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Robin Boyd Foundation
Letter, To Robin Boyd, 07.02.1966
This letter writer apologies to Robin Boyd for his delayed reply to Boyd. It outlines in detail his education, architectural experience, crime and request for employment when he is released from Pentridge Prison. Handwritten, 4 pages -
Expression Australia
Advertising Card, Unique Entertainment - Alfred Hall, Ballarat December 1902
Ernest J. D. Abraham spoke and gave practical illustrations of the language of gesture. The meeting and entertainment washeld for the purpose of drawing public attention to the work being done by the Adult Deaf and Dumb Mission among the Deaf in Victoria.An example of the work done in the early part of the 20th century by the Adult Deaf and Dumb Society of Victoria; particularly the work of Ernest J. D. Abraham on his lecture tours to promote and raise funds for the Society.12.5cmHx17.5cmW; 4 pagesernest j. d. abraham, alfred hall, ballarat, deaf, rock of ages, gesture -
Expression Australia
Newsletter, Have you Heard - Issue 1 2006
Word om Mouth's first quarterly newsletter. Word of Mouth Technology started in 1993 and is a supplier of assistive devices for Deaf and Hard of Hearing people in Australia30cmHx21cmW, 4 pages -
Expression Australia
Newsletter, Ballarat Deaf Social Club Inc. - June 2014 Newsletter
Ballarat Deaf Social Club Inc. established 1974 29.5cmHx21cmW, 4 pagesballarat deaf social club -
Hand Tool Preservation Association of Australia Inc
Gimlet
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.gimlet, 1/4" -
Hand Tool Preservation Association of Australia Inc
Gimlet
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.gimlet, 1/4" -
Hand Tool Preservation Association of Australia Inc
Screw plate
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.screw plate, No 4 -
Hand Tool Preservation Association of Australia Inc
Propellor
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.propellor, 4 blade -
Hand Tool Preservation Association of Australia Inc
Fishing reel
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.fishing reel 4 -
Hand Tool Preservation Association of Australia Inc
Wrench
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.wrench, tap No 4 -
Stawell Historical Society Inc
Memorabilia - Realia
Round Crucibles (4)stawell -
Stawell Historical Society Inc
Memorabilia - Realia, c1990's
4 Guides Bannersstawell -
Beechworth Honey Archive
Publication, Honey: floral source guide. (National Honey Board)., Longmont, CO, [nd], [nd]
4 pages, illustrated. -
Vision Australia
Text, Early long cane use: a study, 2010
Article on long cane use by Bronwen Scott from Vision Australia. Taken from the journal AER Journal: Research and Practice in Visual Impairment and Blindness. Volume 3, Number 1, Winter 2010, p26-29.4 page PDFvision australia, bronwen scott -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, 23, 1933-1947
4 students on a horse. Handwritten names, Packenham. (M. Younger.)mabs younger, female students, horse -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, 28, 1933-1947
4 students with a horse. Handwritten names, Shoreham. (M. Younger.)mabs younger, female students, horse -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, 36, 1933-1947
4 female students. Handwritten names.(M. Younger.) Mt. Evelyn.mabs younger, female students, mt. evelyn -
Canterbury History Group
Document - The foundation of our city, Renwick, Reg, c1973
A paper read to Camberwell Historical Society by Mr Reg. Renwick describing the part played by the Boroondara Road Board in the development of Camberwell and surrounding areas.4 foolscap pagescanterbury, camberwell, kew, hawthorn, boroondara road board, roads, tollhouses, palmer> sir james, affleck> john, box> henry, brooks> thomas, lavis> george, lynch> mkichael, pettett> william henry, stobie> david, wade> william henry, walsh> henry sellars, withers> john -
