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National Wool Museum
Photograph - Slide, Stuart Ascough, Tops Used in Laboratory, 1990s
This slide is part of a collection of visual resources used by Stuart Ascough while conducting training, seminars, conferences and lectures in China, Australia, India, Russia and Taiwan. This item is part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.35mm colour transparency mounted in plastic slide mount showing interior view of scientific equipment on a bench top in a laboratory.wool, industry, australia, australian wool board international wool secretariat, topmaking, carding, factory, training, gill box -
National Wool Museum
Photograph - Slide, Stuart Ascough, Balls of Wool for Combing, 1990s
This slide is part of a collection of visual resources used by Stuart Ascough while conducting training, seminars, conferences and lectures in China, Australia, India, Russia and Taiwan. This item is part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.35mm colour transparency mounted in plastic slide mount showing interior view of factory depicting balls of wool stacked in rows on racking.wool, industry, australia, australian wool board international wool secretariat, topmaking, carding, factory, training, gill box -
National Wool Museum
Photograph - Slide, Stuart Ascough, Combing Machine, NSC Schlumberger, 1990s
This slide is part of a collection of visual resources used by Stuart Ascough while conducting training, seminars, conferences and lectures in China, Australia, India, Russia and Taiwan. This item is part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.35mm colour transparency mounted in plastic slide mount showing detail view of combing machinery.wool, industry, australia, australian wool board international wool secretariat, topmaking, carding, factory, training, gill box -
National Wool Museum
Photograph - Slide, Stuart Ascough, Tops Used in Laboratory, 1990s
This slide is part of a collection of visual resources used by Stuart Ascough while conducting training, seminars, conferences and lectures in China, Australia, India, Russia and Taiwan. This item is part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.35mm colour transparency mounted in plastic slide mount showing interior view of machinery and wool in a laboratory.wool, industry, australia, australian wool board international wool secretariat, topmaking, carding, factory, training, gill box -
National Wool Museum
Photograph - Slide, Stuart Ascough, Tops Used in Laboratory, 1990s
This slide is part of a collection of visual resources used by Stuart Ascough while conducting training, seminars, conferences and lectures in China, Australia, India, Russia and Taiwan. This item is part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.35mm colour transparency mounted in plastic slide mount showing interior view of machinery and wool in a laboratory.wool, industry, australia, australian wool board international wool secretariat, topmaking, carding, factory, training, gill box -
National Wool Museum
Album - Holroyd Photo Album, 1960s-1970s
Images were taken by a staff member of the Returned Sailors and Soldiers Mill in Newtown, a MR. Norm Holroyd. The photos were taken between the 1960s-1970s. They were developed in his own private dark room and kept at his home for private viewing. Upon his death, the album went to his daughter, Judie Holroyd, who has donated them to the National Wool Museum.A collection of 38 black and white images, each individually mounted on cardboard backing, showing scenes of various stages of fabric production at the Returned Sailors and Soldiers Mill in Newtown. Each individual image page has 4 holes on the left side so it can be stored in a folder. Folder is not included in the donation.Numberswoolen mill wool production loom -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Annie Clarke's Ladies School, Gawler Street, 1970s
Anne Clarke was born in Devon around 1814 and arrived in Portland in 1854 aboard the "Francis Henty". She opened Portland's first "Ladies School" which she operated until 1891. Many young ladies from the Western District passed through the school, and in some cases, two generations of girls. It is thought that before coming to Australia, Anne taught at a school for the daughters of clergymen at Cowan Bridge, Lancashire, aptly named the Clergy Daughters' School. It was attended by the Bronte sisters and is said to have inspired the Lowood School in Charlotte Bronte's "Jane Eyre". Anne Clarke never married and died in Portland in 1892.Photographic print of a rephotographed photograph. Image of single storey building, front view, verandah, wooden shingle roof. A number of girls of various ages and some adults, standing on verandah. Annie Clarke's ladies school, 52 Gawler Street.anne clarke, seminary for young ladies, gawler street, portland -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Aerial view of CSR Softwoods plant, Portland, c. 1974
