A competition was announced to design a suitable building for the proposed Melbourne International Exhibition in December 1877. Eighteen entries were received. The winner of 300 pounds was Joseph Reed of the architectual firm Reed and Barnes. The foundation stone was laid by Governor Sir George Bowen on 19 February 1879. Prominent Melbounre builder David Mitchell, father of Dame Nellie Melba, won the tender to construct the main building. Exhibitors were able to move in by May 1880. On 01 October 1880 the Melbourne International Exhibition opened, when over 6000 people entered the main hall to see the Governor, the Marquess of Normanby open the show. Thirty three nations participated and ofver 32,000 exhibits were displayed. At the close of the exhibition on 30 April 1881 over 1.3 million people had visited the exhibition. In 1881 Victoria's population was just over 250,000. The management of the Exhibition Building and eight hectares of the Carlton Gardens was handed to the Exhibition Trustees by the Melbourne International Exhibition Commissioners on 01 OCtober 1881. The Trustees maintained the building for 'future public exhibitions and ... general public instruction and recreation' until 1996 when management of the building was transferred to Museum Victoria. In 1901 when the Australian colonies federated there was no capital and no federal parliament building. The Federal Parliament moved into the Victorian State Parliament building, and the State Parliament moved into the Western Annexe of the Exhibition Building for 26 years. After World War One, on 04 February 1919, the exhibition Building was turned into a hospital to treat Melbournians struck down with the Spanis 'Flu'. Initially housing 500 beds, the hospital grew to accomodate 2000 patients. Femals were located between the concert platform in the western nave and the done; male patients occupied the spaces beyond. The basement was used a a morgue. With the departure of the State Parliament in 1927 the western annexe became home to the Country Roads Board. In 1932 it was joined by the MOtor Registration Branch, and the Transport Regulation Board in 1934. They co-existedin cramped offices until the 1960s. In 1949 the oval at the rear of the ExhibitionBuilding was leased to the Commonealth Government for the establishment of the Migrant Reception Centre. When it closed in 1961-62, the centre comrised 29 bungalows over 1.4 hectare. The centre provided temporary accomodation for thousands of new arrivals from Britain. On 01 July 2004 the Royal Exhibition Building and Carlton Gardens were inscribed on the World Heritage List. It is the only 19th century Great Hall to survive largely intact, still in its original landscape setting, and still used as a palace of industry. The Melbourne International Flower and Garden Show is a flower show held annually since 1995 in early April each year, in Melbourne, Australia. It is located in the World Heritage Site of Carlton Gardens and the Royal Exhibition Building.[1] It is the largest horticultural event in the southern hemisphere, attracting over 100,000 visitors. It is rated among the top five flower and garden shows in the world. (Wikipedia)Colour photograph of the interior of the Melbourne Exhibition Buildings during the 2019 Melbourne Flower and Garden Show.melbourne international flower and garden show, carlton gardens, melbourne exhibition building, royal exhibition buildings

A competition was announced to design a suitable building for the proposed Melbourne International Exhibition in December 1877. Eighteen entries were received. The winner of 300 pounds was Joseph Reed of the architectual firm Reed and Barnes. The foundation stone was laid by Governor Sir George Bowen on 19 February 1879. Prominent Melbounre builder David Mitchell, father of Dame Nellie Melba, won the tender to construct the main building. Exhibitors were able to move in by May 1880. On 01 October 1880 the Melbourne International Exhibition opened, when over 6000 people entered the main hall to see the Governor, the Marquess of Normanby open the show. Thirty three nations participated and ofver 32,000 exhibits were displayed. At the close of the exhibition on 30 April 1881 over 1.3 million people had visited the exhibition. In 1881 Victoria's population was just over 250,000. The management of the Exhibition Building and eight hectares of the Carlton Gardens was handed to the Exhibition Trustees by the Melbourne International Exhibition Commissioners on 01 OCtober 1881. The Trustees maintained the building for 'future public exhibitions and ... general public instruction and recreation' until 1996 when management of the building was transferred to Museum Victoria. In 1901 when the Australian colonies federated there was no capital and no federal parliament building. The Federal Parliament moved into the Victorian State Parliament building, and the State Parliament moved into the Western Annexe of the Exhibition Building for 26 years. After World War One, on 04 February 1919, the exhibition Building was turned into a hospital to treat Melbournians struck down with the Spanis 'Flu'. Initially housing 500 beds, the hospital grew to accomodate 2000 patients. Femals were located between the concert platform in the western nave and the done; male patients occupied the spaces beyond. The basement was used a a morgue. With the departure of the State Parliament in 1927 the western annexe became home to the Country Roads Board. In 1932 it was joined by the MOtor Registration Branch, and the Transport Regulation Board in 1934. They co-existedin cramped offices until the 1960s. In 1949 the oval at the rear of the ExhibitionBuilding was leased to the Commonealth Government for the establishment of the Migrant Reception Centre. When it closed in 1961-62, the centre comrised 29 bungalows over 1.4 hectare. The centre provided temporary accomodation for thousands of new arrivals from Britain. On 01 July 2004 the Royal Exhibition Building and Carlton Gardens were inscribed on the World Heritage List. It is the only 19th century Great Hall to survive largely intact, still in its original landscape setting, and still used as a palace of industry. The Melbourne International Flower and Garden Show is a flower show held annually since 1995 in early April each year, in Melbourne, Australia. It is located in the World Heritage Site of Carlton Gardens and the Royal Exhibition Building.[1] It is the largest horticultural event in the southern hemisphere, attracting over 100,000 visitors. It is rated among the top five flower and garden shows in the world. (Wikipedia)Colour photograph of the interior of the Melbourne Exhibition Buildings during the 2019 Melbourne Flower and Garden Show. Four mottoes are painted under teh windows of the dome: Dei Grecia (By the grace of God), Carpe diem (Make the most of the day), Aude sapere (Dare to be wise) and Benigno numine (With benighn power)melbourne international flower and garden show, carlton gardens, melbourne exhibition building, royal exhibition buildings

