Buninyong owes its existence to the Learmonth brothers and surrounding stations. Timber for fencing and building was followed by a number of industries including the discovery of the famous Ballarat goldfields. Buninyong people have fostered and maintained a range of social, sporting and philanthropic activites.An illustrated history of Buninyong. M.W. Thorpe. Mary Akers. Buninyong (Vic); Buninyong & District Historical Society; 1982. 64 p.; illus, maps. Soft cover. ISBN 0 959 3044 0 1buninyong; m.w. thorpe; mary akers; history; mount buninyong; gold; settlers;

First part of house transported to Carpenter Street, from the flats behind Sale Cemetery by Dr Fitzpatrick as holiday home 1950's. Additions built by Dr Fitzpatrick who shaped timber with tomahawk as he couldn't use a saw.Colour photograph of a triple gabled weatherboard dwelling with veranda on two sides with one end enclosed. Plain veranda posts and brackets. Pretty cottage garden. Situated at 53 Carpenter Street, Lakes Entrance, Victoria.vegetation, houses, heritage study

A large gum tree, which was growing ing the Village Green was shedding its branches and as it was growing in a public area and in front of a kindergarten the tree was felled as it was dying. St. Andrew's Kindergarten recycled the timber to make playground equipment and furniture in the garden.A print of a coloured digital photograph of the base of a large tree that has been felled. Part of the trunk can be seen in the top RH corner.sunbury village green, st. andrew's kindergarten, gum trees

Metal branding hammers were the most common way to control the sale and movement of hardwood timber produce like logs, railway sleepers, fence posts, and poles from Victorian State forests. Royalty was also paid on this basis. The hammer has a crown stamp on one end with a unique number in the middle (453) which identified its owner, and a crows foot or broad arrow on the other. The broad arrow was a symbol traditionally used in Britain and its colonies to mark government property. Forest regulations state that an authorised officer may use the crown mark to identify produce which has been sold and may be removed from the forest, whereas the broad arrow can be used to brand and mark trees which are not to be felled, or to indicate forest produce which has been seized. Hammers were traditionally only ever issued to forest officers and were an important, and closely guarded tool-of-trade. They were not transferred between staff and lending hammers was not permitted. But it was an onerous task for staff to hammer and tally hundreds of logs, or thousands of fence posts each week, so in about 1990 a system was introduced whereby hammers were allocated to logging contractors to grade logs and tally them instead. But there was still spot checking by authorised officers. A register was kept, and contractors paid a substantial deposit to make sure they didn't lose them, but they occasionally turn up by fossickers with metal detectors. While branding hammers are still used in some smaller locations, plastic tags and barcodes are now more common.Metal log branding hammer with a crown stamp on one end with a unique number (453) in the middle which identified its owner, and a crows foot or broad arrow on the other. The unusual bent metal handle was designed to protect user from banging their fingers on the log. It was also fitted with a rubber hand grip. Most FCV branding hammers were issued with wooden handles. The branding hammer 453 was initially issued to Wally Cowell at Beechworth. It was reissued to Jim Browning upon Wally’s retirement The hammer still had a wooden handle, but the it broke and became loose inside hammer head. Russel Pritchard from the Beechworth Depot replaced the handle with a new metal one and put a dog leg in it It mainly branded forest produce cut in Mt. Pilot and Reedy Creek areas. The main logging contractors were Gordon Habeck from Chiltern and Steven Goldsworthy from BeechworthCrown mark one end (453) and Crows foot other endforest harvesting, forests commission victoria (fcv)