Port of Portland CollectionFront: (no inscriptions) Back: (no inscriptions)port of portland archives, aerial photography, portland harbour -
Glenelg Shire Council Cultural Collection
Print, Will Longstaff, Menin Gate at Midnight, 1927
CEMA Art Collection Previously located in History HouseThe print depicts a natural landscape with a large classical style building (Menin Gate, Belgium) to the left. In the foreground are hundreds of ghostly figures of soldiers. The background appears to be a distant view of a town with several lights visible. The work is completed in various shades of blue and green. Mounted with brown card the work is framed in a black and gold frame, and has an exposed canvas.Front: Lower Right: Will LONGSTAFF 1927 Brass embossed plate:MENIN GATE AT MIDNIGHT BY WILL LONGSTAFF, PRESENTED TO THE COMMONWEALTH GOVERNMENT OF AUSTRALIA, BY LORD WOOLAVINGTON. COPYRIGHT RESERVED Back: (No inscriptions) -
Glenelg Shire Council Cultural Collection
Print - Print (reproduction), Will Longstaff, The Immortal Shrine, n.d
CEMA Art collection Previously located in History HouseThe print depicts a night view of a city street. In the foreground are ghosly figures completing a military march along a wide street. On the left side is a large white Remembrance Shrine with three flags hanging on individual flagpoles. In the background are numerous multi-storey buildings with a row of light streetlights in front. The work is completed in various shades of blue and mounted with brown card. Framed with a gold and black frame, the work has an exposed canvas.Front: Brass embossed plate: THE IMMORTAL SHRINE BY WILL LONGSTAFF COPYRIGHT REGISTERED Back: (No inscriptions) -
Glenelg Shire Council Cultural Collection
Painting, Ina Watson, Miss Beauvaise's Cottage, 1967
CEMA Art Collection Previously located in History HouseThe painting depicts a small building surrounded by trees and shrubs. The building is completed in shades of white and grey with green window frames and door, and a pink/orange roof. Behind this is a partial view of another small building depicted in shades of pink. Surrounding the buildings are shrubs and trees of various shapes and sizes. The shrubs in the foreground are completed in various shades of green, yellow and pink. The work is unframed and glued to a piece of faded blue cardboard.Front: I. Watson '67 (yellow paint, bottom right corner) Back: Green label: Artist: Ina Watson 3 Palmer Street Portland Vic 3305 Title: Miss Beauvaise's Cottage (where Darby & Joan flat's now stand) Yellow Sticker: 3021 Yellow Sticker: 8 1999 written in pencilcema -
Glenelg Shire Council Cultural Collection
Print, 1834-Portland-1984, 1983
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency, 1983 and 1984.A laminated screenprint of a portrait montage in black on coloured background. The foreground consists of over one hundred small portraits which cover the majority of the work. On the left and top right sides are black outlines of various flora. At the top of the work is black text which reads "1834 Portland 1984".Front: Angela Gee '83 (lower right) (pencil) Back: 20portland, angela gee residency -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Aerial view of CSR Softwoods plant, Portland, c. 1974
Port of Portland CollectionUnframed, black and white aerial photograph, taken from the N.W., of C.S.R. Softwoods plant, Darts Road Portland under construction, various wool stores; skin sheds at Thomas Borthwick & Sons abattoir.Front: (no inscriptions) Back: (no inscriptions)port of portland archives, aerial photography, portland harbour -
Glenelg Shire Council Cultural Collection
Print, Coca-Cola, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint which features various images on a blue and green background. The images from the top are: high tension wires and supports; numerous 'Coca-Cola' cans that descend in size; a war memorial statue; bluestone building; several orange sheep with one black sheep.Front: (no inscriptions) Back: 30 -
Glenelg Shire Council Cultural Collection
