These two important books are part of a series produced in the 1880s but they have widely-different content. One describes the natural history of the Parish of Selborne in the County of Hampshire in England. It was written by the British naturalist and ornithologist, Gilbert White and first published in 1789. Since that time it has been republished over 300 times right up to the present day. It is notable for its charm and simplicity and for its description of a pre-industrial England. The other is by the American author, Walt Whitman, first published in 1871. It is a major work of comparative politics and expounds on the influence of the Louisiana Purchase and the expansion of the American spirit and character. It also denounces the post-Civil War materialism that had spread at that time in America. These books are of interest because of their antiquarian nature but they are mostly of local Warrnambool interest because of their inscriptions. The books belonged to William Hugh McMahon (1862-1936). William McMahon commenced a legal practice in Warrnambool in 1894, firstly in Liebig Street and later in Kepler Street. He was a prominent lawyer in Warrnambool for 30 years and a staunch adherent of the Presbyterian Church. He and his family lived at ‘Glenrye’ at the corner of Ardlie Street and Botanic Road, a site where the St. John of God Hospital was later established. These two accompanying volumes are in the Camelot Series (1887 and 1888). They are hard cover books with red covers and two ornamental patterns on the front cover (stylized urn and fan shapes). The urn pattern is repeated on the spines. ‘The Natural History of Selborne’ has 366 pages (a Preface and Chapters on the Natural History of Selborne, a Naturalist’s Calendar and Observations on Various Branches of Natural History) and ‘Democratic Vistas’ has 175 pages (a Preface and 12 Chapters). The latter has the remains of a label stuck to the front cover. The handwriting on the inside first pages are in black ink.1277.1: ‘W.H.McMahon, June 24th 1889, Warrnambool’ 1277.2: ‘W.H.McMahon, Sept. 4th 1891, Warrnambool’ gilbert white, english natural history, walt whitman, american politics, william mcmahon, solicitor, warrnambool., warrnambool history

A book titled 'The Life of Sir Walter Raleigh Statesman, Soldier, Traveller and Historian. The typical man of the Elizabethan Age; explorer of Guiana and founder of Virginia; court favourite and political martyr.' London: Ward, Lock & Co., Salisbury Square, E.C. 1 -15pgs. This booklet is one of a series of 53 'Ward & Lock's Penny Books for the People.' 'Biographical Series.' Price one penny. There are also advertisements of note.books, biography, sir walter raleigh, lydia chancellor, collection, sir walter raleigh, the life of sir walter raleigh, person, male, individual, soldier, traveller, historian, penny books, history, guiana, virginia, united states of america, american politics, ward & lock's penny biographies, ward & lock's penny books for the people, biographical series, biographies, penny books, advertisements

Contextualizing Native American LPP: legal-political, demographic and sociolinguistic foundations; conceptualizing Native American LPP: critical sociocultural foundations; Native American languages 1492-2012; Indigenous literacies, bilingual education and community empowerment: Navajo case study; language regenesis in practice; language in the lives of Indigenous youth; planning language for the Seventh GenerationMaps, b&w illustrations, b&w photographs, colour photographslanguage planning, language policy, native american languages, language standardisation, language restriction

.1) General information of WW2, various campaigns, political and sports. Page 3, Three photos of well known young film actresses. Page 4, Ginger Meggs cartoon comic strip. .2) Newspaper with general information of WW2 campaigns and political items.1) Yellowing newspaper of 8 pages, small photo on front page. .2) Yellowing newspaper of 4 pages, 2 small photos on front page..1) Guinea Gold Northern Edition (America) Vol.2 No136 In the Field, Sunday April 2, 1944. .2) Guinea Gold Special New Britain Edition Vol.2 No.127. In the Field, Friday March 24, 1944.guinea gold, newspaper, 1944, sports news, politics, ww2

