Glendonald School for Deaf Children was run by the Victorian Education Department. It provided education and some residential services for deaf children. The school was situated in Marshall Avenue, Kew and operated from 1951–91. Deaf children whose families lived too far to travel daily were housed in a grand Victorian mansion in Belmont Avenue, Kew, the John Cannon Hostel. The school and hostel also accommodated a small number of wards of the state. (Source: Glendonald School for Deaf Children 1951–91.)Glendonald was a significant mansion in Kew (now demolished) built for the industrialist and manufacturer Donald Leslie in 1886. The school was purchased by the Victorian Department of Education on 29 November 1950 for the sum of 16,500 pounds.Portico - entrance - of Glendonald taken from Marshall Avenue.The old school for the deaf at 17 Marshall Ave for children from the age of six years to ten years old, then they would go to 25 Marshall Ave to finish their schooling leaving age 16 years old. glendonald - marshall avenue - kew (vic), education - deaf children - victoria

Glendonald School for Deaf Children was run by the Victorian Education Department. It provided education and some residential services for deaf children. The school was situated in Marshall Avenue, Kew and operated from 1951–91. Deaf children whose families lived too far to travel daily were housed in a grand Victorian mansion in Belmont Avenue, Kew, the John Cannon Hostel. The school and hostel also accommodated a small number of wards of the state. (Source: Glendonald School for Deaf Children 1951–91)Glendonald was a significant mansion in Kew (now demolished) built for the industrialist and manufacturer Donald Leslie in 1886. The school was purchased by the Victorian Department of Education on 29 November 1950 for the sum of 16,500 pounds.Rear view (sic) of Glendonald, Marshall Avenue (Kew).Reverse: "The old school for the deaf at 17 Marshall Ave for children from the age of six years to ten years old, then they would go to 25 Marshall Ave to finish their schooling leaving age 16 years old."glendonald - marshall avenue - kew (vic), education - deaf children - victoria

Glendonald School for Deaf Children was run by the Victorian Education Department. It provided education and some residential services for deaf children. The school was situated in Marshall Avenue, Kew and operated from 1951–91. Deaf children whose families lived too far to travel daily were housed in a grand Victorian mansion in Belmont Avenue, Kew, the John Cannon Hostel. The school and hostel also accommodated a small number of wards of the state. (Source: Glendonald School for Deaf Children 1951–91)Glendonald was a significant mansion in Kew (now demolished) built for the industrialist and manufacturer Donald Leslie in 1886. The school was purchased by the Victorian Department of Education on 29 November 1950 for the sum of 16,500 pounds.Swimming Pool, Glendonald, Marshall Avenue (Kew).The old school for the deaf at 17 Marshall Ave for children from the age of six years to ten years old, then they would go to 25 Marshall Ave to finish their schooling leaving age 16 years old. glendonald - marshall avenue - kew (vic), education - deaf children - victoria

Glendonald School for Deaf Children was run by the Victorian Education Department. It provided education and some residential services for deaf children. The school was situated in Marshall Avenue, Kew and operated from 1951–91. Deaf children whose families lived too far to travel daily were housed in a grand Victorian mansion in Belmont Avenue, Kew, the John Cannon Hostel. The school and hostel also accommodated a small number of wards of the state. (Source: Glendonald School for Deaf Children 1951–91)Glendonald was a significant mansion in Kew (now demolished) built for the industrialist and manufacturer Donald Leslie in 1886. The school was purchased by the Victorian Department of Education on 29 November 1950 for the sum of 16,500 pounds.Front entrance, Glendonald, Marshall Avenue (Kew).The old school for the deaf at 17 Marshall Ave for children from the age of six years to ten years old, then they would go to 25 Marshall Ave to finish their schooling leaving age 16 years old. glendonald - marshall avenue - kew (vic), education - deaf children - victoria

