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Plutarch Project
Boy's soccer shorts
The full costume was worn by players belonging to the Thessaloniki Association "The White Tower" taking part in outdoor and indoor soccer matches organised by the Association as part of the annual "Dimitria" celebrations called DIMITRIA CUP, starting from 1997 and beyond. It is not know exactly when was the last time the tournament was held. Historical significance for the purposes it was used by Thessaloniki Association "The White Tower", in tournaments, indoor and outdoor soccer competitions at the DIMITRIA CUP, which was done through co-operation of Thessaloniki Association and Pan-Macedonian AssociationNavy blue polyester soccer shorts with white string around waist and side inscription. Part "B" of a two piece soccer uniform.soccer, shorts, greek, dimitria, matches, team, plutarch, cup -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - sheet of 6 contact prints silo construction, 1964
Port of Portland Authority ArchivesFront: 159. 6-11-64 160. 6-11-64 176. 19-11-64 177. 19-11-64 161. 6-11-64 162. 6-11-64 (In white, beneath each print). Back: 176 and 177 in pencil. -
The Beechworth Burke Museum
Animal specimen - Magpie-Lark, Trustees of the Australian Museum, 1860-1880
The Magpie-Lark, also commonly known as a Mudlark, is a carnivorous bird found in many regions of Australia, Indonesia, Timor, and Southern New Guinea. They are a non-migratory species and are extremely adaptable to a variety of environments. These environments include dry forest, savannah, grassland, and even urban areas. Magpie-Larks are typically monogamous and are often found in pairs. They are black and white, with a white underbelly, long legs, and a long, thin beak. The females of this species have a white throat, while the males have a white eyebrow and a black throat. While juveniles have dark eyes, mature adults have light irises. This information helps identify this specimen as an adult male. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Magpie-Lark is a small to medium-sized bird which has distinctive black and white colouring. The bill is long and thin and is a whitish colour which differentiates it to other Magpie species. When mature, like this particular specimen, the Magpie-Lark have distinctive light irises. The glass eyes provided for this specimen are accurate in colour. This male specimen has a white 'eyebrow' marking and a black chest or bib. This Magpie-Lark stands on a wooden mount with a swing tag attached to its leg.Swing-tag: 20a. / Reed Grallina / See catalogue page 10 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, mudlark, magpie-lark -
Flagstaff Hill Maritime Museum and Village
Decorative object - Ornament, 19th century
This fine white unglazed porcelain figurine is one of six donated together. The bisque material was easy to carve and allowed fine detail. Figurine ornaments were popular for table decorations between the mid-18th to early 19th centuries. This ornament was most likely made in Germany, and German manufacturers began to use bisque material to make realistic faces for dolls in the 1850s.The set of six bisque figurines is representative of popular table decorations during the 19th and early 20th centuries.Ornament, fine unglazed white porcelain, carved to represent a woman standing in front of a green vase. flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, bisque, china ornament, white china ornament, german, porcelain, unglazed porcelain, 19th century, 18th century, european ornament, pottery, unglazed pottery, domestic ornament, decoration, table decoration, vase, woman with vase, germany -
National Wool Museum
Photograph - Typical Badgerface Ewe and Ram, c.1928
This item is part of a group of five green display boards with photographs of sheep. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9.Six black and white photographs and printed paper mounted on green display board. Photographs depict sheep and men. The display board has pin holes in each corner.Front: [handwritten] Typical Badgerface Ewe and Ram. / [printed] This pattern crops up in many breeds all over the world. It behaves / as a simple recessive to white. The typical pattern in very character- / istic, but many modifications are found so that badgerface sheep may range / from those that are almost white to those that are almost black. Back: [handwritten] Typical / Badgerface / ewe and ram / 4 / [printed] PHOTOGRAPH COPYRIGHT / BY / THE ANIMAL BREEDING RESEARCH DEPT., / THE UNIVERSITY, EDINBURGH. / PLEASE RETURN TO :new south wales graziers association, world tour, england, sheep, farm, rural, agriculture -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1950 c
