‘A’ Squadron 8/13 Victorian Mounted Rifles conducted a parade at Buna Barracks, Albury on Sunday 1 May 1988 to mark the 103rd Anniversary of the formation of the Victorian Mounted Rifles and the 40th Anniversary of the linking of the 8th (Indi), 13th (Gippsland) and 20th (Victorian Mounted Rifles) Light Horse Regiments to form the 8th/13th Victorian Mounted Rifles. Colonel G K Howard, Director of the Royal Australian Armoured Corps was the Reviewing Officer. The Pipes and Drums of the 5th/6th Battalion Royal Victorian Regiment provided the music for the occasion. Following the parade Colonel Howard officially opened the Regimental Museum.Colour photograph of five horsemen of 8/13 Victorian Mounted Rifles Heritage Light Horse Troop awaiting inspection by Reviewing Officer, Colonel G.K. howard.

‘A’ Squadron 8/13 Victorian Mounted Rifles conducted a parade at Buna Barracks, Albury on Sunday 1 May 1988 to mark the 103rd Anniversary of the formation of the Victorian Mounted Rifles and the 40th Anniversary of the linking of the 8th (Indi), 13th (Gippsland) and 20th (Victorian Mounted Rifles) Light Horse Regiments to form the 8th/13th Victorian Mounted Rifles. Colonel G K Howard, Director of the Royal Australian Armoured Corps was the Reviewing Officer. The Pipes and Drums of the 5th/6th Battalion Royal Victorian Regiment provided the music for the occasion. Following the parade Colonel Howard officially opened the Regimental Museum.Colour photograph of Major R. Morrison and Colonel G.K. Howard having completed the inspection of the mounted escort from the 8/13 Victorian Mounted Rifles Heritage Light Horse Troop.

‘A’ Squadron 8/13 Victorian Mounted Rifles conducted a parade at Buna Barracks, Albury on Sunday 1 May 1988 to mark the 103rd Anniversary of the formation of the Victorian Mounted Rifles and the 40th Anniversary of the linking of the 8th (Indi), 13th (Gippsland) and 20th (Victorian Mounted Rifles) Light Horse Regiments to form the 8th/13th Victorian Mounted Rifles. Colonel G K Howard, Director of the Royal Australian Armoured Corps was the Reviewing Officer. The Pipes and Drums of the 5th/6th Battalion Royal Victorian Regiment provided the music for the occasion. Following the parade Colonel Howard officially opened the Regimental Museum.Colour photograph of soldier on parade ground holding lance with red and white pennant. He is Sergeant Perkins posted as Right Guide for the parade.perkins, vmr, anniversary, buna barracks

A’ Squadron 8/13 Victorian Mounted Rifles conducted a parade at Buna Barracks, Albury on Sunday 1 May 1988 to mark the 103rd Anniversary of the formation of the Victorian Mounted Rifles and the 40th Anniversary of the linking of the 8th (Indi), 13th (Gippsland) and 20th (Victorian Mounted Rifles) Light Horse Regiments to form the 8th/13th Victorian Mounted Rifles. Colonel G K Howard, Director of the Royal Australian Armoured Corps was the Reviewing Officer. The Pipes and Drums of the 5th/6th Battalion Royal Victorian Regiment provided the music for the occasion. Following the parade Colonel Howard officially opened the Regimental Museum.Colour photograph of Colonel G.K. Howard, Director RAAC, being received on parade. Colonel J.A. Neale stands behind him, Sergeant D. Reynolds at side.

Juli HAAS (1952–2014) Born Melbourne Juli Haas studied under Euan Heng’s at the Monash University Churchill campus. Haas completed a Bachelor of Arts in 1989, a Graduate Diploma of Arts in 1990 and a Master of Arts (Research) in 1995. Juli Haas has won Sir John Sulman prize in 1995 at the Art Gallery of NSW and in 1994 and 1997 the Martin Hanson Memorial Works on Paper Prize. The Gippsland Art School collects examples of limited edition prints to use as a teaching collection. The collection is largely unframed and comprises works from the Print Council of Australia, staff members and former students.Unframed lithograph4/5juli haas, gippsland campus, gippsland printmaking teaching collection, printmaking, alumni, churchill, dog, fauna

