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Frankston RSL Sub Branch
Swagger Stick
Trench art, Vietnam era. Made of a wooden rod painted black and a spent 7.62mm SLR cartridge which has been cut into two with one piece attached to either end of the rod to form an ornamental stick, commonly referred to as a 'swagger stick'. Half of the cartridge, complete with a projectile forms one end with the other half of the cartridge forming the opposite end. -
Flagstaff Hill Maritime Museum and Village
Clothing - Riding Habit, Jodhpurs, 1920s
The Manifolds were a significant pioneering pastoral family in Western Victoria. The donated riding jodhpurs originally belonged to Mrs Edward Manifold, formally Beatrice Mary Synnot Anderson. Beatrice was Edward Manifold’s cousin once removed whom he married in 1900. Edward, the son of John Manifold, was born on 15 November 1868 and educated at Geelong and Melbourne Grammar schools and at Trinity Hall, Cambridge (B.A., 1891). He chose the Danedite portion of land at Purrumbete, and on the death of his bachelor brother Thomas Peter (1863-1895), after a hunting accident, he took over his allocation, Wiridgil. He also owned Boortkoi, near Hexham and on these properties, he ran merino sheep, a Lincoln stud which dated back to 1870, and Shorthorn cattle. 3000 acres were also leased to dairy farmers. Edward was a member of Hampden Shire Council in 1909-31 and three times president at Camperdown. The town was largely bordered by Manifold land and partly dependent upon the local pastoral dynasties, which benefited the local area from the families’ various business interests. Though an offer to build public baths to commemorate the Queen Victoria Jubilee in 1897 was not proceeded with, the town acquired a hospital, a reserve on Mount Leura, a clock tower and a cricket pavilion, as well as notable donations from the Manifolds to St Paul's Church and the grammar school. Edward was a keen polo player and racing man. He was also a successful owner of steeplechasers and a committeeman of the Victoria Racing Club for many years. He was also a member of many Western District racing clubs. On the 16 July 1900, Edward had married his sixteen-year-old cousin Beatrice Mary Synnot Anderson by whom he had three sons Thomas Peter, Andrew and Robert Edward Manifold. Edwards's estate at his death was valued for probate at nearly £500,000. Edward died following an operation on 14 February 1931 at a private hospital in Yarra Vale Melbourne. Beatrice passed away in 1954, aged 79 in Ballarat where she was born in 1874. Contextual historic Family background: The Manifold brothers Thomas (1809-1875), John (1811-1877) and Peter (1817-1885) were the fourth, fifth and sixth sons of William Manifold and Mary, nee Barnes, of Courthouse Farm, Bromborough, Cheshire, England. The family had decided to emigrate to Van Diemen's Land. Thomas was sent ahead, arriving in Hobart Town on 23rd January 1828 with £1500 and a letter of recommendation from the Colonial Office. Thomas acquired 1280 acres on the west bank of the Tamar River. John and Peter, with their parents and three sisters, arrived on 8th July 1831. Land grants by then had finished but William brought ninety acres next to his son Thomas’ land and on the combined properties the family built Kelso House. The Manifolds’ properties were comparatively poor and when news of the Port Phillip District, in Victoria reached Thomas, he lost no time in coming to see for himself in February 1836. He was impressed with what he saw and hurried back to Tasmania to buy lambs and ewes. With one of his brothers, on July 9th he landed his stores at Point Henry and proceeded to occupy both sides of the Moorabool River. Thomas, at the end of the year, returned to Tasmania and left Peter and John to run the new property. Thomas, however, returned to Victoria for several visits and on one of these visits he, along with his brothers, examined the country near Ballarat. In December 1838 they managed to penetrate the Stony Rises, and Peter and John reached Lake Purrumbete and the Mount Leura country. During this time, on 4th July 1838, Thomas married Jane Elizabeth, eldest daughter of Captain Walter Synnot, formerly of Ballinate, County Armagh, Ireland, and then of Van Diemen's Land. Thomas joined his brothers, and they occupied the Purrumbete run in January 1839. On the journey to Purrumbete they could not take their stock and drays through the Stony Rises, so went north of Lake Corangamite, to the neck of land between it and Lake Gnarpurt. By April the move from Moorabool area was complete. As yet they had no hut and were working day and night, but their delight in their new run was unbounded. John wrote to his mother: “We are at last got to the land we wished for it is a beautiful place, and cannot be surpassed by any I have ever seen”. The three brothers occupied Purrumbete together, breeding both sheep and cattle until Thomas went to Grassmere run on the Merri River near Warrnambool in 1844. John and Peter soon gave up