Also black and white photograph taken from Eastern Wharf looking East showing Cunninghame Arm and seven WW 1 Memorial trees on Esplanade, 04301.1 size 12.5 x 11.5 cmBlack and white photograph of Eastern Wharf also known as Harbecks wharf showing goods sheds and jetties, small boat and fishing boat moored inside, another fishing boat moored outside Lakes Entrance Victoriaaccommodation, tourism -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing,Girl's Blouse, lace,voile lining, c1900
This girl's white long sleeved blouse made from lace,voile and net and was probably made for a special occasion c1900. The delicate needlework flowers on the net insert on front of blouse and the over sleeves exhibit a high standard of skill. The fine pintucks on the front, collar and cuffs are finished by small white beads sewn around the edges. The eyes for the hooks on back opening seam are hand-sewn The women of the early settler families were skilled dressmakers and made the clothes for their families as they established market gardens and farms in Moorabbin Shire This girl's blouse made from lace,voile and net is an example of the high needle work skill of the women of the early settler families in Moorabbin Shire c1900 A girl's white,long sleeved, tulle blouse,with a high collar stiffened by 4 metal wires. The tulle has pintucks front and back with inserted decorated net panels and sleeves . The long lace outer sleeves have lace edging at the cuffs. The whole blouse is lined with tulle. .The high collar has horizontal pintucks and has small white beading along top and base. The lining tulle has horizontal pintucks and beading and lace edging on the cuffs of the inner sleeves. Hooks and eyes fasten the back of the blouse and ribbon is inserted at waist to produce a flared effect over hips clothing, brighton, moorabbin, bentleigh, cheltenham, pioneers, dressmaking,lacework, craftwork, tulle, net, market gardeners, early settlers, craftwork , bentleigh, moorabbin shire , dairy farms, fruit orchards -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Hospital Portland , Victoria, n.d
Black and white photo postcard. View of old Portland hospital, taken from street (Bentinck or Fern). Buildings obscured by large trees, and high stone fence. Nurse standing either side of metal gate, with a 'PORTLAND HOSPITAL' sign on it. Woman in a two-seater roadster parked near gate. A man and 2 nurses can be seen in the groundsFront: 'THE PUBLIC HOSPITAL, PORTLAND VIC. TOYE, PHOTO' - white script on black bottom border Back: Purple stamp: 'TOYE BROS. Photographers, Hamilton & Portland' -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph
1440 The 13th Light Horse Regiment (AIF) was raised t Broadmeadows Victoria in March 1915. Following service at Gallipoli the regiment was broken up with squadrons going to France as Divisional Cavalry Squadrons of 2nd, 4th and 5ht Divisions. The regiment was reformed as firstly 1st Anzac Corps Mounted Troops and lather Australian Corps Mounted Troops.Trooper Alfred Worfolk; 307 Trooper John LeBon; Trooper Edward Thomas WhiteBlack and white photograph of three soldiers of 13th Light Horse Regiment;. They are : Trooper Jack L ebon, Derby Tasmania; Trooper Alf Worfolk, Northcote Victoria; and Trooper Ted White, South Ballarat Victpria. -
The Beechworth Burke Museum
Animal specimen - White-Winged Chough, Trustees of the Australian Museum, 1860-1880