An article written by Legatee Bill Rogers about volunteers, led by Beryl Billing, who process used stamps for sale to fundraise for Legacy. The article may have appeared in the Bulletin. It acknowledged the huge amount of work Beryl had done over the years. Beryl's husband was a Legatee with Dandenong/West Gippsland Group (now called South Eastern). Beryl started the stamp group in February 1981 and over 27 years the stamp group raised $208,698. Document was from a folder of documents donated to the archive by Legatee Bill Rogers that related to his time as President (March 2006 - March 2008) or as a legatee.A record of the acknowledgement given to long-standing volunteers.One A4 page by Bill Rogers about Beryl Billing and the Stamp ladies.beryl billing, stamps

This photographic exhibition was developed by the Federation University-led Community Wellbeing research stream of the Hazelwood Health Study in collaboration with Morwell Neighbourhood House and Gippsland Centre for Art and Design at Federation University Australia. It highlights people's hopes for the future of Morwell has its roots in two unexpected places: the Hazelwood mine fire in 2014 and an academic study into community recovery from that fire. In late summer of 2014 a bushfire spread to the coal mine near the town of Morwell in the LaTrobe Valley, in south-eastern Victoria. The Hazelwood mine fire burned for 45 days, shrouding communities - especially Morwell - in smoke and ash. Strong calls by the community for an investigation into the health impacts of the Hazelwood Mine Fire led to the Department of Health's (Know the Department of Health and Human Services) decision to fund a ten year study of the potential health effects of this smoke event (Known as the Hazelwood Health Study). This exhibition came out of work undertaken by the Community Wellbeing Stream of the Hazelwood Health Study during 2016 and 2017. Based at Federation University Australia's Gippsland Campus, just a few kilometres from where the fire took place, one of our Study's main aims has been to find out from the community how the smoke event impacted on community wellbeing. We also planned to talk to community members about the effectiveness of community rebuilding activities, and find our how these have aided recovery following the smoke event. In 2017 we began working with community organisations on a project to foster community recovery and wellbeing. What emerged from these discussions was the idea for a photographic exhibition, on the theme of 'Our hopes for the future of Morwell'. Invitations to participate were extended to up to 50 members of various community groups. The groups were asked to think of some object that symbolizes their hopes for the future of Morwell. Individuals were then invited to attend a photographic session kindly hosted by the Morwell Neighbourhood House. Each individual was to hold this object while it was photographed, as well as explain what the object represented in terms of Morwell's future. Out of this process twenty nine photographs with their captions were produced, enlarged and framed for exhibiting. The photographs were taken by Clive Hutchison of the Gippsland Centre for Art and Design at Federation University Australia.Twenty nine framed original photographs.morwell, our hopes for the future of morwell, clive hutchison, photography, morwell neighbourhood house, hazelwood health service, gippsland centre for art and design, hazelwood mine fire, haxelwood health study, morwell neighbourhood mine fire, neale stratford, tracie lund, ian brown, susan yell, sue whyte, ainsley ja, ainsley james, michelle duffy, shaun mallia, valerie prokopiv, morwell art and framing

Large ornate certificate. Under the freemasons symbola drawing of Coppin Hall and two rows of houses at either side. Then the body of the certificate: Established A.D. 1867 Freemasons' Homes of Victoria. President: the Most Worshipful Grand Master. This is to certify that Wor.Bro. Samuel A. Bush, P.M. of the union of North Gippsland Lodge No.62 was enrolled a Life Governor of this Insitution in the year 1924. Signed by the Chairman: M. Marracott, the Treasurer: G. Rawson and the Secretary. Also Attached an handwritten letter dated 29-04-1925to Samuel Bush from the secretary ot the lodge.societies, freemasons, certificate

This work is a serigraph (screenprint) on cartridge paper using blue oil based inks of the 'Brolga' (Australian Crane); a common, gregarious wetland bird species of tropical and south-eastern Australia and New Guinea / It is a tall, upright bird with a small head, long beak, slender neck and long legs / The pose of the bird represents their stance when calling out to their mate, which sounds like a loud trumpet / The decorative markings on the bird's plumage is from the traditional carved/etched Gunnai shields from Gippsland Eastern Victoria, which is where Thomas' people are from. Underneath 'Brolga', on slant, lower right in greylead pencil (?) handwritten artist signature and language group "Ray Thomas - GUNNAI"

