A film of the 43rd Annual Conference of Legacy Clubs ceremony at the Australian War Memorial 1971, addressed by Legatee Rev. Cyril Reeve in a stirring fashion. This film has been digitised to preserve its content. Melbourne Legacy gratefully acknowledges the support of the Victorian Government and Public Record Office Victoria for making this possible. Commercially made, sound and faded colour, gone to red 8.09 mins. Production CTC-TV Canberra. The solemn religious ceremony is typical of the 1970s and the film exemplifies the respectful attitudes of the times towards fallen comrades.Blue plastic cannister with large sticker on lid. Fitted blue plastic reel inside, 16mm film, 400 feet. Sticker on lid is as follows: CLIENT: CANBERRA ENTERPRISES / REEL: No. REELS: Copy No. 1 TITLE: FORMA - LEGACY - CEREMONY / colourfilm PTY. Limited / 35 MISSENDEN ROAD / CAMPERDOWN 2050, N.S.W. / AUSTRALIA / PHONE: 51 3208 Also at MOORE PARK / 31 4131 / ARTARMON / 43 5875conference, legatee event

Yields information about tram operations and the street views in Sturt St near Lyons St.Set of 5 photographs taken on 10/8/1971 by Campbell Duncan of trams in Sturt St near Lyons St. .1 - No. 27 inbound with a Twin Lakes and destination of Mt Pleasant, passing the Peter Lalor statue in the median strip. .2 - No. 34 outbound crossing Dawson St with the Golden City Hotel in the background. .3 - No. 21 outbound with St Patrick's Cathedral in the background and the Adam Lindsay Gordon statue (1969) memorial to the horses killed in the First World War. 4. ditto .5 - No. 13 inbound with a Twin Lakes sign and destination of Victoria St, crossing Lyons St, with St Andrews Kirk in the background. For notes on the statues see: http://www.ballarat.vic.gov.au/media/499947/sturt%20street%20gardens%20calm%20plan.pdf (accessed 11/12/16)trams, tramways, sturt st, dawson st, lyons st, statues, tram 27 tram 34 tram 21

Yields information about the introduction of bogie trams into Ballarat late 1945 and the street scene with the Ballarat Town Hall in the background.Black and white photo print of Ballarat No. 15 and No. 24, soon after the arrival of the bogie trams in Ballarat, late 1945 with the Town Hall, Sturt St, in the Background. Has two ladies sitting on a seat near the tram, the stop pole, a trammie walking in front of the war memorial. No. 15 has the destination of Mt Pleasant. 4291.1 - Cropped image of the original photograph. Added 28/11/2013. From Donation of Ron Scholten. In box 71. See also Reg Item 3805.In top left hand corner "34)" and "SECV" in bottom right hand corner.tramways, trams, bogie trams, town hall, sturt st, tram 15, tram 24

Yields information about the early use of Ballarat's 2nd bogie tram and its first month in service and its use on Christmas Day 1945.Digital image from the Wal Jack Ballarat Album of No. 15 at Sturt St, tramway centre with No. 22 on the south side of the road. Wal notes both cars running on the Victoria Gardens for first time. Has the National Mutual building and South African War Memorial in the background. Taken by Wal Jack on 25-12-1945. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negativeIn ink on rear " SEC Ballarat Tramways bogie. 15 ( ex 132) in Sturt St (Tram centre), bogie No. 22 on south side behind South African War Memorial. Both cars running on the Victoria St - Gardens via Sturt St We for first time 25-12-45. " with number "T544" within Wal Jack photo stamp.trams, tramways, sturt st, bogie trams, tram 15, tram 22

Corporal Alexander stewart Burton V. C. No 384 Born Kyneton 20 Jan1893 Enlisted 18 Aug 1914 Killed Lone Pine 9 Aug 1915 He has no known gravesite and is commemorated on the Lone Pine Memorial at GallipoliCpl Burton was born in KynetonFramed black and white photograph of Cpl Alex Burton VC with copies of newspaper cutting Advertiser Sept 1915 and War Office statement of award of the Victoria Cross to Burton and Dunstan. cpl burton, vc, gallipoli, lone pine