The artefact is the lower portion of a rectangular shanked ‘planking nail’ with a straight-edged ‘flat point’. The distinctive ‘point’ of a planking/skirting nail was designed to be driven into timber across the grain in order to prevent the wood from splitting. This relic is from the shipwreck of the SCHOMBERG, which ran aground near Peterborough in 1855. It was retrieved in 1875 from a large section of the ship’s bow which had been carried by ocean currents to the western coast of New Zealand’s South Island. The nail is still fixed in a fragment of the original timber that it secured in the SCHOMBERG. The top portion, or ‘head’ of the nail, has corroded away but the pronounced rectangular shank and its flat point indicate its likely purpose and position on the vessel. Most fastenings used in sailing ship construction were either wooden treenails or copper bolts, which were relatively resistant to seawater corrosion. In addition, the preferred hull-frame timber of British Oak has a high content of gallic acid which rapidly corrodes unprotected iron work. The ferrous composition of this planking nail suggests it came from an internal and upper portion of the ship’s bow (protected from exposure to the sea or oak). According to an 1855 edition of the Aberdeen Journal, the five outer layers, or ‘skins’, of the SCHOMBERG’s pine hull were “combined by means of patent screw treenails”. However the “beams of her two upper decks” were of “malleable iron”, and “part of the forecastle” was “fitted for the accommodation of the crew”. It is therefore possible that iron nails of this description were used by the ship’s builders to secure floor and wall planks in enclosed areas of the crew’s quarters. (The same reasoning would apply to officer and passenger accommodation amidships and at the stern of the vessel, but it was the bow that floated to New.Zealand.) The SCHOMBERG was a 2,000 ton clipper ship, specifically designed for the Australian immigration trade (back-loading wool for Britain’s mills), and constructed in Hall’s shipyard in Aberdeen, Scotland. She was owned by the Black Ball Line and launched in 1855. Alexander Hall & Son were renowned builders of sleek and fast 1,000 ton clippers for the China trade (opium in, tea out) and were keen to show they could also outclass the big North American ships built by Donald Mackay. Consequently the SCHOMBERG was ‘overbuilt’. Her hull featured five ‘skins’ of Scotch Larch and Pitch Pine overlaying each other in a diagonal pattern against a stout frame of British Oak. Oak has been favoured by builders of wooden ships for centuries. Its close, dense grain made it harder to work, but also gave it great strength and durability. In addition, the lateral spread of its branches supplied a natural curvature for the ribs of a vessel’s hull, as well as providing the small corner or curved pieces (‘knees’ and ‘elbows’) that fit them together. At the launch the SCHOMBERG’s 34 year old master, Captain ‘Bully’ Forbes, had promised Melbourne in 60 days, "with or without the help of God." James Nicol Forbes was born in Aberdeen in 1821 and rose to fame with his record-breaking voyages on the famous Black Ball Line ships; MARCO POLO and LIGHTNING. In 1852 in the MARCO POLO he made the record passage from London to Melbourne in 68 days. There were 53 deaths on the voyage but the great news was of the record passage by the master. In 1954 Captain Forbes took the clipper LIGHTNING to Melbourne in 76 days and back in 63 days, this was never beaten by a sailing ship. He often drove his crew and ship to breaking point to beat his own records. He cared little for the comfort of the passengers. On this, the SCHOMBERG’s maiden voyage, he was going to break records. SCHOMBERG departed Liverpool on her maiden voyage on 6 October 1855 flying the sign “Sixty Days to Melbourne”. She departed with 430 passengers and 3000 tons cargo including iron rails and equipment intended to build the Melbourne to Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. She also carried a cow for fresh milk, pens for fowls and pigs, 90,000 gallons of water for washing and drinking. It also carried 17,000 letters and 31,800 newspapers. The