Showing 5489 items
matching iron
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Phillip Island and District Historical Society Inc.
Photograph, c 1900
Central front door to large two storey building, large brick chimneys on either side of roof, two on each side of gable roof, attic storey above this. Wrought iron railing of upper verandah, long thin windows with curtains or blinds, single storey building to left of picture. White Picket fence across front, a man's figure at gate.San Remo Hotellocal history, photography, photographs, slides, film, tourism, san remo hotel, black & white photograph, miss elms san remo -
Churchill Island Heritage Farm
Functional object - Bench hand drill
The upright post drill (pictured) was produced by Champion Blower and Forge of Pennsylvania, United States of America; a company that produced blacksmithing machinery from the late 19th century. The post drill is a hand-powered tool with a large flywheel, height handle, gears, spindle and chuck. It can be attached to a free-standing mount such as a post, and used by farmers and blacksmiths to drill wood, iron or steel.White bench hand drill with black wheels and cogsfarm machinery, drill, hand operated -
Churchill Island Heritage Farm
Tool - Potato digger
The potato digger was harnessed to horse or tractor and dragged through the potato mounds. This digger could be set for deep or shallow mounds. The horizontal flat shovel unearthed the potatoes. The iron raddle would agitate the potatoes free from the soil. Some diggers had prongs to flip potatoes to the side. The crop was then collected by hand. Previously the crop would be dug up by hand with hoes.Single row potato digger, with upward prongson digger and depth adjuster at rear. Green/blue with red wheelsfarm machinery, digging, harvesting, potatoes, horse drawn -
B-24 Liberator Memorial Restoration Australia Inc
Tail Plane from 'Little Eva' crash, Circa 1941/2
Commemoration of the crash of USAAF B-24 Liberator #41-23762 'Little Eva' of the 321st Squadron, 90th Bombardment Group based at Iron Range. Crashed near Burriejell waterhole at Moonlight Creek, Escott Station in far north Queensland on 2 December 1942. Two of the ten crewmen were rescued by the manager of Escott Station after 13 days of deprivation.2bxThe tail plane/fin from the crash site of Liberator 'Little Eva'. This site is registered as Doomadgee Queensland Australia, approximate GPS Co-ordinates: Latitude -17 56 24 Longitude +138 49 47.Faded USAAF Insignia 41-23762little eva, 4123762, usaaf -
Whitehorse Historical Society Inc.
Equipment - Adding Machine
Built on a cast iron base the machine is designed for Sterling currency with a full-keyboard that has five decimal columns for pounds, three columns for shilling and pence, one column for the 10 and 11 pence keys and three farthing (1/4 penny) keys. The machine was imported and distributed by Chartres Pty. Ltd, Capel Court, 375-377 Collins Street MelbourneHand operated comptometer or adding machine with side handle. Sterling currency with full-keyboard with columns for Pounds Shillings and Pence'Chartres Pty Ltd/Capel Court/375-377 Collins Street Melbourne/23359'commerce, office equipment / stationery, bookkeeping -
Surrey Hills Historical Society Collection
Photograph - Digital photograph, George L Coop, Whitehorse Road Mont Albert prior to widening, 1958, c1958
The donor George Lister Coop was about 21 years of age when he took this photo in 1958 before Whitehorse Road was widened. It was taken from adjacent to the Coop family home at No.688. Greythorn Caravans factory / showroom / yard was established c1953 at 731 Whitehorse Road. F R Horwood Wrought Iron at 733 Whitehorse Road was established in the 1940s.A digital copy of a colour photograph of Whitehorse Road, Mont Albert looking towards Box Hill. The Box Hill Gasworks can be seen in the middle distance. A caravan retailer can just be seen in the foreground on the northern side of Whitehorse Road.george l coop, whitehorse road, box hill gas works, mont albert, greythorn caravans, f r horwood wrought iron -
Federation University Historical Collection
Booklet, Alfred Deakin, Three Writings by Alfred Deakin, 1905, 1905