The 2017 Official Coin Collection – Legends of the Anzacs: Medals of Honour – commemorates 14 significant military honours (both Imperial and Australian honours) awarded to Australians throughout the 100 years of Anzac. This folder contains all 14 coins released as part of the News Corp program including the 4 unique issue 25 cent coins. Each coin design explores a different medal and the stories behind them, inspired by images supplied by the Australian War Memorial, Gary Ramage and the Australian Government Department of Defence. Coins presented in a card, which can be housed in the display folder. The themes featured in this collection include: Twenty Five Cent Coins: Victoria Cross, Distinguished Flying Cross, Medal for Gallantry, George Cross. Twenty Cent Coins: Star of Gallantry, Distinguished Service Cross, Nursing Service Cross, Military Cross, Distinguished Service Medal, Victory Medal, 1939 - 1945 Star, Australian Active Service Medal 1945 - 1975, Australian Operational Service Medal, Australian Defence Medal.military, world war 2, legends of the anzac

Subdivision plans are historically important documents used as evidence of the growth of suburbs in Australia. They frequently provide information about when the land was sold on which a built structure was subsequently constructed as well as evidence relating to surveyors and real estate and financial agents. The numerous subdivision plans in the Kew Historical Society's collection represent working documents, ranging from the initial sketches made in planning a subdivision to printed plans on which auctioneers or agents listed the prices for which individual lots were sold. In a number of cases, the reverse of a subdivision plan in the collection includes a photograph of a house that was also for sale by the agent. These photographs provide significant heritage information relating house design and decoration, fencing and household gardens. The photograph is also aesthetically significant as it was taken by J. E. Barnes, a nationally significant photographer. He was the most important photographer to have worked in Kew. He was active as a photographer in the district from c.1906 until his death in 1921. Best known as 'the Embarkation Photographer' (see the Australian War Memorial collection), Josiah Earl Barnes was also the official photographer employed by the Borough (and later Town, then City) of Kew. He clearly also completed commercial jobs for local businesses, as is the case in this photograph of a house for a local real estate and financial agent. A modest weatherboard house with rough-cast rendered walls. The gabled entrance incorporates elements of the Japanese aesthetic. The strong lines of the dark timber gable are reinforced by the colour and shape of the pickets in the fence. In contrast to an earlier period, the chimneys appear truncated. The use of extensive double-hung sash windows in the front rooms reflects a new interest in light in houses. The use of separate sunshades over windows in an earlier period is here replaced by an extension of the roofline over the window. The photographer Josiah Barnes died in 1921; so, the photograph of the house must predate this date. The location of the house, which was advertised for sale, has to date not been identified. Illegible inscription. Photographer's information on mount.josiah earl barnes, j e barnes, photography - kew, interwar housing - victoria, 1920s housing - kew

