The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This object is a German bible printed in 1702. It was published by Sebastian Göbels at the town of Schleusingen in the Thüringian Forest, and has 1770 pages. The bible was brought to Australia by the Haeusler-Klinge family when they migrated to South Australia in 1846. Ferdinand Haeusler came to Wodonga with other German families in 1866, bringing the bible with him. This item significant due to its age and rarity. It has well documented provenance and a known owner. It forms part of a significant and representative historical Haeusler Collection, which reflects the local history of Wodonga. It contributes to our understanding of European colonisation and settlement in Wodonga and north east Victoria in the mid nineteenth-century. A large bible printed in German and bound with brown leather. bible, christianity, german, germany, immigration, 1800s, 1700s, prussia

A charming example of 18th century Georgian silk embroidery. All the sprigs have a small piece of parchment behind them, onto which they are embroidered. Lining has been replaced, and a viewing area left for study purposes. In 1930 this piece was used as a christening shawl.18th Century cream satin with coloured silk floral sprays placed regularly all over the cloth, with a floral border. Some metal threads are also used.embroidery, silk embroidery, table cloth, 18th century, england

It belonged to the donor's husband's Great Aunts, the Misses Sanders.Triangular shawl in black net with darned pattern of flowers in brightly coloured silks. But judging from the colours of the silks it is probably 19th century from a small amount of research, it could possibly be Russian.It has a small tag attached which says it dates to the 18th century.embroidery, shawl, 18th century

This map from the mid-18th century doesn't include the finer details of land and sea masses that we know today. The map was produced by German cartographer and publisher, Johann Baptist Homann (1663-1724) and published in 1746, after his death. Earlier versions were published, such as 1707 and 1716. The date can be calculated from the Roman numerals on the top left text area. This print of a map is significant for its connection with early world explorers. A comparison of maps over the centuries shows the progression of navigational technology, the countries who claimed the land they explored. The naming of even some Australian locations shows who had already made their mark on Australia in the early 18th century. The print shows the fine details included by the cartographer and the beauty included that makes it attractive and interesting even today. The map is also significant for its connection with German cartographer, Johann Baptist Homann, whose Homann publishing company was renewed in Germany for producing high quality maps and atlases. Map behind glass in dark brown wooden frame on beige paper. The Coloured hand drawn line drawings show different hemispheres of the known world in the mid-18th century. Beautifully drawn figures and decorative embellishments enhance the map. The text on the top right has an explanation of the Figures I, II, III, and IV. This print of the 1746 map was produced in England by Leisure Arts Ltd. "PLANIGLOBIL TERRESTRIS" "MDCCXXXXVI" [1746] "MAPPE_MONDE" [Medieval Map of the World] "LEISURE ARTS LTD" "Printed in England"flagstaff hill, warrnambool, flagstaff hill maritime museum, flagstaff hill maritime village, flagstaff hill maritime museum and village, shipwreck coast, world map, french map, 18th century map, leisure arts ltd, cartography, early exploration, cartographer, johann homann (1663-1724), exploration, naviagtion, 1746 planiglobil terrestris

Piece originally belonged to donor's mother-in-law, Constance Simson. Note attached "Beadwork over 150 years old North Ireland, Late 18th century"Canvas work piece on red canvas. Background is worked in red silk with beautiful floral beadwork in shades of grey, black, white, bronze.embroidery, canvas, beadwork, ireland, 18th century

While the date of when this box was made is unknown, there is an inscription on the lid that indicated that the item was owned by a J. E. Huderric in 1767. A snuffbox is a small decorative box used to store scented tobacco powder and were commonly used by men and women in the 17th and 18th century.The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.A decorated small black box. It is rectangular and opens up with a lid. The lid is decorated on the outside corners and a centre diamond shape using opal coloured flaked gems.J. E. Huderric 1767/ [inscribed on the lid] A01197/box, drugs, tobacco, 18th century

Fashion Item. Bonnet veils were very fashionable during the 19th century. At this time old lace was highly valued - in this case old Argentan needle lace motifs (mid 18th century) have been reclaimed and appliqued onto machine made cotton net to form this 19th century bonnet veil. Probably home-made.Mid 18th century Argentan needle lace motifs appliqued onto machine-made cotton net.lace veil, bonnet veil.