A competition was announced to design a suitable building for the proposed Melbourne International Exhibition in December 1877. Eighteen entries were received. The winner of 300 pounds was Joseph Reed of the architectual firm Reed and Barnes. The foundation stone was laid by Governor Sir George Bowen on 19 February 1879. Prominent Melbounre builder David Mitchell, father of Dame Nellie Melba, won the tender to construct the main building. Exhibitors were able to move in by May 1880. On 01 October 1880 the Melbourne International Exhibition opened, when over 6000 people entered the main hall to see the Governor, the Marquess of Normanby open the show. Thirty three nations participated and ofver 32,000 exhibits were displayed. At the close of the exhibition on 30 April 1881 over 1.3 million people had visited the exhibition. In 1881 Victoria's population was just over 250,000. The management of the Exhibition Building and eight hectares of the Carlton Gardens was handed to the Exhibition Trustees by the Melbourne International Exhibition Commissioners on 01 OCtober 1881. The Trustees maintained the building for 'future public exhibitions and ... general public instruction and recreation' until 1996 when management of the building was transferred to Museum Victoria. In 1901 when the Australian colonies federated there was no capital and no federal parliament building. The Federal Parliament moved into the Victorian State Parliament building, and the State Parliament moved into the Western Annexe of the Exhibition Building for 26 years. After World War One, on 04 February 1919, the exhibition Building was turned into a hospital to treat Melbournians struck down with the Spanis 'Flu'. Initially housing 500 beds, the hospital grew to accomodate 2000 patients. Femals were located between the concert platform in the western nave and the done; male patients occupied the spaces beyond. The basement was used a a morgue. With the departure of the State Parliament in 1927 the western annexe became home to the Country Roads Board. In 1932 it was joined by the MOtor Registration Branch, and the Transport Regulation Board in 1934. They co-existedin cramped offices until the 1960s. In 1949 the oval at the rear of the ExhibitionBuilding was leased to the Commonealth Government for the establishment of the Migrant Reception Centre. When it closed in 1961-62, the centre comrised 29 bungalows over 1.4 hectare. The centre provided temporary accomodation for thousands of new arrivals from Britain. On 01 July 2004 the Royal Exhibition Building and Carlton Gardens were inscribed on the World Heritage List. It is the only 19th century Great Hall to survive largely intact, still in its original landscape setting, and still used as a palace of industry. The Melbourne International Flower and Garden Show is a flower show held annually since 1995 in early April each year, in Melbourne, Australia. It is located in the World Heritage Site of Carlton Gardens and the Royal Exhibition Building.[1] It is the largest horticultural event in the southern hemisphere, attracting over 100,000 visitors. It is rated among the top five flower and garden shows in the world. (Wikipedia)Colour photograph of the interior of the Melbourne Exhibition Buildings during the 2019 Melbourne Flower and Garden Show. Four mottoes are painted under teh windows of the dome: Dei Grecia (By the grace of God), Carpe diem (Make the most of the day), Aude sapere (Dare to be wise) and Benigno numine (With benighn power)melbourne international flower and garden show, carlton gardens, melbourne exhibition building, royal exhibition buildings

One of a collection of photographs taken of the Nunawading Railway Station prior to the lowering of the railway line and building of the new railway station on the western side of Springvale Road so that the Springvale Road Rail Crossing can be eliminated.Black & white photograph of the precinct surrounding the Nunawading Station and the Springvale Road Railway crossing. This photograph is looking over the south side of the intersection in Springvale, to the pedestrian crossing and the Railway Station. The shopping centre is on the right hand side. See NP 3545 to NP3567 for the complete set of photographsnunawading railway station, springvale road nunawading, redevelopment of railway line/springvale road.

Alva Dorothy GOODEN (1864-1949) Gooden was a china painter who is best known for her decoration of many dishes, plates and vases with Australian wildflowers and blackboy trees. Although Alva Gooden painted on a variety of different china including Wembley Ware, she was not one of the artists employed at the Subiaco WA china factory. Much of her work is simply signed ALVA. (https://www.daao.org.au/bio/alva-dorothy-gooden/, accessed 25 March 2017)Image of three saucers and a small cup, all handpainted by Alva Gooden, and depicting Grass Trees. alva gooden, blackboys, grass trees, china, alva