This artwork was created in collaboration by Shanaya Sheridan and Josh Muir in 2018. Josh Muir was a proud Yorta Yorta, Gunditjmara and Barkinji man, who holds his culture close to his heart as it gives him a voice and great sense of identity. Josh is a Ballarat-based multimedia artist. In 2015 Josh was the recipient of the Telstra National Indigenous and Torres Strait Islander Art Award – Youth Award and the Hutchinson Scholarship, through which he undertook a 12-month residency at the Victorian College of the Arts in Melbourne. Muir's work has been acquired by the Koorie Heritage Trust, The National Gallery of Australia, the Museum and Art Gallery of the Northern Territory, the National Gallery of Victoria and was commissioned as a major project artist by White Night. Shanaya Sheridan, is a proud Yorta Yorta, Dja Dja Wurrung and Boon Wurrung woman who has resided in Ballarat for 20 years, after living in Horsham, Shepparton and Melbourne. Growing up and watching her Elders, and their style of artworks, Shanaya is influenced by a traditional style of Aboriginal art, mixing it up with contemporary colours. This reconciliation piece is Shanaya’s first commission. Artists' Statement: '“This painting represents reconciliation across all lands, from the skies down to the waters including the mountains, grass and sand. The hands represent people of all cultures reaching for a brighter future, and the men and women in talks of how reconciliation can be achieved. Last but not least, the footprints represent our Aboriginal and Torres Strait Islander ancestors that have fought for reconciliation before us and their steps/progress towards reconciliation.' Digital prints of this artwork on aluminum are displayed at Federation University Australia campuses at Mt Helen, Gippsland (Churchill), Berwick, Brisbane and Horsham.reconciliation, josh muir, shanaya sheridan, aboriginal, reconciliation action plan

Framed letter of greeting and goodwill from the Municipality of Georgetown, Tasmania to the South Gippsland Shire to mark the linking of the communities through the introduction of the Bass Strait Catamaran Ferry Services dated 22 December 1990. Signed by Lionel Young, Manager and Cr. Ted Pearce, Warden. George Town Council logo upper left corner. Brown timber frame. Note: Item approved for deaccession August 2023. SGSC will now follow deaccession procedures as outlined in the Arts and Civic Memorabilia Collection Policy - https://www.southgippsland.vic.gov.au/downloads/file/2763/arts_and_artefacts_collection_policy_c69.

From the estate of Elsie Cooke who was the Orbost librarian for many years before 1940's. Elsie Cooke lived all her life in Gippsland,. She was born at Brodribb in 1895 and died in 1970, Elsie Cooke lived at Bruthen for a short time and, in 1937, moved to live with her aunt, Miss Jean Munro. Miss Cooke was Librarian at the Mechanics Institute for many years. Kindness and consideration for other were Miss Cooke’s attributes and she endeared herself to all who knew her. She was a loyal member of the Presbyterian Church and a stalwart of the Ladies’ Guild, an energetic worker for the Municipal Auxiliary and a member of the Red Cross. (ref. Mary Gilbert) Elsie Cooke was a well-respected Orbost identity. This item is an example of a fashionable accessory used by women in the first half of the 20th century.Small black velvet lady's change purse. Metal clasp and black holding string. Velvet has floral design. Purse has two coins inside - 1938 threepence (3d) and 1918 sixpence (6d) purse personal-effects money-containers

The Traralgon War Memorial was originally erected in memory of the fallen soldiers of World War One. The Gippsland Times of 01 March 1923."On Sunday a memorial that has been erected in memory of the fallen soldiers of the district was unveiled. The ceremony was performed by Mr G. H.Wise, and addresses were delivered by Mr W West, M.LA. the president of the shire and local clergymen. The memorial, which cost £700, and contains 54 names of young men who made the supreme sacrifice is a lifesized figure of an Australian soldier and is made white Italian marble. It now commemorates Australian servicemen and women who have served in all wars and conflicts. It was re-dedicated on 11 November 1999.Colour photograph of the Traralgon War Memorial with surrounding townscape. The war memorial features a life sizes sculpture of an Australian world war soldier wearing a slouch hat. Loy Yang Power stations are evident in the background. Traralgon Post office on right foreground. traralgon, world war one, anzac day, loy yang, traralgon post office, anzac centenary

Peter WILSON Peter Wilson maintains a ceramic practice at Rosemont Pottery in Bathurst, NSW, as well as working as a senior lecturer in the Faculty of Education at the Charles Sturt University Bathurst Campus. He trained at Macquarie University, obtaining a Bachelor of Arts in 1976, and has been making reduced stoneware and tableware and exhibiting ceramics since 1980. Wilson writes extensively about ceramics and obtained a Graduate Diploma of Arts (Visual Arts) from Monash University Gippsland in 1993, a Master of Creative Arts from Wollongong University in 1995 and a Doctor of Creative Arts from the University of Western Sydney in 2003. Work may be marked with an incised 'Peter Wilson' or 'Wilson'.Spherical ceramic formjan feder memorial ceramics collection, peter wilson, alumni

