Newspaper clippings titled: “Call for overhaul of ageing tram network” by Timna Jacks Newspaper clipping from the Age 16/02/2021 Document prepared by Keolis Downer, owner of Yarra Trams, has been released under freedom on information. "MR4 - Franchise Rolling Stock Strategic Plan" was prepared as part of bid for 7 year contract to run Melbourne's tram network in 2017. Key findings of report include: - tram fleet is ageing and needs an overhaul - risk to safety and service delivery with older trams - by end of contract in 2024, all trams over 20 years old (about 78%) would have exceeded by dates - ageing workforce with specific knowledge of tram network, around 30%, expected to retire within 10 years Operation of tram network costs about $2.7 billion over 7 years.trams, tramways, yarra trams, keolis downer, rolling stock

The Army Catering Handbook - Pamphlet No. 3 - Stewards 1975Australian Catering Corp Booklet Pamphlet No. 3 - Stewards 1975Off White cardboard front and rear. Interior pages white but slight ageing.Official Use only. DSN 7619-66-093-1204 australian army handbook, catering corp - stewards

2005 Worner Research Lecture Health and Ageing in 2025, the boomers go grey. 18 pages. Published by La Trobe University Bendigo campus.Professor Hal Swerissenmedical, health & ageing, health & ageing, demographic ageing, ageing & health care costs, worner research lecture.

The Department of Health and Ageing has concerns over the quality of care provided by Cambridge Aged Care and has undertaken regular site visits.News article; text and image.nursing homes, cambridge aged care

Bendigo Gas Company - Transfer Journal / large hard covered Journal ( leather-bound ) brown with ruled pages with columns showing seller and purchaser of shares , dates payments etc. / front shows Bendigo Gas Company - Transfer Journal in gold lettering on a red background /some ageing and damage /entries begin September 9th 1859 - last entry 22.7.1881bendigo, buildings, bendigo gas company, bendigo gas company

This wallpaper section is from the original Warrnambool Lighthouse Keeper's Quarters built in the late 1850s on Middle Island, and the building was moved to Flagstaff Hill in 1871-72. The wallpaper was salvaged from Assistant Keeper's residence (Shipwreck Museum) during heritage works in 2023, to upgrade the ageing exhibition space in the historic building.The wallpaper section is significant for its association with the Warrnambool Lighthouse Keeper's Quarters from the late 19th to early 20th centuries. It is also significant as an example of the paper, method of displaying and pattern on the paper, an indication of the materials and patterns available to decorate homes in those times.Wallpaper sample, irregular shape. Wallpaper has been recovered from behind a 1970s built feature in the Warrnambool Lighthouse Keeper's Residence, Assistant's Quarters. The light-coloured textured paper has a small cream-coloured embossed pattern. The sample has two layers of thickness and the back layer is two overlapping pieces. There are holes along the edge where the paper was fixed to another surface.flagstaff hill, warrnambool, maritime museum, shipwreck coast, warrnambool lighthouse keeper's quarters, wall paper, domestic furnishings, wall covering, domestic soft furnishing, wall decoration, wallpaper section, wallpaper, late 19th century wallpaper

Rick Morris established Markwood Estate in 1971 with a philosophy for making wine of very high quality using chemical-free, traditional methods, both in the vineyard and also in the winery. The vineyard is deliberately not irrigated in order to induce more intense flavour into the fruit. The wines have a very long ageing potential if cellared under the correct conditions.Black and white photograph of a vineyard and winery buildings, with a windmill.On back of photo: "95% [upper case D in small circle] Markwood"wineries, north east victoria, wine industry, vineyards, markwood winery, rick morris, winemaker

Gold coloured plate set on to wood. The following is inscribed: Aged Care Australia 1995 National Conference and Trade Exhibition Best Display Stand National Centre for Ageing and Sensory Loss Award presented at the 8th National Conference Awards Dinner, Sponsored by Tunstall Australia, National Convention Centre, Canberra, Wednesday 8 November 1995 Paul Wilmot - President Richard Gray - Executive DirectorGold coloured sheet with black writing on wooden rectangleassociation for the blind, awards

Comparatively few weatherboard houses in Kew survived from the early years of settlement into the second half of the 20th century. One such property was ‘Reno’, which once stood on the east side of St John’s Parade. Its earliest recorded owner was the architect Samuel Cocking who lived there from c.1865 until his death in 1888. The original landholding was bordered by Cotham Road, Glenferrie Road, Wellington Street, and Charles Street. The southern portion of this land included a fine orchard, with many imported trees. The old summer house, at first in the orchard, was later removed to the house garden. The MMBW Detail Plan No.1576 (1904) shows the remaining portion of the original land holding, including a semi-circular pathway at the front, and garden features such as an aviary, a fountain and grotto, and a fernery. None of these are apparent in photographs dating from the 1960s, where the garden, which once included rare plants provided by Baron Von Mueller, surrounds the cottage in a tangled frenzy. Despite a ‘local significance’ classification by the National Trust, the house was demolished in 1977.Wallpaper fragment from ‘Reno’. This large single example is interesting as it represents a change in fashion and style from the finely drawn flowers (1971.0002.1) of an older paper, parts of which can be seen behind this sample. Typically the updating of wallpapers was accomplished by laying a new paper over the old. The ‘newer’ wallpaper is of a single colour, the tone of which may have suffered from colour distortion due to ageing. The new block-printed design, featuring repeated sprays of flowers and leaves combines a bold use of colour with an elegance of design.reno, st john's parade, kew, samuel cocking, wallpaper