Print, 150 Years in Portland, 1983
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint using numerous colours with primary focus on a whale and crayfish. Background is blue, green and yellow with various patterns and text "150 YEARS OF PORTLAND RBR 35".Front: 6/25/83 (lower right) (pencil) Back: 34 -
Glenelg Shire Council Cultural Collection
Print, Pat Jarrett, Finding Colour, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint with blue, green and white background. Four pink lines (in various shades) flow horizontally across the work. In the bottom left corner is a pink/red shell.Front: P. Jarrett (signature, lower right) (pencil) Back: 22 -
Glenelg Shire Council Cultural Collection
Photograph - Photographs - Hand Coloured, various Portland landmarks, c. 1940
Identification numbers 9200 a-g Folder containing Valentine's Snapshots - 8 hand-coloured photographs of Portland 9200 - folder grey green card, black print 9200 a-g a) Path in gardens, Portland b) Looking towards lighthouse, Portland c) View along beach, Portland d) Post office and Mac's Hotel e) The famous Portland Lifeboat of 1859 f) Edward Henty memorial g) Panorama of Portland -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland's 150th Anniversary Ball 1984, 17/11/1984
In November 1984 Portland marked the 150th anniversary of European settlement and the foundation of the City of Portland. Various events happened in and around Portland, many community led. Syd Cuffe was the Portland Town Crier from 1983 to 2013. The role of Town Crier was created for Syd Cuffe in 1983 in the lead up to Portland’s 150th anniversary celebrations held in 1984-85. 200 items from Mr. Cuffe’s estate were donated to the Glenelg Shire Cultural Collection. The items relate to his town crying activities and community work across the Shire and further afield.Coloured photo. Portland's 150th Anniversary ball, transit shed, KS Anderson wharf. View of stage, Australian Navy Band performing.portlands 150th anniversary celebrations 1984 -
Glenelg Shire Council Cultural Collection
Print - Print - Urban Gums, 1984
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 ans 1984Laminated screenprint with three panels separated by a green border. The panels vary in size and are predominantly various shades of green. Within all panels the foreground illustrates gum tree foliage and the background shows a cloudy sky.Front: Artists Proof (lower left) Urban Gums (lower centre) R.Davies 84' (lower right) Back: 3 -
Glenelg Shire Council Cultural Collection
Print, Sails, 1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of six sail shapes. Printed on a blue background the sails all have horizontal stripes. The patterns on the sails alternate from sails with yellow, white and aqua stripes to sails with red, white and blue stripes. The sails are various sizes.Front: 21/60 (lower left) "Sails" (centre) CJ Snook 84 (lower left) (pencil) Back: 38 -
Glenelg Shire Council Cultural Collection
Print, Portland Its All On Your Plate, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint which features: a pink plate with a fish, abalone and flower sitting on it; a silver spoon with a rose sitting on it; and a white vessel with a rose painted on it. Background is pink with various patterns and text "it's all on your plate at PORTLAND".Front: (no inscriptions) Back: 29 -
Glenelg Shire Council Cultural Collection
Print, Dawn of an Error, 1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of high tension electricity towers on top of coastline. The foreground shows the ocean with white rocks and the cliffs of the coastline in gold and various shades of green. The electricity towers are black and gold and printed on a purple and blue background.Front: 40/60 (lower left) "Dawn of an Error" (lower centre) CJ Snook '84 (lower right) (pencil) Back: 29 -
Glenelg Shire Council Cultural Collection
Print, Nuns Beach, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of coastline around Nuns Beach and Portland Lighthouse. The work takes the perspective of, sitting in a car parked on the cliff facing the lighthouse. The foreground features the cars steering wheel, dashboard and red bonnet. The majority of the work illustrates the cliffs in various shades of green and brown. In the top right is the Portland Lighthouse and the ocean and rocks below.Front: Terry Priestly 28/30 (lower right) (pencil) Back: 32 -
Glenelg Shire Council Cultural Collection
Print, Bridgewater Bay, 1983