Bass Coast Shire Council - Art Collection
Decorative object - Harmony Bells, Anton Hasel
Australia4 x BellsSigned -
National Wool Museum
Blanket, Army blanket
This army blanket dates from the time of the Boer War. It belonged to the Densham family, possibly used by great uncle Roland.Army blanket from the Boer War. This picture was during the exhibition, "Quilts & waggas: The Running Stitch collection" in gallery 4 from 4/4/3 to 13/7/3boer war, running stitch group, running stitch collection -
Ringwood and District Historical Society
Newspaper - Newspaper cutting, The story of the Ringwood Memorial Clock Tower erected 1928 incl list of Roll of Honour names, 4-Aug-28
Around 1940-42 the clockwork mechanism was wound by hand for payment of 2/6 (25 cents) per week, payable half yearly. The clock tower was removed and re-erected in 2000 at the intersection of Maroondah Highway and Wantirna Road, with a new electric winding mechanism.The story of the Ringwood Memorial Clock Tower erected 1928 at a cost of approx $1700 and unveiled 4-Aug-1928 at the intersection of Maroondah Highway and Warrandyte Road. It commemorates those who served and those who lost their lives in WW1.ROLL OF HONOUR; Addison, W.J.; Allan, A.; Bailey, A.F.; Bolton, E.; Brain, W.; Brown, A.G.; Brown, W.; Brown, C.H.; Browning, D.; Brocksop, P.; Bruce, R.T.; Butler, W.J.; Cairnduff, J.B.; Castles, D.; Chivers, S.R.; Chivers, A.; Clemson, J.K.; Cutts, C.W.G.; Cutts, N.F.L.; Cooper, J.; Dehne, P.C.; Dawes, L.F.; Dawes, F.A.; Dawes, C.A.R.; Foster, A.; Franks, C.V.W.; Ford, T.; Franklin, E.; Fitts, E.; Goodall, R.; Goodall, J.H.; Grant, T.W.; Guy, W.H.; Hannah, J.; Harris, D.B.; Hardidge, B.; Hains, C.L.; Hefferson, R.H.; Hodgetts, L.F.; Hodgetts, W.C.; Homewood, L.; Howship, M.L.; Howship, F.R.; Howship, S.P.; Hubbard, H.; Johnston, W.J.; Johnston, R.A.; Johnston, C.H.; Justice, Rev. T.H.; Kennedy, G.; Kraefft, H.G.; Lang, A.C.; Larkwing, A.H.; Lawlor, J.; Lothian, J.C.; Maggs, C.B.; Martin, E.; McCann, R.; McGillvray, M.; McKinnon, J.; Miles, Sister A.F.; Miles, T.A.; Miles, R.F.; Miles, K.L.; Miles, L.E.; Milner, T.; Miller, S.; Moss, L.S.; Moss, C.B.; Muller, G.W.; Muller, J.H.; Neal, A.G.; Nield, F.N.; Parker, A.; Parker, R.; Parker, F.V.; Parker, T.S.; Paris, C.C.; Peake, A.; Pearson, H.F.; Pollard, J.L.; Ratten, C.J.; Ratten, W.G.; Read, I.; Sanders, J.; Shanks, R.J.; Smith, S.; Smith, P.C.; Smith, C.; Stephenson, R.H.; Stowell, H.A.; Taylor, J.; Thomas, H.O.; Thomas, I.; Thompson, A.R.; Thorpe, J.G.; Tomholt, S.J.; Toogood, E.G.; Venables, W.E.; Walker, J.; Wedge, C.H.; Wedge, J.W.K.; Whitchurch, A.; Wilson, L.J.; Williams, J.A.; Williams, W.G.; Wright, S.; Wright, J.W.C.; DIED ON SERVICE; Johnston, C.H.; McCann, H.J.; Mackinlay, H.W.; Mitchell, L.; Morris, J.; Pollard, H.L.; Palmer, E.R.; Parker, J.J.; Rooney, E.; Schonfelder, A.W.; Thurrowgood, W.; Todd, J.; Thomas, R. -
Clunes Museum
Book, M T RICHARDSON, PRACTICAL BLACKSMITHING, 1905-1909
A COLLECTION OF ARTICLES CONTRIBUTED AT DIFFERENT TIMES BY SKILLED WORKMENT TO THE COLUMNS OF "THE BLACKSMITH AND WHEELWRIGHT: AND COVERING NEARLY THE WHOLE RANGE OF BLACKSMITHING FROM THE SIMPLEST OJOB OF WORK TO SOME OF THE MOST COMPLEX FORGINGS.1 VOLUME 1 BOOK WITH HANDSEWN BLACK FABRIC COVER .2 VOLUME 2 BOOK WITH HANDSEWN BLACK FABRIC COVER .3 VOLUME 3 BOOK WITH TAN FABRIC COVER IMAGE OF AN ANVIL AND TITLE OF THE BOOK IN BLACK PRINT .4 VOLUME 4 BOOK WITH TAN FABRIC COVER IMAGE OF AN ANVIL AND TITLE OF THE BOOK IN BLACK PRINTA COLLECTION OF ARTICLES CONTRIBUTED AT DIFFERENT TIMES BY SKILLED WORKMENT TO THE COLUMNS OF "THE BLACKSMITH AND WHEELWRIGHT: AND COVERING NEARLY THE WHOLE RANGE OF BLACKSMITHING FROM THE SIMPLEST OJOB OF WORK TO SOME OF THE MOST COMPLEX FORGINGSblacksmithing, forging -
Bendigo Military Museum
