Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Drawings of a cutting of plant with dark green foliage and eight white flowers. Single drawing on white background with name and signature in lower corners. The work is on white paper mounted in a double matt (grey on gold), unframed and wrapped in plastic.Front: White Correa Correa alba (lower left) (blue pencil) CEWoolcock (lower right) (brown pencil) Olearia speciosa (Netted Daisy-bush) (lower left) (pencil) Back: 23 (upper left) (pen) White Correa (Correa alba) $80. C E Woolcock (sticker, upper left)collin woolcock, botanical, woolcock collection, cema, botanical drawings

Cover and pages 265-267 from "The Australian Garden Lover" , Vol. 2, No. 7, Oct. 1926 describing Burnley. Also see B91.405 for photograph of front cover. Cover has 6 photographs The 4 bottom photographs used as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 52 and also used in the Centennial Display mounted on board. The espaliered fruit tree was located in the old nursery trained by George Russ. Top right orchard spraying. Bottom left View of Pavilion showing Luffmann's pond and a Pinus radiata planted in the 1860's. Bottom right A.W. Jessep (Principal) and E.E. Pescott (Lecturer). outside Principal's Residence. E.B. Littlejohn. Article: "The Burnley Gardens. Instructional School Conducted by the Victorian Department of Agriculture. Horticulture as a profession for women." Part of article by "Correa" p 268 "Australian Native Flowers October Orchids." Correas was the pen-name of Jean Galbraith.the australian garden lover, journal, horticulture, women, profession, gardening, gardeners, horticulture as a profession for women, department of agriculture victoria, "correa", jean galbraith, orchids, native flowers

Sybil CRAIG (18/11/1901-09/09/1989) Born London, England Arrived Melbourne 1902 Died Melbourne, Victoria Sybil Frances Craig was a student of John Shirlow in 1920 who introduced her to French avant-garde artists such as Matisse and Gauguin. In 1924 she studied at the National Gallery of Victoria Art School. She also underook private classes with George Bellfor several months where individual expression was encouraged, and she became associated with a group of Modernist artists including Sam Atyeo. In 1945 Sybil Craig became the third woman to be appointed as an official war artist. Based in Melbourne she worked for fourth months at the Commonwealth Ordinance Factory at Maribyrnong, becoming the first female artist to paint women working in the munitions factories. In her work Craig was attracted to many changing ideas and continued to explore line, rhythm, colour, simplicity and design. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed texta sketch of a correa.art, artwork, sybil craig, craig, flora, available, leaves, texta, texta colour, correa

Local Indigenous PlantWatercolour paintings - Indigenous Plants of the Basalt Plains. Part of series of 14 commissioned paintings.

Local WildflowersWatercolour paintingDetails of the plant on the back of the painting

Edith (Alice) WATSON (1914–2010) Murtoa | Australia Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. General Design examinations required only designs on paper, and not the full execution of an object (which was the case for Applied Design exams). Watson's folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family. A folio of thirty three drawings and paintings undertaken by Alice Watson at the Ballarat Technical Art School. The works include including the application of Australian flora to designs, including for pottery, leather and applique. .2) is a design for a table runner to be executed in richelieu work .3) frieze including fish .4) "Design for a border to be executed in stencil". 1932 .12) "Design on the waratah for a bowl to be executed in clay". 1932 .14) "Time test" .12) .17) .15) .18) show the combination of Australian flora with Art Nouveau-inspired designs .9) is a design for a wallet to be executed in raffia showing elevation, side elevation and plan views .11) is a design for a prayer book carrier to be executed in leather work .10) is an example of pencil transfer method of design seen on .11) .18) Design for a fan, image of birds and berries on a blue ground. .25) landscape illustration .27) "development" design based on a correa .29) "Design for a tea cosy based on the Cobia-Scanden to be executed in applique. 1931 (see also .31) .30) "Design for a writing tablet to be executed in embossed leather work and based on the native fuschia" (correa). 1931 .31) a completed doily holder: applique workMost are signed A. Watson 1931 .2) Paper is embossed with stamp of 'Goodall's Bristol Boards' stamp. (Crown depicted in centre) .20 and .22) Paper is embossed with 'Windsor & Newtons Bristol Board' stamp.(Griffin depicted in centre)ballarat technical art school, alice watson, flora, design, artwork, folio, art nouveau, alumni, leather work design, richelieu work, applique, doily holder, doyley holder, general design, edith alice watson