"LARGE GATHERINGNG AT - CROSSLEY DEDICATION AND OPENING SERVICES. SERMON BY DR. MANNIX. Yesterday was an important and historic day for the Roman Catholic community of Crossley and Koroit, in as much as it will be always associated in the memories of all con cerned with the opening of the new St. Brigid's Church, Crossley. This building is far above the average standard of sacred edifices in country towns, and is certainly superior to any ercted in this district outside the churches in the two larger centres - Warrnambool and Koroit. The style of architecture chosen is a free treatment of the Romanesque, which is something quite original in the Western District. This noble style, from which, with its near re lative the Byzantine, spring the great Gothic school of architecture, is characterised by a special charm of its own, one of its chief features being graceful and sweeping circular curves in roof, window heads and in the ar rangenent of the ground plan. The building is of brick finished off with true Romanesqiue pillared pinnacles in concrete and plaster, the brick and concrete producing a pleasing contrast. The main characteristic of the front is a large rose window filled with Romlanesque circular tracery, and below a bold porch and entrance. The two sides are pierced with long circular-headed windows between graceful buttresses and the wall line is pleasingly broken by the projecting bays of the confessionals and also by the vestries. The main building is 80 feet by 30 feet' and the Sanctuary is spacious and semi-circular in shape, and lighted by three windows. The interior of the church is most artistic. The ceiling is semi-circular and of fibrous plaster in ornate designs. All the windows are lead lighted, throwing a rich and mellow harmony of' color throughout the interior and the white wails, mouldings, architraves and other fibrous plaster decorations: are further relieved by the rich coloring: in the stations of.the Cross arrranged around the nave. The central window of the Sanctuary contains a splendidly executed stained glass representation of St. Brigid. At.the western end is a room gallery. The altar is a choice piece of Gothic woodwork, in light, soft coloring, and there are two altars on either side of the Sanctuary in oak, and above whlch are very fine colored figures of Christ; and the Madonna. On either side of the altar are life-size figures of angels holding high brass candalabra. The whole of the furnishings of the church are on a sumptuous scale, and the edifice reflects credit on all concerned. The church can seat nearly 500 people. The architect was Mr. A. A. Fritsch. of Melbourne, and the contractors Messrs F. and E. Deagne, of North Fitzroy. The contract price for the building was £5,500. THE OPENING SERVICE. After the cereimony of solemnly blesssing the church was performed by His Lordship the Bishop of the Diocese, Dr. Higgins, assisted by His Grace the Coadjutor Archbishop of Melbourne. Dr. Mannix, the great gatheiring from all parts of the district entered the church, which was soon completely filled. The members of the H.A.C.B.S. attended wearing their green and gold regalia, and acted as a 'guard of honor' to the Co-adjlutor Arclhbishop and Bishop. Mass was celebrated by the Rev. Father Phelan, of Koroit, and a feature of the solemn service was the singing of a choir which consisted of picked voices from St. Carthage's choir, with friends from Warrnam bool and assisted by some of the mem bers of the Koroit choir, with Miss Logan as organist and Mr. Arthur H. Renwick as conductor. They rendered the music in splendid style throghonut. The "Kyrie," "Gloria." "Agnus Dei' and Dona Nobis" were from Farmer's Mass in B flat, and the "Credo" and "Sanctus" from Webbe's Mass in G. The soloists in the Mass were Mrs. Ryan, the Misses McEntee. Miss Katie O'Brien. and Messrs. J. M. Crowley, W. J. Callaghan; B. McEntee and W. Mahony. The chorus sang with great precision, special attention being paid to at tack. At the offertory Mrs. Dan Ryan gave a beautiful rendering of Gounod's "Ava Maria." After the Elevation that fine duet "Tantum Ergo." by Rossi, was sung by Messrs. Crowley and Renwick in an artistic manner, their fine voices blending splendidly. During the collection, Mr. Renwick sang with much feeling that devotional solo, "Lead Thou Me On,", after which Mr Crowley gave .an ex cellent rendering of Weissi's "0 Salu taris Hostia;" and the choir sang several hymns." It might here be mentioned that at the request of Fa ther Kerin, the same choir will repeat the music.at the Koroit Church on Sunday next, on the occasion of the ceremnly of laying the foundation stone of the cormpletion of the church. Dr. Mannix preachled the sermon for the occasion, taking his text from St. Luke first 11 verses. He re viewed the Gospel story of Christ preaching to the multitude from a boat on Lake Gennesaret and the miraculous draught of fish. The obedi ence of the poor fishermen in casting their nets at Christ's bidding was richly rewarded, and the miraculous occurrence was a striking example of what was to happen when Christ established His Church and built it up on those twelve apostles. When they came to think of it, nothing so re markable and marvellous had happened before or since in the history of mankind. The world at that time was for the most part a Pagan world steeped in iniquity and sin. The chosen people of God had God's re velation, but they worshipped with their lips and not with their hearts. When Christ was to establish His Church upon earth and leave an or gantisation that would continue His work, did He select learned men, powerful men, rich men, or a time that would seem propituous? No. He selected twelve poor, igorant simple fishermen, without money, power, learning or anything calculated to enable them to do anything striking in the world's history. The success of the first morning after pentecost was not confined to those first days when the plentitude of the Holy Ghost sat upon the .Apostles, but it continued age after age until the whole world was brought within the sphere of ac tion of the Church. Greece, Rome Europe Asia and America, and now Australia had been brought into the net. This must be a consolation to them all as well as it was to him (the preacher), when they remembered that they came from a land which of all others had been faithful to the Gospel of Jesus Christ. It was a consolation to them that in that great work that had been accomplished in bringing men into the meshes of the Church, and bringing them to God the nation to which they belontged had taken so great a part. Their religion flourished in England, Scotland, America and Australia. Surely it was due to the sons of St. Patrick, the sons and daughters of Ireland to find consolation in these great facts might It might seem hard that so many had to leave their native-land for England, Scotland, America and Australia. But if hard it was the means of keeping the Catholic faith living in England and Scotland. If to-day the Irish Catholics and Catholics of Irish de scent were taken out of the English and Scotch population there would be little left of the true Church of God. It seemed hard to emigrate to distant lands, but the result had been the new magnificent church in the United States, the flourishing churches in Canada and South Africa. Those Irish emigrants were a cornparatively small band. Perhaps they had not the learning of other nations. Certainly they had not the wealth and it did not fall to their lot to have the power of the sword, but God was with them, and the faith they took from Ireland flourished in those distant lands. In this fair land of Australia they had a glorious herit age handed down from the pioneer Irish Catholics, who came to this fair Austral land. There was a time when those who were opposed to God and God's Church,thought that Australia should be a wholly Protestant land. They had lived to see whether God or His enemies were the stronger. They had lived to see that those who in distant days would have stamped out the Catholic religion in Australia, had not prevailed. Their names had been forgotten because of their persecution of the Catholic Church, and they had lived - to see the glorious success that now, in every part of the Common wealth, rested upon the Catholic Church in Australia. Might God bless that Church and those Irish people, and the people of Irish descent, who had built it up. In that locality, and there was no place in.the Common wealth where the Catholic Church was held in higher esteem, the people would always be faithful to God and His Church. That beautiful building, and all it signified in loyalty and faithfulness, was a credit and a consolation to the Bishop and people of the diocese, to the architect who had done his work so artistically and skil fully. to the priests and the zealous administration of the parish. There was surely hope and inspiration in that day's celebration, that as time went on the Catholic faith would sink deeper and deeper into ther coming generation, and that the Catholic progress of the past 50 years would be small in comparison to the great progress of the future. He congratulated the Bishop priests and people who had raised that temple. He congratulated the people of Crossley; upon their generosity and self-sacrifice, and he prayed that God's blessing and the blessing of St. Brigid would rest upon them; their children and children's children. And when those who had received the sacraments and had been instructed in that Church were called before the Judgment Seat he pray ed that not one would be missing, and St. Peter aind St. Brigid would be able to count them all into the en joyment .of Eternal bliss. THE CELEBRATION The Rev. Father Kerin, Adninistra tor of the Parish, after the collection, read a lengthy list of the principal donations, headed by the Bishop, Dr. Higgins, with £250. All the furnish ings of the Church were also donations, and the Coadjutor-Archbishop added £5 to the list. The Rev. Father Kerin stated that the total to hand was £1245/10/7, which was an other proof of the generosity of the Crossley and district people. The amount previously received in donations was £1077/3. They started buildiing with a credit balance of £262 10/5 and ther now had a debit balance of £2,728/18/5. The total cost of the Church was £6,250, so that they would see the greater part of the indebtedness had already been wiped out. The Bishop (Dr. Higgins) delivered a brief address, in the course of which he congratulated the priests and people upon the completion of their magnificent Church. He congratulated the people on their magnificent generosity. He expressed his of deep indebtedness to the Coadjutor Archbishop of Melbourne for the services he had rendered to them. He had attended at considerable sacrifice to himself, and they were extremely grateful for the presence of so distinguished a champion who had shown such zeal and interest in their Church in this new land. He (the Bishop) trusted that his splendid talents would long be devoted to the defence of the Church." (Warrnambul Standard, 02 July 1914)Colour photograph of a portrait of St Brigid in stained glass. The depiction of St Brigid is located at St Brigid's former Catholic Church, Crossley.st brigid, stained glass, st brigid's crossley

