Archibald James Bower enlisted in World War I in November 1915, and was killed in action in France in August 1916. Before he left Australia, he drew designs on linen for his mother, Harriet Bower nee Harper, to embroider a quilt - mainly flowers, butterflies and moths. Mrs Bower finished the quilt, which was then used for many years by her grandson, Archibald William Luxford. He went to sleep every night, knowing the designs were drawn by the uncle he had never known, after whom he had been named.This quilt has historic significance as a memorial to a soldier lost in World War I. It is important as a tangible reminder of loss in war, and an example of how memorials to those lost in war take many forms. It has aestetic significance as an example of needlework that is original in design, with an impressive range of different stitches used to execute the design. It has spiritual significance to the Luxford family and the Munro community (even though Archie Bower was from Sale and the quilt moved later to Munro), as the quilt that Arch Luxford, a prominent member of the community, often spoke about as one his most important possessions. He was born after the death of his uncle, and named in memory of him. He grew up sleeping under the quilt, and knowing the story of his loss in World War I.A bedspread made principally of three sections of white linen sewn together with panels of crochet, with a deep linen edging and crochet edging. There are moths, butterflies and flowers embroidered on all sections in white cotton, as a form of candlewicking.world war 1914-1918, craft, needlework

Program of visit to Victoria in 1920 by Edward Albert Christian George Andrew Patrick David, the Prince of Wales (later King Edward VIII). The visit was to officially thank Australia for the support to Great Britain during World War I and to strengthen the links between Australia and the Empire. The program contains the general itinerary of the visit to Australia, from 26 May - 19 August, and the detailed itinerary of the visit to Victoria on 26 May - 7 June. It also lists the Prince's staff, members of the press who were accompanying him, and the tour party.Multi-page booklet with a white cover of soft card and pages of white paper that has discoloured with age. Printed in black. Bound by two staples..royal visits, prince of wales

Linton man William George Pyke served overseas with the AIF during World War I, and was repatriated to Australia, but died suddenly shortly after his return. As reported in the Ballarat Star, 29 July 1919: "Quite a gloom was cast over the township when it became known that Cpl. Wm. G. Pyke, a recently returned soldier, had dropped dead while at work on Saturday morning. The deceased soldier was working on the Recreation Reserve with a party of other returned men, effecting improvements under the Repatriation grant, supervised by the local council." Copy of original photograph showing head and shoulders of a man with a mustache, in uniform jacket and hat. Original photograph was an oval photo with a brown card mount."This is William George Pyke, LDHS, 10/9/2017"william george pyke, aif, wwi, linton cemetery sec. 11 grave 639. age 38 years.

Taken on an unknown date, depicted is a portrait of a young, unidentified male soldier. He is dressed in an Australian military uniform. It is believed that this soldier was part of The Australian Imperial Force during World War I. This can be inferred by the 'Rising Sun' collar badge on his coat. Australia, unlike most other Commonwealth countries, did not adopt metal regimental badges during the First World War. All units were issued with the Australian Army General Service Badge, better known as the 'Rising Sun’ badge. This insignia is almost always identified with the Australian Imperial Force.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The first significant Australian action of the war was the Australian Naval and Military Expeditionary Force’s (ANMEF) landing on Rabaul on 11 September 1914. The ANMEF took possession of German New Guinea at Toma on 17 September 1914 and of the neighbouring islands of the Bismarck Archipelago in October 1914. On 25 April 1915, members of the AIF landed on Gallipoli in Turkey with troops from New Zealand, Britain, and France. This specific event holds very strong significance within Australian history. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Sepia rectangular postcard printed on card.Reverse: BMM2640.2 / POST CARD / Write here for Inland Postage only / The Address to be written heremilitary album, wwi, world war i, australian army, australian imperial force, aif, uniform, postcard, portrait