Alfred Deakin was the first Federal Parliamentarian for Ballarat..1) 16 page printed booklet - The Professional Speech of Mr Alfred Deakin, M.P. to his Constituents held at the Alfred Hall, Ballarat on 24 June 1905. Contents of the speech was: * A coming Dissolution * Elections * Socialism V Anti-Socialism * The Barton Policy * Mr Reid's Socialism * The Limits of Social Legislation * End of the Fiscal Truce * The Liberal Policy * Protection, Preferential Trade, and Population * Private Enterprise * Questions for the Labour party * Mr Watson's "Ultimate Objectives" * The Lesson From America * The Iron Bounty * Relegation not Nationalism * Socialism and Borrowing * Cost of an Election *Genesis of the Coalition * The Tariff Commission * Preferential Trade and Iron Bonus * White Men for Defence * Australian Defence .2) Seven page booklet - Federal Situation, 13 July 1905 .3) Three page booklet - The Federal Duel, 15 July 1905alfred deakin, politics, ballarat, alfred hall, john m. barker -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: BUSY
Bendigo Advertiser '' The way we were'' from 2000. Busy: the Frank Brown Brick factory, Back Creek, circa 1900. Frank M. Brown was born in 1857. He began his working life as an apprentice pattern maker with A. Roberts & Sons, iron founders, in Wills Street, Sandhurst. He later became foreman of Horwoods Foundry in Vine Street. He formed a foundry partnership with Thomas R.J. Carter in 1887 as Carter & Brown. In 1889 he left Carter to start his own City foundry in Wattle Street. In 1892 Brown established a steam brick works opposite 208 Sheepwash Road (now Sternberg Street) which continued to operate until about 1916. In 1902 he purchased the Vine Street foundry to trade as Bendigo Iron Works. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
Kew Historical Society Inc
Photograph, J F C Farquhar, High Street, Kew, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.In 1891, High Street was the centre of commercial activity in the Borough of Kew. It was unpaved and edged with deep bluestone gutters, which were designed to channel the significant flow of storm water down the hill to and beyond the Junction. On either side of the entrance to the shopping strip are two cast iron gas lamps that provided the only public street lighting before the Post Office was reached. Most shops, including the Nicholas Brothers’ Junction Store featured cast iron verandas. Further up the hill, Dougherty’s Greyhound Hotel was by this stage a local institution. Apart from the horse-drawn tram, the main form of personal and commercial transport in this period remained the horse, horse and cart, or buggy.The panoramic view predates the widening of High Street in the 20th century, and thus includes the original alignment of buildings on the south side. These included Henry Kellett’s shop.High Street, Kewkew illustrated, kew where we live, photographic books, henry kellett, high street - kew (vic) -
Kew Historical Society Inc
Photograph - 'Otira', 73 Walpole Street, 1978
Sanderson P (1988): '73 Walpole Street (Kew), 'Otira'. Built 1887. Original use - Residence. Architect - Crouch. Henry Berry, a noted philanthropist and salt merchant of Melbourne, was the original owner of this two-storey, boom-period house. Berry occupied the residence until his death in 1923 while in February the following year, the property was auctioned. Subsequently purchased by the Methodist Church for use as a training college for missionaries, a number of additions and alterations were made at that stage including a memorial chapel that was built on the property in 1957.' Otira is now a private residence. Original colour positive photograph (polaroid) of 'Otira', 73 Walpole Street, Kew, taken in 1978 by students in Form 3R at Trinity Grammar School as part of a project. The view in the photograph is of the front of the house, minus the first floor verandah that had been removed some decades before and preceding the reinstatement of the verandah sometime after 1988. Prue Sanderson, in the City of Kew Urban Conservation Study, Vol.2 (1988) stated that: 'The house originally had a fine cast iron verandah to two facades, however despite its removal, it remains as a most preposessing structure, The small cast iron perch is not original. Overall the design is in Italianate styling and the walls are clad in render, with extremely fine incised medallions in the render at both levels. The treatment of the tripartite windows with rounded upper corners is also atypical and is repeated in the joinery of the front entrance.'"Photo one / Trinity Grammar Project 1978 / Form 3R / "Otira" Walpole St"otira - 73 walpole street, henry berry, historic houses -- kew (vic.), trinity grammar school, melbourne architects -- crouch -