The Municipality of Kew was proclaimed on 19 December 1860, then upgraded to a Borough (1863), a Town (1910) and finally a City (1921). From 1865, its offices were based in the former Athenaeum Hall in Walpole Street, which, although extended in 1883, inevitably became inadequate. Plans for a new purpose-built Town Hall were first mooted in the late 1880s, but fell prey to six subsequent decades of debate. During that time, many sites were considered and rejected, and several schemes prepared. Finally, in 1945, it was resolved to build a new civic centre as a war memorial. The council acquired Southesk, a mansion on the south-west corner of Cotham Road and Charles Street – first mooted as a possible Town Hall site two decades earlier – and plans for a civic precinct were drawn up by John Scarborough. The project stalled until 1957, when a Town Hall Committee was formed and a new architect appointed: Harold Bartlett of Leith & Bartlett. He also proposed an entire civic precinct, of which a large public hall would constitute Stage One. Designed to accommodate almost any public or official function, the space had had a small stage at one end for intimate theatrical productions, a larger stage at the other (with operable sunken orchestra pit) for musical performances, plus the most up-to-date equipment for live TV transmission. The building, befitting its original intent as a war memorial, was also to include a sculpted monument, for which a separate design competition was held. First prize went to George H Allen (1900-1972), long-time head of the Sculpture Department at RMIT and a former war artist himself (the only one, in fact, to have worked in the medium of sculpture). At the time of the Kew project, Allen was best known for his Cenotaph at the Shrine of Remembrance (1955) and a controversial abstract sculpture at Hume House in William Street (1957). Tenders for the new hall were called and the contract (worth £104,986) was awarded to H F Yuncken. The foundation stone was laid by the Mayor, Cr F C O'Brien, on 1 June 1959. Completion (initially scheduled for October) was delayed by the unavailability of certain materials; it was barely finished in time for the official opening (by Premier Henry Bolte) on 23 April 1960. The war memorial was unveiled two days later (Anzac Day) by Bolte's deputy, the Hon A G Rylah. Fittingly, that year also marked Kew's municipal centenary, and many celebratory events were held in and around the new civic centre in December, including a special council meeting (attended by the Prime Minister), a tree planting ceremony and a youth ball. Source: Survey of Built Heritage in Victoria: Stage Two (Built Heritage Pty Ltd., 2010)Plaque commemorating the opening of a new town hall in KewMetal plaque recording the official opening of the Kew City Hall, 23rd April 1960. This plaque was given to the Kew Historical Society in 1991 by the former City of Kew.Kew City Hall / Opened by / The Hon. H.E. Bolte M.L.A. / Premier of Victoria / 23rd April 1960 / Cr. H.G. Ferguson J.P. - Mayor.kew city hall, foundation stones - kew (vic), sir henry bolte, local government -- kew (vic.)

The Municipality of Kew was proclaimed on 19 December 1860, then upgraded to a Borough (1863), a Town (1910) and finally a City (1921). From 1865, its offices were based in the former Athenaeum Hall in Walpole Street, which, although extended in 1883, inevitably became inadequate. Plans for a new purpose-built Town Hall were first mooted in the late 1880s, but fell prey to six subsequent decades of debate. During that time, many sites were considered and rejected, and several schemes prepared. Finally, in 1945, it was resolved to build a new civic centre as a war memorial. The council acquired Southesk, a mansion on the south-west corner of Cotham Road and Charles Street – first mooted as a possible Town Hall site two decades earlier – and plans for a civic precinct were drawn up by John Scarborough. The project stalled until 1957, when a Town Hall Committee was formed and a new architect appointed: Harold Bartlett of Leith & Bartlett. He also proposed an entire civic precinct, of which a large public hall would constitute Stage One. Designed to accommodate almost any public or official function, the space had had a small stage at one end for intimate theatrical productions, a larger stage at the other (with operable sunken orchestra pit) for musical performances, plus the most up-to-date equipment for live TV transmission. The building, befitting its original intent as a war memorial, was also to include a sculpted monument, for which a separate design competition was held. First prize went to George H Allen (1900-1972), long-time head of the Sculpture Department at RMIT and a former war artist himself (the only one, in fact, to have worked in the medium of sculpture). At the time of the Kew project, Allen was best known for his Cenotaph at the Shrine of Remembrance (1955) and a controversial abstract sculpture at Hume House in William Street (1957). Tenders for the new hall were called and the contract (worth £104,986) was awarded to H F Yuncken. The foundation stone was laid by the Mayor, Cr F C O'Brien, on 1 June 1959. Completion (initially scheduled for October) was delayed by the unavailability of certain materials; it was barely finished in time for the official opening (by Premier Henry Bolte) on 23 April 1960. The war memorial was unveiled two days later (Anzac Day) by Bolte's deputy, the Hon A G Rylah. Fittingly, that year also marked Kew's municipal centenary, and many celebratory events were held in and around the new civic centre in December, including a special council meeting (attended by the Prime Minister), a tree planting ceremony and a youth ball. Source: Survey of Built Heritage in Victoria: Stage Two (Built Heritage Pty Ltd., 2010)Historically significant commemorative plaqueMetal plaque relating to special Council meeting to mark centenary of Kew, 13th December 1960. This plaque was given to the Kew Historical Society in 1991 by the former City of Kew.A Special Meeting Of The / Kew City Council Was Held In / This Hall On 13th December 1960 / To Commemorate / The Centenary of Kew / Cr. W.H.S. Dickinson, M.B.E., J.P., / Mayorkew city hall, foundation stones - kew (vic), cr. w.h.s. dickinson, local government -- kew (vic.)