This ornate cross sits at the right hand side of View of Trajan's column, Cast Courts, Room 46a, The West Court, Victoria and Albert Museum, London. Cast Courts: "When the Architectural Courts – or Cast Courts as they are now known – opened in 1873, The Builder magazine compared the experience of seeing them to a first glimpse of Mont Blanc, creating one of those 'impressions that can scarcely be effaced'. Since then, these two enormous rooms and the reproductions they contain have continued to impress and inspire visitors to the Museum. For centuries, antiquarian interest in world architecture and sculpture led to reproductions – or copies – being made of outstanding national monuments and notable sculptures. When the Museum was founded, it collected and displayed reproductions of great art and architecture from across the world in order to offer objects for study and tell a complete story of the history of art and design. Casts are made by placing several plaster moulds upon the surface of the original structure. Once hardened and removed, the moulds are then enclosed in an outer casing, the interior coated with a separating agent and the wet plaster poured in. When set, the pieces are then assembled and the joints and surfaces finished off, to make a complete reproduction of the original work. The finished product – as well as being a formidable technical achievement in its own right – enables admirers to study faithful reproductions of important monuments and works of art." Ref: https://www.vam.ac.uk/articles/history-of-the-cast-courtslondon, victoria and albert museum, cast courts

This leporello photo album, published by A.J Punshon, Bookseller contains 12 unique scenes around Ballarat, notably the Botanical Gardens and the Town Hall. The images appear hand drawn and are possibly lithographs. Inside the back-cover of the leporello is a tiny sticker identifying A.J Punshon Bookseller as the publisher or supplier. This sticker might be the only evidence of Punshon in business in Ballarat, apart from a single entry in Niven's 1888 Ballarat and District Directory, which gives his occupation as bookseller and address as 82 Dawson Street south. The only result from a search in Trove indicates he published the Australian Almanac for 1887. His name is not familiar as one of the booksellers of Ballarat. Alfred James Punshon was born in Prahan in 1856 to Isabella Lockwood and Robert Punshon; he married Elizabeth Lyons of Buningyong in 1881, they had two daughters, Ethel Mary in 1882 and Flora Hazel in 1894. It seems the family moved to Melbourne after Flora's birth. Elizabeth Punshon died in St.Kilda 1913 and Alfred died in 1938, in South Yarra. It seems in the early 1880's he set up as a bookseller and published at least two books but this is all we have been able to find out. If you have any additional information on Alfred Punshon, we would be pleased to hear it in the comments below! leporello, punshon family, lithograph, ballarat, publishing, publisher, album

Thought to have belonged to founder, Mother Gonzaga Barry. One of of early furnishings of the convent.Small wood writing desk with drawers on right hand side and false drawers on left. Leather inlaid top with gilded pattern. Hinged lid and hinged top storage.

Negligee set or Wedding trousseau for the marriage of Charlotte Edith (Tottie) Ryder (aunt of donor) to Alfred George Tooke (b 1898 England d 1998) held at Church of England, Thornbury on 13 March 19481948 negligee set comprises two pairs of knickers, camisole, bed jacket, petticoat, nightgown. All items are cream coloured satin with appliqued coffee coloured lace. One pair of knickers has appliqued coffee lace encircling each leg with a hand-worked buttonhole and is missing a button. Second pair of knickers has appliqued lace floral design on each leg with an elasticised waist band and a plain band on the legs. Camisole has coffee coloured lace along the top edge and rouleau style shoestring straps. Bedjacket is short with long sleeves and a front fastening with four self-covered buttons and rouleau fastenings. Coffee coloured hand appliqued lace is around the neck and along the bottom. The shoulders are padded. The petticoat has coffee coloured lace around the hem and yoke. It has rouleau style shoestring straps. The nightgown is long with a coffee coloured lace Vee front. Two satin ties attach to slightly gathered waist. See also Knickers NA4921, Wedding Dress NA4923, Horseshoes NA4924 and Wedding Veil NA4925trousseau, tooke, wyatt m, wedding

Negligee set or Wedding trousseau for the marriage of Charlotte Edith (Tottie) Ryder (aunt of donor) to Alfred George Tooke (b 1898 England d 1998) held at Church of England, Thornbury on 13 March 1948.1948 Cream coloured wedding dress comprising a full length petticoat, full length lace skirt and lace peplum top. Petticoat is cream colour with narrow straps with opening on left hand side with two press studs and hooks. Lace skirt is cream coloured full circle with satin waist band, open placket with one pearl button. Lace peplum top has short sleeves with twenty-three cream coloured rouleau loop buttons and a lace bow at the sacrum. It is edged with a net frill. See also Knickers NA4921, Negligee Set NA4922, Horseshoes NA4924 and Wedding Veil NA4925.tooke, wyatt m, wedding

Used by Joan Rivis, a primary school teacher, while teaching during the 1940s to the 1960s. Made for the children at the Lady Gowrie Child Care Adelaide by Kathleen Mellor.Child's learning to read book with yellow background and red fence in front. A horse eating hay on front. "Gee -Up Bonny" and with 'J. L. Rivis 2/3' hand written on top right hand corner. Back page is red with horse & dog with people & "Good bye". There is one page with a hidden flap.Wholly set up and printed in Australia by Vardon Price Limited, 95 Grate street, Adelaide for Georgian House Pty Ltd, 431 Barte St, Melbournelady gowrie child centre adelaide, children's book, kathleen mellor

Men's shirts worn when representing the Mitcham Returned Services League1. Grey short sleeved man's shirt "Mitcham" and "R.S.L" embroidered on left hand side above left hand pocket. "HAHN" "Premium" embroidered on one sleeve. A gold rooster embroidered on yolk at the back. 2. White man's polo shirt with RSL badge embroidered on left side 'Mitcham RSL' under badge. A blue and yellow stripe around collar and cuffs on sleeves"Mitcham" "RSL" "HAHN" "Mitcham RSL"mitcham rsl

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 10 Holberry St., Nunawading. This property is listed as having sold for $139,000 in 1992 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a right hand side corner block single story weatherboard house with a footpath from the corner leading to the front door. At the start of the path are two pillars, one serving as a letterbox. The front yard is edged with garden beds. There are two hole punch holes on just under the upper edge.10 Holberry St., Nunawading Margaret Picken - 92 Woodards - Boxhillwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, nunawading

Minister for External Affairs Lord Richard Casey visited International House in January, 1957, its first year operating as a residential college. Lord Casey was Minister for External Affairs in the Liberal-Country government from 1951 to 1960, becoming involved in patronage of International House with his wife, Lady Maie Casey. Thean Pak Ken, pictured here, was one of six Malaysian students to attend International House in its first year. He was in his final year of medical school, going on to a career as a doctor and marrying in Perth.richard casey, students

Dr Ang Kok-Peng was in the first group of twenty-one international students at International House in 1957, originally from the University of Malaya. Brian Jones was the first Warden of International House, selected in 1956, and leaving the position in 1959, taking a position representing the British Council in Cyprus.brian jones, interior