Kalimna Heights showing development on Bullock Island including Pecks Factory. The Club Spit of dredged sand is acquiring vegetation. April Hamer dredge moored at Port Jetty, new bridge in place Lakes Entrance VictoriaAlso two colour photographs showing dumped sand on Bullock Island taken from Princes Highway lower parking bay June 2000. Donor L P Newspaper number 04209.1 size 10 x 15 cm and 04209.2 size 10 x 15 cm|Two colour photographs of Gippsland Ports Facilities taken from waterway numbers 04208.3 and 04208.4 size 10 x 15 cmColour photograph taken from Kalimna Heights showing development on Bullock Island including Pecks Factory. The Club Spit of dredged sand is acquiring vegetation. April Hamer dredge moored at Port Jetty, new bridge in place Lakes Entrance Victoriaislands, waterways, gippsland lakes

The sport had its origins during the Depression of the 1930s when teams were formed to keep young women fit and healthy. The sport became more organised during the 1940s with a system of scoring developed to ensure teams could compete against one another. Points were deducted for lack of precisions, dressing, movement and length of pace. At its peak marching competitions drew large crowds of spectators. Teams marched not only in competitions but also frequently appeared in parades and social occasions. Jim Trewin trained Orbost's Marching Girls' team, the Waratahs, and served as vice president of the East Gippsland Marching Girls' zone. His wife, Doris, acted as chaperon Together with a trophy, a chaperone's blazer and photos this uniform forms part of the history of the Orbost Marching Girls group.An Orbost Marching Girls' uniform It has a white pleated skirt, a long-sleeved white blouse and a red velvet vest with 6 gold buttons. There is a badge on the left shoulder. A red ribbon is attached to the blouse as a bow tie. On the vest shoulders are white tabs with gold buttons. The skirt and blouse are made of cotton. A pair of short white gloves are included.On badge- Victorian Girls Marching Associationuniform marching-girls leisure clubs recreation

From the estate of Elsie Cooke. Elsie Cooke was a librarian in Orbost for many years. She was the daughter of John Cooke early Brodribb settler. Elsie Cooke lived all her life in Gippsland,. She was born at Brodribb in 1895 and died in 1970, Elsie Cooke lived at Bruthen for a short time and, in 1937, moved to live with her aunt, Miss Jean Munro. Miss Cooke was Librarian at the Mechanics Institute for many years. Kindness and consideration for other were Miss Cooke’s attributes and she endeared herself to all who knew her. She was a loyal member of the Presbyterian Church and a stalwart of the Ladies’ Guild, an energetic worker for the Municipal Auxiliary and a member of the Red Cross. (ref. Mary Gilbert) Owned by a local Orbost woman's family. Silver-plated watch fob, with two blackened silver double chains connected to a small clasp at base and a t-piece of silver-plated metal at the top for the button hole. Approximately 20cm in length.watch fob, silver chain, pocket watch, 1900s, elsie cooke

From the estate of Elsie Cooke. Elsie Cooke was a librarian in Orbost for many years. She was the daughter of John Cooke early Brodribb settler. Elsie Cooke lived all her life in Gippsland,. She was born at Brodribb in 1895 and died in 1970, Elsie Cooke lived at Bruthen for a short time and, in 1937, moved to live with her aunt, Miss Jean Munro. Miss Cooke was Librarian at the Mechanics Institute for many years. Kindness and consideration for other were Miss Cooke’s attributes and she endeared herself to all who knew her. She was a loyal member of the Presbyterian Church and a stalwart of the Ladies’ Guild, an energetic worker for the Municipal Auxiliary and a member of the Red Cross. (ref. Mary Gilbert) Pocket watches were the most common type of watch from their development in the 16th century until wristwatches became popular after World War I. Pocket watches were either stem-wound or key-wound. The very first pocket watches, since their creation in the 16th century, up until the third quarter of the 19th century, had key-wind and key-set movements. On a key-wind watch the mainspring is wound by turning a key which usually fits through a hole in the back inner-lid of the watch case. This item is a key wind watch. A silver lady's pocket watch. There are two keys attached with brown tape. The case has engraved patterns on the top and bottom. There is a small ring for attaching a chain. It opens at the back for winding.46792 anchor lion indecipherable mark (could be a duty stamp) scratched -1864 6 M.S.watch sterling-silver cooke-elsie