This is an example of Melbourne Legacy promotional material that was issued to inform the public on the work of Legacy. It was a snapshot of statistics to help inform people about Legacy. Comparing two cards, the number of widows doubled between 1966 and 1982, but the number of children in 1982 was less than a third of the number in 1966. It shows that Legacy had an influx of ageing widows to take care of. Years 1966, 1967, 1968, 1969, 1970, 1972, 1973, 1982. The cards were part of a scrapbook of Legacy material, mostly promotional material, from the 1960s to 1990s.An example of promotional material issued by Legacy in 1966 and 1982.Small card used to provide statistics about Legacy's work during Legacy Appeal week (several years between 1966 and 1982). Years 1966, 1967, 1968, 1969, 1970, 1972, 1973, 1982.legacy promotion, statistics

A foundation day speech in 2002 by Past President, Legatee George Woodward. Instead of looking at the history of Legacy from a timeline perspective he chose to look at old Bulletin articles and comment on aspects of what he read. He mentions they provided a sense of belonging, of fun, sadness, enthusiasm, and activity. It gave him a different view of the founding legatees, other than as ageing old men, they were young men full of energy and enthusiasm. There were notices of marriages and children, leave taken for honeymoons etc. 'I received a terrific sense of family in reading through these early Bulletins'.A speech given at a Legacy function to commemorate the day on which Legacy was founded that has information about the early years of Legacy.White A4 paper x 5 pages with black print of 2002 speech by George Woodwardfoundation day, george woodward

Photo of Harry Tinson who was winemaker at Baileys in Glenrowan from 1968 until 1982. An ageing Alan Bailey (greatgrandson of founder Richard Bailey) sold the winery to Davis Consolidated Industries (mainly a gelatine producer). At the time Harry Tinson, with a Master’s degree in physical engineering, was in the corporate planning department of Davis. The board had decided it wished to diversify into wine production and Tinson was charged with the responsibility of finding a suitable target. He came up with Baileys, and was instructed to negotiate the purchase of a 50 per cent share in the business. Bailey said “all or nothing” ! (James Halliday – news article 22/01/2011)Colour transparency photograph of a man standing in front of a timber panelled wall, featuring an advertising poster for Baileys Bundarra Vineyardswineries, north east victoria, wine industry, baileys, winemaker

Humber 1 ton trucks were a short term replacement for ageing White Scout Cars.The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Black and white photograph of three soldiers of 8/13 Victorian Mounted Rifles with two Humber 1 ton trucks . facing camera is Trooper Bill Cameron.

non-fictionTraces three periods of Hanrahan's practice: early development; first major period of printmaking 1963 to 1967 and her second since 1967. Focuses on major themes and motifs and contains a small proportion of images made since 1960, many exploring her family and womens' lives. These themes and the tactile quality of her practice are woven into her 9 published novels, and text often appears in the prints. Includes list of solo exhibitions, a bibliography and biographical details.printmaking, lithography, etching, linocut, screenprinting, wood engraving, writing, sexuality, family, identity, drypoint, popular culture, body, motherhood, ageing, gender

Skincare cosmetics used for ageing skin have been a priority for over 3000 years, in ancient times masks were used to cleanse and maintain the moisture of the skin. The Egyptians used anti-wrinkle creams made with the essential oil of frankincense which claimed to possess anti-inflammatory properties. Thick creams use on the face were created to preserve moisture on mature skin. And were formulated from resin, wax, oil, grass, and plant juice, In the 1700s, face toners and scented water were popular. Cold cream made with scented oils, spermaceti, and wax mixed with rose water and ambergris was a common toilette preparation. But it was the 20th century when face cosmetics entered their golden era and mass production made cosmetics available to women of all classes. An item used to store face cream from the 1920s when face creams and other cosmetics started to become available to all classes of women and no longer were these types of preparations only available to women of financial means.Clear glass jar with "hobnail" pattern and brass lid used to hold face cream cosmetics.Lid decorated with a relief design of 5 cherub heads and cloudsflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, glass jar, cosmetics jar, toilet article