Written by George E Scott who was born in Creswick March 1900. Moved to Vaughan in 1904. Attended Yapeen State School utill 1913 then to Castlemaine high school and technical schools. Poem written in 1950s.There is a lift to the old boys step tonight, and is feeling young and gay his eyes are bright and his heart is light, and his thoughts are far away. Back in his dear old Castlemaine, or out in the hills around living the days of his youth again feeling his pulses bound. For he's just answered the call that comes to the loyal hearts every year insistent, clear as the beating of drums it falls on the listening ear so the old boy went and his mates went to back home in their hundreds strong and years were bridged in at long day through in story and speech and song. At at the Bush school love so well he gathered with his comrades gay, old Lads and Lassie's with tales to tell of memories tucked away. And bright eyed children had joined them in there happy young faces shone, as they showed old scholars are pride and care in the school that was handed on. Around them the bushland was bright with flowers, and the dear little orchid blue Bloom there with bright, in the sunlit bowers- for it is our emblem true. So the old boy drained through that day again, and it lifted his heart like a song, then Knight came down on the old home town and the hall, with its happy throng. In long brave lines they had mustered there as they had on the days of yore, and as they answered the roll - but the years take toll- there were mates who would come no more. The toast called, and the speeches made, when, trooping into the hall, with faces bright, and their eyes alight, came the girls- the toast of them all. So they broke up and wandered and formed into groups, while many have time for a song, But bashing the ear was permissible here, and they kept at it- steady and long. So the hours flitted by happiest notes of memories sweet old refrain, old friendships renewed - past doing's reviewed, the old boy was feeling strain. For his ears had been punished, his hand had been wrung, his voice was hoarse as a crow, with an ache in his jaw- "I can't take any more, while I'm all in one piece, mates, I'll go." With Auld lang syne is singing a broke up and parted, "next year we will see you again" when the message goes ringing, their thoughts will go winging and calling them back to 'Mainepoem, yapeen

As one of Geelong's finest forwards, Lloyd Hagger was relatively tall and possessed the ability to take high-flying, spectacular finger-tip marks at chest height as he tumbled over packs. His accurate punt and drop kicks resulted in many goals for the team. He became well known for scoring many acute angle goals. A mobile performer who could kick effectively with either foot, he played with equal effectiveness at centre half-forward and full forward. His durability was remarkable. During his 12 seasons he only missed eight matches. He was never short of a word on the field. - Col Hutchinson GFC HistorianHand drawing on paper card. Drawing of a black cat with one paw holding on to it's bow. At the bottom of the sketch in blue pen states "SKETCH BY LLOYD HAGGER, 1925". Lloyd Hagger was the original artist behind the cats logo and a Geelong player."SKETCH BY LLYOD HAGGER, 1925"cats mascot, gfc black cat, lloyd hagger, geelong cats

Garry Hocking's last game 26 Aug 2001, Geelong v Brisbane Garry ‘Buddha’ Hocking Born: 08/10/1968 From: Cobram Height: 182cm Weight: 84kg Natural kicking foot: Right Guernsey numbers: 51 (1987) & 32 (1988-2001) First senior match: Round 3, 1987 v Melbourne at Kardinia Park As one of football’s genuine tough and skilful performers, he gave the Cats magnificent service. Undoubtedly, he became one of the code’s all-time greats. His ability to make perfect position, fix eyes on the ball at all costs, seize the ball in packs, mark with vice-like fingers and dispose by hand and foot on either side of his body to bring team-mates into the play made him a nightmare opponent. He delighted in applying gorilla-like tackles and bone-shattering bumps to open up opportunities for his allies. During the last few seasons of his career a severely damaged knee saw him ignore agonizing pain to continue to contribute. He just loved footy! Total Brownlow Medal votes: 133 Captain: 21 matches (1994-95; 1999) Third in Brownlow Medal count: 1991, 1994 Club Best & Fairest: 1991, 1993, 1994, 1996 Runner-up in club B&F count: 1990, 1998 Sixth in club B&F count: 1989, 2000 Seventh in club B&F count: 1997 Ninth in club B&F count: 1995 Tenth in club B&F count: 1992 All Australian selection: 1991, 1993, 1994, 1996 GFC Team of the Century selection (ruck-rover) GFC Hall of Fame inductee (2002) GFC Hall of Fame Legend GFC Life Membership (1995) Black frame with gold trimming, black card background with a perspex covering. To the right is a red Sherrin football signed by Gary Hocking. To the left is a colour photograph of Gary Hocking running during a football match pointing his finger in the air. Under the photograph is a gold plaque with the heading in black text "GARRY 'BUDDHA' HOCKING #32". Under the heading are statistics relating to Hocking's football career. On the back is white string for hanging. garry hocking, buddha hocking