Mixed media - SCRAPBOOK BENDIGO RSL, C. 1963 - 73
This is the 3rd section of 4 pages from Scap book Cat No 8225. Page 13a. Photo shows 4 people at the Bendigo RSL Show stall buying Lucky envelopes. The two men facing the camera are Jack Barnes and Jack Plant. Page 13b. Photo shows the RSL Show Stall on the right with a Ferris wheel in the background. Page 14a. Photo showing shelves of goods to be won with lucky envelopes. The man on the right is Jack Plant. Page 14b. Photo showing the Show Stall itself, only person identifiable is Jack Plant. Page 15. Article with photo of 6 Ladies. The article covers a donation of $1517.00 from the Bendigo RSL Womens Auxiliary to the President of the RSL Mr Jack Plant at a Dinner at the Captain Cook Motel. The article covered a wide range of functions that the Ladies catered for from weddings, dinners, reunions and cabarets to raise funds. They also catered for four Golden wedding anniversaries of their members during the year. Mrs Morey was presented with a "Certificate of Merit" for her outstanding work as President over 14 years. Vice President of the RSL Mr Bob Temple presided over the election of Office Bearers of the Auxiliary with the Photo showing elected Office Bearers. Front row. Mrs L Browning Treasure, Mrs I Hudson President, Mrs J Plant Secretary. Back row. Mrs H Hocking Vice President, Mrs H Simms Assistant Secretary, Mrs T Metcalf Vice President. Page 16. Photo of 3 people at the Anzac Day Service in 1973. The article describes the address given by Dr B.J. Doran (centre) being "Negotiation is the way to prevent War", he is the Director of Medical Services at the Repatriation Department. On the left is the Mayor of Bendigo Cr J.P. Pearce, on the right is Mr R. Temple President of the Bendigo RSL. Four articles and photographs from Spiroflex sketch book continued on. Page 13. Two B & W photos of people at an RSL Show stall. Page 14. Two photos of a RSL Show stall. Page 15. Article and photo B & W of a group of Ladies at a meeting. Page 16. Photo and article with 3 people at Anzac day 1973.on page 1 in blue pen, "Show Stall 1972", page 4 in blue pen, "Anzac day 1973".brsl, smirsl, scrapbook, wabrsl -
Flagstaff Hill Maritime Museum and Village
Functional object - Crucible, The Patent Plumbago Crucible Company, circa 1878
This crucible was raised from the wreck of the LOCH ARD. It is one of six similar relics, in a range of sizes, now in the Flagstaff Hill collection. All bear markings to indicate their manufacture by the Morgan brothers of Battersea, trading as the Patent Plumbago Crucible Co. A crucible is a container used for purifying and melting metals so that they can be cast in a mould to a predetermined shape and use. They must withstand extremely high temperatures, and abrupt cooling, and shed their contents with minimal adherence. The addition of graphite to the traditional firing clays greatly enhanced the durability of industrial crucibles in mid-Victorian Britain, a significant technological advance at a time of great activity in foundries and expansion of demand for refined metals. The Morgans first noticed the advantages of graphite crucibles at the Great Exhibition held in London in 1851. Initially, they contracted to be sole selling agents for the American-made products of Joseph Dixon and Co. from New Jersey, but in 1856 they obtained that firm’s manufacturing rights and began producing their own graphite crucibles from the South London site. The Morgans imported crystalline graphite in 4-5 cwt casks from the British colony of Ceylon (now Sri Lanka) and mixed it with conventional English (Stourbridge) clays to be fired in kilns. Their products were purchased by the Royal Mints in London and India, and exported to official mints in France and Germany. They were successful exhibitors of their crucibles and furnaces at the London Exhibition held in 1861 (Class 