DEPICTION OF THE PLANTS GROWING ON MOUNT BECKWORTH, NEAR CLUNES, VICTORIA, AUSTRALIASILVER PAINTED WOODEN FRAMED PAINTING UNDER GLASS. BLACK BACKGROUND. DRAWING OF MT. BECKWORTH FLOWERS BY F.R. ANDERSON, CRESWICK. FLOWERS NAMED ON BACK OF PAINTINGON REVERSE - HANDWRITTEN IN BLUE BIRO ON NOTE PAPER: NATIVE FUSCHIA CLOCKWISE FROM:- CORREA REFLEXA GREEN SPIDER ORCHID CALADENIA GOLDEN SPRAY VIMINARIA BLUE SUN ORCHID THELYMITRA BEARDED ORCHID CALOCHILUS MAUVE WAXLIP ORCHID GLOSSODIA YELLOW RABBITS EARS THELYMITRA TRAILING FRINGED LILY THYSANOTUS MILKMAID'S BURCHARDIA TAPED HANDWRITTEN NOTE: "MT. BECKWORTH FLOWERS BY F.R. ANDERSON, CRESWICK"mt beckworth, australia native plants

(1) Burnley Horticultural College, Buckley & Nunn Ltd Melbourne, (2) Graduation Medal Presented March 22nd 1991 with Correa in relief. Reverse Side - AUSTRALIA'S FIRST SCHOOL OF HORTICULTURE VCAH The Horticultural College Centenary 1891-1991 Burnleyburnley college, centenary, 1991 centenary, brian pell, uniform, blazer, medal, artifact

Commemorative medals awarded to graduates of Burnley College in the Centenary year 1991.11 unused bronze cast medals in blue velvet presentation boxes. 5 unused wooden presentation stands.Cast inscription side 1 - VCAH The Horticultural College Centenary 1891-1991 Burnley Australia's First School of Horticulture. side 2 GRADUATION MEDAL PRESENTED MARCH 22ND 1991 with a correa in relief.centenary, burnley college, 1991, graduation medal, medallion, artifact

The designs were adapted from Thelma Crawfords Australian wildflower designs and pieces were made for a Guild exhibition at George's in the early 1970's. Aeroplane linen was used on aeroplanes before and during the war.The embroidery is done on "Aeroplane Linen" i.e. fine linen. (Actually used on aeroplanes). Motifs are executed with one strand of stranded cotton A) Needlecase, spray of deep pink flowering gum (12 x 8 cms) B) Pincushion, spray of Boronia, gum blossom, flannel flower, billy buttons and running postman (11 x 8 cms) C) Scissors case, spray of correa (12 cms) D) Pin holder flannel flower (6cm diameter) embroidery, small articles, 1960-80, australia, surface stitchery

Six embroidered motif samplers. Motifs designed by Geoff Riley and gifted to the Guild from the estate of the late Dulcie Fone, via her niece Mrs Lana Newton and her solicitor to Miss Dorothy Weaver.A. Cream cotton, machine hemstitched handkerchief. Motifs - playpus, koala, emu, black swan, kookaburra, galah, magpie, white tailed king fisher andfour parrots, crimson rosella, king parrot, turquoise parrot and eastern rosella, 30 x 28 cms. Work marked No. 1. B. Cream cotton, machine hemstitched handkerchief, motifs - 2 x kangaroos, pair of penquins, pair of bugerigars, bee eater bird, red breasted robin, purple crowned wren, blue wren, gouldian finch, scarlet honeyeater. Ink marked No. 2 29.5 x 28 cms. C. Cream cotton, machine hemstitched handkerchief. Motifs, warratah, blue sun orchid, ti-tree. Ink marked No. 3 29 x 28.5 cms D. Cream cotton, machine hemstitched handkerchief. Motifs - kangaroo paw, correa, blue water lily, grevillea, chorizema flat pea, a pink flower and three unworked stamped flower motifs. Ink marked No. 4 29 x 28.5 cms E. Cream linen, crocheted edged handkerchief. Motifs - flannel flower, gum blossom, geralton wax flower, spider orch, fringed lily, leschenauther, sturt desert pea, blue tinsel lily and flox lily. Ink marked No. 5, 28 x 29 cms F. Cream cotton, machine hemstitched handkerchief. Motifs - boronia, spider orchid, blue tinsel lily, red centred mauve hibiscus, Tasmanian appleberry. Ink marked No. 6, 29 x 28 cmsembroidery, surface embroidery, handkerchiefs, geoff riley, 1940-60, australia, sampler

From deceased estate of EGV memberPrinted envelope with pattern and stitch directions - Orange Correa. Bundle of threads in envelope. Designed and sold by Geoff Riley, water colour artist from his shop "The Wildflower Shop", 14 Queen's Walk, Melbourne from the 1930' to the 1950's. See imagesgeoff riley, 20th century, australia, australian native flora, australian native fauna

From deceased estate of EGV memberPrinted envelope with pattern and stitch directions - Orange Correa. Bundle of threads in envelope. Designed and sold by Geoff Riley, water colour artist from his shop "The Wildflower Shop", 14 Queen's Walk, Melbourne from the 1930' to the 1950's. See imagesgeoff riley, 20th century, australia, australian native flora, australian native fauna

From deceased estate of EGV memberPrinted envelope with pattern and stitch directions - Green Correa. Bundle of threads in envelope. Designed and sold by Geoff Riley, water colour artist from his shop "The Wildflower Shop", 14 Queen's Walk, Melbourne from the 1930' to the 1950's. See imagesgeoff riley, 20th century, australia, australian native flora, australian native fauna