Bemm River is a small township in East Gippsland. There have been several Bemm River hotels since 1891 when the first Hotel was built by Henry Summer. This Hotel was located near a ford where traffic crossed the river. Annie Morgan was the next person to have a roadside licence to sell liquor at Bemm River, also known as Sydenham Inlet Hotel. In 1927, a hotel was built on the present site at Bemm River, again with the Morgan family. Like many hotels, the Bemm River hotel has burned down or suffered damage through fires and was rebuilt. These photos are likely of a fire at the Hotel in 1994 which resulted in the hotel burning down. It was re-built in 2000 on the same site.History of Bemm River and its hotel5 b/w photos showing a building with severe fire damage, and two people in front of the photos (probably owners).nonebemm river, fire, hotels

Extract - Ringwood, Place of Many Eagles - Hugh Anderson (1974): William Wedge Darke, from Hereford, England, was a nephew of John Helder Wedge of the Port Phillip Association, who was also a surveyor. William's most important work was probably his survey of the Dividing Range and the country between the Yarra River and Western Port, completed in May 1843, and during which he made a traverse between the Mullum and Dandenong creeks along the higher ground that he labelled the "best line of road from Melbourne". This road was for many years the major route to Gippsland and to the higher country about Alexandra and Mansfield, sometimes known as White Horse Road, and now Maroondah Highway.Surveyor's relief map of features to the east of Melbourne including Yarra Yarra River, Mullum Mullum Creek, Anderson's Creek, Dandenong Creek.Transmitted to the Surveyor General with my letter of 10th May 1843 (signed) Wm Wedge Drake, Assistant Surveyor. Scale: two inches to a mile. Descriptive remarks include upstream area of Yarra River - "impassable, appears to have been formerly a lake", and to the south - "barren and scrubby swamps of the Western Port Country". Marked tracks include "best line of road from Melbourne", "track to Dandenong", "Road to Port Albert may probably be found on this range", "Best line to Upper Yarra". Several huts also marked.

Len CASTLE (23 December 1924 – 29 September 2011 ) Born New Zealand 'My best work is when intuition and conscious choice come together successfully.' Len Castle trained as a secondary schoolteacher and started making pottery in 1947. Initially self-taught, he was the first potter to be awarded a fellowship from the Association of New Zealand Art Societies, travelling to St Ives to work with Bernard Leach in 1956-57. He lectured at the Auckland Teachers' College until the early 1960s, before concentrating on making stoneware at Titirangi, New Zealand. Len Castle was an artist in residence at the Gippsland Centre for Art and Design (GCAD).Two piece press moulded ceramic form with glaze wash surface.ceramics, len castle, gippsland campus, jan feder memorial ceramics collection

Clive MURRAY-WHITE (20 February 1946 - ) Born Walton-on-Thames, Surrey, England Arrived Australia 1959 With an impressive career that has included sculpting marble for over 25 years Clive Murray-White has informed his at practice by studying at Brisbane Central Technical College, Guildford School of Art, United Kingdom, Royal Melbourne Institute of Technology and Preston Institute of Technology, Monash University. His early work used welded and cast metal objects. In the 1980s he transitioned to marble sculpture Clive Murray White was Head of Sculpture at the Monash University Churchill (now Federation University Gippsland). He established the Cowwarr Art Space with Carolyn Crossley. Sculpture of a head carved from Cooper's Creek Black Limestone. artwork, artist, sculpture, gippsland campus

Document. KELLY & ALLSOP COLLECTION. Two share certificates issued by the Mount Deddick Silver-Lead Mining Company, No Liability, Snowy River, East Gippsland. Certificate No. 1851 for 20 fully paid up shares @ 1 Pound each issued on 14 July 1898 to M.Kelly. Certificate No. 2113 for 5 fully paid up shares @ 1 Pound each issued on 9 Feb.1899 to M.Kelly of Bendigo. Capital raised was 60,000 Pounds from 60,000 shares. Each certificate signed by the Manager (signature not readable). Registered office - 31 Queen St., Melbourne.Mount Deddick Silver-Lead Mining Co.business, stockbroker, kelly & allsop, kelly & allsop collection, share certificates, mount deddick silver-lead mining co., m.kelly.