Part of a suite of materials used by Air Raid Precautions (ARP) wardens in Kew in the Second World War. Air raid wardens managed groups of people in using air raid facilities that were constructed throughout the district. The ARP scheme was based on that developed in the United Kingdom. The collection of ARP items, originally belonging to Mr Samuel James Gare of Bowen Street, Kew, was donated five years after his death by his son.Primary resources showing the materials and advice developed to protect civilians on the home front. Examples of such support in the Kew Historical Society's collection includes advice for authorised community representatives, insignia and equipment.White rubberised canvas armband with tape ties. Printed in black on the band is 'ARP/WARDEN'. A similar example in the Australian War Memorial's collection notes that this: "Example of the type of Air Raid Precaution (ARP) armband used by the State Emergency Service (SES) of Victoria during the Second World War; this style worn by ARP wardens. The Victorian style of armband differed from those of other states, and is indicative of the variety of ARP organisations found across the states."Inscribed on reverse: "KH-2019"air raid precautions - uniforms, second world war 1939-1945, arp, air raid precautions, state emergency services victoria 1939-1945, second world war — air raid precautions, world war 2 — 1939-1945, home front — kew (vic.)

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.A panoramic photograph of the junction of High Street and Cotham Road. The photographer centres the point-of-view on the Kew Post Office and adjacent Court House. These were designed in the Queen Anne style by the Public Works Department's architect J Harvey and completed in 1888. The complex is important because it demonstrates a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. The earlier Jubilee Fountain in front of the Post Office was erected by the Kew Borough Council to commemorate the Golden Jubilee of Queen Victoria in 1887. It was created to a design of the architects Reed, Henderson and Smart. The fountain was later relocated to the Alexandra Gardens to make way for the Kew War Memorial. The tram tracks in High Street were used by the horse tram, which ran from the Victoria Street Bridge to the Boroondara General Cemetery. The tram was replaced by an electrified service in 1915.The Post Officekew post office, kew illustrated, kew where we live, photographic books, henry kellett

A copy of the earliest known photograph of the former Kew Post Office on the corner of Cotham Road and High Street, Kew. The Post Office was opened in 1888. The original architectural drawings are held at the Public Record Office Victoria.The photograph is significant as the earliest known image of this Heritage Victoria designated historic building.The Kew Post Office on the corner of High Street and Cotham Road, Kew. The photograph includes the Queen Victoria Jubilee fountain at left. The image predates the large fig tree planted on the corner and the later Kew War Memorial (1925). What are presumed to be government employees stand beside the horse and buggy.