Taken on an unknown date, depicted is a full-length portrait of a young, unidentified male soldier. He is dressed in an Australian military uniform. It is believed that this soldier was part of The Australian Imperial Force during World War I. This can be inferred by the 'Rising Sun' collar badge on his coat. Australia, unlike most other Commonwealth countries, did not adopt metal regimental badges during the First World War. All units were issued with the Australian Army General Service Badge, better known as the 'Rising Sun’ badge. This insignia is almost always identified with the Australian Imperial Force.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The first significant Australian action of the war was the Australian Naval and Military Expeditionary Force’s (ANMEF) landing on Rabaul on 11 September 1914. The ANMEF took possession of German New Guinea at Toma on 17 September 1914 and of the neighbouring islands of the Bismarck Archipelago in October 1914. On 25 April 1915, members of the AIF landed on Gallipoli in Turkey with troops from New Zealand, Britain, and France. This specific event holds very strong significance within Australian history. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Black and white postcard printed on card.Reverse: BMM 2640 / POST CARD / KODAK / 5 CORRESPONDENCE / ADDRESS ONLY / AUSTRAL / AUSTRAL / KODAK / R. McGEEHAN, PHOTO, 57 ELM GROVE RIPPONLEA, / EXTRA COPIES & ENLARGEMENTS OBTAINABLE. /military album, military, war, world war i, wwi, australian imperial force, aif, rising sun, uniform, portrait

Edith Louisa Cavell (4 December 1865 – 12 October 1915) was a British nurse and patriot. She is celebrated for saving the lives of soldiers from all sides without distinction and in helping some 200 Allied soldiers escape from German-occupied Belgium during World War I, for which she was arrested. She was subsequently court-martialled, found guilty of treason and sentenced to death. Despite international pressure for mercy, she was shot by a German firing squad. Her execution received worldwide condemnation and extensive press coverage. (http://en.wikipedia.org/wiki/Edith_Cavell)Black and White postcard showing the memorial erected in Brussels to Edith Cavell. A portrait of Edith Cavell in nurses uniform is inset. This card was purchased by an Australian soldier, probably Henry Smerdon Holmes, during World War One. edith cavell, chatham-holmes family collection, nurse, world war one, world war, sculpture

Notification of a meeting of citizens willing to assist in organising a carnival in aid of the St Kilda Memorial Hall building fund and local charities. The date given is Wednesday 13 February. It would have been 13 February 1929 because the Mayor is identified as Thos Unsworth, who served as Mayor in 1928-29. The Memorial Hall commemorates those who served in World War I, was officially opened on Armistice Day, 1924, and operated as a dance and social hall. In January 1927 the Health Department gave permission for it to operate as the Memorial Cinema. It continued as a cinema until 1957.Single sheet of cream coloured paper printed in blue.st kilda memorial hall, st kilda carnivals, memo

A special luncheon was held for World War I widows as a lead up to "Legacy Week". Legatees dressed up as moustached waiters to add a bit of humour to the day. Due to its success it was held for a number of years. This is 1994 as the author Patsy Adam Smith was a guest and she was the Personality of the Year in 1994 and helped promote Legacy during Legacy Week. The photo of her and L/- Eddie Jowett also appeared in the October edition of the Answer. The WWI group would meet on the 2nd Thursday of each month at 11 at Legacy House for many years until their numbers dwindled. A record of the type of activities Legacy provided as a social outlet for the widows.Colour photo of a World War 1 widows' luncheon in 1994 and an article from the Answer.widows, function, answer

A special luncheon was held for 61 World War 1 widows as a lead up to "Legacy Week". Legatees dressed up as moustached waiters to add a bit of humour to the day. Due to its success it was held for a number of years. Legatee waiters included Lucky Luscombe George Woodward and Alan Woodward. Ron Austin, a World War I veteran spoke to entertain the ladies. See also 00907 for colour photos of the same day. The WWI group would meet on the 2nd Thursday of each month at 11 at Legacy House for many years until their numbers dwindled.A record of the type of activities Legacy provided as a social outlet for the widows.Black and white photo x 8 of a World War 1 widows' luncheon in 1993 and two proof sheets.widows, ron austin, function

Taken some time between 1914-18, the photograph depicts an aerial view of trenches in France. The image mostly shows rural landscape, although there is a house in the bottom right corner. A dotted line has been drawn across the photograph, marking the section of trenches that belonged to British forces during World War I. It is believed that the line marking on this record denotes a section of the Western Front. The Western Front was the main theatre of war during World War I. Following the outbreak of war in August 1914, the German Army opened the Western Front by invading Luxembourg and Belgium, then gaining military control of important industrial regions in France. The German advance was halted with the Battle of the Marne. Following the Race to the Sea, both the French-British and German armies dug in along a meandering line of fortified trenches, stretching from the North Sea to the Swiss frontier with France. Between 1915 and 1917 there were several offensives along the Western Front. The attacks employed massive artillery bombardments and massed infantry advances. Entrenchments, machine gun emplacements, barbed wire and artillery repeatedly inflicted severe casualties during attacks and counter-attacks and no significant advances were made. Among the most notable of these offensives were the Battle of Verdun (1916), the Battle of the Somme (1916), and the Battle of Passchendaele (1917).The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Sepia rectangular photograph printed on matte photographic paper.Obverse: A.3FE.O.146 / G2R 29 . 6 . 18 (Y p.m) / F= 10 1/4 / British Line / ------------------------------------------ / P. 250 1040 / 0. 30d. 0010 / 0. 30d. 3070 /military album, military, war, wwi, world war i, france, great britain, trenches, village, rural, western front