The White Winged Chough may be found all over Australia's eastern and southern mainland. They live in flocks of up to 20 birds and are extremely sociable. These birds are very territorial and feed primarily on the ground hunting systematically for worms and insects; however, regardless of this territorial nature, they rear their young in a cooperative nesting effort. The White Winged Chough has a distinct swagger about them but they are often mistaken for both magpies and crows. This mistake is due to the overall dark appearance, and their white makings. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The White-winged Choughs are large black birds, bigger than Australian Magpies. Male and female Choughs share the same black markings on their bodies and white patches on their wings. The bill is downturned and black in colour. The legs are also black and the specimen stands on a wooden mount. In life, this species has vivid red eyes, but in the case of this particular specimen, the glass eyes are a dark reddish brown.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, white winged chough -
Marysville & District Historical Society
Postcard (Item) - Black and white postcard, THE CROSSWAYS CABARET, MARYSVILLE, 1923-1963
A black and white postcard of the Crossways Cabaret in Marysville in Victoria. A Valentine's postcard V36. The Crossways was built in the early 1920s and is the oldest building in Marysville. The Crossways historic inn survived the 2009 Black Saturday bushfires thanks to the efforts of its c-owner Greg Cherry and, in the days after the fires, provided a much-needed refuge to the Marysville community and firefighters. This postcard was produced by Valentine Publishing Co Pty. Ltd as a souvenir of Marysville.A black and white postcard of the Crossways Cabaret in Marysville in Victoria. A Valentine's postcard V36.VALENTINE'S/ POST CARD/ A GENUINE PHOTOGRAPHmarysville, victoria, australia, crossways cabaret, crossways historic inn, accommodation, postcard, souvenir, valentine publishing co pty ltd, v. 36, 2009 black saturday bushfires -
Northern District School of Nursing. Managed by Bendigo Historical Society Inc.
Education kit - Blue Nurse Uniform on Miniature Doll - School 1(1950) to School 7 (1951), Nursing Through the Ages
Northern District School of Nursing commenced in 1950. During the early years of the School, student nurse wore a simnple blue dress with white shank buttons. This uniform was worn from School 1 (22/3/1950) thought to School 7 (24/4/1951). The Foundation Dean of the School was Nancy Winifred long who continued in this role until 1974 when failing health forced her resignation.30 cm Miniature Doll wearing blue dress with white shank buttonsName tagnursing history, nursing education equipment, nancy long -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1960 c
Also two black and white photographs taken of Entrance from Jemmys Point taken 1960 c 04310.1 and 04310.2 size 11.5 x 16 cmBlack and white photograph of the entrance taken from a bend in the Princes Highway showing three cars parked at the viewing area beside the highway. Boat and dredge in waterway below highway dredged sand in Bullock Island extension, dredge Mathew Flinders working outside the entrance Lakes Entrance Victoriafishing industry, people, parks, jetties -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1924c
Original 14 x 20 photograph mounted on card in archive box, some identities in photograph named, also black and white 20 x 25 copy.Black and white photograph of the crowd of people who attended the opening night of the new ballroom at Broomes Federal Hotel. Ballroom has coped ceiling of timber, decorative frieze across centre, globular light from ceiling, light globes set around wall projections. Lakes Entrance Victoriahotels, celebrations, architecture -
Parks Victoria - Gabo Island Lightstation
Flags
Used to signal ships from lightstation. White flags are semaphore flags used for signalling alphabet letters. Salvaged from junk pile and mounted on wooden block. The identical, white hand held flags, which were used as a pair, are each stapled to a dowel. Information on both items indicates they were made by a well known flag, pennant and banner makers, Evan and Evans who were then located at 680 Elizabeth Street, Melbourne and are now in Spencer Street West Melbourne. Founded in 1877, the firm was a co designer of the Australian Flag in 1901. The flags are likely to date from c.1960 - 70 and are currently displayed in the former Keepers' quarters/ weather room mounted on a wooden block. Similar pairs of semaphore flags are held in Wilsons Promontory and Cape Nelson collections. The flags have second level contributory significance for their provenance to the lightstation and flag makers Evan & Evans. Thet have historic value for increasing our understanding of the semaphore signalling system formally used at the lightstation.Two identical white fabric flags stapled to a wooden dowel and secured to a wooden base on an angle.They have blue writing, on tags, on the flags.On tags on both flags, "EVAN & EVANS FLAGS P/L / FLAGMAKERS / 680 ELIZABETH ST / MELB. 3000 3475755" -