ship and cargo was insured for $300,000, a fortune for the time. The winds were poor as she sailed across the equator, slowing SCHOMBERG’s journey considerably. Land was first sighted on Christmas Day, at Cape Bridgewater near Portland, and Captain Forbes followed the coastline towards Melbourne. Forbes was said to be playing cards when called by the Third Mate Henry Keen, who reported land about 3 miles off, Due in large part to the captain's regarding a card game as more important than his ship, it eventually ran aground on a sand spit near Curdie's Inlet (about 56 km west of Cape Otway) on 26 December 1855, 78 days after leaving Liverpool. The sand spit and the currents were not marked on Forbes’s map. Overnight, the crew launched a lifeboat to find a safe place to land the ship’s passengers. The scouting party returned to SCHOMBERG and advised Forbes that it was best to wait until morning because the rough seas could easily overturn the small lifeboats. The ship’s Chief Officer spotted SS QUEEN at dawn and signalled the steamer. The master of the SS QUEEN approached the stranded vessel and all of SCHOMBERG’s passengers and crew were able to disembark safely. The SCHOMBERG was lost and with her, Forbes’ reputation. The Black Ball Line’s Melbourne agent sent a steamer to retrieve the passengers’ baggage from the SCHOMBERG. Other steamers helped unload her cargo until the weather changed and prevented the salvage teams from accessing the ship. Later one plunderer found a case of Wellington boots, but alas, all were for the left foot! Local merchants Manifold & Bostock bought the wreck and cargo, but did not attempt to salvage the cargo still on board the ship. They eventually sold it on to a Melbourne businessman and two seafarers. In 1864 after two of the men drowned when they tried to reach SCHOMBERG, salvage efforts were abandoned. Parts of the SCHOMBERG were washed ashore on the south island of New Zealand in 1870, nearly 15 years after the wreck. The wreck now lies in almost 9 metres of water. Although the woodwork is mostly disintegrated the shape of the ship can still be seen due to the remaining railway irons, girders and the ship’s frame. A variety of goods and materials can be seen scattered about nearby. Flagstaff Hill holds many items salvaged from the SCHOMBERG including a ciborium (in which a diamond ring was concealed), communion set, ship fittings and equipment, personal effects, a lithograph, tickets and photograph from the SCHOMBERG. One of the SCHOMBERG bells is in the Warrnambool Library. This nail is a registered artefact from the wreck of the SCHOMBERG, Artefact Reg No S/35 and is significant because of its association with the SCHOMBERG. The SCHOMBERG collection as a whole is of historical and archaeological significance at a State level, listed on the Victorian Heritage Register VHR S612. Flagstaff Hill’s collection of artefacts from the SCHOMBERG is significant for its association with the Victorian Heritage Registered shipwreck. The collection is primarily significant because of the relationship between the objects, as together they have a high potential to interpret the story of the SCHOMBERG. The SCHOMBERG collection is archaeologically significant as the remains of an international passenger ship. The shipwreck collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the shipwreck and the ship, which was designed to be fastest and most luxurious of its day. The SCHOMBERG collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. The object is the bottom end of a slightly curved iron planking nail with remnant of timber still attached, recovered from the wreck of the SCHOMBERG (1855). The shank of the nail is rectangular and it narrows to a flat (chisel like) ‘point’. The ‘head’ is missing although there is a quantity of dark red corrosion within the top of the surrounding wood, suggesting where it might have been. The artefact is from the wreck of the SCHOMBERG (1855) and was retrieved from part of the ship’s bow which was carried by sea currents to the South Island of New Zealand. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, planking nail, rectangular ship’s nail, cast iron nail