1, Mining, quarrying, metallurgy and mineral products, Exhibit 265, Patent Plumbago Crucible Co). The range of sizes represented by the six crucibles retrieved from the LOCH ARD, suggests they may have been part of a sample shipment intended for similar promotion in the Australian colonies ― at Melbourne’s International Exhibition to be held in 1880. The summary of the LOCH ARD cargo manifest, by Don Charlwood in ‘Wrecks and Reputations’, does not mention any crucibles, implying that they were not a large consignment of uniform items. A newspaper account of an 1864 tour of the Morgan brothers’ ‘Black Potteries’ at Battersea indicates: “All the pots were numbered according to their contents, each number standing for one kilogram, or a little over two pounds; a No. 2 crucible contains two kilogrammes; a No. 3, three kilogrammes, and so on.” These numbers are obscured by marine sediment on three of the crucibles in the Flagstaff Hill collection, but those legible on the remaining three are 5, 6, and 8. None of the six is of the same size from a visual appraisal. A brief history of the Loch Ard (1873-1878): - The sailing ship Loch Ard was one of the famous Loch Line of ships that sailed the long voyage from England to Australia. Barclay, Curdle and Co. built the three-masted iron vessel in Glasgow in 1873. It had sailed three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of recently married, 29-year-old Captain Gibbs. It was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, and a heavier load of railway irons, cement, lead and copper. Other cargo included items intended for display in the Melbourne International Exhibition of 1880. The Loch Ard had been sailing for three months and was close to its destination on June 1, 1878. Captain Gibbs had expected to see land at about 3 am but the Loch Ard ran into a fog that greatly reduced visibility and there was no sign of land or the Cape Otway lighthouse. The fog lifted at 4 am and the sheer cliffs of Victoria's west coast were much closer to them than Captain Gibbs expected. He tried to manage the vessel but failed and the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. The top deck loosened from the hull, and the masts and rigging crashed down, knocking passengers and crew overboard. The lifeboat was launched by Tom Pearce but crashed into the side of Loch Ard and capsized. He clung onto its overturned hull and sheltered under it. He drifted out to sea and the tide brought him back to what is now called Loch Ard Gorge. He swam to shore and found a cave for shelter. A passenger, Eva Carmichael, had raced onto the deck to find out what was happening and was confronted by towering cliffs above the ship. She was soon swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He swam out and dragged her to the shelter of the cave. He revived her with a bottle of brandy from a case that had washed up on the beach. Tom scaled a cliff in search of help and followed some horse hoof prints. He came from two men from Glenample Station, three and a half miles away. He told the men of the tragedy and then returned to the gorge while the two men rode back to the station to get help. They reached Loch Ard Gorge and took the two shipwreck survivors to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome and was presented with a medal and some money. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. The shipwreck of the LOCH ARD is of State significance ― Victorian Heritage Register S417 Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best-known ahipwrecks in Victoria’s history.A Morgan’s Patent graphite crucible No.4 (i.e. 4kgs capacity), one of a set of three. It was recovered from the wreck of the LOCH ARD. It is in its original grey colouring with minimal sediment accretion on the top rim. It rises in a slight curve from a flat circular base to a wider rim with a pouring lip. Maker’s marks on the side of the container clearly identify the manufacturer. The maker's details are stamped into the base around and within a circle. A white sticker is attached. Made by the Patent Plumbago Crucible Company at the Battersea Works in London.Number or. Letters “MORGAN’S PATENT”. Details on the base "MORGAN'S PATENT" "THE PATENT PLUMBAGO CRUCIBLE COMPANY" Symbol [4] above "BATTERSEA WORKS LONDON" Handwritten on a white sticker in black pen "L89"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, graphite crucible, plumbago crucible, morgan's crucible company, flagstaff hill maritime museum and village, fluxing pots, crucible, morgan’s patent, morgan brothers, patent plumbago crucible co, battersea works, london, port campbell -
Bendigo Military Museum
Memorabilia - MONTAGE, FRAMED MEMORABILIA, Post 2000
Robert George Lunn VX76842 enlisted on 27.2.1942 age 35 years, 5.3 1942 transfer to Engineer Training Echuca, 12.4.1942 transfer to 2nd Field Sqd, 27.6.1942 transfer to No 4 Bomb Disposal Coy, 3.9.1942 transfer to No 2 Bomb Disposal Coy, 18.2.1943 transfer to Engineer Training Centre RAE, 18.8.1943 transfer to 5th Aust Advance Reinforcements Depot Townsville, 11.11.1943 embark for Pt Moresby, 19.11.1943 taken on strength 2/9th Field Coy, 4.6.1944 embark from Lae to Brisbane, 11.8.1944 hospital with Malaria28.8.1944 rejoin unit, 20.9.1944 hospital (unclear), 27.9.1944 rejoin unit, 23.5.1945 embark for Morotai, 7.8.1945 promoted to Cpl, 12.8.1945 fly from Balikpapan to Aust to attend a Junior leaders school Aust Army, 22.8.1945 arrive Vic and attend school, 29.8.1945 attend RAE Training Centre NSW, 31.10.1945 Move to Vic for discharge, 7.11.1945 discharged from the 2nd AIF.Wood framed item with photo, ID tags, medals x 4, RAS badge, RSL badge, all items are set in panels within the frame, panel with text at bottom. Medals. 1. 1939 - 45 Star. 2. Pacific Star. 3. British War medal 1939 - 45. 4. Australian Service Medal 1939 - 45."VX76842 Lance Corporal Robert George Lunn, 2/9 Australian Field Company Australian Imperial Force, 27 February 1942 - 7 November 1945"framed, memorabilia, ww2, medals, lunn -
Whitehorse Historical Society Inc.
Clothing - Gloves
Pair of suede mid-length beige or fawn women's size 6 3/4 gloves with 3 stitched darts along back of hands. Gloves are joined near openings with length of white cotton. Labels and printed markings inside both gloves.Inside right hand glove : 'Made in France / 6 3/4 / (in cursive) Suedelav' Inside left hand glove : 'Leather / Made in France' '207' on paper label : 'V4/86L/ipx/39/6'costume accessories, female -
Bendigo Military Museum
Award - MEDAL SET, Post WW11
Keith Charles BUCKLEY initially enlisted in the CMF on 6.3.1939 age 27 years 4 months. He had an odd No 449179 in 6th Bn (RMR), this changed to V55220, made L/Cpl 1.8.1940, transfers to the 2nd AIF No VX112283 on 29.10.1942. At some point he obviously signs on at wars end and his No changes to 337514, discharged from the services on 1.11.1958 with the rank of Major in Signals Cipher. Refer also Cat No 1440.Medal set, brass plate mounted, set of (5) re K C Buckley. 1. 1939-45 Star. 2. Pacific Star. 3. Defence Medal. 4. War Medal 1939-45 5. Australian Service Medal."VX112283 K.C.Buckley"decorations, medals, numismatics- medals - military -
Federation University Historical Collection
Photograph - Black and White, Three Men at Port Said, 1933, 4/9/1933
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia..1) Black and white photograph of three men dressed in suits and wearing Egyptian hats. They are standing on a footpath with a large palm tree behind, a fence to the left and part of a car and building to the right. The men are from the left Tony Hanlon, Dan Barry and Frank Wright. The place is Port Said. .2) Frank Wright wearing an Egyptian hat.Written in pencil on back - Tony Hanlon (left), Dan Barry (centre), Frank Wright, Port Said 4/9/33 Printed on back - Carte Postalefrank wright, dan barry, tony hanlon, port said, conductor -