Brad ‘Nails’ Sholl Born: 10/11/1972 From: Geelong College via North Melb Height: 184cm Weight: 84kg Natural kicking foot: Right Guernsey number: 12 First senior match for Geelong: Round 1, 1995 v Melbourne at Kardinia Park The attacking small defender delighted fans with his adventurous attacks on the ball and dashes out of the danger area. He was an excellent mark for his size and lacked nothing in courage and determination. His ability to rush to space to create a viable target for a team-mate was another of his trademarks. Occasionally, he was moved forward with success, where he took great delight in booting important goals. Total Brownlow Medal votes for Geelong: 54 Runner-up in club B&F count: 1996 Fourth in club B&F count: 1997, 1998, 2000 Fifth in club B&F count: 1995 Seventh in club B&F count: 1999 GFC Hall of Fame inductee (2002) GFC Life Membership (2001) Career span for Geelong: 1995-2002 Total matches for Geelong: Premiership 169, Night/Pre-Season Series 12, Interstate 1 Total goals for Geelong: Premiership 46, Night/Pre-Season Series 5, Interstate 0 Finals matches for Geelong: 7 Finals goals for Geelong: 0 Last senior match for Geelong: Round 19, 2002 v St Kilda at Docklands Stadium Jason Snell Born: 27/07/1977 From: Upwey-Tecoma/Eastern U18 Height: 181cm Weight: 81kg Natural kicking foot: Right Guernsey numbers: 25 (1996-97) & 4 (1998-2001) First senior match: Round 1, 1996 v Melbourne at the MCG The courageous mid-fielder/small forward possessed sound skills and an excellent football brain. Opposition coaches experienced difficulty in finding suitable match-up opponents to counter him. In a match at Kardinia Park against Port Adelaide in 1997 he scored a match-winning five goals after spending the first half on the bench. He won the club most improved player award in 1999. Tragically, a shocking leg injury sustained at the MCG prematurely terminated his highly promising career. Total Brownlow Medal votes: 5 Career span: 1996-2001 Total matches: Premiership 68, Night/Pre-Season Series 8 Total goals: Premiership 62, Night/Pre-Season Series 3 Finals matches: 3 Finals goals: 1 Last senior match: Round 3, 2001 v Melbourne at the MCG Glenn ‘Killer’ Kilpatrick Born: 29/08/1972 From: Studfield via North Melb Reserves, West Adelaide (SA) & Essendon Height: 184cm Weight: 85kg Natural kicking foot: Right Guernsey number: 13 First senior match for Geelong: Round 5, 1996 v Richmond at Kardinia Park No-one could accuse the dogged half-back flanker and mid-fielder of not giving his all in every match that he played. He used courage and determination to win the ball, negate an opponent or block for a team-mate. Often, his repeated efforts would inspire his fellow Cats. Although effective disposal by foot did not come easy for him, he worked hard on the training track to improve. Total Brownlow Medal votes for Geelong: 27 Runner-up in club B&F count: 1997 Seventh in club B&F count: 2000 Eighth in club B&F count: 1999 (equal) Career span for Geelong: 1996-2002 Total matches for Geelong: Premiership 120, Night/Pre-Season Series 12 Total goals for Geelong: Premiership 31, Night/Pre-Season Series 1 Finals matches for Geelong: 3 Finals goals for Geelong: 0 Last senior match for Geelong: Round 20, 2002 v Fremantle at Subiaco Garry ‘Buddha’ Hocking Born: 08/10/1968 From: Cobram Height: 182cm Weight: 84kg Natural kicking foot: Right Guernsey numbers: 51 (1987) & 32 (1988-2001) First senior match: Round 3, 1987 v Melbourne at Kardinia Park As one of football’s genuine tough and skilful performers, he gave the Cats magnificent service. Undoubtedly, he became one of the code’s all-time greats. His ability to make perfect position, fix eyes on the ball at all costs, seize the ball in packs, mark with vice-like fingers and dispose by hand and foot on either side of his body to bring team-mates into the play made him a nightmare opponent. He delighted in applying gorilla-like tackles and bone-shattering bumps to open up opportunities for his allies. During the last few seasons of his career a severely damaged knee saw him ignore agonizing pain to continue to contribute. He just loved footy! Total Brownlow Medal votes: 133 Captain: 21 matches (1994-95; 1999) Third in Brownlow Medal count: 1991, 1994 Club Best & Fairest: 1991, 1993, 1994, 1996 Runner-up in club B&F count: 1990, 1998 Sixth in club B&F count: 1989, 2000 Seventh in club B&F count: 1997 Ninth in club B&F count: 1995 Tenth in club B&F count: 1992 All Australian selection: 1991, 1993, 1994, 1996 GFC Team of the Century selection (ruck-rover) GFC Hall of Fame inductee (2002) GFC Hall of Fame Legend GFC Life Membership (1995) Career span: 1987-2001 Total matches: Premiership 274, Night/Pre-Season Series 19, Interstate 8 Total goals: Premiership 243, Night/Pre-Season Series 6, Interstate 10 Finals matches: 21 Finals goals: 21 Last senior match: Round 22, 2001 v Carlton at Princes Park Liam Pickering Born: 09/09/1968 From: Stawell via North Melb Height: 184cm Weight: 85kg Natural kicking foot: Right Guernsey number: 23 First senior match for Geelong: Round 3, 1993 v North Melb at Kardinia Park After being unable to command regular senior selection with the Kangaroos, the dogged mid-fielder quickly gained the respect of Geelong coaching staff and team-mates with his faultless reading of the play and ability to bring others into the game. Although not fleet of foot, he was capable of instant decision-making and quick, accurate disposal. He knew how to restrict talented opponents with disciplined manning-up, while having a positive influence on play himself. A series of injuries terminated his career prematurely. Total Brownlow Medal votes for Geelong: 12 Captain: 3 matches (1996-97) Club Best & Fairest: 1997 Third in club B&F count: 1995 Eighth in club B&F count: 1994 Career span for Geelong: 1993-99 Total matches for Geelong: Premiership 102, Night/Pre-Season Series 3, Interstate 1 Total goals for Geelong: Premiership 46, Night/Pre-Season Series 1, Interstate 0 Finals matches for Geelong: 9 Finals goals for Geelong: 8 Last senior match for Geelong: Round 20, 1999 v Carlton at the MCG Peter Riccardi Born: 17/12/1972 From: West St Peters Height: 183cm Weight: 89kg Natural kicking foot: Left Guernsey number: 15 First senior match: Round 4, 1992 v West Coast at Subiaco Few players with more natural pace have represented the club. He is a crisp ball-handler, a safe mark and a long raking left-foot kick. Many of his goals have been registered in spectacular fashion from a long way out, on the run. His versatility as a mid-fielder/forward has been a valuable asset. In recent season he has improved his team-play by improving his tackling and chasing techniques. Total Brownlow Medal votes: 60 Club Best & Fairest: 1998 Runner-up in club B&F count: 1999 Third in club B&F count: 2002 Fifth in club B&F count: 1996 Sixth in club B&F count: 1995 Ninth in club B&F count: 2000 GFC Hall of Fame inductee (2002) GFC Life Membership (1999) Career span: 1992-2006 Total matches: Premiership 288, Night/Pre-Season Series 26, Interstate 2 Total goals: Premiership 286, Night/Pre-Season Series 24, Interstate 1 Finals matches: 19 Finals goals: 13 Last senior match: Round 19, 2006 v St Kilda at Docklands Stadium Leigh ‘Spider’ Colbert Born: 07/06/1975 From: Golden Square Height: 192cm Weight: 92kg Natural kicking foot: Right Guernsey numbers: 35 (1993) & 2 (1994-98) First senior match for Geelong: Round 7, 1993 v West Coast at Kardinia Park Although not strongly built, he was a fearless competitor who performed well at centre half-back. His versatility allowed him to be effective anywhere on the field. Reliable marking, sure ball handling and accurate disposals were features of his play. In 1999 he was appointed captain but a serious knee injury sustained in a pre-season practice match caused him to miss that season. He left the club in controversial circumstances. Total Brownlow Medal votes for Geelong: 10 Captain: 3 matches (1998) Third in club B&F count: 1996 Fifth in club B&F count: 1997 Sixth in club B&F count: 1998 Career span for Geelong: 1993-98 Total matches for Geelong: Premiership 105, Night/Pre-Season Series 7, Interstate 3 Total goals for Geelong: Premiership 50, Night/Pre-Season Series 3, Interstate 1 Finals matches for Geelong: 10 Finals goals for Geelong: 4 Last senior match for Geelong: Round 22, 1998 v Essendon at the MCG Transferred to North Melb in 2000 Tim ‘Bluey’ McGrath Born: 07/10/1970 From: North Dandenong via North Melb Height: 190cm Weight: 94kg Natural kicking foot: Right Guernsey number: 17 First senior match for Geelong: Round 1, 1992 v Hawthorn at Waverley Park He has been one of several players recruited from the Kangaroos to give the club excellent service. His first match for the Cats was a hectic one at full-back opposed to a rampant Jason Dunstall. The selectors showed faith in the strong red-headed defender and he rewarded them with a long string of highly serviceable performances. His determination, safe marking, sound defensive skills and leadership qualities were great assets. Often, he was able to outpoint champion opponents. Around the club he was a valuable role-model with his general attitude. Total Brownlow Medal votes for Geelong: 26 Captain: 8 matches (1999) Runner-up in club B&F count: 1998 Third in club B&F count: 1993, 1999 Seventh in club B&F count: 1998 Eighth in club B&F count: 1995, 1997 Ninth in club B&F count: 2001 Tenth in club B&F count: 1996 GFC Hall of Fame inductee (2002) GFC Life Membership (1998) Career span for Geelong: 1992-2002 Total matches for Geelong: Premiership 219, Night/Pre-Season Series 15, Interstate 1 Total goals for Geelong: Premiership 18, Night/Pre-Season Series 3, Interstate 0 Finals matches for Geelong: 14 Finals goals for Geelong: 1 Last senior match for Geelong: Round 2, 2002 v Adelaide at Football Park Barry Stoneham Born: 09/02/1968 From: St Josephs (VCFL) Height: 194cm Weight: 98kg Natural kicking foot: Right Guernsey numbers: 53 (R 6, 1986) & 26 (R 7, 1986-2000) First senior match: Round 6, 1986 v Footscray at Kardinia Park A fanatical Geelong supporter all his life, the determined big man was in his element at centre half-forward. Excellent positioning, agility, magnificent marking, a mean streak and endless determination were his trademarks. He was able to bring crumbing team-mates into the play and score goals regularly. He was sufficiently versatile to play successfully in any key position or as a relief ruckman. Tragically, in 1994 a badly broken leg severely restricted his mobility and kicking power. Despite such restrictions, he retained his effectiveness by developing additional team skills. Total Brownlow Medal votes: 21 Captain: 59 matches (1991-93; 1996-98) Club Best & Fairest: 1990 Runner-up in club B&F count: 1989 Third in club B&F count: 1992 Fourth in club B&F count: 1991, 1993 Tenth in club B&F count: 1997, 1999 All Australian selection: 1989, 1992 GFC Hall of Fame inductee (2002) GFC Life Membership (1994) Career span: 1986-94; 1996-2000 Total matches: Premiership 241, Night/Pre-Season Series 21, Interstate 7 Total goals: Premiership 223, Night/Pre-Season Series 14, Interstate 2 Finals matches: 15 Finals goals: 14 Last senior match: First Elimination Final, 2000 v Hawthorn at Docklands Stadium Michael Mansfield Born: 08/08/1971 From: St Josephs (VCFL) Height: 183cm Weight: 85kg Natural kicking foot: Left Guernsey numbers: 49 (1990) & 21 (1991-99) First senior match for Geelong: Round 18, 1990 v Essendon at Kardinia Park The well-balanced performer played mostly as an attacking half-back flanker but was capable of being used effectively on the forward line. His exceptional strength, reliable marking and considerable mobility made him a difficult opponent who did not lack courage. His performances in finals matches were outstanding. Total Brownlow Medal votes for Geelong: 28 Captain: 9 matches (1997-99) Third in club B&F count: 1994, 1997 Fourth in club B&F count: 1995 Sixth in club B&F count: 1996 Eighth in club B&F count: 1998 GFC Hall of Fame inductee (2002) GFC Life Membership (1998) Career span for Geelong: 1990-99 Total matches for Geelong: Premiership 181, Night/Pre-Season Series 10, Interstate 4 Total goals for Geelong: Premiership 100, Night/Pre-Season Series 0, Interstate 1 Finals matches for Geelong: 15 Finals goals for Geelong: 9 Last senior match for Geelong: Round 22, 1999 v Fremantle at Kardinia Park Transferred to Carlton in 2000 Historical information provided by GFC Historian Col Hutchinson The print consists of ten player photographs and a Geelong Cat Mascot in the top centre of the print with the words - GEELONG/CATS - below the picture. In the top left are action photographs of Sholl and Snell. In the top right corner are action photographs of Kilpatrick and Hocking. Along the bottom of the print from left to right are action photographs of Pickering, Riccardi, Colbert, McGrath, Stoneham and Mansfield. Each photograph has the player's surname in white text in the bottom left hand corner. Has a wire along the back for hanging. 1990s players Sholl, Brad: Snell, Jason: Kilpatrick, Glenn: Hocking, Garry: Pickering, Liam: Riccardi, Peter: Colbert, Leigh: McGrath, Tim: Stoneham, Barry: Mansfield, Michael.