George Henry Allen (8 February 1900 – 12 October 1972) was an Australian sculptor and teacher, an official war artist in the latter years of the Second World War. He served as an official war artist with the rank of lieutenant from December 1943, working at Port Moresby and the Australian War Memorial, retired February 1945. The plaque by George Allen on the exterior wall of the north side of Kew Library commemorating WW2 was funded by a bequest from the late Mrs Annie Anderson.One of two black and white snapshots (polaroid photos) of George Allen's sculpture at Kew Library. Mavis Rolley wrote about the memorial in 1980 as: This impressive piece of Sculpture, a memorial to the sacrifice of those who served in the Second World War, was completed in 1960 to coincide with the One Hundred Centenary Year of the City of Kew, and was unveiled on Anzac Day of that year by the Hon. A.G. Rylah, Chief Secretary, Deputy Premier of Victoria. Mr. George Allen, sculptor, submitted the winning design and through the contribution of a generous bequest of the late Mrs. Annie Anderson, a former resident of Kew, the Municipal Office was able to commission this gentleman’s work. The memorial is mounted on a wall of granite blocks and carved in Sydney Freestone, depicting a scene of war and loved ones at home.war memorials -- kew (vic.), memorials -- world war 2. -- kew (vic.), george henry allen, artworks -- kew library

George Henry Allen (8 February 1900 – 12 October 1972) was an Australian sculptor and teacher, an official war artist in the latter years of the Second World War. He served as an official war artist with the rank of lieutenant from December 1943, working at Port Moresby and the Australian War Memorial, retired February 1945. The plaque by George Allen on the exterior wall of the north side of Kew Library commemorating WW2 was funded by a bequest from the late Mrs Annie Anderson.One of two black and white snapshots (polaroid photos) of George Allen's sculpture at Kew Library. Mavis Rolley wrote about the memorial in 1980 as: This impressive piece of Sculpture, a memorial to the sacrifice of those who served in the Second World War, was completed in 1960 to coincide with the One Hundred Centenary Year of the City of Kew, and was unveiled on Anzac Day of that year by the Hon. A.G. Rylah, Chief Secretary, Deputy Premier of Victoria. Mr. George Allen, sculptor, submitted the winning design and through the contribution of a generous bequest of the late Mrs. Annie Anderson, a former resident of Kew, the Municipal Office was able to commission this gentleman’s work. The memorial is mounted on a wall of granite blocks and carved in Sydney Freestone, depicting a scene of war and loved ones at home.war memorials -- kew (vic.), memorials -- world war 2. -- kew (vic.), george henry allen, artworks -- kew library

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.The item forms part of the Laurie Bennett collection of thirty-six postcards and photographs of Kew and early Melbourne, donated to the Kew Historical Society in 1980. The postcards in the Bennett collection, like other images in the Society's holdings date from the 1890s to the present and comprehensively indicate points-of-view or scenes considered historically, aesthetically or socially significant in the period in which they were produced.Postcard depicting the Kew Post Office and Court House (built 1888) on the corner of High Street and Cotham Road. In front of the Post Office is a large Moreton Bay Fig tree. The later Kew War Memorial (opened 1925) necessitated the removal of the tree and the relaocation of the Queen Victoria Jubilee Fountain. "No-KH-388. 1888. Donated by Mr. L. Bennett. Later buildings joined. Fig tree + Queen Victoria Jubilee Fountain moved to make way for World War I Memorial 1920."kew court house, kew post office, postcards

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. Modern photographic postcard of the QPO Restaurant and the former Kew Court House. At the front of the restaurant is the Kew War Memorial, the drum of which at this stage was incorrectly painted a shade of green, which the Council later changed after representations from the Kew Historical Society and a heritage report.QPO Bar, Restuarant & Function Centre/ Cnr High Street & Cotham Rd. Mel Ref 45 C6 MacKenzie photography / Copyright margiesphotos.com.auqpo restaurant, kew post office, kew court house, kew war memorial, postcards -- kew (vic.)

An item from an outstanding and diverse photographic collection, assembled by members of the Christian and Washfold families of Kew.Rae series of postcards, otherwise unknown, showing important sites in KewSmall folding postcard including nine black and white postcard views of Kew. Cover depicts Kew War Memorial set within an embossed cardboard frame. Individual postcards include: Studley Park Road, River Yarra showing new Bridge [Chandler Hwy], High Street showing soldier's memorial, River Yarra at Victoria Bridge, The Yarra at Studley Park, Holy Trinity Church, the [Alexandra] Gardens, New Yarra Bridge [Burke Rd], Soldiers' Memorial and Post Office Kewwashfold family, christian-washfold collection, postcards -- kew (vic.)