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of females in various landscapes. The top half of the work features the ocean, coastline and breaking waves. Super imposed on this are images of: five seagulls; a blue portrait of a female face; and a female torso and head. In the centre of the work a female stands looking towards a house and the ocean in the distance. The lowest section of the work features the image of a female face in a blue and orange rectangle. To the left of her is a twig.Front: 14/16 Bridgewater Bay. Catherine Taylor '83 Back: 42 -
Glenelg Shire Council Cultural Collection
Print, Cape Nelson at Sunset, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of four seagulls on a blue, orange and yellow diamond-shaped grid. The seagulls are created through black outline and shading. Seagulls are in various poses, all with wings extended. The grid alternates from blue diamond shapes to those which fade from orange at the top to yellow at the bottom. The grid is surrounded by a blue and white cloud-like border.Front: 12/20 Cape Nelson at Sunset. Catherine Taylor Back: 43 -
Glenelg Shire Council Cultural Collection
Print, Rotunda, 1984
CEMA Art Collection part of "A Community View" 150 years in Portland Screen print Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of a group of people on Portland's foreshore. People are dressed in late 1800's dress and are watching the rotunda. The work is a photographic screenprint and colour has been added to areas of the photo. In particular, green for the grass, red for the rotunda, blues for the ocean and sky, and various colours for some of the clothing.Front: 34/8 Rotunda (lower left) Lucia Natale 84' (lower right) (pencil) Back: 28 -
Glenelg Shire Council Cultural Collection
Photograph - Sheet of 12 contact prints - Various historic Portland buildings and Landmarks, c. 1970
Sheet of 12 contact prints of rephotographed photographs. Identifying numbers 5720 a, b, c, d, e, f, g, h, i, j, k, l (a) Observatory Hill (b) Builders Arms Hotel (c) First jetty and immigration depot (d) Pile driver-1st pile Ocean Pier (e) Residence of William Corney (f) Row of single wooden houses on beach, Observatory Hill in background (g) Double storey stone building (h) Mrs Edward Henty (i) View of spit from Henty Beach (j) Julia Street (k) Same as (c) - First jetty and immigration depot (l) Dray loaded with bales outside Grant & Co merchants -
Glenelg Shire Council Cultural Collection
Photograph - Sheet of 12 contact prints - Various historic Portland buildings and Landmarks, c. 1970
Sheet of 12 contact prints of rephotographed photographs. Identifying numbers 5724 a, b, c, d, e, f, g, h, i, j, k, l (a) First jetty and immigration depot (b) National School (c) Observatory Hill (d) 'Kenley" Res. George Crouch, First Post Master (e) Old Library (f) Union (ANZ) Bank (g) Lighthouse and Keepers Cottage (h) 'Blainslie' (i) View from Whalers Bluff over Bay (j) Percy Street, view from Henty Street (k) Portland Jail (l) Flagstaff and Light Keepers quartersFront: (a) Henty Beach (b) Portland State School (c) Old Library (f) ANZ Bank (i) View of Whalers Point (k) Portland Jail on Observatory Hill -
Glenelg Shire Council Cultural Collection
Photograph - Sheet of 12 contact prints - Various historic Portland buildings and Landmarks, c. 1970
Sheet of 12 contact prints of rephotographed photographs. Identifying number 5717 a, b, c, d, e, f, g, h, i, j, k, l (a) Nun's Beach with boats (b) 3rd Baths (c) Percy Street West, view from Henty Street (d) Percy Street, west, further along Street (e) Habrour from Whalers Bluff (f) Portland Gaol (g) Flagstaff and Lightkeepers Quarters, Observatory Hill (h) Claremont (i) First Portland Post Office building (j) Res Abraham Barrett, baker (k) Warehouses Trangmar & Crouch (l) Union Bank -
Glenelg Shire Council Cultural Collection
Photograph - Sheet of 12 contact prints - Various historic Portland buildings and Landmarks, c. 1970
Sheet of 12 contact prints of rephotographed photographs. Measurements (a) (e)-(h) (j-i)(b) 3.7 x 55 x 3.7 Framed 5.2 x 44.5 x 4 (a) Looking south across beach at Dutton Way (b) S.S. 'Eumeralla' (c) Construction of railway pier (d) Jackass Fern Gully (e) 'Kingsley' (f) Portland Show (g) North side Julia Street looking west Bank of Australiasia (h) Henty Street looking east from Percy Street (i) Old Post Office (j) All Saints Catholic Church (k) View from Henty Street - old Town Hall (l) Opening 3rd BathsFront: (a) 'Dutton Way 1900 (b) 'S.S. Eumeralla' (c) Construction of Railway Pier (f) Portland Show (h) Henty Street, Portland (i) (B)