breeding sheep but retained the well-known '3M' brand for the cattle. These were Shorthorns, derived from four bulls originally imported by the Boldon brothers and later improved by further importations, and were renowned for size and quality. By the time of the gold rush in 1851, John and Peter were breeding over 1000 head a year, as well as fattening stores. The diggings at this time had disorganised Grassmere by drawing away Thomas's men, and his wife decided to take her two sons and two daughters to Europe for their education. Thomas gave up the property next year, went to England to join his family, and eventually brought the family back to live in Melbourne. At Purrumbete things were different. The brothers, John and Peter, preferred black stockmen to white, so the discovery of gold upset them very little while providing the very market they required. John was on his second visit to England when the rush started, and Peter went in his turn soon after John returned. On 2 September 1856 John married Marion Thomson, at Cormiston, Van Diemen's Land. They had four daughters and five sons, from three of whom, William Thomson, James Chester and Edward, the later generations of the family descend. Through the years the brothers had to contend with the scab, fluke and footrot, depression, rabbits, bush fires and pleuro-pneumonia. In 1861 they appointed as manager Henry Manifold Matson, their nephew, who had already been with them for five years. Thomas died in Melbourne on 7 November 1875, John at Purrumbete on 3 January 1877 and Peter at Purrumbete on 31 July 1885. Devout members of the Church of England, John and Peter, during their lives, gave generously towards building St Paul's Church, Camperdown, and guaranteed part of the vicar's stipend. Peter was a member of the Hampden and Heytesbury Roads Board from 1859 and carried on into the Hampden Shire Council when it was formed in 1864. However, it was not for public works that they were known, but for their personal example. In a new land where speculators and adventurers were all too common, the Manifold brothers were among those who intended it to be their home and their children's home. Industrious, unpretentious and hospitable, they were respected in their community as men of the highest integrity. This riding habit is a characteristic example of the type and style of riding clothes that well-dressed ladies wore in the 1920s. It highlights the changes that were beginning in society for women. Prior to 1918 ladies still had to ride side-saddle with skirts over Jodhpurs. Society of the time regarded women riding astride as unseemly and just not done. This riding habit is particularly significant on a number of levels, it shows the beginnings of change in society's attitudes through women's fashion after the First World War. A change that was to bring a start to a more liberating societal attitude towards women after the successful establishment of the Representation of People Act 1918 that gave women the right to vote. This garments provenance is linked to one of Victoria's important pioneering families the Manifolds, one of the first families that came from Van Diemen's land to settle the Western District of Victoria in 1844. Originally the garment belonged to the wife of the great-grandson of pioneer William Manifold, Edward Manifold who married Beatrice May Synnot Anderson, Edwards Cousin in 1900. The garment was made by the Mayfair tailors J. Busvine & Co. in the early to mid-1920s (estimate) who at the turn of the century were tailors to the Courts of Europe. Their clothing is highly collectible today and examples can be found in a number of significant museum collections around the world, notably the Metropolitan Museum of Art in New York and the FIDM in Los Angeles. Jodhpurs, part of a three-piece, side saddle riding habit tailored for Mrs Edward Manifold, with four buttons to the front material black woolen twill the legs are cuffed below the knee with 8 buttons holes which are reinforced to the inside with fabric. Cream Satin waistband and removable chamois lining to the seat makers label Busvines Co. tailored for Mrs Edward Manifold.Embroidered in blue on a Satin Cream label to Jodhpurs "Busvine Ltd / 4, Brook St, London. W. No." Hand written in black ink script "523/ Mrs Edward Manifold"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, side saddle riding habit, side saddle riding outfit, breeches, mrs edward manifold, beatrice manifold, shipwreck coast, flagstaff hill maritime village, great ocean road -
Nepean Historical Society
Functional object - Key with Tag