A civic campaign for new public offices developed in Kew in the 1880s. After much deliberation, the location chosen was the junction of Bulleen and Cotham Roads. The buildings were designed by George Watson and John Henry Harvey, architects within the Department of Public Works (Victoria). Building was commenced in 1887, and after one year, the buildings were opened. The Post Office was transferred to the new Commonwealth Government in 1901. The Police Station and Court House, sold by the Victorian Government to the City of Boroondara in 2007, are now a community cultural centre and performing arts venue.The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. 35mm colour transparency of the Kew Post Office and Kew War Memorial on the corner of High Street and Cotham Road. The [former] post office is a significant example of the English Queen Anne Revival style. The photograph was taken as part of a series by Ralph Andrews (Department of Building, RMIT) in April 1980. The colour of the slide has degraded over time but is still valuable as a record of the architectural treatment of the building and accompanying planting in the 1970s. kew post office, khs - slides, new public offices -- kew (vic.), architectural styles -- english queen anne revival

A civic campaign for new public offices developed in Kew in the 1880s. After much deliberation, the location chosen was the junction of Bulleen and Cotham Roads. The buildings were designed by George Watson and John Henry Harvey, architects within the Department of Public Works (Victoria). Building was commenced in 1887, and after one year, the buildings were opened. The Post Office was transferred to the new Commonwealth Government in 1901. The Police Station and Court House, sold by the Victorian Government to the City of Boroondara in 2007, are now a community cultural centre and performing arts venue.The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. 35mm colour transparency of the Kew Post Office and Kew War Memorial on the corner of High Street and Cotham Road. The [former] post office is a significant example of the English Queen Anne Revival style. The photograph was taken as part of a series by Ralph Andrews (Department of Building, RMIT) in April 1980. The colour of the slide has degraded over time but is still valuable as a record of the architectural treatment of the building and accompanying planting in the 1970s. kew post office, khs - slides, new public offices -- kew (vic.), architectural styles -- english queen anne revival, wwi

One of a group of slides taken by members of the Society of built heritage in Kew in 1979-80. The selection of subject matter reflects the priorities of the period. The colour of some slides has degraded.The slides represent a snapshot in time of built architecture in Kew, much of which has changed in the forty-plus period since they were created.Colour positive transparency (slide) of the Queen Victoria Jubilee Fountain in the Alexandra Gardens, Cotham Road. The fountain was previously sited in front of the Kew Post Office but was relocated to the gardens in the 1920s when the Kew War Memorial was being constructed. The latter required the resting of the fountain. alexandra gardens -- kew (vic.), queen victoria jubilee fountain, queen victoria jubilee, monuments -- kew (vic.)

This is a transcription by Sandra Dexter of the original WW1 diary which was donated to ANZAC House by John Howden, F.W. Mawson's nephew. Sandra augmented the words in the diary with additional material including photos to give context to the people, places and events referred to in Frederick Mawson's words. Published with Surrey Hills Historical Society funds with permission of Anzac House librarian, Fred Pratt. Transcribed as a result of the loan of the original for the exhibition mounted as part of the 'Gallipoli and Beyond 2015' raft of events coordinated by City of Boroondara and the historical societies of Boroondara. Details re Fred Mawson (source AIF Project): Regimental number: 3073; Place of birth: Carlton, Victoria; School: Surrey Hills State School, Victoria; Religion: Presbyterian; Occupation: Carpenter; Address: Bona Vista Avenue, Surrey Hills; Marital status: Single; Age at embarkation: 22; Next of kin: Father, Frederick Mawson, Bona Vista Avenue, Surrey Hills; Enlistment date: 12 July 1915; Rank on enlistment: Sapper; Unit name: 5th Field Company Engineers; AWM Embarkation Roll number: 14/24/1; Embarkation details: Unit embarked from Melbourne, Victoria, on board HMAT A40 Ceramic on 24 November 1915; Rank from Nominal Roll: Lance Corporal; Fate Killed in Action 9 November 1917; Miscellaneous details (Nominal Roll): *second given name is William; Place of death or wounding: Ypres, Belgium; Age at death: 24; Place of burial: Ramparts Cemetery (Row J, Grave No. 24), Ypres, Belgium; Panel number, Roll of Honour, Australian War Memorial: 24. Also listed on the honour roll of The Shrine in the Surrey Gardens. A transcription (with footnotes and illustrations, including photographs) of a diary written in 1916 in F.W. Mawson during part of his period of service during WW1.(mrs) f w mawson, holmsdale, house names, bona vista avenue, surrey hills, world war 1, 1914 - 1918, diaries and journals, (mr) frederick william mawson, (mr) fred mawson,, (mr) frederick mawson (snr), surrey gardens memorial, sandra dexter