Federation University Historical Collection
Book, Engineering: an illustrated weekly journal, 1884 (exact)
William Henry Maw was a British civil engineer and astronomer. He was born in 1838 and died in 1924 at eighty-five years. Maw worked as an assistant at the workshops of the Eastern Counties Railway before he became a draughtsman in the design office. He designed the first outside cylinder locomotive for use in India. In 1865 he founded the journal Engineering and continued to be an editor for the rest of his life. Maw became a consulting engineer. He was president of the Civil and Mechanical Engineers' Society, the Institution of Mechanical Engineers and the Institution of Civil Engineers. This book contains a wide range of articles and reviews related to industrial developments such as rail mill engines at the Dowlais iron works (constructed by Messrs. Kitson and Co., engineers, Leeds), cable tramway, Clay-street, San Francisco, U.S.A., road and railway bridge over the river Dnieper, at Jekaterinoslow, Russia (constructed from the designs of Professor N. Belelubsky, St. Petersburg, by the Brjonsk iron works) etc. A book with blue large hard cover. Title and publication date are written on spine in gold. Illustrations (fig., plates, plans, diagrams) in B/W. Includes collection of the engineering weekly journal vol. xxxix-from January to June 1885. This book contains a wide range of articles and reviews related to industrial developments. Page no.712.machinery, tools, engines, engineering, railroad, w h maw, rail, mill engines, cable tramway, clay street, dowlais iron works, twin screw engines, royal italian torpedo ram vessel, messrs r and, w hawthorn engineers, electro plated carriage, the tehuantepec ship railway, otis elevator -
Flagstaff Hill Maritime Museum and Village
Marble Tile, circa 1878
The artefact is a white marble tile raised from the wreck of the LOCH ARD (1878). The cargo manifest of the sunken vessel has the entry “Marble £400”. This is placed directly following the entry “Glass (604 cases)”. This conjunction suggests the marble tile was originally part of a consignment intended for use in a ‘high end’ residential or public building project in the gold and wool rich Colony of Victoria. Traditionally, white or cream marble was imported into Britain from the Mediterranean region of Europe, where beds of sedimentary limestone (calcium and magnesium carbonate) had been buried over a long geological period of time. Deep in the earth’s crust, it had been subjected to immense pressures and high temperatures, sufficient to completely re-crystallise the original deposits. Marble beds began as layers of sediment at the bottom of ancient tropical seas, forming from the skeletal remains of calcareous fossils, shell, and coral fragments. The metamorphic process of prolonged compression and heating recrystallised this skeletal material, destroying all signs of the original sedimentary fabric. The resulting ‘true’ marbles of, for example, White Carrara (Tuscany, Italy), Verdi (green) Antico (Thessaly, Greece), and Rouge (red) Languadoc (Carcassone, France), were highly prized in classical decoration (sculpture and friezes) and architecture (temples and arches). Marble was found in nineteenth century Australia, but in small, uneconomic deposits, not suitable for commercial quarrying. The comparative expense of imported marble restricted its use in colonial buildings to carved fireplaces and mantel pieces, or outdoor ornaments such as fountains, statuary and grave stones. If Carrara marble floor tiles were used, they were used sparingly, as an arresting feature in entrance halls for instance. However, most prominent private