City of Ballarat
Artwork, other - Public Artwork, B. Raggi, Hebe, Circa 1880
Thomas Stoddart, 1828 - 1905, bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. The Greek goddess of eternal youth, Hebe, was famed for having the power to restore to age the vigour of youth and was cup-bearer to the gods.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure of a woman holding a cup in one handHebe/ Presented by Thomas Stoddart 1884hebe, stoddart, botanic gardens -
Melbourne Legacy
Slide, Legacy Boys Camp 1956-7, 1957
A black and white slide of eight boys at a boys camp in 1956-57. They could be on billy carts or skateboards. One boy has two tennis racquets. It is possibly at Blamey House in Kew, as other slides show camps at the residence during summer holidays. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of camps being organised for children.Black and white slide photo of boys in a driveway in a cardboard mount.Handwritten on front 'Legacy boys camp 1956-57' in blue pen. Printed on front 'Made in Australia' on the reverse a navy blue outline on edge of slide.camps, blamey house -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, boy's first underpants, 1907
These white cotton underpants were made for Mr Geoff Maggs by his mother in 1907 as his first underwear at age 2 years old. The Maggs family were early settlers in the Moorabbin ShireThe pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of many items that exhibit the skill and craftsmanship of the women in these families. White, cotton underwear for a 2 year old boy. Made at home on a sewing machine with hand feather stitching and factory-made guipure lace on leg-bands. Buttons at waist, and a tuck pleat to let down as child grows.clothing, brighton, moorabbin, pioneers, dendy henry, dressmakers, market gardners, early settlers, maggs geoff -
Orbost & District Historical Society
scales, circa 1930's
These scales were in the Dicken building in Nicholson Street Orbost. Frank B. Dicken and his son, Selwyn, were General Merchants. These scales are an example of a commercial measuring instrument used in Orbost before the common use of the metric system and digital scales.A large set of commercial scales painted white. The measuring scale gives the weight in pounds and the price per pound. There is a brass plate with NO A572/19951 W. & T. AVERY LTD.On front in green print - AVERY Beneath scale in green print - SOLE AGENTS On a brass plate - MACHINE ??????? "WHITE KNIGHT" AUSTRALASIAN FNO4 BRITISH MADE SCALE CO LTD TRULY LEVEL BIRMINGHAM ENGLANDscales measuring-machines weights dicken-frank -
Whitehorse Historical Society Inc.
Photograph, Toc H Members, 1960
Photograph of Toc H Members making Tables for Spastic Children in new workshop. Ref. ND2597gleeson, walker, williams, george, white, orm, toc h - mitcham branch -
Bendigo Military Museum
Accessory - SEWING KIT, 1964
Item issued to Margaret LAMBIE, F3492 W.R.A.A.C. Refer Cat No 5019.3. Margaret married Peter Dodd, refer Cat No 2436.2P for his service details.Sewing Kit blueish colour roll up style with black cord for securing, inside consists of two pockets with buttons, one small open section at the bottom, a section of white cloth is attached with 3 needles through.On white sewn in label in print and hand written, “ Regimental No F3/492, Name M LAMBIE”. On bottom section in black print, “...MIL......& CO Victoria 1964 D (arrow up) D”accessory, sewing, wraac -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 7/10/1991 12:00:00 AM
Another black and white photograph taken of final stages of Porters Lakes cycling tour looking toward Mourlyan Street corner number 04027.1 size 18 x 22.5 cmBlack and white photograph taken at the final stage of Patties Lakes Cycling Tour organised by Frank Daly, shows cyclists approaching and crossing the finish line with many bystanders at Stock Street and Maurilyan Street intersections, Roadknight Street Lakes Entrance Victoriasports -