Main St. looking East towards Big Hill from Coffee Palace Verandah over Present War Memorial area. 1878 Businesses from left Walters and Son Factory, General Furnishing Mart, Stawell Town Hall, J. & A. Price Wine Spirits & Provision Merchants, Stawell Post Office. On right south side of Main Street, two-storey wooden Bull & Mouth Hotel, Whiteside Taylors, Carters Boot shop, Lecky Draper, C. Mulcahy Post Office Hotel, G.J. Hewlett Baker & Confectionery, Iron Monger, Victoria House Bond Draper, Town Hall Hotel, J. Richards Fancy Repository. Victorian Views. C. Herbert, Photo. Stawell 1878stawell business streetscape

This is a photocopy of the original diary which was donated to ANZAC house by John Howden, F.W. Mawson's nephew. Copied using Surrey Hills Historical Society funds with permission of Anzac House librarian, Fred Pratt. Copied and later transcribed as a result of the loan of the original for the exhibition mounted as part of the 'Gallipoli and Beyond 2015' raft of events coordinated by City of Boroondara and the historical societies of Boroondara. Details re Fred Mawson (source AIF Project): Regimental number: 3073; Place of birth: Carlton, Victoria; School: Surrey Hills State School, Victoria; Religion: Presbyterian; Occupation: Carpenter; Address: Bona Vista Avenue, Surrey Hills; Marital status: Single; Age at embarkation: 22; Next of kin: Father, Frederick Mawson, Bona Vista Avenue, Surrey Hills; Enlistment date: 12 July 1915; Rank on enlistment: Sapper; Unit name: 5th Field Company Engineers; AWM Embarkation Roll number: 14/24/1; Embarkation details: Unit embarked from Melbourne, Victoria, on board HMAT A40 Ceramic on 24 November 1915; Rank from Nominal Roll: Lance Corporal; Fate Killed in Action 9 November 1917; Miscellaneous details (Nominal Roll): *second given name is William; Place of death or wounding: Ypres, Belgium; Age at death: 24; Place of burial: Ramparts Cemetery (Row J, Grave No. 24), Ypres, Belgium; Panel number, Roll of Honour, Australian War Memorial: 24. Also listed on the honour roll of The Shrine in the Surrey Gardens. A photocopy of a diary written in 1916 in F.W. Mawson during part of his period of service during WW1.(mrs) f w mawson, holmsdale, house names, bona vista avenue, surrey hills, world war 1, 1914 - 1918, diaries and journals, (mr) frederick william mawson, (mr) fred mawson,, (mr) frederick mawson (snr), surrey gardens memorial

Gives photographs and brief profiles of the RSL members commemorated on the Wall of Remembrance at the North Balwyn RSL Memorial Hall. The building was opened in 1959 and closed in June 2015. The North Balwyn RSL clubrooms were then incorporated into the newly-created Greythorn Community Hub.north balwyn rsl sub-branch (vic), returned services league of australia, greythorn community hub, veterans - victoria- biographies, war memorials, plaques, plaquettes