Glen Eira Historical Society
Album - Album page, Alma Road, circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Church of Christ, 514 Dandenong Rd, Caulfield https://vhd.heritagecouncil.vic.gov.au/places/43594 The Dandenong Road Church of Christ has regional importance as a landmark building along the Dandenong Road. It successfully addresses its triangular site by placing the belltower at the apex, deploying Romanesque and Gothic elements freely and to dramatic effect, heightened by the symbolism of the Cross (compare Robert Haddon's St Stephens in Balaclava Road of 1926).Page 4 of Photograph Album including three black and white photographs of properties on Alma Road. Two photographs are in the top half of the page and the third is in the bottom left hand side.Handwritten in black pen: Alma Road [top right of page] / 325 Alma Road [above top left photograph] / Church of Christ Caulfield North 14 Dec 1972 [above top right photograph] / 323-325 Alma Road [above bottom left photograph] / 4 [bottom right]caulfield north, trevor hart, alma road, houses, churches, church of christ caulfield north, dandenong road, bell towers, romanesque architectural style, gothic architectural style, bi-chromatic brickwork, cast iron work, verandahs, victorian architectural style -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Containers, tin, 'Cellona' Plaster of Paris, mid 20thC
Thomas James Smith opened a small pharmacy in Hull, England in 1856. On his death in 1896, his nephew Horatio Nelson Smith took over the management of the business. Smith & Nephew plc is a British-based multinational medical equipment manufacturing company headquartered in London, United Kingdom. It is the world's largest producer of arthroscopy products, second-largest producer of advanced wound management products, third-largest producer of trauma and clinical therapy products and fourth-largest producer of orthopaedic reconstruction products. Its products are sold in over 90 countries with 11,000 employees. In 1928 the company developed the wound management product Elastoplast, recorded in Medical Journals worldwide. Since 1998 Smith & Nephew operates in three market segments through separate "global business units" under the Smith & Nephew brand name: Advanced wound management: advanced treatments for difficult wounds. Endoscopy: products for minimally invasive surgery, based in Andover, Massachusetts. Orthopaedics: hip and knee implants and trauma products, based in Memphis, Tennessee. Smith & Nephew was incorporated and listed on the London Stock Exchange in 1937 and in 1999 the Group was also listed on the New York Stock Exchange. In 2001, Smith & Nephew became a constituent member of the FTSE-100 index in the UK. This means that Smith & Nephew is included in the top 100 companies traded on the London Stock Exchange measured in terms of market capitalisation. .Today, Smith & Nephew is a public limited company incorporated and headquartered in the UK and doing business in 90 countries around the world. A tin cylinder with a lift off lid for ‘Cellona’ Plaster of Paris bandage, 3 inches wide x 4 yards long, made by Smith & Nephew Ltd, Hull, England mid 20thCLid - CELLONA / BPC Front - CELLONA / TRADE MARK / U.K. PATENT 385,658 / THE NEW AND IMPROVED / PLASTER of PARIS / BANDAGE / READY FOR USE / 3INS. 4 YDS. Back - ADVANTAGES …….. / DIRECTIONS………/ Made in England by T.J.SMITH & NEPHEW LTD. / LONDON, HULL, MANCHESTER, GLASGOW/ MAKERS OF ELASTOPLAST.* pharmacy, medicines, smith & nephew pty ltd, hull england, london england, plaster of paris, elastoplast, hospitals, nursing, wound dressings, orthopaedics, glassware, bottles, moorabbin, bentleigh, cheltenham