Glendonald School for Deaf Children was run by the Victorian Education Department. It provided education and some residential services for deaf children. The school was situated in Marshall Avenue, Kew and operated from 1951–91. Deaf children whose families lived too far to travel daily were housed in a grand Victorian mansion in Belmont Avenue, Kew, the John Cannon Hostel. The school and hostel also accommodated a small number of wards of the state. (Source: Glendonald School for Deaf Children 1951–91)Glendonald was a significant mansion in Kew (now demolished) built for the industrialist and manufacturer Donald Leslie in 1886. The school was purchased by the Victorian Department of Education on 29 November 1950 for the sum of 16,500 pounds.Trampoline in the garden of Glendonald, Marshall Avenue (Kew).The old school for the deaf at 17 Marshall Ave for children from the age of six years to ten years old, then they would go to 25 Marshall Ave to finish their schooling leaving age 16 years old. glendonald - marshall avenue - kew (vic), education - deaf children - victoria

Glendonald School for Deaf Children was run by the Victorian Education Department. It provided education and some residential services for deaf children. The school was situated in Marshall Avenue, Kew and operated from 1951–91. Deaf children whose families lived too far to travel daily were housed in a grand Victorian mansion in Belmont Avenue, Kew, the John Cannon Hostel. The school and hostel also accommodated a small number of wards of the state. (Source: Glendonald School for Deaf Children 1951–91)Glendonald was a significant mansion in Kew (now demolished) built for the industrialist and manufacturer Donald Leslie in 1886. The school was purchased by the Victorian Department of Education on 29 November 1950 for the sum of 16,500 pounds.Front entrance, Glendonald, Marshall Avenue (Kew).The old school for the deaf at 17 Marshall Ave for children from the age of six years to ten years old, then they would go to 25 Marshall Ave to finish their schooling leaving age 16 years old. glendonald - marshall avenue - kew (vic), education - deaf children - victoria

Glendonald School for Deaf Children was run by the Victorian Education Department. It provided education and some residential services for deaf children. The school was situated in Marshall Avenue, Kew and operated from 1951–91. Deaf children whose families lived too far to travel daily were housed in a grand Victorian mansion in Belmont Avenue, Kew, the John Cannon Hostel. The school and hostel also accommodated a small number of wards of the state. (Source: Glendonald School for Deaf Children 1951–91)Glendonald was a significant mansion in Kew (now demolished) built for the industrialist and manufacturer Donald Leslie in 1886. The school was purchased by the Victorian Department of Education on 29 November 1950 for the sum of 16,500 pounds.Garden, Glendonald, Marshall Avenue (Kew).The old school for the deaf at 17 Marshall Ave for children from the age of six years to ten years old, then they would go to 25 Marshall Ave to finish their schooling leaving age 16 years old. glendonald - marshall avenue - kew (vic), education - deaf children - victoria

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Professional photograph by K Lerfiniere Ross of the artist Alma Figuerola holding her pet pekingese dog, 'Rebecca'. "Proof only. This proof remains the property of the photographer K Lerfiniere Ross and must be returned No 137-1"alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic)

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph, one of two copies, of WHS Dickinson and Alma Figuerola at the opening of an exhibition in Kew in 1964/5."Artists of Kew Exhibition. Founder of KHS Cr Dickinson in dark suit. Miss Alma Figuerola to his left."arists - kew (vic), exhibitions -- kew (vic.), gordon greer

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of WHS Dickinson and Alma Figuerola at the opening of an exhibition in Kew in 1964/5. It has been suggested that the exhibition at the Kew Town Hall in Walpole Street.Later hand: "Mayor of Kew opens exhibition of paintings (Miss Alma Figuerola left in doorway). arists - kew (vic), exhibitions -- kew (vic.)

