Small portrait photograph of woman seated at table with some hand tinting, photographer F.C.Burman 145 Smith St Fitzroy.F.C.Burmanphotograph, portrait, female

Mackay collection - white cottong camisole with lace trim, name M R Mackay printed in black on edge.costume, female underwear, camisole

Mackay collection, white cotton camisole trimmed with lace & name F H Mackay printed in black.costume, female underwear, camisole

Mackay collection - White cotton camisole with lace trimming small white buttons M P Mackay printed in black.costume, female underwear, camisole

Taylor collection - Poem written in 1868 titled ' A Farewell ' written by James Taylor in memory of his deceased wife Jane, handwritten on blue paper.James Taylorperson, individual, female

Small portrait photograph of a young woman seated with umberella in hand, photographer Stewart & Co Melbourne.Stewart & Cophotograph, portrait, female

Small photograph of a young woman seated with legs crossed and hands clasped on knees, wearing button up boots with handbag on ground. Photographer Stewart & Co 217 & 219 Bourke St East, Melbourne. Written on back in pencil Emily Howe ?Stewart & Cophotograph, portrait, female

Small portrait photograph of a woman leaning on the back of a chair, photographer Stewart & Co Melbourne.Stewart & Cophotograph, portrait, female

Small portrait photograph of a young woman, head and shoulders with brooch at throat, photographer Stewart & Co Melbourne.Stewart & Cophotograph, portrait, female

Small head and shoulders photograph of a young woman with large brooch and lace collar. Photographer Stewart & Co Melbourne.Stewart & Cophotograph, portrait, female

Small portrait photograph of a young woman seated holding a hat, photographer Stewart & Co Melbourne.Stewart & Cophotograph, portrait, female

Small portrait photograph of a young woman with ruffled lace collar.Photographer Stewart & Co Melbourne. Written in pencil on back name Annie.Owen. ?Stewart & Cophotograph, portrait, female

Small portrait photograph of a young woman with lace collar, photographer Stewart & Co Melbourne.Stewart & Cophotograph, portrait, female

A box containing articles on famous people, eg Jack Davey, Princess Grace, Winston Churchill, Queen Mother Elizabeth, H.M. Queen Alexandria of Yugoslavia, Queen Alexandra, and Vera Lynn. Sources include 'The Sun,' 'The Australian Women's Weekly,' 'Homes and Gardens,' 'Everybodys,' 'Woman's Day with Woman' and 'People.' 1956 - 1960.Life stories ; Sir Winston Churchill's 'A History of the English-Speaking Peoples'person, individual, famous people, lydia chancellor, collection, famous people, men, women, male, female, individual, history, person

A box decorated with red Christmas paper. Contains mostly pictures of or relating to children but does contain some items related to Australian history and animals. Sources include 'National Geographic,' 'To-day' and 'Australian Women's Weekly.' Dated 1933-1955.person, individual, children, lydia chancellor, collection, ephemera, children, person, australian history, animals, female, male, person

Magazine and newspaper articles on sculpture and sculptors. Sources include 'The Illustrated London News,' 'The Age,' 'Look and Learn and 'The Bendigo Advertiser.' Included are 'Bendigo Advertiser' cuttings relating to Ola Cohn (1965). 1940 - 1965.artwork, sculpture, sculptor, lydia chancellor collection, collection, ola cohn, sculpture, sculptor, artwork, art, female, person, recreation

Wedding/bridal horse-shoe(s) and associated Kewpie doll and branch of buds/leaves. Doll - Probably celluloid with jointed (shoulder only) arms and attached satin supporting band with a single branch of buds/leaves; Horse-shoe #1 - (cardboard?) shaped horse-shoe covered with narrow ribbon; edges of shoe have imitation pearls (some missing); supportive ribbon attached to either side of shoe; Horse-shoe #2 - slightly padded and covered horseshoe with attached 'sprig' of buds and leaves; attached to one end of horse-shoe is a triangular material 'emblem' with black border, and gold 'bar' on a central white background; Buckle made of mother-of-pearl; small length of narrow ribbon; four separate pieces of 'twigs' with buds and pearls attached. This collection presented in a plastic (modern era) box with cotton wool padding - inscribed with previous catalog number of U2664)costume accessories, female, wedding

M Bent photographer Centre of Pall Mall Sandhurst on reverse of CDV. Studio portrait of unknown matron wearing victorian dress.Bent Sandhurstphotograph, person, female

A damaged photograph of four unknown women formally dressed in frocks and lace - the fashion of the day. Date unknown.photograph, portrait, female group, lydia chancellor, collection, women, fashion, costume, person, people, photograph, photo, photography, family, portrait