This object features a key with a labelled tag attached to it. It was once the key to the well-known Nepean Hotel. Also known locally as 'The Castle', likely due to its grand size and turret-like tower, the Nepean Hotel was officially established in 1872 by James Sandle Ford (https://poi-australia.com.au/points-of-interest/australia/victoria/portsea/approximate-site-ford-family-nepean-hotel-c-1870-pt-nepean-rd-near-fitzjohns-crt-portsea-mornington-peninsula-vic/). Born in 1811, Ford was only nineteen years old when he was sentenced to seven years transportation for 'Machine Breaking' in 1830. (https://nepeanhistoricalsociety.asn.au/james-sandle-ford/). He arrived in Van Diemen's Land (Tasmania) in 1831 and served five years of his sentence, before being pardoned in 1836. Ford met and married Irish immigrant Hannah Sullivan in 1841 in Sydney. The following year, the couple settled in Point Nepean. Ford is often accredited with the naming of the town of Portsea - after Portsea in Hampshire, UK - and spent a lifetime establishing himself throughout the area. This included: lime burning, dairying, horse judging and breeding, and the cultivation of land and livestock. Ford died in 1890, however his hotel continued to operate for many decades, run by his descendants - including Julia Cain during the first half of the twentieth century (https://trove.nla.gov.au/newspaper/article/65817831) (https://trove.nla.gov.au/newspaper/article/3734533). The hotel was demolished in 1971. This object is significant as it is important in relation to the development and prosperity of the area of Point Nepean. A door key with a rusted surface. One end of the key features a single set of teeth with three notches. Attached to the other end is a rounded handle with a hole through the middle. Looped through the hole is a piece of thin, rusted wire. The wire is looped through both the key and a hole in a white square-shaped tag. Printed on the tag are the words: 'CAIN'S HOTEL PORTSEA'. CAIN'S HOTEL, PORTSEAnepean hotel, cain family, james ford, james sandle ford, portsea hotel -
Montmorency/Eltham RSL Sub Branch
Uniform - Navy Cap, N/A
H.M.A.S Watson, navy cap. Cream cap with blue tally band around it and tied bow attached on side. Stitching at the front of blue band - words ‘H.M.A.S Watson’. Two holes on either sides of cap for string to go through. Blue ribbon attached to inside. Also piece of string attached to inner cap, coming off stitching on one side.H.M.A.S. Watson stiched in yellow stitching on blue band at front of cap. A B Young inscribed in pen on inside material in white. 5 also inscripted under A B Young with other text - nnoa? White label stiched inside - AGCF - Australian Government Clothing Factory, VIC RAN Size 6 7/8, Indent No. 8405.66.0756070 -
Mission to Seafarers Victoria
Container - Medium Wood Drawer
A lone drawer which sits in between two lightly smaller drawers on either side. This drawer features no sliding lid and no label. Stored within this drawer is a small mortar and pestle made of glass which are secured in place by a piece of wood, to which the pestle rests atop. This drawer is found in the front storage location of the parent item and bellow a row of small sized drawers.volum collection -
Halls Gap & Grampians Historical Society
Photograph - Coloured, C 1955-56
The couple are May & David Mitchell in the front room of their holiday shack called "The Holiday Hut" - built by E.C. Mitchell of Stawell at the site of the Borough Huts. See Rec 586 for more information.The photo shows a man and a woman seated opposite a fireplace. A black kettle is sitting in fire place and a piece of wood has been placed on a fire surround. The man is sitting on what appears to be a rocking chair and the woman is sitting on a deck chair. A shelf with a fringed cloth is situated in the corner to the left of the man's head. Both people are wearing glasses and the woman is wearing slippers."Dave and May inside holdiday hut.jpg=Imag" printed on rear of photobuildings, houses -
Flagstaff Hill Maritime Museum and Village
Functional object - Cow Bell, Circa 1878
The artefact is a damaged brass cow bell recovered from the 1878 shipwreck of the LOCH ARD near Port Campbell. It was raised by Flagstaff Hill divers in 1973 and is in storage at the Maritime Village. The LOCH ARD was constructed on the Clyde in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. She sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman and one young female passenger. A century later, despite the pounding seas and the efforts of looters, the wreck site continued to provide ample evidence of the extraordinary range of goods being imported into the Colony of Victoria in the post-Gold Rush era. Flagstaff Hill divers in the 1970s reported finds of “Bottles of champagne, window panes, rolls of zinc, barrels of cement, iron rails, clocks, lead shot, corrugated iron, lead, marble, salad oil bottles, ink bottles, copper wire, gin bottles, rolls of carpet, floor tiles, copper rivets, gas light fittings, pocket knives, toys, crystal chandeliers, beer mugs, cutlery, candles sticks, wick scissors, cow bells, and sauce bottles.” From this array of objects on the ocean floor emerged the humble brass cow bell. Cow bells were common to colonial agriculture and transport, used wherever animals were turned out to graze overnight and had to be rounded up again next morning. Bells were fastened around the necks of household milking cows, domestic