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Black strapless satin evening dress with a ruched gold neckine. The outfit includes a fitted long sleeved black jacket.Label: SMARAGD EXCLUSIVE OF MELBOURNE. SIZE 12fashion - australia - melbourne, smaragd of melbourne, women's clothing, evening dresses, fashion design, clothing -- 1970s

Sports Clubs in Kew in the final decades of the 19th century and in the early 20th century were often umbrella organisations with facilities for a number of sports. Typically in Kew, this included teams in lawn bowls, tennis and croquet. The Kew Bowling Club was formed in 1880 while the privately owned Auburn Heights Recreation Club was opened in 1904. By 1998, the two Clubs decided to amalgamate at the Auburn Heights site in Barkers Road, forming the Kew Heights Sports Club. The combined club was itself taken over by the Melbourne Cricket Club in 2012 becoming MCC Kew Sports Club. In 2017 MCC Kew closed and its landholding was subsequently sold to Carey Baptist Grammar School. Both the Kew and Auburn Heights Clubs assembled important collections. These historically significant and large collections were donated to the Society in 2020. The collections include manuscripts, pictures, trophies, plans, honour boards etc. References Barnard FGA 1910, 'Sports and Pastimes' in Jubilee History of Kew Victoria: Its origin & progress 1803-1910. Chapman J & C 1999, The history of the Auburn Heights Recreation Club, 1904 to 1908. Reeve S 2012, City of Boroondara: Thematic Environmental History, p.216.The combined collections of the four sporting clubs making up the collection number hundreds of items that are historically significant locally. They are also significant to the sporting history of the greater Melbourne area and to the sports of lawn bowls and tennis in Australia in the 19th and 20th centuries. The collection illuminates two of the Victorian historic themes - 'Building community life' through forming community organisations and 'Shaping cultural and creative life' by participating in sport and recreation.Framed and glazed Auburn Heights Recreation Club pennant won by a team from the Men's Bowling Club.auburn heights recreation club - barkers road - kew (vic), sports clubs - kew (vic) - pennants, auburn heights men's bowling club - barkers road - kew (vic)

Large size pale brown ermine stole with tails at ends.costume accessories, furs - ermine, women's clothing

A wooden racquet painted from throat to handle, with brown leather handle grip, and white plastic butt cap. Decal inscription across base of head on obverse: SLAZENGER. Below on throat is a decal image of the Slazenger 'Black Panther' trademark. Along the left side of the stem is inscription: DEMON. Materials: Wood, Paint, Leather, Ink, Adhesive tape, Nylon, Ribbon, Metal, Glue, Lacquer, Plastictennis

A wooden racquet, featuring a decal of the Slazenger black panther emblem, on both sides of throat. Inscription, from head to stem, on both sides: KEN ROSEWALL/FIBRE/ARMOURED/TOURNAMENT/SLAZENGER. Inscription along right side of stem: MADE IN ENGLAND. Materials: Wood, Adhesive tape, Nylon, Metal, Glue, Lacquer, Leather, Ink, Ribbon, Plastictennis

A Wilson, Mary Hardwick Valiant tennis racquet. Base of head features Wilson logo. Throat features decal head and neck illustration of Hardwick. Lower shaft and plastic butt cap features red 'W' trademark. Shaft features two stylised starburst devices between model name 'VALIANT' printed in cursive script. Materials: Wood, Nylon, Leather, Adhesive tape, Ink, Glue, Lacquer, Metal, Paint, Ribbon, Plastictennis

A Masterbuilt Challenger 440 tennis racquet, painted from shoulder to shaft, with whipping on shoulders, and featuring leather handle grip with arrow-like perforations. Throat features model name. Masterbuilt logo features along shaft. Materials: Wood, Nylon, Plastic, Paint, Ink, Leather, Glue, Lacquer, Metaltennis

A Masterbuilt 500 tennis racquet, with ribbon whipping on shoulders and shaft, and featuring leather handle grip with floral perforations. Throat features model name. Masterbuilt logo features along shaft. Masterbuilt 'M' trademark features on butt cover. Materials: Wood, Nylon, Plastic, Paint, Ink, Leather, Glue, Lacquer, Metal, Adhesive tape, Ribbontennis

