One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of 28 representatives of notable island families taken at a gathering at Erehwon in May 1942 Back row: L to R - G Smith, W E Thompson, S J McFee, R McIlwraith, W Evans, D Justice, Mrs P McFee, P McFee, Mrs J Bell, W Walton, Mrs A Churchill. Centre - Mrs J Spavin, W J Kennon, G Lock, F Piggott, A D Hardy, Mrs W Findlay, J Jansson, H West. Front row: Mrs H Bennall, Mrs E Matthews, Mrs Blamey, Mrs C West, Mrs Watson nee McGregor, Mrs Hardy, Miss M Evans, Mrs D Justice, C McGregor.local history, photography, photographs, centenary gathering at erehwon, black & white photograph, centenary celebrations, notable families, john jenner, bryant west

This window, in memory of Alice Sibthorpe Tracy, was unveiled on 31 October 1933 by the Right Reverend R. Stephen D.D. along with the brass tablet in the Williamstown building, and a sectile tablet in the Port Melbourne building. (AR 1933). "A scheme has been set in operation to raise funds so that a memorial may be erected to Miss A. Sibthorpe Tracy, who has done so much for the Victoria Missions to Seamen. It has been decided that a companion window to that of "The Light of the World" will be placed in St. Peter's Chapel, the design being that of a figure of Hope with her hand on a ship's anchor. The window will show a foreground of beach and pebbles, backed by breaking rollers and a flecked sky. Mrs J. W. Begg, of Stonehaven Avenue, East Malvern, S.E.5, is the honorary treasurer of the fund." (Article published in the Herald, 29 August 1933)Arched windows depicting the female figure of Hope with her hand on a ship's anchor in a foreground of beach and pebbles, backed by breaking rollers and a flecked sky. altar, st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, anchor, stained glass windows, win, memorial chapel, hope, alice sibthorpe tracy

This organ was gifted by the Bethel Community in 1890 to the then Victorian Seamen's Mission, originally founded by the Bethel Union in 1857. The gift was intended to assist with worship. Despite all appearance, this organ is not a pipe organ but a reed organ that works in a similar manner to an accordion. In May 1890, the sum of seventy pounds was put towards the purchase of the organ. The sum being raised via subscriptions. The organ was inaugurated in September 1890. Jabez Carnegie (1832-1892), importer of piano and organs in Melbourne, had made a trip to Europe and Canada in 1887 and had secured the agency of Bell organs. W. Bell & Co were a Canadian organ and piano manufacturer, considered the premier organ manufacturer of the time. W Bell & Co changed its name to Bell Organ and Piano Co in 1888 meaning this organ had to be manufactured prior to the name change. The organ was first used in the mission main room from 1890 to 1915 when the St Nicholas chapel was built at the back (see item 0548. It was transfered to the new Port Melbourne mission in 1937 (link on postcard from State Library Victoria). In 1972, it was transferred to the Holy Trinity Church in Bay Street after the closure of the Mission In the late 1980s during a National Trust campaign to save the building, the organ was sold by the Anglican Men's Society to the Trust's organ committee, who carried out some restoration work and returned it to the former Missions to Seamen chapel. In 1991 the Office of Major Projects had control of the whole 'Bayside' development site. With the Mission to Seamen Building emptied and proposed for demolition, the Office of Major Projects removed the organ and placed it in storage in various locations - finally, in the Museum of Victoria store in Abbotsford. In 1995-6, enquiries by Jim Hillis resulted in the return of the organ to the control of the Port Melbourne HIstorical & Preservation Society. As the Society had no suitable location for the organ, several churches and schools in Port Melbourne were approached to take the organ with no results. The nearby suburbs were suggested next. Finally the Melbourne Maritime Museum (Polly Woodside) was approached and agreed to place it in their Museum on a long term loan. In 1997 it was on display in no 5 shed South Wharf (23/3/1997). In 2006, the Polly Woodside South Wharf site was to be re-developed, and they could no longer retain the organ. Accordingly, on 4 May 2006, the organ was transferred to the Mission To Seafarers building in Flinders Street Extension as an indefinite loan (refer OL 022) The PMHPS deaccessioned it to finally transfered it in 2018 to MTSV.(See also acquisition details re 21st C finalisation of acquisition) This organ is a tangible reminder of the longevity of the Mission to Seafarers, a link with the original Bethel Union which was instrumental in 1856 calling a public meeting and inviting subscriptions by various non-conformist churches to found a mission to Seamen. Rev Kerr-Johnson delivered the first service in 1857 aboard the Emily. The Mission to Seafarers has been in operation ever since and continues to operate to the same purpose today.Large reed organ that looks like a pipe organ with fifteen elaborately painted pipes bearing a floral motif. The body of the organ is elaborately decorated in carved wood. It has 17 knobs above the keyboard both which can be concealed when the keyboard cover is lowered. There are two foot pedals at the bottom of the organ with "Mouse Proof Pedals" cast into the framing iron. list of stop names: Viola 4Ft Diapason 8Ft Dolce 4Ft Violetta 2Ft Sub Bass 16 Ft Octave Coupler Vox Humana Forte Picciolo 2Ft Hautboy 8Ft Aeoline 8Ft Cremona 16Ft E---bone 16Ft Echo 8Ft Celeste 8Ft Melodia 8Ft Flute 4FtMaker's mark in gold lettering above keyboard: W. Bell & Co Brass plaque on front board: Presented to/The Victorian Seamen's Mission/by/Congregation worshipping in Bethel/& friends./1st September 1890 Behind the stops a wooden plaque: J. CARNEGIE & SONS, SOLE AGENTS FOR VICTORIA MELBOURNE organ, worship, bethel, pipes, reed, bethel union, pipe top, jabez carnegie, w. bell & co, port melbourne, mission to seafarers, seamens' mission, mission to seamen, guelph, ontario, canada, pmhps, polly woodside, harmonium, reed organ