In WWII New Guinea, GUINEA GOLD presented news to all troops "in the field". It avoided editorial comment. It published for 1320 continuous days, without missing a single edition. The front and back pages concentrated on current world news, including major sporting events. Page 2 was generally devoted to extracts from Australian and US newspapers. Some news was obtained by taking shorthand notes of short-wave radio bulletins from Australia, the U.S. and the B.B.C. At its peak, distribution was 37,000 to US forces and 27,000 to Australian forces, daily. The daily version had four pages and the WEEK-END SUPPLEMENT edition contained 8 pages (with extra pictures & cartoons).Guinea Gold" daily brought to the news-hungry men of the Australian and American forces serving in the steaming jungle, topics of interest to allay their boredom and boost their morale. It was able to do so because US General Douglas MacArthur, Supreme Commander of Allied Forces in the South-West Pacific, gave it permission to publish his communiqués 20 hours before the release time for the rest of the world's media. The newspaper contains Australian, American & world news (military, political, sports & tabloid).Eight editions of "Guinea Gold" from 1943 and 1944. 2103.1 is edition 7/6/1943. 2103.2 is edition 8/6/1943. 2103.3 is edition 12/6/1943. 2103.4 is edition 27/2/1944. 2103.5 is edition 26/3/1944 and is the Weekend Supplement. 2103.6 is edition 26/3/1944 and 2103.7 is dated 9/4/1944 and is the Weekend Supplement. 2103.8 is dated 18/5/1944 is a field editionguinea-gold newspaper ww11 pacific-campaign new-guinea

Pocket size book of blue colour ix, [54] p. : ill., mapsnon-fictionIn 1942, the United States issued Instructions for American Servicemen in Australia as a quick guide to Australia's people, politics, history and culture for Americans stationed there during the Second World War. It was one of several similar sets of instructions put together by the US government to help its soldiers, sailors and airmen adjust to life abroad. 1942, american soldiers, australia

Bibliography, Index, Chronology, ill (plates, col, b/w) maps. p.452.non-fictionFrom longbow, pike, and musket to Challenger tanks, from the Napoleonic Wars to the Gulf campaign, the Duke of Marlborough to Field Marshal Montgomery, The Oxford Illustrated History of the British Army recounts the history of the British army from its medieval antecedents to the present day. Drawing on the latest scholarship, this survey shows how British fighting forces have evolved over the last five centuries. The continuities revealed are sometimes surprising: narrow recruitment patterns, friction between soldiers and civilians, financial constraints and recurrent political pressure for economies are constant themes. Commanders, campaigns, battles, organization, and weaponry are covered in detail within the wider context of the social, economic, and political environment in which armies exist and fight. The British army has been remarkably successful in fighting terms, losing only one major war (of American Independence 1775-83). As one of the engines of empire it has been active all over the world, as well as shaping the internal destiny of the nation in civil war and revolution. Its history is charted in a sequence of chronological chapters, each containing special feature articles, beginning with the medieval, Elizabethan, and Restoration army and moving on through the eighteenth and nineteenth centuries to the two world wars of the twentieth. The book concludes with accounts of the army of British India, the amateur military tradition, the British way in warfare, and an assessment of what the future may hold in the light of the Options for Change review. Extensively illustrated in black and white and colour, and with a detailed chronology and further reading lists, this is the definitive one-volume history of the British army for specialists and non-specialists alike.great britain - military history, great britain - military tradition

Index, bibliography,ill, maps, p.310.non-fictionIn the last months of 1944, a group of elite Australian and British commandos was selected for the biggest Allied behind-the-scenes operation of the Pacific War. Their mission: to devastate the enemy's shipping by destroying the Japanese ships at anchor in Singapore Harbour. Operation Rimau, Britain's last throw of the colonial dice in South-East Asia, was intended as a body blow to the Japanese and a signal to the world that she would reclaim her Eastern Empire. Britain was trying to reclaim past glory - while Australia's wartime prime minister, John Curtin, had turned to America. In this atmosphere, Operation Rimau was planned ... Operation Rimau takes us inside the fierce conflict, and tells what really happened to these brave commandos - from the very beginnings of the operation through to their intense and courageous fighting in the South China Seas, and its aftermath. It exposes the sloppy planning behind the raid, and names the officers who betrayed and abandoned them in their hour of need, and details the political double-dealing which for so many years hid the real story behind red tape and bureaucratic lies.world war 1939-1945 - covert operations - australia, krait (ship)