Vision Australia
Photograph - Image, Paula Haynes during an orientation and mobility session
Paula Haynes assists an RBS client in using a long cane along an external corridor.2 x B/W photographs of woman using white cane with instructorFile: Skills Training - O&M A white cane provides blind people with warning of obstacles. Rehab teacher, Paula Haynes (R) showing how to use the cane. Paula Haynes (r) a rehabilitation teacher with the Royal Blind Society ... giving instructions on how to use a long cane.royal blind society of nsw, white cane day, paula haynes, orientation and mobility -
Ringwood and District Historical Society
Photograph, Ringwood State School, Grade 5&6 Class Photo, 1915
Black and White photo of class group in schoolgrounds.. Handwriiten names are on reverse, but in difficult to read handwriting. The names are difficult to read and not always clear which names match whilch children. (See attached image of reverse of photo)Handwritten on Reverse: R to L Backrow: Cliff Di...., Wil Madden, Harry Brown, ?, Alf Richards, Frank Krafft, Sam Brown, George Greenwood, -, Ernie Asper, Geoff Blood, - Middle: R. Pump, Violet Coffiir, Mollie Delanay, Dorrie Barber, Dorrie Dickson, Evlyn Parka, Lucy Pratt, Gladys Aird, Ella Pump, Dorrie Corrie, Nellie Allmaw, Mabel Curry, Florrie Davidson ------ Vida White, Rita Thomas, Violet Whiter, Thelma Whiter Front Row: R to L. Will Greenway, Eddie McLean, Les Dickson, Will Corrie, Ray Cooler, Cliff Wagner, Sam Brookes, ----, Willie Lee, Les Davidson Grade 5 & 6 1915. -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1909c
Also black and white copy with ornamental edge 17 x 26.5 cm, and another copy 19.5 x 30 cmBlack and white photograph showing excursion boats at New Works jetties, people on jetties. S S Gippsland tied to jetty on left and another small steamer. P S Tanjil tied to jetty on right. Roofs of works buildings and twin gable roof of J Carpenter's house on right. Several small row boats and small sail boat. Lakes Entrance VictoriaNew Works from Hummocks Cunninghamships and shipping, jetties -
Blacksmith's Cottage and Forge
Strainer, Tea, 1920 (estimated); Approx. 1920
A tea strainer is a type of strainer that is placed over or in a teacup to catch tea leaves. When tea is brewed in the traditional manner in a teapot, the tea leaves are not contained in teabags, but rather are freely suspended in the water. As the leaves themselves may be distasteful, it is usual to filter them out with a tea strainer. Strainers usually fit into the top of the cup to catch the leaves as the tea is poured. Some deeper tea strainers can also be used to brew single cups of tea, much as teabags or brewing baskets are used - the strainer full of leaves is set in a cup to brew the tea, and then removed, along with the spent tea leaves, when the tea is ready to drink. By using a tea strainer in this way, the same leaves can be used to brew multiple cups. Tea strainer use declined in the 20th century with mass production of the tea bag, but is still preferred among connoisseurs who claim that keeping the leaves packed in a bag, rather than freely circulating, inhibits diffusion. Many assert that inferior ingredients, namely dust quality tea, are often used in tea bags. Tea strainers are usually either sterling silver, stainless steel, or china. Strainers often come in a set, with the strainer part and a small saucer for it to sit in between cups. Tea strainers in themselves have often been turned into artistic masterpieces of the silver- and goldsmith's craft, as well as rarer specimens of fine porcelain. Brewing baskets (or infusing baskets) resemble tea strainers, but are more typically put in the top of a teapot to contain the tea leaves during brewing. There is no definitive boundary between a brewing basket and a tea strainer, and the same tool might be used for both purposes. Tea strainers are also used by patients trying to pass a kidney stone. The patient urinates through the strainer, thereby ensuring that, if a stone is passed, it will be caught for evaluation and diagnosis. Source: www.wikipedia.net This item has historical significance in the evolution of Tea drinking.The Strainer being needed if a cup of tea was to be poured without tea leaves being present in the tea liquid.As Tea bags have been introduced into everyday life tea strainers are an item of the past. This particular tea strainer was an item for everyday useage.White enamel tea strainer, round in shape with flange edges, 7 small circle areas of perforations in the concave area of the utensil, a small perforated handle (same material) at one outer area of the item.domestic, kitchen, food, preparation, white, enamel, tea, strainer, beverage, perforated, utensil, round, flanges, leaves -