Harriet Walker Stock, came from England 1861, first to Lower Plenty then to Greensborough. Photographs from the collection of Peter Blackbourn, a descendant of the Chapman Stock family. Annotations to photos by Peter Blackbourn. [Nearly 100 advertisements for W. Bear at 145 Smith Street may be found for years 1882-1883]Digital copy of black and white studio photograph.peter blackbourn, harriett walker stock

Five photographs of the Plenty River in flood 1974, taken around Greensborough by June and Brian Roberts.Five photographs b & w; one note with #3#1: Plenty River may '74 flood. Flintoff St. bridge wrecked #2: [Unmarked]? #3: Plenty at Greensborough1974 flood (Note: "The house on left hand side of the picture - would it be the Medical/dental #4: Rand St. foot bridge remnants (Plenty R.) May '74 #5: Debris dumped on park by Plenty R. flood May 1974 floods, plenty river

Studio portrait of unidentified male, taken circa 1882. From the Partington collection. [Note: In the Hobart Mercury 11 May 1882, page 3… Portraits: Secure the shadow ere the substance pass away. Persons desiring large life-like portraits; taken from life; or copied from any portrait; and finished in oil or water colours; Indian ink; or any other style known in the art; should go to C. W. and Co.; who are the only artist photographers (portrait painters) in Tasmania. The most perfect and highly finished card portraits. Only 7s. 6d. per dozen. Address: C. WHERRETT and CO. Melbourne Portrait Rooms. Elizabeth-street, Hobart.] Sepia studio portrait.In black pen on reverse "Mrs Partington Kindest regards WRC"partington family

Alan Partington with James W. Medhurst. Jim Medhurst, born 1900 at Greensborough. A tall boy at age 15 he was asked why he was not fighting in the war. As a result he went to Sydney, put his age up and changed his name to McPhee. He returned from the war and joined the police. He later worked for Melbourne City Council. Married to Olive Eddy, they had 3 children and lived in Warwick Road Greensborough.Pioneer Greensborough families, the Partingtons were related through the marriage of Annie May Medhurst and William Partington.Digital copy of colour photograph.alan partington, jim medhurst, james william partington

Known as Alan, W. A. Partington was born in 1908 at Willis Vale, son of William Partington and Annie May Medhurst.Digital copy of black and white studio photograph.alan partington

This Plaque was made and issued to the NOK of a service person who died during service or as a result of service. The concept of this plaque was began in 1917. There may have been over 1 million plaques made.This Memorial Plaque has a 'W' on the reverse of the plaque which indicates it could have been made at Woolwich. There is no name in the rectangle provided.A Bronze Plaque, On the reverse - W On the Front - He Died for Freedom and Honourmemorial plaque, 'dead mans penny', 'death plaque'

The Langley family owned Morningside at this time and took in paying guestsPhotograph of frame with oval photos plus etching on original frame which appears to be wooden Photos show a man and woman 'Charles John Perry' and Alice Maude May langleyCharles John Perry, Alice Maud May Langleypeople, langley, people, perry