Contents: • Next meeting, guest speaker; Jim Connor: The Edendale Story • The Edendale Story • 2013 Program • Some reflections on Past Society Excursions • Steel Supports Timber Bridge by Harry Gilham • The Research Horse Trough • Annual General Meeting The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society

Used by station staff on the Bairnsdale to Orbost railway line which closed in 1987. The Bairnsdale-Orbost railway was opened in 1916 to serve the agricultural and timber industry. Because of the decline in traffic and heavy operating costs, the line was finally closed in August, 1987.This item is associated with the history of the Orbost-Bairnsdale railway line and therefore reflects the role that the rail line played in the social and economic history of Orbost.Three stamps used by Victorian Railways, for WAYGARA, BRUTHEN, and ORBOST stations. All stamps have black painted handles. The stamp is made of rubber and the handles are wood.WAYGARA BRUTHEN ORBOSTrailway-stamp railway-history orbost-railway-line

The Blacksmith's shop or 'Smithy' was erected from timbers found in a paddock in the Dandenong Ranges by Mr George Cox which were transported to the Cottage site and re-erected in 1970 on a part of the site where remains of a previous building had been found.Coloured photo of Blacksmith's Shedblacksmith, smithy, schwerkolt cottage

The Blacksmith's shop or 'Smithy' was erected from timbers found in a paddock in the Dandenong Ranges by Mr George Cox which were transported to the Cottage site and re-erected in 1970 on a part of the site where remains of a previous building had been found.Black and white photo of Smokehouse and Smithy at Schwerkolt Cottageschwerkolt cottage, smokehouse, smithy, blacksmith forge

The Blacksmith's shop or 'Smithy' was erected from timbers found in a paddock in the Dandenong Ranges by Mr George Cox which were transported to the Cottage site and re-erected in 1970 on a part of the site where remains of a previous building had been found.Black and white photo of Blacksmith's shop at Schwerkolt Cottageschwerkolt cottage, smithy, blacksmith's

This photograph shows the main road near Bellbird, East Gippsland, in 1924. This road would have been the Princes Highway, a main thoroughfare through to New South Wales. Bellbird Creek is a small rural location between Orbost and Cann River. There was no township at Cabbage Tree at this time. The Cabbage Tree Creek township was established to support the booming timber industry of the mid 20th century. Five timber mills worked full time supporting the families that were drawn to the area's wealth of natural resources. Nestled on the banks of the Cabbage Tree Creek, the township was built by those mills to house their workers. Today although the timber mills have disappeared, some of the buildings still remain. Little now remains to remind of the saw-milling history apart from photographs and some relics - a boiler and a brick furnace. There was also a thriving agricultural community farming dairy, beef, seed beans and fresh peas and beans that were sent to the Victoria Market in Melbourne. Dairy farming still plays an essential role in the township. this is a pictorial record of the Princes Highway, the main road from East Gippsland to the New South Wales border.A large black / white photograph of a very wet and boggy bush road.on front - "Main Rd near Bellbird 1924"road princes-highway bellbird-creek-1924

This fine wooden building is located in Browning Street, Orbost and is now (2022) used as the St Andrews Uniting Church Hall. It has a supper room and toilets attached and is a hall that has been used for many community purposes including a Flower Show, exhibitions, concerts, Sunday School, and Harvest Festival etc. In1977, the Orbost Presbyterian Church became the Orbost Uniting Church and the old church became a hall when a new church was built nearby. an excellent photograph of this building which shows the original fence A b/w photograph of a building which is a church with the entrance to the front of the picture. A fence made partly of post and rail, and of white picket in the front of the photo. Some trees in the background. No people can be seen. On back of this photo: 'The first Presbyterian services were held by Rev. Charles Atwood in 1885. He held services in the Mechanics Institute for 5 years. The Presbyterian Church was opened on 9th January 1898. Timber was cut at Richardson's Tabbara mill. Mr R P Cameron built the Church.'presbyterian church, orbost