From deceased estate of EGV memberPrinted envelope with pattern and stitch directions - Green Correa. Bundle of threads in envelope. Designed and sold by Geoff Riley, water colour artist from his shop "The Wildflower Shop", 14 Queen's Walk, Melbourne from the 1930' to the 1950's. See imagesgeoff riley, 20th century, australia, australian native flora, australian native fauna

Mr Geoff Riley was a designer who produced a number of these types of designs, many were embroidered by his wife Betty Riley as samples. See supp. file.Oval doyley, cream linen embroidered Correa flowers in surface stitchery using stranded cotton, crochet edge. embroidery, surface stitchery, mats, 1940-60, australia, geoff riley

Ivy WILSON (1907-1998) Ballarat | Australia Ivy Wilson lived at 17 Mair Street with her parents while she studied at the Ballarat Technical Art School. Her student folio contains several stencils hand-cut from paper and card. Among them are stylised graphics of correa, waratah, gum, and kangaroo apple as well as kookaburras, cockatoos and a koala. One example of a wreath was subsequently translated into embroidered needlework. Wilson’s folio possibly consists of mostly junior technical work, as she appears to only have sat a single senior Education Department examination, Drawing Plant Forms from Nature. Alternatively, given her focus on textile-based arts, she may have been an evening trade student. A number of digitised images taken from a folder of works by Ivy Wilson undertaken at the Ballarat School of Mines Technical Art School between 1920 and 1922. The folio of work was later donated 'In memory of my mother Ivy Wilson'.ballarat school of mines, wilson, ballarat technical art school, dressmaking, art, ivy wilson, stencilling, stencil, embroidery, australian flora, australian birds

Ivy WILSON (1907-1998) Ballarat | Australia Ivy Wilson was born on 05 July 1907 to Charlotte and Edward Wilson of 167 Mair Street, Ballarat. She attended Humffray Street Primary School and the Ballarat Technical Art School (a division of the Ballarat School of Mines) in 1922. Wilson's student folio contains several stencils hand-cut from paper and card. Among them are stylised graphics of correa, waratah, gum, and kangaroo apple as well as kookaburras, cockatoos and a koala. With diverse applications, stencilling attracted a range of students at the Ballarat Technical Art School. Stencilling was applied to interior surfaces like cushions and curtains. Commercial briefs included wall friezes and murals. One of Wilson's examples, a wreath was subsequently translated into embroidered needlework. Wilson’s folio possibly consists of mostly junior technical work, as she appears to only have sat a single senior Education Department examination, Drawing Plant Forms from Nature. Alternatively, given her focus on textile-based arts, she may have been an evening trade student. Ivy Wilson married Frederick Henry Russell on 23 December 1933 at St Mary's Church of England Caulfield, and had one daughter - Nola, who gifted this folio to the University’s permanent Historical Collection. Ivy died on 17 November 1998 at Caulfield.Silver cloth covered photo album of artworks by Ivy Wilson. Gift of Nola Jones, daughter of Ivy Wilson, 2016 Contains original stencils, plus four photographs of a works kept by Ivy Wilson's family (2016).(Handwritten note) This art is the work of Ivy Wilson. born" 5th July 1907 to Charlotte & Edward Wilson of 17 Mair St. Ballarat. Attended Humffray St. Primary School and Ballarat School of Mines 1922. Married: Frederick Henry Russell December 23rd 1933 at St Marys CofE Caulfield Died 17th November 1998 at Caulfield. Mother of one daughter, Nola. ivy wilson, ballarat tecnical art school, artwork, dana street primary school, alumni, stencilling, stencils, embroidery, textiles, design

Watkins created his sculpture for an exhibition in Melbourne 1866: "I dressed the pillar about 2 foot 6 inches high and 16 inches square and proceeded to carve in each panel representation characteristic of Victoria 1st Panel a Kangaroo in a small scrub thicket, 2nd an Emu amongst a clump of little flowering correa; 3rd the Wimmera Down and on the 4th side my name and the date AD 1866 On the top of the pillar was an urn of globular form to represent the seed pod of the Eucalypti with spreading leaves underneath" Extract taken from 'Victoria's Wonderland' a Grampians history Monument now in private handsHeatherlie Quarry; Obelisk : Photo shows stone monument created by Francis Watkins using materials from quarry Photo shows two sided view of monument with large stone on topquarrying, mt difficult quarry

Letter to Yarra Trams drivers, dated July 2009, about tram-to-tram collisions and derailments. Has photos of incidents, notes on contributing factors, the need to be vigilant at all times, and the issues when points are missed. Signed by Paulo Correa. Demonstrates a Yarra Trams communication with drivers about safety matters.Document - 3 A4 sheets, stapled in the top left hand corner.trams, tramways, yarra trams, shunting, points, training, derailments, collisions