Index, bib, ill, maps, p.613.non-fictionThis major global history of the twentieth century is written by four prominent international historians for first-year undergraduate level and upward. Using their thematic and regional expertise, the authors cover events in Europe, Asia, the Middle East, Africa and the Americas from the last century and beyond. Among the areas this book covers are: the decline of European hegemony over the international order; the diffusion of power to the two superpowers; the rise of newly independent states in Asia and Africa; and, the course and consequences of the major global conflicts of the twentieth century. This second edition is thoroughly updated, and includes extended coverage of European integration, the rise of supra-governmental organizations, and the 'global War on Terror'.world politics - 20th century, world politics 21st century

Index, bibliography, p.223.non-fictionAn essential new resource for students and teachers of the Vietnam War, this concise collection of primary sources opens a valuable window on an extraordinarily complex conflict. The materials gathered here, from both the American and Vietnamese sides, remind readers that the conflict touched the lives of many people in a wide range of social and political situations and spanned a good deal more time than the decade of direct U.S. combat. Hunt brings together the views of the conflict's disparate players--from Communist leaders, Vietnamese peasants, Saigon loyalists, and North Vietnamese soldiersvietnam war 1961-1975 – history, vietnam war 1961-1975 - sources

Index, ill, maps, p.176.That the Vietnam War represents a watershed in American military and political history no one doubts. But what sor of a watershed was it? Certainly it caused many americans to lose sme cherished illusions about why the United States goes to war, how it fights a war and on what terms it is willing to end a war. But in place of those lost illusions was anything substantial really learned?vietnam conflict - 1961-1975 - pictorial works, vietnam conflict 1961-1975 - history

Ill, p.317.non-fictionA first hand account of the revolutionary process in Vietnam after the collapse of American powervietnam - politics and government, vietnam - liberation - 1975

non-fictionProfessor of Art Linda Nochlin, and critic and art historian Thomas B. Hess respond to the question "Why have there been no great women artists?'. Nochlin writes of 'the women question' in art and beyond, addressing barriers in education and art schools negating full participation or studying the nude, the limiting definitions of 'greatness', domestic demands and class, and maintains it is the institutional structures that are the key to equality, and it is these which should be challenged and reformed. Hess addresses wrong attribution, the studio system, the relative freedoms in the Middle Ages before the Renaissance emphasised the male genius ideal and self confidence. Ten replies from artists follow, mainly responding to Nochlin's treatise. Elizabeth Baker, writes the final essay, charting the changes in regards to representation including issues surrounding quotas, recognition, the debates surrounding the contested definitions of female and feminist artists.and the frequent lack of support by female dealers, critics and curators.essays, feminism, studio practce, art history, gender, politics, discrimination, museolgy, curatorship, identity