The photograph on the obverse side of the postcard was taken in Egypt on 4 March 1916, during World War I. Depicted are three unidentified Australian soldiers part of the Australian Imperial Force. They are dressed in military uniforms. Each of these men are seated atop a camel's back. All three camels are draped in - what are believed to be - traditional Egyptian textiles, including tassels, carpets and beads. In the background, we can see a triangular pyramid and the Great Sphinx of Giza. The Australian Imperial Force (AIF) were established by the Australian government in August 1914. This announcement marked the beginning of Australia's involvement in World War I. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The first contingent of the AIF departed Australia by ship in November 1914. England was their destination. Although, their convoy was diverted to Egypt after the Australian High Commissioner in London, Sir George Reid, and the British military authorities unanimously agreed that the overcrowded military camps in England were unsuitable for so many men over winter. The AIF disembarked in Alexandria, Egypt on 3 December 1914, and the men moved to training camps near Cairo. It was in Egypt that the AIF and the New Zealand Expeditionary Force (NZEF) formed one united corps - the Australian and New Zealand Army Corps (ANZAC). This group of troops trained in the desert beneath the pyramids until March 1915.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. On 25 April 1915, members of the Australian Imperial Force landed on Gallipoli in Turkey with troops from New Zealand, Britain, and France. This specific event holds very strong significance within Australian history. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day. The record's unique research potential is strengthened by its relationship to a historically significant site: the Egyptian pyramids. Since the postcard was produced in 1916, the record can be used as primary evidence for historians and conservationists studying these sites, or how these sites have evolved over time. The record may also be a useful resource for those interested in the history of Egyptian textiles. Furthermore, it may also provide insight into international relations between Egypt and Australia in the past and present.Sepia rectangular postcard printed on paper.Obverse: 172 / Reverse: 6536 / CARTE POSTALE / 4/3/16 / Rough riders under / the shadow of the / pyramids /military album, army, war, wwi, world war i, egypt, pyramid, great sphinx of giza, textiles, australian imperial force, aif, uniform

In 1919, Australian schoolchildren received a special commemorative medal to mark the end of World War I. This medal, known as the “Peace of 1919” medallion, was issued by the Defence Department and distributed to schoolchildren throughout Australia. The medallion is circular with a plain edge and an integral suspension loop. On the obverse side, it features a symbolic female figure of Peace, holding a sword and standing on a plinth marked “PEACE 1919.” A dove flies behind her, and two figures freed from shackles are at her feet. The reverse side showcases a central panel surrounded by laurel leaves, topped by the King’s Crown with the word “VICTORY” over rays of the rising sun. A sailor and a digger stand at ease on either side of the panel, which bears the inscription “THE / TRIUMPH / OF / LIBERTY / AND / JUSTICE.” Below the leaves, a small panel displays the words “THE PEACE OF 1919” and the manufacturer’s name. The medallion was issued to commemorate the signing of the Versailles Peace Treaty in 1919, which officially ended World War I. Originally, the medals were suspended from a narrow piece of red, white, and blue striped cotton ribbon. This medallion served as a reminder to a generation of the service and sacrifice of Australians during the war. It symbolized the achievement of peace, albeit at great cost. Each child in Australia aged 0-14 years (and up to 16 if their parents were in the armed forces) received this small but meaningful token of remembrance12. Small medallion with faded red, white and blue ribbon with pin. Female on the front. Wreath on back with two males either side with uniformmedals, 1919, ww1