goats, bullock teams, horse teams, and camel teams, to help find them in the pre-dawn light. Station shepherds and cattle drovers also used them to warn of any disturbances to their flocks and herds overnight. The bells were a necessary item in a largely unfenced continent. So important, that Anthony Mongon began making his pot-bells at Yackandandah from 1861, August Menneke produced the “Wagga Pot” from 1867, and Samuel Jones started manufacturing his distinctively shaped “Condamine Bell” in 1868. However, these deeply resonant Australian bells were made from iron — Mongon and Jones were blacksmiths who simply beat old pitsaw blades into shape. Few genuinely brass cow bells were made here, the vast majority being imported from Britain where the industry of brass founding was already well established. (Some bells were also imported from the United States, but these too were nearly all of iron).This bell is historically significant as typical of a cow bell used by farmers and herdsmen in Colonial Victoria. It was included in the cargo of the Loch Ard. Its significance is increased by being one of a collection of artefacts recovered by the Flagstaff Hill Divers from the wreck of the Loch Ard in the early 1970s. Items that come from several wrecks along Victoria's coast have also been recovered for Flagstaff Hill Maritime Village’s museum collection under a Government permit, illustrating this item’s level of historical value. The cow bell is also significant for being part of Flagstaff Hill’s collection of artefacts from LOCH ARD, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best-known shipwrecks in Victoria’s history.Cow bell; a small brass bell, blunt-wedge shaped. The sides expand outwards from the smaller rectangular roof of the bell to a larger open rectangle or bell mouth. The handle, now missing, was fixed in two places at the top. A neat half-circle piece has been cut from the base on a long edge. Recovered from the wreck of the Loch Ard.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, eva carmichael, mutton bird island, loch ard gorge, brass cow bell, colonial cow bells, 1878 shipwreck, shipwreck artefact, flagstaff hill divers, cow bell -
Federation University Historical Collection
Photograph - Photograph, Colour, Frank Wright
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Frank Wright .1) & .2) Two coloured photographs of a man dressed in suit and tie with a pocket handkerchief, leaning against a mantel piece, above which is a photograph of a crowd of people watching a performance at a park with a sound shell in the distance. The man is frank Wright. .3) A coloured photograph of a man dressed in a suit looking out an office window. The man is Frank Wright.frank wright, portrait -
Federation University Historical Collection
Photograph - Black and White, Harry Mortimer and family?, mid 1900's
Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man in a three piece suit, holding the hand of a lady clad in a dress and coat and carrying a handbag and large paper parcel. On the left side of this couple is a young girl and on the right is a teenage girl. They are both wearing school uniforms. In the background is a busy inner city scene. The man is probably Harry Mortimer and he is with his family. They are friends of Frank Wright.harry mortimer, frank wright, school uniforms, city scene -
Flagstaff Hill Maritime Museum and Village
Bag
Bag leather brown medical bag has leather handle at top connected by rings attached to a piece of metal at either end, a strip of metal in the centre with a round washer shaped object with a hole attached, on a metal frame which is squared off at the sides, stitching on the top and also both sides of the thick leather handle, four metal studs at each corner.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, medical bag -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Leisure object - Pipe, South African smoking, Circa 1900
This item was donated to the Moorabbin Historical Society in the 1980's by Mr John Herron of Bentleigh. It was brought back from the Boer War by Private W.F. Daff of South Brighton [Later Moorabbin] Private Daff served in the Second Contingent sent to the Boer War 1899 - 1902 South Africa.This item is of Historical Significance because it is linked to the Boer War [1899- 1902] and is of native South African origin.Mr John Herron is a descendant of James Jones an early settler in Moorabbin Shire and the Daff family were early settlers in South Brighton ( Moorabbin).A large natual wood pipe in three pieces with carved bone mouth piece.The bottom piece is on an angle so it stands upright. A hole is bored through the middle of the pipe at different sizes so the smoke is drawn up through the pipe slowly by the smoker.The carvings around the join for the top section of the pipe are very fine and delicate and extend up an over the join to camouflage it.boer war, daff w.f., pipe, native, moorabbin, brighton, south africa, bentleigh, herron john -
Bendigo Historical Society Inc.