A MacGregor Speedwood tennis racquet, with string whipping around shoulders, and leather handle grip with arrowhead patterned perforations. MacGregor logo features across base of head and lower shaft. Model name, with linear image of a male tennis player serving, features on throat. MacGregor logo with 'M' trademark feature on plastic butt cap. Materials: Wood, Leather, Nylon, String, Ink, Glue, Lacquer, Metal, Adhesive tape, Painttennis

A MacGregor Lloyd Budge Tournament tennis racquet, with string whipping around shoulders, and leather handle grip with arrowhead patterned perforations. MacGregor logo features across base of head and lower shaft. Model name, with 'T' motif within a shield device, features on throat and across shaft. Macgregor logo with 'M' trademark feature on plastic butt cap. Materials: Wood, Leather, Nylon, String, Ink, Glue, Lacquer, Metal, Adhesive tape, Painttennis

A Seamless Bobby Riggs Signature tennis racquet, with ribbon whipping around shoulders and bevelled shaft, and, leathwer handle grip with quatrefoil perforations. Seamless logo features across base of head. Model name features across the throat. Inscription: FOR CHAMPIONSHIP PLAY features along the shaft. Seamless trademark symbol features on plastic butt cap. Materials: Wood, Nylon, Leather, Plastic, Ink, Adhesive tape, Glue, Lacquer, Metal, Paint, Ribbontennis

An Oliver Bluebird Junior tennis racquet, with ribbon whipping around shoulders,and leather handle grip. Oliver logo features across base of head. Decal of stylised crown device features on throat and left side of shaft. Model name features along lower shaft. Materials: Wood, Nylon, Leather, Ink, Glue, Lacquer, Metal, Ribbon, Rubber, Paint, Adhesive tapetennis

A Dunlop, Rod Laver, Grand Slam tennis racquet, with ribbon whipping around shoulders, which are enamel painted along with throat and shaft. Model name features along throat and shaft, accompanied by decal images of the flags of U.S.A., Great Britain, Australia, and France. 'D' trademark in arrowhead device, above Dunlop logo, features across base of the shaft. Materials: Wood, Nylon, Ribbon, Ink, Leather, Glue, Lacquer, Metal, Enamel, Adhesive tapetennis

A Dunlop, Rod Laver, Grand Slam tennis racquet, with ribbon whipping around shoulders, which are enamel painted along with throat and shaft. Model name features along throat and shaft, accompanied by decal images of the flags of U.S.A., Great Britain, Australia, and France. 'D' trademark in arrowhead device, above Dunlop logo, features across base of the shaft. Materials: Wood, Nylon, Ribbon, Ink, Leather, Glue, Lacquer, Metal, Enamel, Adhesive tape, Stringtennis

A Dunlop, Rod Laver, Grand Slam tennis racquet, with ribbon whipping around shoulders, which are enamel painted along with throat and shaft, and leather handle grip with patterned perforations. Model name features along throat and shaft, accompanied by decal images of the flags of U.S.A., Great Britain, Australia, and France. 'D' trademark in arrowhead device, above Dunlop logo, features across base of the shaft. Dynamic 'D' trademark features on butt cover. Materials: Wood, Nylon, Ribbon, Ink, Leather, Glue, Lacquer, Metal, Enamel, Adhesive tape, String, Plastictennis

A Caprico Wimbledon Cup Tournament Model tennis racquet, with open throat, ribbon whipping around shoulders and shaft, and leather handle grip with patterned perforations. Model name features across base of head and collar of shaft. Caprico logo features along shaft. Materials: Wood, Nylon, Leather, Ink, Glue, Lacquer, Metal, Ribbon, Painttennis

An unstrung and gripless Universal Top Notch tennis racquet, with ribbon whipping around shoulders and shaft. Model name features across base of head. Universal Racket Co. trademark features on throat, comprising of a globe resting on a triangular base, and flanked by crests and crowned with a star device. Materials: Wood, Ink, Glue, Lacquer, Metal, Ribbon, Enamel, Leathertennis