victoria as a highly professional organisation readily applying "modern" learning techniques to all of the department's regional areas. By this broad based application, no school was seen as having any disadvantage due to physical and/or financial isolation.This book has a plain red, cloth bonded, hard cardboard cover with an envelope attached to the inside back cover. The book has a one front blank flyleaf and two rear flyleaves. All lettering ,diagrams, sketches are in black on white as is the only photograph.There is three double sided "preface" pages and nine "contents" pages. There are 508 double sided pages covering 20 chapters and 25 double sided Appendices (5) and four double sided "Index Of Subjects". The cover has printing only on the spine.On the spine at the top "BACKWARDNESS IN THE BASIC SUBJECTS" underneath "SCHONELL" and at the bottom "OLIVER & BOYD"teacher reference books, remedial programs for disadvantages school children, special needs education programs, teacher training

The item is a kerosene marine ships lamp used onboard ships and smaller vessels for general lighting and navigation the subject lamp was made in Melbourne by a known maker James Paterson. The writer at this time cannot ascertain any significant historical information regarding the company or its founder, however lamps made by James Paterson of Melbourne are rare and regarded as collector's items and would command significant sale prices. All that is currently known is that the James Paterson Lamp manufacturing company were located at 30 Little Collins St Melbourne, and were active in Dec 1885 and in 1886 from newspaper articles of the time. Therefore the assumption is that the subject lamp was made in the late 19th to the first quarter of the 20th century.A significant item used in the marine industry on many ships, the company made kerosene lamps for other industries as well and was a well-known Melbourne based company in the late 19th and early part of the 20th centuries.Marine masthead copper ship's lamp with a handle at the top and holders at the side. It has a lamp glass and reflector mounted on a removable fuel tank. It was made in Melbourne by James Paterson.Stamped James Paterson Lamp Manufacturer 30 Little Collins St Melbourneflagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, lamp, masthead brass ship's lamp, masthead lamp, james paterson, marine kerosene lamp

A rare program from the time when films were shown at the Athenaeum Theatre while Frank Talbot leased the theatre. The program has a managerial announcement from Talbot announcing the new policy: "under which the theatre will be devoted exclusively to English and Australian pictures". The company supplying the British films was called British Dominion Films Ltd. Talbot also stated: "It will be part of the managerial policy to screen such Australian films as may be available". The films were preceded by "The Herald" news reel and "The Daily Dozen at the Zoo". The theatre orchestra, playing before and during interval was conducted by Mr J Kost. The music included "Tales of Vienna Woods by Johann Strauss and selections from Sullivan's "The Pirates of Penzance". The program represents a time when films were shown at the Athenaeum Theatre. Records indicate that graphic entertainments started with magic lantern slides in the 1890s and continued with silent movies. The first full-feature film shown in Australia was "The Story of the Kelly Gang" in 1906 at the Athenaeum Theatre and the first talkie to be shown in Victoria, "The Jazz Singer" shown in 1928. Later when Hoyts took over the lease, Cinemascope films were exhibited completing a history of film shown at this one theatre. paper program; 10 pages; coloured front page.

The Kew Historical Society’s collection includes a wide range of leisure objects. Many of the items are European-made, generally of British origin, however there are a number that were made for the Australian market by Australian manufacturers. In the Nineteenth and Twentieth centuries, there were large numbers of games produced for children and adults. These included: arcade games, board games, playing cards and puzzles. A representative sample, many now rare survivors, can be found in the collection. Chinese Chequers was first commercially produced in 1938, although it is not Chinese, nor a form of checkers. The maker of the game, John Sands Pty Ltd produced board games between 1929 and 1978. Milton Bradley is a famous American board game manufacturer.Original packaging in a labelled cardboard box that includes a board games played by moving checkers from the triangle closets to each player to the opposite side of the board. The game includes multicoloured marbles.Cover of box: "Chinese Star Checkers - A game from the Orient for all ages. chinese checkers, john sands pty ltd