Clothing - SILK LACE CAMISOLE, Late 19th C, early 20th C
Clothing. Camisole. Silk lace. Straight straps made from 8 cm wide lace strips attached to bodice. Made of one rectangular piece of fabric, with one seam on right side. Strip of eyelet lace Eyelets top and bottom edges of garment. No ribbon threaded through eyelets. Lace border on lower edge has small pointed peaks.costume, female, underwear -
Bendigo Historical Society Inc.
Photograph - BARBARA MAMOUNEY COLLECTION: BENJAMIN AND EMILY WHITE PHOTO
Black and white photo of Benjamin and Emily White (nee Moyle) and their children Benjamin, William and Hazel Circa 1908. Benjamin is wearing a three piece suit, Emily a white high neck top, long sleeves. Children wearing elaborate white lace collars over dark suits, baby in long dress, in mother's arms. One boy sitting on wooden horse. -
Bendigo Historical Society Inc.
Clothing - WAISTCOAT - PART OF MAN'S THREE PIECE BROWN TWEED SUIT, 1940's - 50's
Clothing. Waistcoat, part of man's three piece brown tweed suit. Pure wool - brown with black and red fine stripe, forming a plaid type pattern. Pure wool front, taffeta type fabric lining and back. 6 button front. Peaked at waistline. 2 bound slit pockets. Some insect damage on front panels. Side vents at waist.Inside front: Small tag 36Rcostume, male suit, tweed waistcoat -
Bendigo Historical Society Inc.
Photograph - CASTLEMAINE GAS COMPANY COLLECTION: PHOTO EXCAVATION
Pipe ready to be put in ground, white van with passenger side door open on the left, pipe is being held aloft using timber and tyres, piece of pipe on ground to right of trench, white van has generator or compressor attached at the rear, centre background at top shows residences with vehicles parked at front, left shows a station wagon parked beneath the trees.Kodakorganisation, industry, gas and fuel -
Bendigo Historical Society Inc.
Document - MINER'S RIGHT - WILLIAM HALL MINER'S RIGHT
Three pale blue tinted miner's rights, dated 19th June 1873 (No 27311), 4th December 1875 (No 85752) and 10th February 1877 (No 10475) in the name of William Hall. Across the top is a crest with a lion and a unicorn holding up an oval piece with a crown and a lion on top, In the oval is an illustration with two men and a woman and sailing ships in the background. They cost five shillings.document, gold, miner's right, miner's right, william hall, john ferres, george skinner -
Bendigo Historical Society Inc.
Document - H. A. & S. R. WILKINSON COLLECTION: CONTRACT OF SALE
Contract of sale of land dated 15th June, 1955 between Mr. T. Wilkinson (vendor) and Mrs. J. M. Schultz (purchaser). Property: that piece of land situated corner Reverie and Buckley Street, Bendigo, being the land described in Right to occupy residence area no. 5050, together with weatherboard and brick dwelling and all sundry outbuildings. Price: 660 pounds.organization, business, h.a. & s.r wilkinson real estate -
Bendigo Historical Society Inc.
Document - H. A. & S. R. WILKINSON COLLECTION: CONTRACT OF SALE
Contract of sale of land dated 22nd March, 1955 between Mr. K. O. Stokes (vendor) and Mrs. E. Simmonds (purchaser). Property: that piece of land situate Lethebys Road, Eaglehawk, land described in right to occupy residence area No. 9596, together with weatherboard and brick dwelling, all sundry outbuildings, all linos, blinds and curtains. Price: 320 pounds.organization, business, h.a. & s.r wilkinson real estate -
Bendigo Historical Society Inc.
Photograph - LITTLE 180 MINE, 1920 / 1933
black And white photo - 2 adult males in foreground, 1 wearing hat, waiscoat, 1 wearing hat, 3 piece suit. Corrugated iron building behind men with double wooden doors, wooden shutters as windows, large wooden reel ( for cable ) at right. Saw horse at left foreground. On back ' Mine Manager/Little 180 Bendigo/1920.'cottage, miners -
Bendigo Historical Society Inc.