The Honor Roll and Shrine in the Surrey Gardens were opened on Sunday 7 April 1918, prior to the cessation of fighting. Mrs Charles H D Steele (MS: Sarah Margaret Russell), president of the local Patriotic League, is credited with the idea of building The Shrine as a fitting memorial to the soldiers of the district. The Surrey Hills Progress Association coordinated raising funds from local residents. John Kendrick Blogg carved the beautiful honor roll in Indian teak and Australian white mahogany and the design of The Shrine was by architectural firm Gawler & Drummond. John Stevens Gawler was a partner in the firm, lived locally and also enlisted. Although he may have been overseas during some of the design process he is often credited with the design. Both men donated their services. The 2 cannons in the gardens were acquired by Mr Arthur Brookes in 1901 to commemorate the end of the Boer War. He was popularly known as 'Empire Brooks' and the cannons as 'Brooks' Babies'. They were originally placed in the grounds of the Guildford Road Recreation Oval. Arthur Brooks was an active community member and one of the founding members of the Surrey Hills Progress Association. Original photo was contained in a booklet printed by Camberwell Council in 1933.This is one of the earliest known photos of 3 elements important in designating the Surrey Gardens as one of the City of Boroondara's heritage gardens, now protected by a heritage overlay. The Shrine was one of the first WW1 memorials to be built in Australia and possibly the first in Victoria. It was unveiled prior to the end of hostilities and was built entirely through local community effort. The design of The Shrine, reflective of domestic architecture, is unusual. Its Honor Roll is also a noted example of sculptor John Kendrick Blogg's work and valued especially for its incorporation of Australian motifs, wattle blossom and gum leaves. The boomerang over the full width of the monument was said to be symbolic of both those who did and did not return. Black and white photo of part of the Surrey Gardens, located between Union Road and Norfolk Road, Surrey Hills. It shows The Shrine, the cannons installed to commemorate the end of the Boer War and the Memorial Cross. Taken from within the park looking east. surrey gardens, shrine of remembrance, monuments and memorials, boer war, mr john kendrick blogg, mr arthur brooks, mrs charles steele, mrs sarah steele, miss sarah margaret russell, cannons, mr john gawler

Rick AMOR (1948- ) Born Frankston, Victoria After completing a Certificate of Art at the Caulfield Institute of Art in 1865 Rick Amor studied at the National Gallery School, Melbourne from 1966 to 1968. Amor has held over 60 solo exhibitions, and has worked in Barcelona, New York and London. In 1999 Rick Amor became the first official Australian war artist since the Vietnam War. He was appointed by the Australian War Memorial to document the devastated land in East Timor, and the reconstruction efforts of peacekeepers. Professor David Caro OAM was Chancellor of the University of Ballarat for two terms, between 1998 and 2004. His contributions to academia and science have recognised on a national and international global scale. His appointments include Officer in the Order of the British Empire (OBE) and Officer in the Order of Australia (AO). This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. ContemporaryFramed portrait of Professor Emeritus David Caro, University of Ballarat (later Federation University Australia)art, artwork, rick amor, amor, chancellor, david caro, caro, academic portrait, portrait, oil, oil on linen, commissioned, academic regalia

Maxi card set - "For Valour" series Centenary of first Australian VC. Set of 5 cards each depicting a VC recipient. Cards each have 45c stamp and feature: VC Memorial Queen Victoria Building, Sydney; Sir Neville Howse VC - Boer War; Sir Roden Cutler VC - WWI; Edward Kennedy VC - WWII; Keith Payne VC - Vietnam; plus description card

The Kew War Memorial was opened by the Governor of Victoria, Earl of Stradbroke & Mayor J Carnegie 30th August 1925framed black & white photo of the opening of the Kew War Memorial 1925kew war memorial, kew cenotaph, earl of stradbroke, mayor j carnegie, world war 1