BHS CollectionDiggers & mining. Life Of The Selectors. Minor sitting in front of his makeshift hut smoking a cigarette. Some of the necessities of a miner which are visible in the picture are; wheelbarrow, barrel for a table, buckets, shovels, axe, gold pan, hand saw, tin cup, wash board, axe, frypan horse collar, saw horse/also doubles as a seat, barrel/also used for storage, large pan, fresh fish hanging. Markings; Life Of The Selectors 1860-1890. Set 432 No. 5. Selector's Hut, East Gippsland - photo by N. J. Claire, 1884. Used as a teaching aid.Visual Education Centreeducation, tertiary, goldfields

In 3098.1 from L-R are John Pritchard and Graeme Rodier. Jeff Wilson is in 3098.2. Both photographs are connected to Adult Learning TAFE and CEP. These photographs were taken at the Curriculum and Technology in Schools workshop held in Bendigo, Victoria in October 1987. Eighty rural primary schools were involved including many from East Gippsland. From the Snowy River Mail; " A large number of technologies was......demonstrated at the conference. Participants were given hands on experience with audio and computer conferencing, CD Rom. an Invicon booth ( individual video console (INVICON) enables any teacher to produce short, relevant teaching videos for individual pupils without assistance), packet radio, videodisk, robotics and many more...." This is a pictorial record associated with education in Orbost.Two black / white photographs of two men seated at a desk with computers. The man on the right is holding a phone.education-east-gippsland tecnology

Grassmere is a small hamlet about 12 kilometres from Warrnambool. It is a farming area. The Grassmere Gold Mining Company, presumably established by local people in Grassmere, was created in 1898 for the purpose of acquiring from Messrs James and Mewha a lease of a Cassilis gold mine (23 acres). The Manager of the Company was Horatio Dickson of Melbourne and the brokers were McMeekin and Co. of Melbourne and Warrnambool and Dickson and Osborne of Melbourne. This reef mine was one of several in Cassilis, Gippsland, 12 kilometres north west of Swifts Creek. The gold-bearing quartz reefs were discovered in 1885 and worked to 1914. It is not known whether the Grassmere Cassilis mine was a financial success but the mining operations were impeded by the hardness of the stone in the area. William Robinson was a farmer in the Grasmere area. This receipt is of considerable interest as one of only three items the Warrnambool and District Historical Society that is connected to the establishment of the Grassmere Gold Mining Company. The gold mine establishment was one of the many minor events in the district in the 1890s. This is an 1899 receipt for William Robinson upon payment of six shillings and three pence, being part payment for shares in the Grassmere Gold Mining Company. The buff-coloured paper has black printing and black-ink handwriting. There are two stamps – one is the stamp of ‘H.S.Dickson’ and the other is the stamp of the ‘Grassmere Gold Mining Company, No Liability’. The certificate has silver fish damage at the top and the right-hand side‘May 30th 1899, Received from Mr Wm. Robinson the sum of six shillings and three pence, being the amount of 5th call of 1½ per share, due on 50 shares, nos. 12651/12700 in the above company, H.S. Dickson, Manager’grassmere, grassmere gold mining company, william robinson, warrnambool

Original Title: Visit to Upper Thomson's Quarters, Board of Works, 3-5 December, 1971 Shire of Eltham Councilors and an ex councilor visiting the early works leading up to the construction of the Thomson Dam, located in West Gippsland, Victoria. Standing Back (L-R): Ex. Cr. H. Bartlett, Cr. P. Graham Middle Row (L to R): Cr. D. Ingersole, Cr. A. Glover (Shire President), seated - Cr. E.A. Hale, Cr. C.J. Bock (Shire Secretary/ Chief Administrative Officer), standing - Cr. J. White, Cr. L.E. Clarke, Mr. H. Jackson (M.M.B.W.) Seated Front (L-R): Cr. G.C. Dreverman and Cr. A.S. Knox Source: Shire of ElthamThis photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagealistair knox, cr. a. glover, cr. a.s. knox, cr. c.j. bock, cr. d. ingersole, cr. e.a. hale, cr. g.c. dreverman, cr. h. bartlett, cr. j. white, cr. l.e. clarke, cr. p. graham, melbourne metropolitan board of works, mmbw, mr. h. jackson, other areas, shire of eltham pioneers photograph collection, upper thomson's quarters