Greensborough Historical Society
Photograph - Digital image, Marble Hall, 1930-1940
Photograph of "Marble Hall", Greensborough. The Marble Hotel, Greensborough was located at the corner of Main Street and Para Road. The first licensed hotel in Greensborough and one of the earliest brick buildings was built by James Chapman in the early 1850s as a hotel and lodging house to cater for wood carters and those trying their luck at the gold fields but served many functions over the years including post office, general store, public hall, butchers, bakers, surgery, private dwelling and baby health care centre. It got its name due to its white washed exterior. This photo is from the Lorraine Coates Collection.Photograph of early Greensborough building, now demolished.Digital copy of black and white photograph.marble hotel greensborough, james chapman, marble hall greensborough -
Ballarat Tramway Museum
Photograph - ESCo Bendigo tram 9 - set of 2, c1945
Photograph of Bendigo ESCo No. 9, at the Depot, during the 1940's following "modernisation" scheme. Tram has the destination of "Depot". See page 28 of Destination Eaglehawk for the same photograph and page 30 for notes regarding the "modernisation", undertaken in 1945, but not liked by the Union and subsequently scrapped in 1947. See Reg Item 4341 and 9110 for photographs of the same tram before modernization Peter Duckett Collection. 4342.1 - Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Added 2/7/2013. See Destination Eaglehawk.Yields information about the appearance of Bendigo's ESCo bogie trams during the 1940's.Black and White photograph with notes on the rear.On the front, top left hand corner of the print "27" in ink within a circle. On rear, stamped in black ink "Photo supplied from P.W. Duckett Collection, All Rights Reserved, 69 Howitt Rd. Nth Caulfield 3161." In the bottom right hand corner, a "William F Scott" address label in the bottom left hand corner. 4342.1 - Bendigo - No. 9 as rebuilt @ bard. Mr. McNaught (Manager) at Master Controller.trams, tramways, bendigo, depot, secv, unions, esco, tram 9 -
Kiewa Valley Historical Society
Book - Religious Education, Choice by June Wright, Robert Evans, 1970
Students attended Sunday School classes at the Kergunyah Presbyterian Church. Sunday school was held in a little 16 foot square wooden building which came from Rocky Valley after it was no longer needed there. Ewen Wallace's father initiated and organised the move. C2011 the building was knocked down because of white ants. The Presbyterian Church will be 125 years old in 2015.Historical: Religious Education: This book was used by students who attended the Sunday School classes at Kergunyah Presbyterian Church. Religion: Presbyterian Church at Kergunyah, in the Kiewa Valley, celebrates its 125th anniversary in 2015 after being handed over to the Uniting Church in the 1970s.Sky blue cardboard cover book with big white block letters 2 thirds from the top with blue stripes on each letter and green twirls. 'Intermediate course book' in white print along bottom of book. 80 pages held by 2 staplesreligion, religious education, christian, presbyterian, methodist, churches of christ, congregational churches, anglican, kergunyah, sunday school, ewen wallace -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1/03/1993 12:00:00 AM
Also two other black and white photographs of disastrous fire damage to Jimmys Mermaid Fish Shop 15 June 1993 photographs show damage being inspected by Fire Brigade members and Arson Squad Detectives. Numbers 03795.1 and 03795.2 size 10.5 x 15.5Black and white photograph of Jimmy Garidas of Jimmys Mermaid Fish Shop, showing Jimmy standing at the deep fryer, 509 Esplanade Lakes Entrance Victoriabuilding industry