Norval Guest-House Aginda and Wettenhall The original Norval The story of Norval begins in 1917 when it was built as a private residence for Mr and Mrs William Thompson. Mrs Thompson was a pioneer of the tourist business, having come from Ballarat to Hall's Gap in 1909 to manage Bellfield Guest-house According to Ida Stanton, in her history of Hall's Gap entitled "Bridging the Gap", Mr Thompson and his wife acquired the six roomed shearers quarters at "Hankelow", on land leased by the Wettenhall family, on the south side of Bellfield. Mr Thompson, she says, completely dismantled the quarters, carefully marking each board, then hired George McKeon to cart the material up to where the original Norval house stood. With great care, the rooms were rebuilt into a home for William and his wife Mathilda. Catherine Good, the daughter of Viola (nee Wettenhall) and niece of Dr Roland, in here "Recollections" entitled "Look to the Mountains - Viola's View 1887-1979", mentions Hankelow. Speaking of her days at Glen Holford, the Wettenhall home at Pomonal, Viola says "Verona and Francie Dennis, my cousins, and I went for one very exciting trip. Father (i.e Dr Roland's father) had bought 300 acres in the Gap to take sheep from Carr's Plains in time of drought, and had a little cottage there with one of the Glen Holford men and his wife in charge. It was called Hankelow. So we three set off over the Range from Glen Holford on foot and leading a pack horse with our night attire and no doubt sponge bags. "We stayed the night at Hankelow with Jim and Minnie. Minnie had been a housemaid at Glen Holford. I was very fond of her. It makes one laugh to think of the excitement of "roughing it"! Minnie gave us a lovely dinner with meringues, and cream, I remember, then early morning tea. After breakfast we were driven in the buggy to the foot of the Goat Rock (since renamed Mt Rosea) and off we went - walking in our long skirts and ankle boots. There was no track of any kind, nor blazed trail - we just made for the top. It was rather frightening at times because we couldn't see where the top was an it always seemed to get further and further away. The last mile was so terribly steep, with a lot of lose shale where you went up twelve inches and slipped back six. Now you motor to about a couple of miles from the top and then have a graded path. Anyway, we got there and back safely and were rewarded with a magnificent view" By a strange coincidence, Hankelow, the source of Norval Guest-house in times past (if the name can be applied to the property as a whole, which seems likely) is in fact also the source of our Wettenhall Campsite! Hankelow was named after a property owned by the Wettenhall family in England. In 1917 William and Mathilda retired to their newly built home (Norval) "to escape from the tourist business" However, so many people made requests to stay with them that they found it necessary to add several more rooms and sleepouts to their home. In this way, early in 1921, the guest-house began to take shape. Mr Thompson, a former librarian of the Mechanics Institute in Ballarat, named the house "Norval". The name "Norval" comes from a quotation from the play 'Douglas" by John Home. Written in the mid-16th century the play is set in the Grampian Mountains of Scotland. The story is of a boy who was parted from this mother during his early childhood, and was given to a shepherd who raised him. Some eighteen years later the mother by chance happens to meet here son, and not knowing his true identity, asks his name. He answers, "My name is Norval; and in the Grampian hills my father feeds his flocks." Perhaps it was simply because "Norval" was associated with the "Grampians" that it was chosen by Mr Thompson. He may also have been conscious of feeding "flocks" of tourists in his expanding, guest-house. Norval Guest-house prospered. It was known for its fine cooking and friendly atmosphere - a tradition which has carried through to the modern Norval! It closed between 1940 and 1949 because of the second world war. In 1949 it was decided to almost completely rebuild the house. Most of the old building (Hankelow plus) was demolished and rebuilt to a much larger and more modern plan. And then, on May 1, 1965, it was purchased by the Committee of Management of the Methodist and Presbyterian Conference Centres. At this time the guest-house was owned and operated by Marjorie and Lachland McLennan, Mrs McLennan being the daughter of William and Mathilda Thompson, the pioneers of the establishment. The McLennans had operated the Guest-house since about 1930.Photocopy 2 pages of article from book titled 'In the Making' title of article Norval guest House the original Norvalaccommodation, guesthouses, norval

Written on back in pencil, however comparison with record 82 suggests that photo may have been taken earlier than 1945. Guest house with young plantings in garden.Grampian House accommodation, planted with arbour at entranceaccommodation, guesthouses, grampian house

Invoice for flex Wire and Pulley for school. Sent to Mrs. I. Warren, PO Box 30, Halls Gap. Paid on 22/5/33. Amount 2 12". See additional image for envelope.Invoice for work completed May 22, 1933 from Anthony & Co., Timber Merchants, Ironmongers, Grocers and Furniture Dealers sent to Halls Gap School Committee. original envelope.education, schools, halls gap

The article is on the principal of Chautauqua meetings; of concerts, of lectures and of musical items. The article describes the Chautauqua season in Geelong, which was formally opened at the Mechanics' Institute by Ald. J. C. King on 11 May 1923 and closed six days later! A newspaper cutting of an article entitled 'A New York-born show fails the Geelong test', published on May 11,1991. The article is about the Chautauqua movement.recreation, entertainment