Disston Saw Works of Philadelphia was one of the better known and highly regarded manufacturers of handsaws in the United States. During the Machine Age, the company was known as Henry Disston & Sons, Inc. a supplier of industrial saw blades. History: The story of handsaws in the United States mirrors the technical and development of steel in Sheffield, England, which was the center of handsaw production during the 18th century and through most of the 19th century. England's political and economic lock-on steel making in the colonies held American saw makers at bay until well after the Revolutionary War. American steel producers were unable to compete until the US government introduced import tariffs to level the playing field in 1861. Henry Disston: Henry Disston (1819–1878) began his career as an American saw maker in Philadelphia. He had emigrated from England in 1833 and started making saws and squares in 1840. In 1850, he founded the company that would become the largest saw maker in the world, the Keystone Saw Works. Some five years later, Disston built a furnace—perhaps the first melting plant for steel in America and began producing the first crucible saw steel ever made in the United States. While his competitors were buying good steel from Britain, he was making his own, to his specification, for his own needs. Disston subsequently constructed a special rolling mill exclusively for saw blades. Over the following decade, the Disston company continued to grow, even while dedicating itself to the Union Army's war effort. In 1865, when his son Hamilton Disston rejoined the business after serving in the Civil War, Disston changed the company's name to Henry Disston & Son. Henry Disston and his sons began to set the standards for American saw makers, both in terms of producing high-quality saws and files in 1865 through his development of innovative manufacturing techniques. In September 1872, Henry Disston and two other men dug a part of the foundation for what was to become the largest saw manufacturing facility in the world: Disston Saw Works. This was in the Tacony section of Philadelphia. Having previously moved his expanding business from near Second and Market Streets to Front and Laurel Streets. It took over 25 years to move the entire facility to Tacony. Henry Disston was renowned for having one of the first industries that exhibited environmental responsibility, as well as a paternalistic view towards his employees. For example, he had thousands of homes built in Tacony for his workmen. Funds to purchase these homes were made available through a building and loan association set up by the Disston firm. His caring influence on the community was evident in everyday life. To meet employees' cultural needs, a hall and a library were built with Henry Disston agreeing to pay a fixed sum towards its maintenance. The Tacony Music Hall was erected in 1885, also with the assistance of Disston money. Henry Disston had fallen ill by 1877 and never truly recovered; he suffered a stroke and died the next year. This came only one and a half years after seeing his products receive the highest honors at the great Philadelphia Centennial Exposition of 1876. His vision of a working-class community and the completion of the transfer of his enormous saw plant was carried out by his wife and his sons. The company, by the early 20th century, cast the first crucible steel in the nation from an electric furnace in 1906. The firm's armor-plate building near Princeton Avenue and Milnor Street contributed tremendously to the World War II effort. But the company's innovation and industriousness would not last forever. In 1955, with mounting cash-flow problems and waning interest on the family's part to run the firm, Henry Disston and Sons were sold to the H.K. Porter Company of Pittsburgh. Porter's Disston Division was sold in 1978 and became the Henry Disston Division of Sandvik Saw of Sweden. This division was then sold in 1984 to R.A.F. Industries of Philadelphia and became known as Disston Precision Incorporated, a maker of specialized flat steel products. In 2013, R.A.F. Industries sold Disston Precision Inc. in a private sale. Although the company has ceased making Disston handsaws, the Disston brand name still exists in this firm. A tool used to set and sharpen cross cut saws used to fell trees for building construction made by a well known American maker whos firm pioneered the making of saws and their related items including files.combination cross cut saw raker and gauge/jointerDisston USA in the castingflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

William Balfour Ker was a Canadian-American artist. He was also a declared socialist, and his political stance was often reflected in his art. This lithograph is a compelling illustration of the race against time sometimes faced by doctors when trying to get to a patient to assist in birth before the baby is born.A black and white lithograph. At the top right, a stork is flying through the air, with a baby bundled in a cloth which it is holding in its beak. To the left, a horse drawn buggy follows rapidly behind, with the driver wielding a whip and urging on a speeding white horse. The artist's signature printed at bottom right corner of image reads 'WM.BALFOUR-KER'. The lithograph has been mounted and framed in wooden frame. The outer edge of the frame is black, and the inner edge is gold. On the back of the object, a small piece of paper bearing the title of the lithograph has been attached at bottom centre. It reads 'A HURRY CALL, THE DOCTOR v THE STORK'. A second tag attached to the back of the work reads 'From FF', suggesting the donor of this object was Frank Forster. An old display label is attached to the bottom left of the back of the work. A wire and two hooks have been attached to the back of the frame for hanging. The artist's signature printed at bottom right corner of image reads 'WM.BALFOUR-KER'. A second tag attached to the back of the work reads 'From FF', suggesting the donor of this object was Frank Forster. An old display label is attached to the bottom left of the back of the work. A wire and two hooks have been attached to the back of the frame for hanging.obstetric delivery