and public construction used timber flooring, waxed or ‘jappaned’, with carpet runners and rugs (for example the Austin’s Barwon Park Mansion, 1871), or laid tessellated and ceramic tiles of baked clay infused with colour (for example the Chirnside’s Werribee Park Mansion, 1878). HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. The wreck of the LOCH ARD is of State significance — Victorian Heritage Register S417 Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. A square marble tile retrieved from the wreck of the LOCH ARD. Most of its surface is covered by a thin layer of limestone and marine growth encrustation that is stained rust-red. There is a piece of corroded iron encrusted at an oblique angle on the tile’s rear face. The tile is ‘rough-worked’, cut to shape and size, but not smoothed or polished. There is a companion tile in similar condition in the Flagstaff Hill collection. From visual observation of the original surface (at low magnification) the tile appears to be of white Carrara-type marble.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, white marble, marble tile, carrara marble, colonial architecture, victorian building materials -
Churchill Island Heritage Farm
Machine - Grain hopper/grinder
This grinder is attached to the Sundial stationary engine by a leather belt. The grinder would have been used to grind grain for flour and by adjustment for animal and poultry feed. The hopper is constructed of wood but the grinding mechanism below is marked J. Buncle, Iron Works, N. Melbourne. John Buncle (1822 – 1889) was born in Edinburgh and completed an apprenticeship in engineering and piano making. He worked with firms designing steam engines and locomotives and in 1846 was working in the Vulcan foundry when he married Mary Ann Binns, the daughter of his employer. They had eleven children of whom eight survived infancy. The family arrived in Melbourne in 1852 at the height of the gold rush and he was immediately employed at Langlands foundry. Melbourne had an acute shortage of skilled tradesmen so after six months he started his own business using his various talents. As the gold rush subsided, he settled in to engineering and contracting and among other things, supplied the iron work for the Johnston Street bridge over the Yarra River. Gradually he turned to the design and manufacture of agricultural machinery and tools with which his name is chiefly associated. With his iron works in North Melbourne he was held in high esteem by his contemporaries, becoming the President of the Chamber of Manufacturers and serving two terms as Mayor of the Municipality of Hotham. He wrote Experiences of a Victorian Manufacturer with amusing anecdotes of conditions in early Melbourne. The company became J.Buncle & Son and finally in 1952, John Buncle-Commando Ltd. It finally went into liquidation in February 1957. Yellow wooden hopper on black grinder with blue parts mounted on green stand. Attached by belt drive to Sundial enginefarm machinery, grain grinder, hopper, machine driven, churchill island -
Phillip Island and District Historical Society Inc.
Photograph, circa 1900
Section of home frontage, single storey brick building. Elaborately decorated verandah roofing with lace wrought iron. Corrugated section painted in grey and white stripes. Mosaic style flooring of verandah in front of and to sides of lace curtained windows. Four figures of family, mother seated, son standing with hands on back of chair. Two daughters one standing and one kneeling in front.Partial exterior of family on verandah of home.local history, photography, photographs, slides, film, houses, black & white photograph, miss elms san remo -
Friends of the Cerberus Inc
Sea-Cell Pamphlet, Henry Moors, On the Sea-Cell as a Possible Source of Danger in Torpedo Experiments, 1881
The Sea-Cell pamphlet was written by Captain Henry Moors of the Land Forces Signal & Torpedo Corps. In the pamphlet Captain Moors investigates the theory that the zinc case of the torpedo, the iron hull of Cerberus and the sea water combined to form a sea-cell. (battery) Captain Moors investigates whether this sea-cell could have resulted in a current being produced that was strong enough to detonate the torpedo.Eleven page pamphlet measuring 137 mm x 215 mm exploring the possibility that the Cerberus torpedo accident was caused by a Sea-Cell effect.sea-cell torpedo -