The Melbourne cable tramway system operated between 1885 and 1940.Former Melbourne cable tram bell used for fortnightly and annual meetings of Ringwood Apex Club, mounted on timber base with metal shields showing presidents for each year from 1966 to 2003. Ringwood Apex Club closed in 2003-04.This dinner gong, formerly a Melbourne cable tram bell, was donated by inaugural secretary Wal Hodgson 21.10.67. President shields - Martin Verhoeven 1966-68, Colin Steel 1968-69, Neville Fuller 1969-70, John Ritchie 1970-71, Allan Penman 1971-72, Graeme Kruse 1972-73, Graeme Bathie 1973-74, Terry Amos 1974-75, Richard Baxter 1975-76, Noel Stokes 1976-77, Neville Burns 1977-78, Wayne Barlow 1978-79, David Collyer 1979-80, Don McKinnon 1980-81, Ken Rice 1981-82, Vic Beesley 1982-83, Geoff Bonsall 1983-84, Peter Phillips 1984-85, John McGowan 1985-86, Harry Bell 1986-87, Ross Barry 1987-88, Steve McMahon 1988-89, Peter Hookey 1989-90, Philip Pomaroff 1990-91, Keith Walker 1991-92, Greg Cowan 1992-93, Peter Watts 1993-94, Bernard Klewer 1994-95, Mark Burton 1995-96, Colin Robertson 1996-97, Stuart Gay 1997-98, Barry Williams 1998-99, Tom Jackson 1999-2000, Trevor Hallum 2000-01, Ashley Crow 2001-02, Trevor Hallum 2002-03, Michael Pumpa 2003-04.

03039 PC Main street Yarra Junction. Team of horses pulling sawn timber on log bogies along the wooden Gilderoy tramline. Upper Yarra Shire 1888-1988 Centenary collection. Black & white Negative, scanned at 600 dpimain st yarra junction station masters house gilderoy tramway

The Grinton Collection. “Palais due Trocadero"- built on the hill of Chjaillot, across the Seine from the Eiffel tower, Paris , France. Demolished in 1937. RRefer Cat No 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper, depicting a large building (palace/exhibition space) with formal garden area, river, river wall and bridge in foreground. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 3: Trip of Lifetime". "A. Palais due Trocadero". framed accessories, camera on the somme, 38th bn, ww1, grinton, buildings

The Grinton Collection. 38th Bn Officers and Sergeants in Le Harve France. Identified so far. 1st of left, Sgt Fred Lehman MM, 3rd from left, Sgt Coffey. Refer Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper - Depicting seven soldiers in uniform standing on a foot path/terrace with balustrade in background and to left buildings and to right, water. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 3: Trip of a Lifetime" "F. 38th Battalion soldiers - Le Havre".framed accessories, camera on the somme, ww1, 38th bn, grinton, le havre

The Grinton Collection. The Soldier is Sergeant Major William John Durward No 262 38th Bn. Refer - Cat No 1280 for Jack Grintons service details. Photograph framed. Photograph - black and white photograph on paper depicting an informal full length portrait of a soldier with his hand resting on a chair back. Background - building wall. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 4: Portraiture and Remembrance". "F. Company Sergeant Major William John Durward". framed accessories, camera on the somme, ww1, 38th bn, grinton, william john durward

This clock was placed originally in what was called the "Billiard Room" of the Soldiers Memorial Institute Bendigo. There is no apparent connection to the RSL or Military service of F. Prescott. Frederick Napoli Prescott was a prominent Bendigo Optician and Jeweller at the corner of Mitchell and Hargreaves Street Bendigo. He was later in partnership with Mr C.M. Dawe trading as Prescott & Dawe. Mr Prescott died in 1913. After the renovations to the SMI 2016 - 18 this clock was placed in what is now called the "Building and RSL History Room"Pendulum wall clock timber frame with door on front, door has glass inset, each side has a glass inset, clock numbered 1 - 12, wind up key is inside, a small silver plaque is on the bottom front face.On clock face, "Prescott & Dawe". On plaque, " Presented by Mrs F Prescott in memory of F Prescott"brsl, smirsl, domestic

The Grinton Collection. Photo taken on leave in Scotland. JACK GRINTON. Refer Cat No. 1280 for his service history. "M. Bert with two family friends" "BERT GRINTON No. 5024". 38th Bn. Refer Cat No. 1320P for his Service history.Photograph - framed. Photograph - black and white photograph on paper depicts a family group of two women and one man (Bert Grinton) standing together in the corner of a brick building. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 3: Trip of a Lifetime" "M. Bert with two family friends". framed accessories, camera on the somme, ww1, 38th bn, grinton.