Graham ‘Polly’ Farmer Born: 10/03/1935 From: East Perth (WA) Height: 191cm Weight: 94kg Natural kicking foot: Left Guernsey number: 5 First senior match: Round 1, 1962 v Carlton at Princes Park Many people believe that he became the Cats’ greatest player in his relatively short six-season career. Arriving to play at Geelong in a blaze of publicity at the age of 27, his participation in the 1962 intra-club practice matches attracted unprecedented spectator interest. Despite suffering a severe knee injury in the opening minutes of his first League match, he immediately demonstrated his wide range of skills. He is regarded as the greatest handpassing exponent in the history of football and was one of the first players to use it as a method of attack. Frequently he achieved distances of 30 to 40 metres with hand passes to team-mates in better position. His ruck work was also quite revolutionary. He developed the technique of leaping for the ball slightly earlier than his opponents and gaining a 'ride' higher into the air. Often he would, in preference to a conventional tap-out, roll the ball down one arm and handpass to a team-mate running past He developed this technique with Bill Goggin in particular. Geelong was never out of the finals during his League career Total Brownlow Medal votes: 57 Premiership team selection: 1963 Captain: 57 matches (1965-67) Runner-up in Brownlow Medal count: 1963 (equal) Club Best & Fairest: 1963, 1964 Runner-up in club B&F count: 1966, 1967 Fourth in club B&F count: 1965 Ninth in club B&F count: 1962 (equal) Coach: 1973-75 Australian Football Hall of Fame Legend (1996) AFL Team of the Century selection (ruck) Indigenous Team of the Century selection (ruck: captain) GFC Team of the Century selection (ruck) GFC Hall of Fame inductee (2002) GFC Hall of Fame Legend GFC Life Membership (1974) Career span: 1962-67 Total matches: Premiership 101, Interstate 6 Total goals: Premiership 65, Interstate 6 Finals matches: 9 Finals goals: 2 Last senior match: Grand Final, 1967 v Richmond at the MCG Coach: 1973-75 Information provided by Geelong Football Club Historian Col HutchinsonBlack timber frame with gold inlay, white mounting card, text, black and white photo print, perspex. Black and gold text at the top of the display reads -Geelong Football Club-. More text at the bottom reads -Graham 'Polly' Farmer / Hand-balling through a car window-. The image depicts Farmer wearing a suit and hand passing a football towards the camera through a car window.