This postcard was hand-embroidered in France and sent to Australia during World War I. A large piece of silk would be hand-embroidered by French women with the same pattern 20 times or so, then the large completed piece would be sent to a factory to be cut up and the individual pieces mounted on card. They had varying themes and patterns, greetings such as happy birthday or thinking of you, featuring butterflies, flowers and sometimes patriotic flags of allied countries involved in the war. They were marketed to troops to send home to female members of the family and girlfriends. It was estimated 10 million silk postcards were produced in Europe between 1915 and 1919. During World War 1 postcards were a welcome means of personal communication for many people. Most information came from newspapers or broadcasts.A small Christmas postcard of fabric with embroidery of flowers around the British flag and "Happy Christmas" sewn along the bottom."I am still going well & strong Love to all Maurie"ww1-correspondence ww1 postcard

In the early 1920s Australia was gifted six J class submarines from the Royal Navy. These were the latest and largest submarines built by the RN for service in World War I. They were competent but were in service with the Royal Navy for only a short time before the end of the war. Once in Australia they were placed into service but there was little appetite for submarines or in fact any other military endeavour in the early ‘twenties’. The world was exhausted from a long and dirty war followed by a devastating Influenza Epidemic. The J class boats were soon retired and sunk as breakwaters or scuttled in the ship graveyard area off the mouth of Port Phillip Bay.Popular diving sites in Ships Graveyard outside the rip between Point Lonsdale and Barwon HeadsCircular brass plaque inscribed with J5 North Sea 1917 1918 made from a piece of navigational equipment used on the submarine J5 mounted on woodSubmarine J5 North Sea 1917 - 1918j class submarines, j5, ships graveyard, port phillip

The 17th Australian Infantry Brigade was an infantry brigade in the Australian Army. First formed in 1917 during World War I, it did not see any action. Reformed during World War II, before being disbanded in 1946. Today, its name is perpetuated by the 17th Combat Service Support Brigade, which was raised as a logistics formation in May 2006. The 17th Brigade was reformed on 13 October 1939, again as part of the 6th Division, recruited from Victoria. The 17th Brigade fought in the Western Desert Campaign in Libya, the Battle of Greece, the Battle of Wau, the Salamaua-Lae campaign in Papua, and in the Aitape-Wewak campaign in New Guinea. The photographs are of national significance as they may reflect the only known photographs of individuals from WW2.4 page newspaper pictures of 17th Brigade, Second AIFThe Argus 17th Australian Infantry Brigade, Second AIF, Souvenir Supplement, Thursday, February 22, 1940 Page 1 2/5th Battalion - Picture 1 Officers of the 2/5th Battalion; Picture 2 Senior NCO's of the 2/5th Battalion; Picture 3 A Company 2/5th Battalion Page 2 B Company 2/5th Battalion; C Company 2/5th Battalion; D Company 2/5th Battalion Page 3 Headquarters 2/2nd Field Regiment 6th Divisional Artillery; 3rd Battery 2/2nd Field Regiment 6th Divisional Artillery Page 4 Officers, NCO's and men of 2/2nd Field Company, 6th Divisional Engineers; Officers NCO's and men 2/2nd Field Ambulance and 2/2nd Australian General Hospital 6th Divisional Australian Army Medical Corpsaif, army, 17th brigade, second aif, 2/5th battalion, australian army, australian infantry brigade, 2/2nd field aumbulance, 2/2nd australian general hospital, 6th divisional australian army medical corps, 6th divisional engineers

Issued to Royal Army Medical Corps soldiers, this cap badge would have been worn by Francis Browne during World War I. Francis James Browne died in Sydney 1963. He had a long career in obstetrics and gynaecology. Summary of appointments include: General Practice in Wales, Maternity Department of the Edinburgh Royal Infirmary, 1st director of obstetric unit, University College Hospital London. Retired and continued postgraduate teaching in London and NSW. Married to Grace Cuthbert, who was director of Maternal and Baby Welfare in NSW. Collection of objects transferred from the Archives to the Museum collection found amongst Professor FJ Browne's papers.Dark brown metal cap badge. Design features a crown sitting atop a laurel wreath, which surrounds a representation of the Rod of Asclepius (serpent wrapped around a rod). A scroll is affixed below the wreath which is inscribed 'ROYAL ARMY MEDICAL CORPS'.world war i, numismatics, browne fj