Ramie is the generic name for a bast fibre fabric made from the stems of plants in the wider nettle family. "Grass Cloth" (Ramie): Known as China grass, ramie, or rhea, this nettle fabric was used similarly to flax linen and was often imported from East Asia. Bleaching Process: In the 18th century, linen was spread on grass (often called "bleach greens" or "bleachfields") and watered regularly to create a "sun-bleached" look without chemicals. Significance: Linen was crucial for clothing (shifts, shirts) and household textiles.Made from grass linen with a decorative circle at the back in floral embroidery and the rest is scattered with tiny flower heads. The edge has a fine leaf decoration and 3 tucks with draw string.embroidery, bonnets, 18th century, holland

A large 1959 calendar with a print titled 'Telling the Tale.' The print depicts 9 gentlemen enjoying a dinner in the late 18th century. The room has a carved stone fireplace, oak panelling and many shooting trophies. The clothes being worn are typical of the 1770's Coats of velvet, elaborate waistcoats and lace ruffles at the throat and wrists. The artist is Vine Lerche. A Bemrose Gravure Reproduction. Morgan Fairest Ltd. Sole manufacturer of the 'Banks' Labellers. Sheffield 4 England.drawing, reproduction, calendar, lydia chancellor, collection, calander, history, print, 18th century history, 'telling the tale, ' vine lerche, art, artworks, 18th century clothing, drawing

Calling Card Cases were used by the aristocracy in 18th Century Europe as it was requirement in genteel society to leave a calling card when visiting a household. According to the Hallmarks on the case it was made in 1774 by the Adie Brothers Ltd. in Birmingham, England.The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.A silver rectangular case that features an angled hinged lid.LID: Lion symbol / B (Hallmarks) LIP: A BROS LTD/ Anchor symbol / Lion symbol / B (Hallmarks) CASE BACK: A157418th century, european

The book has a plain brown leather cover, the front of which is scuffed, stained and completely detached from the spine. On the spine is printed Bankes's Bible, an alternative title. The pages contain text, black and white plates, images and engravings. Some of the pages are torn, others have been repaired with paste. The dedication by Thomas Bankes, a clergyman, is to his Bishop Lord James Beauclerc. All the 's' letters are written as ' f'.non-fictionThis is a family bible circa late 1700's18th century literature, family bible, 1786 bible, warrnambool, bankes bible

Donor's mother brought this from the west of Ireland in 1950. Said to have been embroidered by her grandmother and her ladies in 1780-1800. (This may be a later rather than actual date). Knotting was a genteel pastime for leisured ladies requiring little concentration, so conversation could be carried out. Favoured at Court and practised in England in the late 17th C in William and Mary's reign and Queen Anne's reign in the early 18th C.Knotting was a genteel pastime for leisured ladies requiring little concentration, so conversation could be carried out. Favoured at Court and practised in England in the late 17th C in William and Mary's reign and Queen Anne's reign in the early 18th C. A knotting shuttle, larger than a tatting shuttle, made knots at every quarter inch or 6 mm intervals in string, linen, silk or wool. Mrs Mary Delaney enjoyed knotting and preferred linen thread which was stronger. The Ulster Museum in Belfast holds an embroidered bedcover by Delany, one of the few complete pieces of embroidery made by her. The threads between the knots was dependent on the thickness of the thread. This fashionable occupation was often mocked by men, Sir Charles Sedley, a wit and libertine wrote a verse mocking Queen Mary, the dull Protestant wife of William 111: "Blest we, who from such queens are freed/ Who, buy vain superstition led,/ Are always telling beads;/But here's a queen now, thanks to God/ Who, when she rides in Coach abroad/ Is always knotting threads. In the Spectator of 1712 it was suggested that men might take up knotting. Dr Johnson attempted to learn the skill but told Boswell "I once tried knotting: Dempster's sister undertook to teach me, but I could not learn it." Knotted linen thread couched onto white linen bed cover. embroidery, whitework, bedcover, 18th century, ireland

White work on lawn. A large spray of flowers in padded satin stitch and a little seeding. Classical design.embroidery, whitework, flemish sample, 18th century