Mervyn 'Banjo' Harris (born 4/3/1914) was the eldest son of Walter 'Bob' and Zillah Harris of Bendigo. He enlisted in the C.M.F. 8th L.H. February 1937. No V22764. He enlisted in the A.I.F. 7th January 1941 when the 8th light horse disbanded. He was then posted to he 143 P.O.W. camp Murchison. He was made a Sgt. at Geelong.Paper Certificate with Australian military forces logo and some slight ageing evident. Reads: Australian Military forces Certificate of Discharge certificate no. 66757 This is to certify that v22764 Sgt Mervyn Sylvester Walter Harris- 6 Aust. Aux. House fnanopant cay who enlisted for the C.M.F on the 25th day of Nov 1939 and who served on continuous full time war service in the Citizen Military Forces for a total effective period of nine hundred and fifty four days which included active service in Australia for 748 days outside Australia for [0] days is discharged from the Citizen military Forces during that service or by virtue of that service the soldier was awarded or became eligible for [no] medals and decorations [no] war badge. this discharge takes effect on and from the first day of may one thousand nine hundred and forty four. [signitures]Australian Military forces Certificate of Discharge certificate no. 66757 This is to certify that v22764 Sgt Mervyn Sylvester Walter Harris- 6 Aust. Aux. House fnanopant cay who enlisted for the C.M.F on the 25th day of Nov 1939 and who served on continuous full time war service in the Citizen Military Forces for a total effective period of nine hundred and fifty four days which included active service in Australia for 748 days outside Australia for [0] days is discharged from the Citizen military Forces during that service or by virtue of that service the soldier was awarded or became eligible for [no] medals and decorations [no] war badge. this discharge takes effect on and from the first day of may one thousand nine hundred and forty four. [signitures

Annual report on activities and financial performance of Kelaston, including the transition in funding model, launch of the Centenary Appeal to raise $1M to rebuild Kelaston, a staff team won the Ekiden Relay around Lake Wendouree, new service opened in Warracknabeal, long time committee member David Baird received an OAM, four residents enjoyed a holiday to Tye Estate at Romsey, two residents sailed on the tall ship 'Alma Doepel, two bantam hens and one rooster to the existing Cam and Sam cats as pet therapy, National Centre for Ageing and Sensory Loss chose Kelaston to be the location for it's training video, development of a attendant button when in the lounge of an evening when there is less staff, companion visiting program has begun, a Kelaston team won the Victorian A Grade Blind Bias Bowls in regional and state finals, and 'Keloca' Day centre in Avoca officially opened by Hon Rob Knowles, Minister for Aged care and Housing.1 printed volume with illustrationskelaston home (ballarat), association for the blind, corporation records

Loris BUTTON (27/02/1951- ) Born Melbourne Dr Loris Button grew up in Melbourne, completing undergraduate studies in painting and drawing at the Phillip Institute of Technology, followed by a Master of Fine Arts degree at the University of Tasmania. Her PhD thesis employed self portraiture as a means for reflecting on the self, time and ageing in contemporary culture. From 1981 – 1986 Loris lived and studied in Hobart before returning to Melbourne. She lectured at the University of Ballarat Arts Academy from 1987. Since 1990 she has lived and worked in Ballarat and the nearby town of Creswick. Loris retired from an academic career at the Arts Academy, University of Ballarat (now Federation University) at the end of 2010. Loris has continued a post-retirement association with the Arts Academy through her role as an Honorary Research Fellow. Working with prints, paintings and drawings on handmade paper, her work is regularly shown in both solo and group exhibitions throughout Australia and overseas. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Self portrait of artist.art, artwork, loris button, self portrait, alumni, available

Loris BUTTON (27/02/1951- ) Born Melbourne Dr Loris Button grew up in Melbourne, completing undergraduate studies in painting and drawing at the Phillip Institute of Technology, followed by a Master of Fine Arts degree at the University of Tasmania. Her PhD thesis employed self portraiture as a means for reflecting on the self, time and ageing in contemporary culture. From 1981 – 1986 Loris lived and studied in Hobart before returning to Melbourne. She lectured at the University of Ballarat Arts Academy from 1987. Since 1990 she has lived and worked in Ballarat and the nearby town of Creswick. Loris retired from an academic career at the Arts Academy, University of Ballarat (now Federation University) at the end of 2010. Loris has continued a post-retirement association with the Arts Academy through her role as an Honorary Research Fellow. Working with prints, paintings and drawings on handmade paper, her work is regularly shown in both solo and group exhibitions throughout Australia and overseas. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Oil painting on paper depicting a hand holding an egg, mounted on wooden panel.art, artwork, loris button, button, hand, egg, available

Loris BUTTON (27/02/1951- ) Born Melbourne Dr Loris Button grew up in Melbourne, completing undergraduate studies in painting and drawing at the Phillip Institute of Technology, followed by a Master of Fine Arts degree at the University of Tasmania. Her PhD thesis employed self portraiture as a means for reflecting on the self, time and ageing in contemporary culture. From 1981 – 1986 Loris lived and studied in Hobart before returning to Melbourne. She lectured at the University of Ballarat Arts Academy from 1987. Since 1990 she has lived and worked in Ballarat and the nearby town of Creswick. Loris retired from an academic career at the Arts Academy, University of Ballarat (now Federation University) at the end of 2010. Loris has continued a post-retirement association with the Arts Academy through her role as an Honorary Research Fellow. Working with prints, paintings and drawings on handmade paper, her work is regularly shown in both solo and group exhibitions throughout Australia and overseas. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Twenty Five unique state linoprints on handmade abaca and cotton rag papers mounted together with insect pins. This work formed part of the Artist's PhD research.art, artwork, loris button, printmaking, linoprint, doctorate, alumni, handmade paper, linocut