(a) A photograph of four young men in military uniform. Name, date and place unknown. (b) One faded black and white photograph of a beach scene. Two children are in the foreground and people behind them are sitting beside the sea. Of particular interest is the fashion of the era. Names, date, place unknown. ( c ) One black and white photograph postcard of an unknown soldier in an army uniform. On the back of the postcard are the words, ' To Mollie with kindest regards from Clyde.' Date and surname unknown. (d) A black and white photograph postcard of an unknown man in a 3 piece suit with fob watch and a handkerchief in his pocket. He wears a tie and a high collar. An imprint at the bottom right hand corner says, ' Kalina 37 & 50 Pall Mall Bendigo.' (e) A damaged black and white photo of an unknown couple. The gentleman is wearing a 3 piece suit and hat. The woman is in a frock and is wearing a long string of beads and a hat. They are standing in front of a fern. (f) A small faded photo of two men and a woman, all unknown, who appear to be sitting on the side of a hill. There is a shed in the distance and other people in the vicinity.photograph, person, male / female, lydia chancellor, collection, photo, photograph, person, soldier, costume, postcard, photography, fashion, garden, ferns

carte de visite photograph of Miss Mary Ann Weigard. Handwritten caption Mum on front. Victorian dress with distinctive tasselled neck wear. N White Photo Sandhurst printed in small letters on bottom edge of photo. Reverse handwritten caption Mum, Miss Mary Wiegard, Mrs Pat Cooper. Note spelling change of Weigard. Ornate N White Photographer Mitchell St Sandhurst opposite St Pauls Tower scrolled upon reverse.N.Whitefemale, history

A small portrait photograph of a woman in a bonnet by Photographer F.W.Schmidt.F.W.Schmidt Horsensphotograph, portrait, female

One small portrait photograph of a woman by James Bowman Photographer 65 Jamaica Street Glascow.James.Bowman.photograph, portrait, female

non-fictionProfessor of Art Linda Nochlin, and critic and art historian Thomas B. Hess respond to the question "Why have there been no great women artists?'. Nochlin writes of 'the women question' in art and beyond, addressing barriers in education and art schools negating full participation or studying the nude, the limiting definitions of 'greatness', domestic demands and class, and maintains it is the institutional structures that are the key to equality, and it is these which should be challenged and reformed. Hess addresses wrong attribution, the studio system, the relative freedoms in the Middle Ages before the Renaissance emphasised the male genius ideal and self confidence. Ten replies from artists follow, mainly responding to Nochlin's treatise. Elizabeth Baker, writes the final essay, charting the changes in regards to representation including issues surrounding quotas, recognition, the debates surrounding the contested definitions of female and feminist artists.and the frequent lack of support by female dealers, critics and curators.essays, feminism, studio practce, art history, gender, politics, discrimination, museolgy, curatorship, identity

Booknon-fictionEssays examining the way images of women advertising, magazines, fine art, fashion and pornography influence attitudes and perceptions about femininity and female sexuality.iconography, mass media, body image, self-portraiture

These are from the series taken by Alison Kelly c1990One from a set of two colour photos of the public conveniences in Sinclair Parade c1990: LADIES/DONNE/(GYNAIKA) The Abel Tasman is visible in the background'Toilet block, Beaconsfield Paradebuilt environment - civic, natural environment - beaches and foreshore, transport - shipping, transport - ferries, alison kelly

Page 3 of Ray Pearson's Photo Album. Brown card page with two metallic look postcards (landscape format) placed on page using clear plastic photo corners. Both postcard images depict trams in Ballarat. The bottom postcard has come loose of two of it's photo corners (top and bottom on the right) and is not secure on the page. A hand written inscription is written in pencil behind the bottom photograph.Hand written inscription in pencil behind postcard at base of page: W.4. Printed text to left of image on bottom postcard: BALLARAT TRAMS / 1887 to 1971 / A series of four postcards. / NO. 3 LATER ELECTRIC TRAM SYSTEM / In 1934 the State Electricity / Commission took over the Bal- / larat trams from the Electric / Supply Company of Victoria. / During 1935-37 the whole sys- / tem was reconditioned by the / Commission. / For the Coronation of King / George VI, No. 28 was decor- / ated for the occasion. It ran / for three days – 12th, 13th / and 14th May, 1937, and was / painted red and cream. / During the Coronation cele- / brations of Queen Elizabeth II, / the trams carried two flags / mounted vertically fore and aft / on the roof. / Some huge loads were / carried during the second / World War period and owing / to man power shortages, con- / doctresses were employed / from September, 1942 to July, 1946. At one time, the total / reached 23. Printed text to back of bottom postcard: BALLARAT TRAMS / 1887 to 1971 / A series of four postcards. / In the early fifties, loading / on the trams was heavy. When / the lag in housing was over- / taken, however, breadwinners / started to leave the trams and / travel to work in cars. Increas- / ing affluence in the sixties ac- / centuated the trend. Soon the / trams were running with mount- / ing annual losses. Most of the / passengers travelling in these / times were concession holders: / students, pensioners, deserted / wives and T.P.I.'s A fine printed vertical line runs down the centre of the blank writing space to the left of the body text. Above is written: POSTCARD postcard, coronation, ray pearson, vintage trams, ballarat tramway, tram postcard, female conductors, suttons, ballarat tram

The Ithacan Philanthropic Society Executive Committee 1991. Pictured L-R: Back row - Dennis Katsamas, George Coutsouvelis, Anthony Drakopoulos, John Tscoucalas, Christos Lourantos. Front row - Antoni Razos, Maria Dellas, Sia Andrews (President), Helen Vlass, Nick LourantosAlthough women played a very active role in the organisation of social functions and fund raising activities, they were not eligible to become full members until 1985 after which they could also be elected to the executive committee. Prior to this there was a Ladies' Committee formed in 1944 which organised social events. Sia Andrews, Maria Dellas and Helen Vlass were the first women to be elected to the executive committee in 1985. In 1991, in the Society's 75th year, Sia Andrews became the first female president. A coloured photograph of the executive committee of the Ithacan Philanthropic Society photographed standing in front of an honour board. Five men are standing behind three women and two men who are seated.