Photograph - PORTRAIT: COUPLE, approx. 1910
sepia studio photofraph . Mature couple, male seted, female standing. Chair, fringed and tesselated, full length gown with collared neckline and leg 'o' mutton sleeves. Gent with 3 piece suit, watch chain, collar and tie, cuffless trousers and elastic sided boots. Printed at front bottom coat of arms, Alan Spicer in script, Bendigo in capital letters.Alan Spicer, Bendigoperson, family, portrait -
Bendigo Historical Society Inc.
Photograph - FOSTER AND WILSON COLLECTION: FEMALE PORTRAIT
Sepia photo of a girl taken from an angle. She is standing in a garden with a paling fence and some plants behind her. She is wearing a dress with 3/4 length sleeves and holding a piece of ivy. She has short hair and is wearing a long necklace. Photo is mounted on beige cardboard with a brown border with darker brown edges then the beige with a darker edge.photograph, portrait, female, foster & wilson collection, female portrait -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS, 1900
Delicate white card with flowers, leaves, butterflies & lacy sections around an oval opening which has a piece of vallum like paper which has a pink, a blue & grey flower and some leaves painted onto it. At the bottom is a small glued on banner with ' With you around the World I'd roam. And count each Time my native home.' printed in dark brown.person, greeting cards, malone collection, malone collection, greeting cards -
Bendigo Historical Society Inc.
Document - ANCIENT ORDER OF FORESTERS NO. 3770 COLLECTION: MEDICAL CERTIFICATE
White piece of note paper from William Hosking. - To the Officers and Bretheren of Court King of the Forest No. 3770. I hereby declare myself of the Sick Fund of the Court, considering myself able to follow my employment, as witness my hand this day of September 23. 1867. Signed by William Hosking, Iron Bark Hill. Written on the back - to the Secretary of Court King of the Forests.societies, aof, correspondence, ancient order of foresters no. 3770 collection - medical certificate, court king of the forest, william hosking, h l atkinson -
Bendigo Historical Society Inc.
Domestic Object - JAMES LERK COLLECTION: BENDIGO POTTERY WICKER COVERED STONEWARE
Pottery brown demi-john, covered in basket weave cane. Basket weave covers entire object, with top visible with cork (broken off) visible. Donor comment: the wicker covering was applied by the pottery's blind workers, they being very efficient at their task. These workers were believed to have been paid piece work. Two gallon capacity Bendigo Pottery product.domestic equipment, containers, bendigo pottery demi-john -
Bendigo Historical Society Inc.
Photograph - HARRY BIGGS COLLECTION: R JEFFERY STORE & GROUP PHOTO
Photograph. Harry Biggs Collection. 1 black & white photo. A group of 15 man, 3 greyhounds & a horse & dray & driver standing in front of R Jeffery Timber Merchant & Ironmonger, Eaglehawk. Beside the store is another building titled R Jeffery Carpenter Wheelwright. The clothing of the era - hats, waistcoats, 3 piece suits & fob watches clearly seen.place, building, commercial, harry biggs collection, r jeffery store & group photo, eaglehawk. -
Bendigo Historical Society Inc.
Photograph - HARRY BIGGS COLLECTION: YAREENA
Photograph showing two women, both wearing aprons and a man in a three piece suit and a bowler hat standing at the front gate of a late Victorian home. Bow windows in front are partially obscured by greenery and there is ornate iron lace work on the veranda. A lady with her face deliberately obscured is holding a kitten. The name 'Yareena' is on a plate attached to the lace work on the veranda,buildings, house, yareena, yareena -
Bendigo Historical Society Inc.
Drawing - NORMAN PENROSE COLLECTION: TICKET WRITING
Artwork. Norman Penrose collection: a drawing of two deer, enlarged from a wood-cut. 'A General History of Quadrupeds.' 1790 printed under the drawing of the deer. Drawing is 7.5cmH x 13cmW on a larger piece of cardboard. Cutting of 7 Australian Butterflies. Coloured picture of furniture, a child's toy and a colourful advertisement of showcard and ticket writing. Also another cutting of Danger Days.drawing, wood-cut, norman penrose collection, artwork, butterflies, ticket writing -
Bendigo Historical Society Inc.