Orbost & District Historical Society
ticket, 1880's
The Potosi was built in Scotland in 1873 by John Elder and Co.It was a cargo/passenger iron screw steamer and sailed from 1880-1887 under the Orient Line Australia service. Samuel James Lynn was born in 1865 in Coleraine, Northern Ireland. Sam left his home in Coleraine in 1883 at the age of 17. (More information in O.D.H.S. newsletter No. 91 September, 2012 by Margaret Hollands) Samuel Lynn was a well-known Orbost pioneer. Ho owned much property throughout the district , bred Clydesdale horses and fattened about 600 cattle. He was in great demand as a judge of both cattle and horses at agricultural shows in Victoria and interstate. He was a shire councillor for 30 years and president several times. He took a great interest in the sporting clubs of the town and played cricket until late in life. He was goal umpire for the local football team for many years, judged for the Orbost Racing Club and was the first president of the Orbost Bowls Club. He was also a member of the first municipal band. A paper passenger's contract ticket for Samuel Lynn on the Steam Ship Potosi from Royal Albert Dock, Liverpool, United Kingdom to Melbourne, Australia. It is white with black print and hand-written details.front - signed "Samuel Lynn"lynn-samuel potosi-steamship -
Churchill Island Heritage Farm
Tool - wooden mallet
This mallet has a cylindrical head and would have been used to guide chisels for woodworking. The hammer end has a larger surface area than oblong mallets and gives greater control with less force. Wooden mallets don’t damage the metal head of the chisel as would an iron hammer. Wooden mallets would also be used to knock timber furniture together without damage.Wooden mallet with turned grooves around head - 2 double and 1 single. Oak handle. Head has cream paint remnants both sides.mallet, hand tools, wooden tools, churchill island -
Ballarat Tramway Museum
Postcard, R.E.M Series Melbourne, "Shoppee Square Sturt Street Ballarat", c1915
Photograph - looking east along Sturt Street between Doveton and Armstrong Streets, shows an ESCo tram eastbound. On the right is the Shoppee Square "market" place with awnings open. Wal Jack's note: "Part of the old type trams on the "up" track or north side of Sturt St from Doveton St. Date about 1914-16 period. Iron railings have long disappeared"Yields information about the streetscape of Sturt St and Lydiard Streets c1915.Postcard black and white, divided back, used, REM SeriesSee image 2 for Wal Jack's notes on the image. tramways, trams, esco, sturt st, shoppee's square -
Queenscliffe Maritime Museum
Functional object - Anchor, stock, modern
The Improved Martin-Adelphi Anchor. The introduction of cast steel in 1894 led to the improved Martin-Adelphi pattern, in which the crown and arms are cast in one, and, with the stock, are made of cast steel, the shank remaining of forged iron. A projection in the crown works in a recess (right image), and is secured in its place by a forged steel pin, fitted with a nut and washer, which passes through the crown and the heel of the shank.Stock-anchor - improved Martins patent, Adelphi pattern improved Martins patent anchor, Adelphi pattern -
Melbourne Tram Museum
Document - Notice, Melbourne & Metropolitan Tramways Board (MMTB), "Ferodo brake shoes", 1/1968
Document - "Ferodo brake shoes" - dated 26/1/1968 advising that as of 29/1/1968 a start will be made to fitting non-metallic (Ferodo) brake shoes to wide-body trams at Malvern Depot. Notes that Preston and North Fitzroy Trams have had them fitted since 4/1967. Provides information about their characteristics and changeover as cast iron shoes wear out.Yields information about the timing of the fitting of a different type of brake shoe on trams that were a lot more effective than cast iron and their background history.Document - single foolscap sheet with two punched holes on left side.tramways, trams, ferodo brakes shoes, brakes, malvern depot -
Warrnambool and District Historical Society Inc.