Hardback book with a torn dust jacket. Dust jacket is black and white with a colour photograph of a street scene in front of a hospital building.non-fictionThis warm, personal document by an ordinary Australian girl who worked in Vietnam does not pretend to enter areas of speculation and reporting where experts are confounded. It is simple, homely, informative, disarmingly honest, and clothes the shadowed image of a suffering nation with flesh, blood and heart. Out of it walk the unknown ones, the forgotten ones, the ordinary people of Vietnam. In growing bewilderment Western readers have puzzled over millions of words about the politics and violence of Vietnam. Quietly, without fuss or humbug, Susan Terry lets in a little light and a lot of love. Here is something that is real, that one can accept and trust. For one memorable year she worked with an Australian medical team of civilian specialists in Long Xuyen Hospital on the Mekong Delta and met life in the raw. She reports on the Viet Cong, on children, on anguish, on cities and villages, on Americans, on Buddhists, on happiness, on people at many levels of society, on fascinating facets of everyday life. She writes of lives transformed by the surgeon's knife, of ignorance, fear and death, of a wonderland of human emotion. Perhaps unwittingly, Sister Susan Terry also reveals herself; young, fresh, and nice to know. To read her is to believe her. Her is something of truth out of Vietnam. (From inside dust jacket)australian nurses, vietnam war, civilian nurse, susan terry

The Book is part of a 25 volume set with red cloth bindings and gold filigree design to rib.non-fictionHenry Smith Williams’ “The Historians' History of the World” is a chronological and geographical "tapestry" of human events, these twenty five volumes occupy a very specific and prestigious place in historical research. Volume 20 focuses on the transformation period of England from the outbreak of the English Civil War to the late 18th century. warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, book, the historians history of the world vol 20 set 1, henry smith williams

For many years it was widely accepted that American political and diplomatic pressure was the reason for Australia's entry into the Vietnam War. However, top secret documents from the period indicate that: Australia had volunteered the use ofcombat troops some time before the decision was announced in April 1965.vietnamese conflict , 1961-1975 - australia, australian government

So much has been written from so many divergent points of view about the involvement of the United States in Vietnam that the entire issue has become obscured and the truth is difficult, if not impossible, for the general public to discern. vietnam war, 1961-1975 - united states, vietnam - politics and government

An account of the anti-Vietnam demonstration held in Washington in October 1967 that is 'also about the nature of politics and power, about why the Americans should and should not be in Vietnam, it's about anxiety, middle age and marriage...about the art of writing...' it's about action, totalilarianism, voilence, fear, boredom and all the facets of contemporary American schizophrenia. 1961 - 1975 - united states, 1961 - 1975, personal narratives, american, vietnam war, 1961-1975 - demonstrations-united states

Over the thrity years of his career as commander in chief (of Cummunist forces in Vietnam). Giap not only frustrated the designs of two nations far stronger that his own both militarily and technologically, but also continually built up the strength and capabilities of his own military forces, seamlessly integrating them into a resilient political infrastructure that he himself had no small hand in creating. generals -- vietnam -- biography, vietnam (democratic republic). qua^n do ^i -- biography

That the Vietnam War represents a watershed in American military and political history no one doubts.vietnam war, 1961-1975, vietnam - history, tet offensive, fall of south vietnam

The Vietnam War was the watershed of American military and political power in the 20th century.vietnam war, 1961-1975, tet offensive

The Vietnam War was the watershed of American military and political power in the 20th century.vietnam war, 1961-1975, tet offensive

The Vietnam War was the watershed of American military and political power in the 20th century.vietnam war, 1961-1975, tet offensive

Gregory Pemberton provides clear, scholarly, objective analysis of how Australia became involved in the Vietnam War. he unravels skillfully and systematically the complex skein of political and military events which led the Menzies Government to embark on this tragic commitment. He provides the most thorough and dispassionate account of Australian-American relations in the 1950s and 60s yet published.vietnamese conflict, 1961-1975 - participation, australian, australia - foreign relations - 20th century., united states - foreign relations - 20th century.

In 1965 Australia invited itself to a war. For many years it was widely accepted that American political and diplomatic pressure was the reson for Australia's entry into Vietnam War. vietnamese conflict , vietnam war

A fascinating comparison of two very different congressional heavyweights. Anyone attempting to come to grips with the complex relationship between American politics and the Vietnam War must read this book.vietnam war (1961-1975) - united states, united states - politics and government - 1963-1969