The Chinese School was attached/run by the Town Mission. "THE CHINESE SUNDAY SCHOOL . The opening services of the newly erected Chinese Sunday school building in connection with the Town Mission, were brought to a close on Monday night by a tea and public meeting, held in the Mission Hall. The now building, which presents a very nice appearance, and is an improvement to that part of the Main road, was erected at a cost of £95 ; Mr H. R. Caselli acting as honorary architect, kindly prepared plans, etc. A new front fence was erected at a cost of £l6, which, with all other expenses, amounted to £126 3s 6d. Previously to the present effort collections and subscriptions were obtained as follow; —Mr Burnett's service, £l8 11s 5d; Chinese Sunday school anniversary, £9 16s 10d; concert on Easter Monday, £8 15s; Phoenix Foundry, per Mr Pethard, £7; sub scriptions, £23 8s 6d, leaving a debtor balance of £57 7s 9d. The. collections on Sunday were good. Mr Lee Young, of the Chinese store, Main road, kindly gave the tea, whioh was a valuable donation. The proceeds of the tea meeting will be about £l0. The building was prettily decorated by Mr Chessell, Mrs King Hook, and the gir!s.connected with the sohool. Mr Moorshead, the caterer, gave all the school children tea gratis- Mrs Lee Young, Miss Emma Lee Young. Miss G. Kay, Miss J. Hong Gong, Mrs King Hook, Mrs Stoneman, and Mrs Pethard waited at tables. Mr M. D. Morgan presided at the public meeting in the Mission Hall, and was supported platform by the Mayor of Ballarat East, the Revs. J. White, J. J. Perrin, and E. Turner, who delivered excellent and suitable speeches; but previously, however, offers of donations - to clear off the debt were made by Mr D. Ham, £10; the chairman, £5; Mr and Mrs Whitrick, £2 17s; a number of donors of £1 each, and less sums, which, with the collec tions, amounted to £58 16s 7d. This sum, with the sale of the cottage.on the ground, clears the debt, and leaves the com mittee a few pounds in hand towards lining and seating the building. A pleas ing feature in the meeting was the hearty giving of several Chinese Christians, including Mr Le Young; also singing by the Chinese chil dren, led by Mr Pethard. When the result was made known tbe whole, meeting stood and sang —“ Praise God from whom all blessings flow," for the success in having the place opened free of debt. Votes of thanks were passed to Mr Caselli, and all who took part in the effort: and one of the happiest meetings ever hold by the mission was brought to a close by again singing the doxology and the benediction." Ballarat Star, 27 February 1885)Black and white image of a weather board school known as the Chinese School, Ballarat.chinese school, ballarat, ballarat town and city mission, chinese, education, school, chinese sunday school

Built in 1886, this Victorian classical building was once the site of Reid's New York Bakery. The verandah was added 10 years later. The building boast a grand facade, Edwardian balcony, hand-painted ceiling and grand entrance arch. It features hand painted murals, leadlight windows, and an outstanding timber staircase. The former coffee palace is part of the temperance movement of the 19th century and was one of the last in Victoria. In 2019 the former Reid's Coffee Palace went through restoration.A colour photograph of the entrance to Reid's Guest House, at 128 Lydiard Street South, Ballarat.reid's guest house, ballarat, new york bakery, lydiard street north

Postcard was addressed to Mr. H Lindamen, C/o JCD, Bairnsdale. Postcard bears a One Penny red Queen Victoria stamp, franked with number 17. Message on card scribbled out, another stamp has been removed. Also enlargement 16 x 25 cmBlack and white postcard showing P S Tanjil at Bairnsdale Wharf, Victoria. Shed and timber and hand crane on wharf. Industrial buildings, eg, butter factory, foundry behind wharf, post and rail fences, gravel roads and tannery on right, pine trees and end of bridge on far right. Bairnsdale township in background.Bairnsdale Wharf. H.D Bulmer Photo Lake Tyersships and shipping, waterways, bridges

Also other copies, 10x13.5, 14.5x20, one of these has history of the travelling crane written on the back by Reg Schulz 11.6.1999, two of the prints have hand drawn enhancement lines.Black and white photograph of the historic travelling crane at New Works, built by Fulton Engineering Co. Melbourne in 1873 for John Carpenter, Contractor for Stage One of the construction of the entrance. Wooden piers also used by Coat Bros for Stage Two extensions in use to 1932. Lakes Entrance Victoriaislands, public works, topography

One sepia copy 7 x 8.5 cm, also black and white copy 9 x 15 cm (Valentine Series)Small format postcard showing eastern pier and tip of western pier at entrance to Gippsland Lakes from ocean - Bass Strait at Lakes Entrance, Victoria. Side of kiosk on right hand side, beach in middle ground, post and barb wire fence lower foreground.The Piers Lakes Entrancejetties, ocean, waterways

Also black and white copy 12.5 x 18 cm with smear of purple ink in top left hand corner, purchased from Helen ClothierTinted black and white photograph showing boardwalk from New Works Jetty over the sand dunes with small shed on jetty, small one room Boole Poole school on right of boardwalk and harbour master's house on right. Club Hotel on opposite foreshore and town on far right. Kalimna escarpment in background, at Lakes Entrance, Victoria.View of Cunninghame Victoriaboardwalk, waterways, ships and shipping, township, topography

One other photograph showing vegetation taken from the left hand side of road.Colour photograph taken from the Princes Highway, showing the last bend in the road before the northern approach to the concrete North Arm Bridge, shows the North Arm and waterfront in distance. Lakes Entrance Victoriaconstruction, bridges

Original photo 12.5 x 17 cm on grey card 20 x 24.5 cmBlack and white photograph showing Boggy Creek Bridge,seven men on bridge, one horse at left end of bridge and two horses at right hand end of bridge. Bridge rests on log supports under. No water in creek. Thick bush around area. East Gippsland VictoriaBoggy Creek Bridge - Vic (Written on back)bridges, waterways, vegetation

One person identified as Leo Howlett, in bottom right hand corner.Black and white photograph of small group of people standing in front of school building in grounds of primary school on day of Centenary Celebrations Johnsonville Victoriaschools, celebrations