Worked by Isabella Clark. Item known to be 153 years old in 1938. The name possibly suggests the ruffles could be of Scottish origin.Fine muslin with floral design and drawn fabric patterns along the ruffle edge. White on white. Filling stitches in the flower motifs.embroidery, dresden (point de sax), dresden work, whitework, drawn fabric, 18th century, scotland

Fine linen Ayrshire Baby's Bonnet, classical style with floral design brim border in padded satin stitch and needle lace filling. The design also includes a great number of small embroidered spots. The back has a decorated circle with a needle lace filled star in the centre surrounded by a buttonhole scallop border.embroidery, bonnets, ayrshire work, late 18th century, scotland

Possibly Jacobean embroidery.Beige twill linen with a continuous design of flowers worked in coloured crewel wools. Mostly fine chain stitch used but some flower heads are in buttonhole stitch. Backed with a cream cotton material for protection.embroidery, fragment, crewel, 18th century

Originally belonged to the wife of William Pitt, first Earl of Chatham, 1708-78, and has been handed down from generation to generation and was the property of the donor.William Pitt, 1st Earl of Chatham (15 November 1708 – 11 May 1778) was a British Whig statesman who served as Prime Minister of Great Britain from 1766 to 1768.Large silk shawl with 130 mm black silk fringe. Black centre with colourful, dense floral or paisley (Jal) patterned border on 4 sides.embroidery, weaving, shawls, mid 18th century, france?

The British Royal Navy’s warship HMS Victory was once Lord Nelson’s flagship. The HMS Victory was built in 1765 and after serving active duty is now, in 2019, still a ship of the Royal Navy, in dry dock undergoing continuous restoration to preserve her for display as a museum ship, due to the vessel’s significant naval history. Battle of Trafalgar: On October 21, 1805, twenty-seven British ships of the line, led by Admiral Lord Nelson aboard HMS Victory, defeated thirty-three French and Spanish ships of the line under French Admiral Villeneuve. The battle took place in the Atlantic Ocean off the southwest coast of Spain, just west of Cape Trafalgar, near the town of Los Caños de Meca. The victory confirmed the naval supremacy Britain had established during the course of the eighteenth century and it was achieved in part through Nelson's departure from the prevailing naval tactical orthodoxy of the day. Conventional practice at the time was for opposing fleets to engage each other in single parallel lines, in order to facilitate signalling and disengagement and to maximise fields of fire and target areas. Nelson instead arranged his ships into two columns to sail perpendicularly into the enemy fleet's line. During the battle, Nelson was shot by a French musketeer and he died shortly before the battle ended. Villeneuve was captured, along with his ship Bucentaure. He later attended Nelson's funeral while a captive on parole in Britain. Admiral Federico Gravina, the senior Spanish flag officer, escaped with the remnant of the fleet. He died five months later from wounds sustained during the battle. It was prior to this battle that Nelson had issued his now-famous final orders to his ships in 12 separate flag-hoists “England expects that every man will do his duty”. This wood sample is historically significant for its association with Admiral Lord Nelson the Battle of Trafalgar. Through Nelson’s leadership and unorthodox battle tactics, he secured not only a victory against the French and Spanish but reaffirmed Britain's naval supremacy opening the way for Britain to continuing the policy of colonisation of many countries including Australia.A coloured postcard of a sailing ship, warship or battleship, deck cannons on the ship and in the foreground, many signal flags flying from the masts. Printed on the front "H.M.S. Victory Flying Lord Nelson Famous Signal". The signal was given by Lord Nelson in 1805.Printed on the front "H.M.S. Victory / Flying Lord Nelson Famous Signal"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, post card, postcard, sailing ship, vice-admiral lord nelson, horatio nelson, lord nelson, oak piece, piece of oak, nelson, battle of trafalgar, maritime technology, ship relics, 18th century warship, british royal navy, sir home popham’s telegraphic code, admiralty official day signal book, october 21, 1805, admiral lord nelson, french and spanish navies, nelson's famous signal, england expects that every man will do his duty, hms victory, nelson collection at lloyd's, lloyd’s of london, lloyd’s patriotic fund, napoleonic battles, british naval history, 18th century warship, 18th century battleship