Photograph - LANSELL'S '180' MINE
Black and White Photograph of the Lansell's 180 Mine, Pictured in the Centre of the photo are 4 towers numbered 1-4 with Lansell's 180 written as well on tower 2, 'Piece of Paper contained with Photos could be the details of the possible donor reads 'Sandra McLachlan, 5 Chaple Cross Crt, Delecombe 3556, 0432 718 315, [email protected], 5336 1220'photograph, mining, lansell's 180 mine, mining, marong road, eaglehawk road, victoria hill, lansell, george lansell, christopher ballerstedt -
Bendigo Historical Society Inc.
Medal - MEDAL COLLECTION: HORTICULTURAL SHOW PRIZE MEDAL, 1889
Object. Shield shaped gold medal with horn shaped suspension piece at crest with suspension ring. A smaller inner shape creates a border with scattered leaves. Obverse: 3D Engraving.''CENTENNIAL HORTICULTURAL EXHIBITION OF VICTORIA. AWARDED TO DELBRIDGE BROS EPSOM''. Reverse: -FLAT.''Presented by the Bendigo Wine & Fruit Growers Association for 6 Varieties Table Grapes.See 7900.29 also.numismatics, medals-civil, horrticultural showw prize medal 1889 -
Geoffrey Kaye Museum of Anaesthetic History
Inhaler, Bruck, 1908
The Bruck Inhaler is a modification of the Clover Inhaler, designed by Lambert Bruck. Bruck added a glass dome which enabled the level of ether to be monitored during administration. This was a revolutionary change as it removed guess work from the process.The Bruck Inhaler is a historically, aesthetically and scientifically significant piece. The basic design is based on the Clover Inhaler, but with a rounded bottom. The idea of a glass viewing window was possibly inspired by Wilson-Smith Inhaler. The Bruck Inhaler is historically significant as it is the first inhaler to be made with a completely clear lower glass section. This improved the usability for the ether administrator, and eliminated much of the guesswork associated with dosage and ether levels, which in turn improved the patient experience. This piece provides a strong local link to both anaesthetic and general medical practice at the turn of the century. The design is credited to Ludwig Bruck of Sydney, and was presumably manufactured in the same area. Bruck, as the attributed designer, holds much relevance to the significance of the object, as connected with him is much historical information about the social context of medical practice. Ludwig Bruck was a prominent figure in the medical industry. He started his medical career in Sydney as a Medical Transfer Agent, and later owned a shop at 16 Castlereagh Street, Sydney. This business is listed in the 1903 Register of Firms as a Medical Agent and Importer of Medical Instruments and Books. Bruck was vocal as a journalist and published analyses of medical statistics, as well as the well known Australasian Medical Dictionary and Handbook, which included the “List of Unregistered Medical Practitioners”. Ludwig Bruck was an immigrant. He was of German descent, which placed him in a precarious position within Sydney society during the turn of century. Bruck conducted several public conversations with prominent members of the Australian Natives Association through the Sunday News in regards to his disagreement of the employment of medical practitioners by the ANA specifically to corroborate their health insurance policies. He was also a stalwart supporter of the Australian arm of the British Medical Association, being the publisher of the first and subsequent editions of The Australian Medical Gazette. Bruck chose to end his life with a combination of poison and chloroform on 14 August 1915, after being accused of trading with the enemy during World War One. His suicide note stated his horror at leaving his business partner to deal with the tarring of his reputation as the reason for his decision. The Bruck Inhaler has aesthetic significance as it is a beautiful example of turn of the century surgical design and craftsmanship. Aseptic methods of surgery were well known by 1909, and the aesthetic design of the Bruck Inhaler conformed to these principles. The ability for the surgeon to unscrew, clean and sterilize each part of the Inhaler contributes to the streamlined design of the piece. The Buck Inhaler holds scientific significance. There is the capacity for further research to be undertaken on the object. Geoffrey Kaye often collected multiple examples of equipment, usually one for reverse engineering and another for teaching. There are currently two examples of the Bruck Inhaler in the collection, presenting an opportunity for further technical research on the object. The inhaler is oval shaped with one half made of glass to allow observation of the ether level. A vertical cross tube, 22mm in diameter passes between the face-piece and the bag [missing]. There is a stopcock for admission of oxygen or nitrous oxide opposite the bag attachment. There is a central tube, 28mm in diameter, with controllable ports on either side. There is also a tear-drop shaped fask mask.Hand engraved on side of base: L. Bruck / Sydneyclover, joseph, bruck, lambert, inhaler, rebreather, nitrous oxide, oxygen, williams, probyn