Photos of gathering at the Legacy Garden of Appreciation for the installation and dedication of the 'Widow and Children' statue on Tuesday 29th September 1998. The 'Widow and Children' statue was sculpted by Louis Laumen, a Melbourne artist. The photos show Legatees, including President Tom Butcher, making speeches, a crowd seated for the ceremony and some of the crowd singing. Also a girl laying flowers at the plaque which reads: "Legacy Garden of Appreciation. A living tribute to the generous support of Victorians for the work of Legacy. The sculpture symbolises the work of Legacy caring for the widows and children of veterans. The Flanders Poppies which bloom around November have their origin on the World War I battlefields of Belgium and France."A record of the 'Widow and Children' statue being dedicated in 1998.Colour photo x 8 of the dedication of the Widow and Children statue in the Legacy Garden of Appreciation.widow and children statue, statue, garden

In the 2000s Legacy released a range of Legacy Bears to expand the merchandise available for sale during Legacy Week and at other fundraising opportunities during the year. This bear is in an Australian World War 1 uniform and slouch hat. He was given the name Digger. The term "digger" was military slang for Australian and New Zealand soldiers. It became closely linked with the principles of mateship during World War I. This Digger bear reminds us of the endurance, courage, ingenuity, good humour, hardiness, and resourcefulness the ANZAC forces showed during the Gallipoli campaign and other WW1 campaigns. This was a special edition of the bears. In 2021 the price was increased to $20 per bear.An example of the type of products sold along with Legacy Badges for fundraising in the 2010-2020s.Legacy bear dressed in a World War 1 uniform with a printed cardboard tag.Printed tag gives the price as $20.legacy appeal, fundraising, legacy bear

Frank Hutchinson Memorial Cup Donor: Lyndsay Halliday Deed of Gift: Yes Frank Hutchinson was a member of the Brighton Sailing Club as early as 1912 and became Commodore in 1941/44; he was also made an honorary life member in 1953. He was a World War I veteran and for many years conducted the clubs’ Anzac Day Services, always wearing his Light Horse Captains’ Uniform. He died in 1964 at the age of 80. The trophy was originally donated for a single-handed race, however this was changed in 1993 when it became a two-handed race and then became part of the ORCV two-hand series. First Winner: Valhalla, F. Moylan frank hutchinson, lindsay halliday, two handed, orcv, deed of gift

A photo of the Menin Gate war memorial in Ypres. It appears to be a professional photograph purchased as a souvenir. See also 01025 Tyne Cot Cemetery Passchendale as it is by the same manufacturer and is dated 1930. The Menin Gate Memorial to the Missing is a war memorial in Ypres, Belgium, dedicated to the British and Commonwealth soldiers who were killed in the Ypres Salient of World War I and whose graves are unknown (source Wikipedia). The source of these photos is not known but they were stored together in the archives. The source of these photos is not known but they were stored together in the archives. The founders of Legacy were returned servicemen from the first world war and may have returned to France in the 1930s. Manufactured by L. Duhameeuw, Ypres.The professional photos from France imply that Legatees were making pilgrimages to the battlefields of France in the 1930s in memory of their comrades.Black and white photo of Menin gate in Ypres, Belgium.Indistinct round stamp on the back.world war one, souvenir, memorial, ypres

The 59th Battalion was an infantry battalion of the Australian Army. Initially raised for service during World War I, the battalion fought on the Western Front in France and Belgium between 1916 and 1918, before being disbanded in 1919. In 1921, it was re-raised as a part-time unit of the Militia in Victoria. They remained in existence until 1942 when, due to a manpower shortage in the Australian economy, the decision was made to amalgamate the battalion with the 58th Battalion to form the 58th/59th Battalion. Together they remained linked throughout World War II, serving in New Guinea and Bougainville in 1943–1945. In 1952, the 59th Battalion was re-raised and subsequently was absorbed into the Royal Victoria Regiment in 1960.Brown timber frame containing cream coloured mount and photograph of large group of soldiers and bandsmenPlaque -59th Militia Circa 193959th militia, ww1, ww2, 1939