Hard cover book,Modern History: or, the Present State of All Nations Vol III Author: Mr Salmon (Thomas Salmon) Illustrator: Herman Moll Publisher: T Longman and T Shewell, London. Date: 1746 (MDCCXLVI), 3rd Edition Further Information: Set of Three Volumes. Hard covered book has reinforcing on the spine and corners. The cover is very well worn and has remnants of a coloured design. The fly page is printed in red and black ink and has a long description of the contents. Inside the cover is printed a Coat of Arms, there is a stocker on the inside cover. non-fictionThis 1746 3rd Edition of Thomas Salmon’s Modern History is a fantastic slice of Enlightenment era geography and publishing history. It sits at a fascinating intersection of early modern travel literature, top tier cartography, and the rise of one of London's most famous publishing houses. Thomas Salmon’s Modern History: or, the Present State of All Nations was an ambitious encyclopedic project. Rather than focusing strictly on dynastic timelines, Salmon took a modern geographical and ethnographic approach. For each region covered, he detailed its geography and climate, along with its natural resources, plants, animals, and minerals. Culture and society were covered by focusing on local habits, dress, religious rites, laws, customs, and architecture. Economy and trade were also detailed, including the arts, sciences, husbandry, and commercial manufactures.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, pattison collection, ralph eric pattison, warrnambool mechanics’ institute, mechanics’ institute library, warrnambool library, free library, corangamite regional library service, mr salmon, thomas salmon, 18th century, 1746, history, geography, social studies, culture, maps, modern history, present state of all nations vol iii, herman moll, t longman and t shewell, social history, cartography

18th century Chinese Junk model

This fine white unglazed porcelain figurine is one of six donated together. The bisque material was easy to carve and allowed fine detail. Figurine ornaments were popular for table decorations between the mid-18th to early 19th centuries. This ornament was made in Germany, and German manufacturers began to use bisque material to make realistic faces for dolls in the 1850s.The set of six bisque figurines is representative of popular table decorations during the 19th and early 20th centuries.Fine unglazed white porcelain ornament, carved to represent a boy holding a basket on his back. One of a pair, the other being a girl holding a basket on her back. The hollow basket is a vase. It was made in Germany. No 0847. Marked "0847" "GERMANY GASP"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, bisque, china ornament, white china ornament, german, porcelain, unglazed porcelain, 19th century, 18th century, european ornament, pottery, unglazed pottery, domestic ornament, decoration, table decoration, germany, boy with basket, vase

This fine white unglazed porcelain figurine is one of six donated together. The bisque material was easy to carve and allowed fine detail. Figurine ornaments were popular for table decorations between the mid-18th to early 19th centuries. This ornament was likely made in Germany, and German manufacturers began to use bisque material to make realistic faces for dolls in the 1850s.The set of six bisque figurines is representative of popular table decorations during the 19th and early 20th centuries.Figurine; unglazed white porcelain ornament, hollow inside. It is carved to represent an angel with two children, a boy and a girl. The surface is decorated with tiny gold balls and the angel wears a gold tiara. There are remnants of gold, orange, green and brown paint. No 1914. "1914"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, bisque, china ornament, white china ornament, german, porcelain, unglazed porcelain, 19th century, 18th century, european ornament, pottery, unglazed pottery, domestic ornament, decoration, table decoration, figurine, angel figurine, germany, angel with children

This fine white unglazed porcelain figurine is one of six donated together. The bisque material was easy to carve and allowed fine detail. Figurine ornaments were popular for table decorations between the mid-18th to early 19th centuries. This ornament was likely made in Germany, and German manufacturers began to use bisque material to make realistic faces for dolls in the 1850s.The set of six bisque figurines is representative of popular table decorations during the 19th and early 20th centuries.Fine unglazed white porcelain ornament, hollow inside. It is carved to represent a peasant girl and goat with a vase shaped like a tree stump in the background. The ornament has remnants of gold, red, brown and green paint. There is an inscription on the base."3943:warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, ornament, flagstaff hill, flagstaff hill maritime museum and village, maritime museum, maritime village, great ocean road, shipwreck coast, bisque, china ornament, white china ornament, german, germany, porcelain, unglazed porcelain, 19th century, 18th century, european ornament, pottery, unglazed pottery, domestic ornament, decoration, table decoration, girl and goat, vase