The photo is of an unknown bullock team in the Grampians. Note: The photo may have been taken by Guy E. Neate of "Rosebank" on Neates Road in the Victoria Valley, however Guy Neate did not buy that property until June 1926 (see the book "Water Between the Hills".The photo shows a team of bullocks surrounded by logs in a clearing in the bush. A man is just visible behind the bullocks.timber industries, logging, transport, bullock team

The photo shows a timber mill in the Grampians. Neither the location nor the people are known. Note: The photo may have been taken by Guy E. Neate of "Rosebank" on Neates Road in the Victoria Valley, however Guy Neate did not buy that property until June 1926 (see the book "Water Between the Hills".The photo shows two men standing beside a trolley with a large log on it. There are other logs to the left and some sawn wood is visible stacked towards the back.timber industries, logging, sawmilling

This photo is part of promotional material for tourism, and was produced by Victorian Railways.The photo shows four people scrambling down rocks at the side of a large waterfall (MacKenzie Falls).'Copyright Photograph. This photograph may be reproduced on condition that it is acknowledged as "Victorian Railways Photograph".' stamped on back. "P. 3504" written on back in pencil. "MacKenzie Falls" written on back in blue ink.scenery, mackenzie falls

This is a photo of Broken and Drummond Falls. It is part of promotional material for tourism, and was produced by Victorian Railways.The photo shows a series of cascades leading down to a wider set of falls, all surrounded by bush.'Copyright Photograph. This photograph may be reproduced on condition that it is acknowledged as "Victorian Railways Photograph".' stamped on back. "P. 3500" written on back in pencil. "Broken & Drummond Falls" written on back in blue ink.scenery, waterfalls

This is a photo of the Wannon Valley, looking south. It may be a copy of a postcard.The photo shows a valley with a range in the background."The Wannon Valley, looking south, Grampians. No. 29" inscribed on bottom of photo.scenery, grampians ranges

This is a photocopy of a newspaper article entitled "By the skin of the teeth: a Grampians orchid rediscovery", written by "A. B. B.", published in the Melbourne newspaper "The Age" on 19 May 1930. It describes the rediscovery of the blue spiral sun-orchid in the Grampians by C.W. D'AltonA copy of a newspaper article entitled "By the skin of the teeth: a Grampians orchid rediscovery"."Flowers, cousin, C. W, D'Alton" written in blue pen at top of copy.media, newspaper articles

Photo is of the "Nerve Test", and is a ' Tourism promotion' photo taken by the Victorian railways.Photo shows man standing at end of a narrow,rocky ledge. Large rock formations flank ledge on both sides. Peak in background. Man is wearing dark pants with shirt and tie.Copyright photograph. This photograph may be reproduced on condition that it is acknowledged as Victorian Railways Photograph.scenery, wonderland range

Photo is of area known as ' Silent Street'. It is on path to Pinnacle Lookout.Photo shows a man walking along slabs of rock that form a path between rocky outcrops. He is walking away from the camera. Various shrubs line the path. Gum trees can be seen in background.'Copyright photograph'. This photograph may be reproduced on condition that it is acknowledged as 'Victorian Railways Photograph', p3456- Silent Street . Halls Gap.scenery, wonderland range

Rocky gorge is known as The Grand Canyon, part of the Wonderland/ Pinnacle walking track.Photo shows a rocky gorge. Aroad can be seen through bushland in the background. Two figures can be seen middle foreground about to climb a ladder to higher level . A handrail is visible on the track above the hikers.Copyright photograph. This photograph may be reproduced on condition that it is acknowledged as " Victorian Railways'.scenery, wonderland range

The area is known as The Grand Canyon on t The Pinnacle track. Photo is typical of tourism photos taken by the Victorian Railways during this period. c1950 -60'sshows a rocky escarpment on the left with a range covered with trees in the backgroundPrinted on back: Copyright Photograph. This photograph may be reproduced on condition that it is acknowledged as 'VICTORIAN RAILWAYS PHOTOGRAPH'. P3484 Written in pencil. The Grand Canyon Halls Gap written in blue penscenery, wonderland range

Viewing area is known as The Balconies overlooking Victoria Valley. Photo is typical of tourism photos taken by the Victorian Railways during this period. c1950 -60'sa group of people (17) standing on a rocky ledge overlooking a treed valley. a second rock ledge is above them creating the impression of a large mouth. Printed on back: Copyright Photograph. This photograph may be reproduced on condition that it is acknowledged a s 'VICTORIAN RAILWAYS PHOTOGRAPH'. P3465 written faintly in pencil. The Balconies Halls Gap written in blue penscenery, lookouts