The Australian Comforts Fund was established in August 1916 to co-ordinate the activities of the state based patriotic funds, which were established earlier in World War I. Mainly run by women, they provided and distributed free comforts to the Australian 'fit' fighting men in all the battle zones. They became divisions of the Australian Comforts Fund. The Council of the Fund comprised two delegates from New South Wales, Victoria and Queensland and one from the states of Western Australia, South Australia and Tasmania. The Executive headquarters was located in Sydney. It ceased operation on 10 April 1920 and was reconstituted in World War II in June 1940 and ceased operation again on 27 June 1946. The state bodies in World War I were: New South Wales: the 'Citizens' 'War Chest' Fund; Queensland Patriotic Fund; South Australia: League of Loyal Women; Tasmania: 'On Active Service Fund'; Australian Comforts Fund, Victorian Division; Victoria League of Western Australia. During World War II the state bodies were called : The Lord Mayor's Patriotic and War Fund of New South Wales; the Australian Comforts Fund, Victorian Division; the Australian Comforts Fund, Queensland Division; the Australian Comforts Fund, Tasmanian Division; the Fighting Forces Comforts Fund SA Inc; the Victoria League Camp Comforts Fund ( W A ) Australian Comforts Fund commissioners conducted its activities in the field, holding honorary rank as officers of the Army or Air Force.World War 1 publication for the home front with Kew listingsVoluntary War Workers Record, compiled for the benefit of the Australian Comforts Fund - 1918. Price - 1/6. the publication includes sections on Kew.australian comforts fund, australian comforts fund (victoria)

Taken some time between 1914-18 in France, the photograph depicts extensive wreckage of a railway train. There are collapsed buildings, debris, and helmets scattered all across the landscape. There is one unidentified soldier standing in the middle of the photograph. With research that is currently available, it can be inferred that the wreckage depicted in this photograph is from the tragic Saint-Michel-de-Maurienne derailment which occurred on December 12, 1917. The railway accident involved a troop train carrying almost 1,000 French soldiers on their way home for leave from the Italian Front in World War I. As the train descended into the Maurienne Valley, a sudden, uncontrollable acceleration caused a catastrophic crash and subsequent fire. 675 people died in the accident.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day. Additionally, there is only limited information available about the Sant-Michel-de-Maurienne derailment. The record may be a useful springboard for further investigation into this accident and its history.Black and white rectangular photograph printed on matte photographic paper.Reverse: 6530 / Destruction of train carrying / German helmets (?) to (?) prior to / his retreat at Charleroi /military album, army, war, wwi, world war i, france, charleroi, train, military, wreckage, europe, belgium, saint-michel-de-maurienne, maurienne valley

This field telephone was developed primary for military purposes (World War I) and other wars/military interventions there after. It was the first "mobile" telephone which had a prime objective of providing isolated or "hard" to connect with locations instant communication links. Like a lot of "new" technologies it evolved from a war environment. This handset was used to connect offices and workshops, which due to their functions could not be co-located with their prime office(external workshops).The evolution from the early 1900s to the mid 1980s when mobile communication technology progressed in leaps and bounds from hard wire telephone communication to mobile digital receivers. This handset was manufactured by a subcontracted Australian company under the Australian Post Office mandate.This handset is significant in that it was donated by the Mount Beauty Timber yards and formed an integrated part of its communication system with its out lying work yards and buildings, before the mobile handset evolution. This handset was located in an environment which required a rugged and reliable day to day communications linkage as a vital part of its logistical (business) survival. As progress demands it, the faster that customers are satisfied with the service they obtain from suppliers the longer those services will be asked for and the longer and more profitable the supplier will be. This edict is as true for rural companies as it is for small or large city businesses. The customer is "always" right.This sturdy field telephone has a shell housing made in black bakelite material with a "U" form housing the major components (wiring, magneto and batteries). The main housing has two metal bells, with a central ringer between both, on the top part (to notify incoming calls). In front of the main structure is a box with the telephone hand piece (ear and mouth receptacles) nestled on two cradles. An on/off switch is activated when handset is removed from its cradle. On the front of the control box is a winder handle(to ring off) and in a field situation to activate/deactivate the magneto. To the left of the winder but on the the main body are two wind up connection buttons for the connection of operational wires (power)On the main right hand front body and next to two chrome switches is a plate with "L (next to the top switch) and below this "L2" and underneath this are "or" "EARTH". There is a plate fastened to the front of the handset and behind the winder with "REPLACE HANDSET WHEN FINISHED" and below the winder 'SERIAL NUMBER 5116"field telephone, world war ii field telephone f mk i