This fine white glazed porcelain figurine is one of six donated together. The bisque material was easy to carve and allowed fine detail. Figurine ornaments were popular for table decorations between the mid-18th to early 19th centuries. This ornament was likely made in Germany, and German manufacturers began to use bisque material to make realistic faces for dolls in the 1850s.The set of six bisque figurines is representative of popular table decorations during the 19th and early 20th centuries.Fine glazed white porcelain ornament, carved to represent three children sitting on three brick fence pillars. There are gold highlights on the surface. The hats on the children are vases. An inscription is on the base of the centre pillar."6946"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, bisque, china ornament, white china ornament, german, germany, porcelain, unglazed porcelain, 19th century, 18th century, european ornament, pottery, unglazed pottery, domestic ornament, decoration, table decoration, children on a fence, vase, candle holder

This fine white unglazed porcelain figurine is one of six donated together. The bisque material was easy to carve and allowed fine detail. Figurine ornaments were popular for table decorations between the mid-18th to early 19th centuries. This ornament was most likely made in Germany, and German manufacturers began to use bisque material to make realistic faces for dolls in the 1850s.The set of six bisque figurines is representative of popular table decorations during the 19th and early 20th centuries.Ornament, fine unglazed white porcelain, carved to represent a woman standing in front of a green vase. flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, bisque, china ornament, white china ornament, german, porcelain, unglazed porcelain, 19th century, 18th century, european ornament, pottery, unglazed pottery, domestic ornament, decoration, table decoration, vase, woman with vase, germany

This wooden proddey has a rounded handle and a cone shape with a point at the bottom. It is used for making rag rugs. The wood is discoloured at the pointed end, indicating that is has been used. The tool is part of the W.R. Angus Collection. Traditionally, in the 18th and 19th centuries, rag rug making was a domestic craft. Old or worn-out fabrics and clothing would be cut into strips then proddey would be used to poke the strips through a woven backing fabric. The fabrics were re-purposed and the rugs provided warmth or protected the floors from fluids or dirt.The proddey is an example of a tool used for rag rug making, in the 18th and 19th centuries. The handcraft returned to popularity in the early 20th century. W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool.Proddey; teardrop or conical shape, light-coloured wood, used for rag rug making. Tool has a rounded handle and is decorated with two scored lines around the top of the cone. Part of the W.R. Angus Collection. Dr Angus lived and worked in Warrnambool with his family from the 1930s to the 1960s. He was the last doctor to pe appointed as a Port Medical Officer. He and his wife were actively involved in the local community. He enjoyed several pastimes, such as billiards, weaving, pastel drawing and rag rug making.warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, hand craft, homemade, rag rug, rug making tool, proddie, recycled fabric, cottage craft, 18th century, 19th century, handmade, floor mat, mat, rug, w.r. angus, craft, handcraft, recycle

This fine white unglazed porcelain figurine is one of six donated together, and one of a pair of two children carrying baskets on thei. The bisque material was easy to carve and allowed fine detail. Figurine ornaments were popular for table decorations between the mid-18th to early 19th centuries. This ornament was made in Germany, and German manufacturers began to use bisque material to make realistic faces for dolls in the 1850s.The set of six bisque figurines is representative of popular table decorations during the 19th and early 20th centuries.Fine unglazed white porcelain ornament, carved to represent a girl holding a basket on her back. One of a pair, the other being a boy holding a basket on his back. The hollow basket is a vase. It was made in Germany. "1084" "105" "GERMANY"flagstaff hill, warrnambool, maritime museum, bisque, china ornament, white china ornament, german, porcelain, unglazed porcelain, 19th century, 18th century, european ornament, pottery, unglazed pottery, domestic ornament, decoration, table decoration, germany, girl with basket, vase

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Traditional flock wallpaper. 1970s reproduction of 17th or 18th Century design. Damask pattern.Verso: "67547 D3 p [in blue]decorative arts & design, wall coverings – history, wallpapers – history, interior decoration – history