Booklet, Emmanuel College Warrnambool: celebrating 25 years 1991-2016, 2016
Emmanuel College is the result of the amalgamation of St Ann's girls' college and Christian Brothers' College boys' school in 1991. Mother Philomene Maguire arrived in Warrnambool and commenced a Convent of Mercy and school with the consent of the then Bishop of Victoria, Bishop Goold. The school opened in Wyton House in Botanic Road. Brother Egan arrived in 1902 and set up a Brothers' group and school and 104 boys enrolled. Since its inception in 1991 Emmanuel College provides a broad education for students to Year 12 level. A number of students have achieved a high profile in the community, including footballer Jonathan Brown, television personality Dave Hughes, educatior Professor Colin Ferguson, musician Shane Howard, Olympic cyclist Michelle Ferris.This booklet briefly documents the history of Emmanuel College and its predecessors St Ann's and CBC and includes a list of their more prominent and well-known 'inspiring alumni'. It provides research information and window on a period of socialA4 size full colour booklet with a photograph of a white building with light brown trim and red iron roof and arched windows; four senior students (two boys and two girls) wearing school uniform are standing in the foreground. Their blazers feature the school logo. Title is white print in a red box and a sub-title at the bottom right hand side is in red print. 15 pages25 YEARS/Emmanuel College/1991-2016 Emmanuel College/Warrnambool/Celebrating 25 years/1991-2016 Built on tradition, Educating for the future.emmanuel college, convent of mercy, bishop goold, catholic schools, wyton house, brother egan, st ann's college, christian brothers college warrnambool, education, education in the warrnambool area, boyce, rosalie, ferris, michelle, gorman, lisa, howard, shane, keilar, brendan, o'dwyer, dr barry, ryan, kathryn, brown, jonathan, atkinson, david oam, coghlan, gorgi, earls, judith, o'shea, br frank, ryan, dr kevin, houlihan, sr natalie, hughes, dave, ferguson, prof colin, howard, sr adele, ryan, shaun, smith, karan, lanigan, sgt sean, melican, felicity, turner, michael, green, danielle mp, holland, nicki, o'keefe, marcia oam, o'toole, melanie, harrington, clayton, gallagher, br don, gleeson, dr laurence, gleeson, trevor, houlihan, patrick, mugavin, fr patrick -
Waverley RSL Sub Branch
Badge Board
Badge Board shows Badges of Units from WWIBadge Board with mounted badges: Volunteer Cadets,Unknown,R.A.A.F. Service Medal 39-45,Melbourne Grammar,General Service Medal 18-62 with Malaya bar,Highland belt buckle,8th Light Horse,Pioneers, Victory Medal 14-18,St. Bernards College Cadet Badge, 26th Light Horse, R.S.L. badge,Iron Cross, ?German Service Medalh15cm w20cmmedal, badge -
Phillip Island and District Historical Society Inc.
Photograph, 1960's
Donated by N.M. & J.D. Archibald, 1973 April.Black & White Photograph. Chicory Kiln. Kingston Gardens. Mr. V. Johnston. Built for Mr. de la Haye. Very early bricks. Thought to be from McHaffie Homestead and later from Innishowen. These bricks could have been originally from Corinella Settlement. Walls also show pieces of local rock, iron piping, bedsteads etc. Chicory Kiln Album.local history, photography, photographs, agriculture buildings, historic, chicory kiln, chicory industry, kingston gardens, v johnston, n & j archibald -
Glenelg Shire Council Cultural Collection
Photograph - Sheet of 2 black and white contact prints from glass plate negatives, 1960-1970
Sheet of 2 black and white contact prints from glass plate negatives. Measurements are 11.8 x 16.1 cm for both prints. Top: Image of stone house with shingle roof and stone chimneys. Veranda with iron support poles and lacework. Vines growing up poles. (same house as 5622) Front view. Bottom: Man on horse. Cypress pines, wooden fence behind. -
Kiewa Valley Historical Society
Saucepan, circa mid to late 1900's