The Senior Technical Schools Athletics Association ‘Herald Shield’ is one of many timber and metal repoussé commissions undertaken by students and staff at the Ballarat Technical Art School. The School was known for the quality of its art metal work which was applied to product, interior and commemorative designs. Between 1915 and 1936 Wilfred Kenneth (c1883-1957) taught boys and girls at preparatory and senior levels, including the ‘Art Metal Work and Repoussé’ industrial design specialisation. During World War I, Kenneth oversaw the training of repatriated soldiers which catalysed into a new, a successful art metal business, the Decorative Metal Craft Company in Chancery Lane, Ballarat. The shield was given by the proprietors of The Herald.Timber and metal repousse shield listing winning teams from 1918-1940. 1918 - Ballarat 1919 - Ballarat 1920 - Working Men's College Melbourne (now RMIT) 1921 - No contest 1922 - Swinburne 1923 - Ballarat 1924 - Ballarat 1925 - Ballarat 1926 - Ballarat 1927 - Geelong 1928 - Maryborough 1929 - Bendigo 1930 - Bendigo 1931 - Working Man's College 1932 - Wonthaggi 1933 - M.T.C. 1934 - Ballarat 1935 - Ballarat 1936 - Ballarat 1937 - No Contest 1938 - Ballarat 1939 - Ballarat 1940 - Geelong Above list engraved into metalherald shield, athletics, working mans college, rmit, ballarat school of mines, trophy, commission, art metal, repousse, ballarat technical art school, wilfred kenneth

Photos of gathering at the Legacy Garden of Appreciation for the installation of the ‘Widow and Children’ statue by Louis Laumen - a Melbourne artist. The statue dedication was held on 29 September 1998. The plaque at the garden says “A living tribute to the generous support of Victorians for the work of Legacy. The sculpture symbolises the work of Legacy caring for the widows and children of veterans. The Flanders Poppies which bloom around November have their origin on the World War I battlefields of Belgium and France.” 00498.3 is the sculptor Louis Laumen with President Tom Butcher 00498.4 shows the sculptor Louis Laumen and a lady 00498.5 Legatee David Cull and a lady in uniform. 00498.6 and 00498.7 show legatees Lucky Luscombe and Tom Butcher with a lady, perhaps a Legacy widow.A record of the unveiling of the ‘Widow and Children’ sculpture in the Legacy Garden of Appreciation.Colour photo x 7 of the dedication of the Widow and Children statue.00498.7 has label attached "The Legacy statue was dedicated in 75th year at the Shrine of Remembrance"widow and children statue, statue, garden

HMAS Una was a Royal Australian Navy sloop that began its life as the German motor launch Komet. The ship, and her 57 crew, was captured by an infantry detachment of the Australian Naval and Military Expeditionary Force 9 October 1914, with no loss of life. Komet was then sailed to Sydney as a prize. During the time in which the Una was in service under Australia, the sloop was used as a Patrol and General Purpose Vessel. The sloop was used to patrol the areas of New Guinea, New Britain, New Hebrides and Malayan waters. After World War I, Una was decommissioned and taken to Port Phillip Bay, renamed Akuna and used as a pilot vessel. She was finally broken up in Melbourne in 1955.After World War I, HMAS Una was decommissioned and taken to Port Phillip Bay, renamed Akuna and used as a pilot vessel. She was finally broken up in Melbourne in 1955.A sclae drawing showing side view of the double screw passenger steam boat 'Komet' which was captuered by the RAN in WWI Doppelschrauben Passagierdampfer Aussen Haut [Double Screws, Passenger Steam Boat, Outside Hight]akuna, ppps, port phillip, hmas una, ran

There were numerous events in Kew, held during World War I, to support the War Effort. The 'Our Heroes' Carnival was held in the Kew Recreation Hall [dem. 1960], Wellington Street on the weekend of 9 and 10 August 1918. The event was held to gain financial support for the Lady Mayoresses' Patriotic League. Three press reports [see references] describe or illustrate the event. Organisation of the event was led by the Mayoress, Mrs Wynne, with the assistance of Mrs. H. Dodd and Mr. Hamilton Wilson. Stalls were operated by women selling items donated or created by individuals, organisations or institutions. While the badge is not mentioned in the references, it was clearly able to be purchased as a symbol of support for the event and for the cause for which it raised funds.The badge appropriates cultural symbols for political purposes. It is a rare example of a three-dimensional badge created to support Australian soldiers abroad during WW1. It is unusual in that the inscription is localised to the municipality rather than using a generic label. Badge - Small silvered metal kookaburra standing on a boomerang inscribed in capital letters with the words "Our Heroes Carnival, Kew". The badge has a pin on the reverse."Our Heroes Carnival, Kew"patriotic badges, world war 1, national symbols, cultural appropriation, badges, first world war -- fundraising, kew recreation hall