Oval framed photograph of a WW1 soldier - Possibly "DALZIEL" Photograph - in colour, half length portrait of a soldier in WW1 uniform - khaki colour. Frame - oval shaped, timber, moulded edge, gold and red colour, painted finish. Glass front.photography-photographs, frame accessories, history, army, ww1

HMAT Port Lincoln. Framed Photograph, Photograph - black and white copy of HMAT Port Lincoln. Frame - timber with decorative edge. Brown colour stain, glass front. Mount - dark grey cardboard with light brown cardboard inner mount.Below photograph - hand written, black ink "J.E. BARNES/ PHOTO/ KEW" "- H.M.A.T. LINCOLN - 20.10.16" Left corner of glass - typewritten label. "Donated by/ Mr L. Watts" photography - photographs, frame accessories, military history - navy

In 1869, the Warrnambool Meat Preserving Company commenced their business on the site, where it operated until 1875 when it was sold to the directors of the Warrnambool Woollen Mill Company. After being destroyed by fire in 1882 it wasn’t until 1910 that the Warrnambool Chamber of Commerce was approached by Marcus Saltau and Peter McGennan to invest in a new mill. The original directors were James Dickson, P J McGennan, Robert Swinton, M Saltau, and J W Younger. In 1955 the Warrnambool Woollen Mill formed a partnership with the Wangaratta Woollen Mills. Dunlop bought the mill in 1968. From that time until its closure in 2000 it had a number of different owners, the last being the Smith Family Industries. The Mill site holds significance for Warrnambool as the site was one of the earliest industries established in the town. The Warrnambool Woollen Mill operated for close to 100 years and in that time forged a strong link with the people of Warrnambool. Its product held a significant position in the marketplace.Colour photograph of the Warrnambool Woollen Mill and surrounding area including carparks. The Merri River crosses from lower left to mid right. Aspect is looking easterly. Photo glued to white card mount with text in black underneath. Timber frameWarrnambool Woollen Mill A division of Dunlop Olympic Limited. Manufacturers of Warrnambool/Dreamspun blankets, rugs and fabrics. Registered office South Warrnambool, Victoria. 3280. Australia. P.O. Box 484 Telephone (055)624166. Telex 55820 warrnambool, warrnambool woollen mill, woollen mill, dunlop olympic, marcus saltau, p j mcgennan, james dickson, robert swinton, j w younger, dreamspun

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of two men dressed in suits, one light and the other dark. They are standing outside the front door, on the verandah of a timber house with ornate scroll work at the top of the posts supporting the verandah roof. The man on the right is Frank Wright.frank wright, conductor, timber house

Bendigo Advertiser ''The way we were'' from Monday, September 24, 2001. All aboard: Jack Barker, a timber merchant in High Street, Bendigo, 1938, photographed with his staff. The company later moved to Bridge Street. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Document, Hume & Iser Pty. Ltd.,Timber , Hardware and Iron Merchants Charleston St Bendigo Hardware store 67 Pall mall Invoice (dated 28.2.1970) and Receipt (dated 21.3.1970) for Mr. M.L.King.143 Olinda Street, Bendigo,3550.document, hume & iser

Black and white postcard, showing Baths in Upper Reserve, Bendigo. Image shows three separate pools, divided with timber walkways. In background, bathing sheds, lights suspended over pools. On back of card ' Valentine's Post Card , genuine photograph'Valentine's Post Cardbendigo, hospital, bendigo, baths, upper reserve, pool, sport, swimming

Colour photographic print in tan timber frame and musk coloured mat. Photograph depicts two field artillary weapons set up surrounded by sandbag perimeter.Personnel working on one of the guns. Background is bush, and a shelter with metal roof to left of picture.My Vietnam Collection Waiting for orders -105 Field Battery. Vietnam 1969 Copyright Jed Robinson.Gift Horse Gallery - Original works by local & interstate artists and crafts people.photograph, 105 field battery