This large deep pan (with a long handle) was used by pioneer families, mainly rural folk, that needed a pan which could cope with an open fire heat source, in or mainly outside the homestead. This pan was used in the early to late 1900's for the "stews" and other meals required by hard working stock men and farmers that had irregular "lunch and dinner" breaks under sometimes hard and gruelling conditions. Hot plates were normally not in use.This "open fire" saucepan belonged, and was used by a Kiewa Valley, pioneer family, the Roper Family. This saucepan was moved from their Kiewa Valley property to their hut built on the Bogong High Plains. This saucepan was one of an array of "open fire" cooking utensils used in the "camp draft" grazing in the Bogong High Plains and this could take up to six weeks. This kettle belonged and was used by a Kiewa Valley, pioneer family, the Roper Family. This kettle was moved from their Kiewa Valley property to their hut built on the Bogong High Plains. A scientific study started in 1947 to study the impact of grazing cattle on the natural Alpine and sub Alpine vegetation found grazing cattle had an adverse affect on the natural Alpine and sub alpine vegetation, and grazing on the plains was stopped by the Victorian Government in 2005.This large (black, soot infused) cast iron saucepan has a "ten pint" holding capacity and was used on the "open fire", possible on the fire direct. It has a long all metal handle coming from the top half of the pot and angled at approximately sixty degrees upwards. This angle insures that both distance from flame intensity and least bending of knees when lifting is at a minimum.On bottom of pan (underside) "N0. 8 JSJ SIDDONS" on the other side "WEST BROMWICH 5 QUARTS"camp fire cooking utensils, hot plate, cast iron cooking appliance, drovers kitchen -
Glen Eira Historical Society
Photograph, Dalny Road, 23, Murrumbeena, 2001
Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of a cream rendered brick house with unpainted decorative variegated brown brick features including on the porch and chimney. Other features include tiled roof, sash windows, concrete path, garden pots, established garden and a low unpainted lighter variegated brown brick fence in the foreground with '23' on the left hand pillar beside the black cast iron work gate. 23murrumbeena, houses, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, dalny road, porches, brick features, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, chimneys, sash windows, brick fences, cast iron work gates, rendered houses -
Bendigo Historical Society Inc.
Tool - MCCOLL,RANKIN,STANISTREET COLLECTION: COMPANY SEAL
Collection,McColl,Rankin,Stanistreet. Cast iron hand press company seal for the South Nell Gwynne Gold Mining Company, used to seal all official documents pertaining to the South Nell Gwynne Gold Mining Company. Black enamelled body and handle with brass seal, painted in white South Nell Gwynne Gold Mining Co. N.L & on other side S.NG.commerce, office equipment, company seal -
Bendigo Historical Society Inc.
Document - VICTORIA HILL - ADDITIONAL SIGNS IN & AROUND RAE'S OPEN-CUT
Carbon copy and notes for signs. Notes read: Additional Signs In and Around Rae's Open-Cut 18/6/71. (1) Graded Bedding - Note regular alternation of thin sandstones and shale. (2) Oblique Fault - Iron Oxide & thin quartz vein on fault plane. (3) Spurry Quartz Veins - note faulted contact between largest vein and crushed slates.document, victoria hill, victoria hill - additional signs in and around rae's open-cut, graded bedding, oblique fault, spurry quartz veins -
Bendigo Historical Society Inc.
Photograph - ARBLASTERS POWDER FACTORY
Three black and white photos mounted on buff cardboard. Photos depict remains of wall of the Arblaster's Powder Factory with three men inspecting site, thickness of wall 3 ft., and Arblaster's home in Arblaster St., Eaglehawk. House is miner's cottage, with lace iron work on verandah, white post and rail fence outside. Photos taken by unknown person, however, could be Albert Richardson ?business, mining, arblaster's powder factory, arblaster's powder factory, arblaster, explosives, eaglehawk, bendigo, mining -
Bendigo Historical Society Inc.
Photograph - T C WATTS & SON COLLECTION: 158 WILLIAMSON STREET, BENDIGO, 1930
Black and white photograph mounted on rectangular grey board. House, weatherboard and rough cast, corrugated iron roof, porch with roughcast balustrade and pillars, 1 chimney, picket fence with capping board, garage at back on left hand side. Scalloped pattern on front gable with vent. On back of photo: Morrison, Williamson Street, sewered £1450'. 2012 photo of house attached to record.Frank A. Jeffree, Bendigo?bendigo, business, t c watts and son, stamped on back ''t.c. watts and son'' stamped on back in circle ''royal historical society of victoria, bendigo branch''