BHS CollectionHorwood Collection. Mine in Kneebone St., near Langhorne' Garage which was on the corner of Eaglehawk Rd., and Parsonage Street, Markings Wooden Poppet Legs. Markings; Mine in Kneebone St, Eaglehawk, near Langhorng's Garage. OCT65MKodakmine, gold, poppet head, horwood collection. mine in kneebone st., near langhorne' garage which was on the corner of eaglehawk rd., and parsonage street, markings wooden poppet legs

St Margaret’s Church of England was officially opened on December 12, 1861. It is the oldest intact church building in Eltham. At the time it was known as Christ Church until its consecration in 1871, when it was completely free of debt (£1,700 for the church and parsonage) despite the district’s poverty. This was largely due to the free labour and materials, including locally made bricks donated by local artisans and others. The church is historically significant because it is the oldest church in the former Shire of Eltham and has associations with the philanthropist and founder of Brighton, Henry Dendy (who donated the land on which the church is built), the architect Nathaniel Billing and the prominent local builder, George Stebbing. The church is architecturally and aesthetically significant because it is constructed in the Gothic Revival style with several stained-glass windows of various dates and is also a very early use of polychromatic brickwork in Victoria. Billing was one of the first Melbourne architects to employ polychromatic brickwork and an important early architect. The rear wall was intended to be temporary. A major feature of the design is the large buttresses with long, steeply graded upper faces. The overall design is well proportioned with the surface brick patterns relieving an otherwise austere design. The church is spiritually and socially significant because it has been an important place of worship for the people of Eltham for almost 150 years. The land on which the buildings stand was donated by Henry Dendy. Dendy arrived in Melbourne in 1841 after purchasing in England eight square miles at Brighton under the system of "special surveys". After this land passed out of his hands, Dendy moved about Victoria, visited England, then returned to settle in Eltham where he purchased a flour mill. Dendy chaired the meeting held in 1860 “for the purpose of devising such means as may be expedient for the establishment of a Church of England in the township of Eltham”. He became chairman and treasurer of the church committee. Unlike the establishment of many early churches in Victoria where a vicar was appointed to a parish and later a permanent church was constructed, the population at Eltham initiated action to build a church. The nearest church at that time was at Heidelberg and the Eltham settlement was part of the parish of St Johns Heidelberg. Isolation and the tedious, time consuming journey between Heidelberg and Eltham resulted in the Eltham community taking its own action. The original vicarage (Dendy House) at the rear of the church is also an important part of the cultural significance of this place because it is connected to the church and the development of the Eltham area. Together, the church and the vicarage are aesthetically significant because they form a significant streetscape feature. The mud-brick community hall designed by Robert Marshall was added in 1978. In 2014 the original temporary rear wall was removed as part of a modern extension designed by Architects Atelier Wagner and constructed by Conrad Construction and Management. Covered under Heritage Overlay, Nillumbik Planning Scheme. National Trust of Australia (Victoria) State significance Victorian Heritage Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p67 St Margaret’s Anglican Church in Pitt Street, Eltham, which officially opened on December 12, 1861, is the oldest intact church building in Eltham.1 With the nearby courthouse and police station, it was one of the first permanent community buildings in the district. The church and vicarage are on the Register of the Heritage Council of Victoria and the National Trust of Australia – Victoria. The church is important as an early example of polychrome brickwork by the notable architect Nathaniel Billings. It is also notable for its historic associations with the early settlement of the Shire of Eltham and its connection with Henry Dendy, Brighton’s founder.2 Henry Dendy, who lived in Eltham much longer than at Brighton, chaired the original meeting which planned the church, and he donated the half-acre (0.2ha) site. Dendy had arrived in Melbourne in 1841 after buying eight square miles (20.7sq km) at Brighton while in England. After this land passed out of his hands, he eventually settled in Eltham where he bought a flour mill, west from the corner of Main Road and Pitt Street (then called Brewery Lane). The vicarage was named Dendy House after him. The Eltham settlers were unusual in initiating the establishment of a church. Usually in Victoria a vicar was appointed to a parish and then a permanent church was constructed. But then, the nearest church was at Heidelberg, which was a tedious and time-consuming journey. St Margaret’s builder was a local, George Stebbing, who also constructed the former Methodist, later Uniting, Church at John Street and the Shillinglaw Cottage near Eltham’s Central Park. It is believed the first Anglican Bishop of Melbourne, Bishop Perry, dedicated the church. After the ceremony he joined in the festivities at the nearby pub and a bill was sent to the parish for teas taken there by the bishop with other participants. The first vicar was the Reverend Robert Mackie from 1864 to1866. St Margaret’s Church was originally called Christ Church until its consecration in 1871, when it was completely free of debt (£1700 pounds for the church and parsonage) despite the district’s poverty. This was largely due to the free labour and materials, including local bricks, donated by local artisans and others. St Margaret’s Church is in the Gothic Revival tradition with a buttressed nave, paired lancet windows, porch and bell-cote. It was the first polychromatic brick church in Australia, using softly contrasting coloured brickwork.3 Billing was one of the first architects to introduce polychrome brickwork into Melbourne. His original drawings for St Margaret’s survive in a folio of his architectural work. However the church’s brickwork is more subdued than in his drawings. About half the windows – those in clear glass with gold borders – are original. The stained glass windows were made much later, but the one behind the altar is thought to be the oldest in the Diamond Valley. It was to be temporary until the congregation could afford to extend the church. In the early 1960s the original cedar pews were replaced by blonde timber pews and the originals were sold to restaurants and to private individuals. Eminent local sculptor Matcham Skipper created a crucifix for the church. A major addition was made in 1978, when the weatherboard hall was replaced by a mud-brick hall. Made of local material, it was designed by local architect and a former shire president Robert Marshall. The mud-brick hall reflects the style of building in Eltham of the late 1970s and for which Eltham is well-known. Perhaps because its earthy tones blend with the surrounding environment, the hall sits well with the church building. St Margaret’s membership has included economist and ABC chairman, Richard Downing; political commentator, diplomat and academic, William Macmahon Ball; Eltham civic leader, Charles Wingrove; artist, Peter Glass; and Eltham’s first postmaster, Frederick Falkiner.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, st margaret's anglican church, st margaret's church, st margarets church hall, christ church

The Eltham Community and Reception Centre was Australia's first public mud-brick building. Commissioned in 1977 by Eltham Shire Council, led by Shire president (and architect) Robert Marshall, architects Whitford and Peck were asked to design a multipurpose facility in mud-brick and timber. The official opening was performed by the Hon. R.J. Hamer; E.D., M.P., Premier of Victorai on Saturday, April 22, 1978. Architects: Whitford & Peck Pty Ltd Quantity Surveyor: D.J. Cant & Associates Structural Civil Engineers: Charlett & Moore Pty Ltd Landscape: Peter Glass, Dennis Edwards Mech Elec: Lobley Treidel & Partners Pty Ltd Acoustics: Riley Barden & Kirkhope Builder: L.U. Simon Pty Ltd Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p177 The Wiggles performed there, so has the ABC’s Play School. New citizens have made their vows, volunteers have been honoured, school children have performed, weddings celebrated and people mourned at funerals. Since 1978 the Eltham Community and Reception Centre at the corner of Pitt Street and Main Road, has provided a beautiful and quintessential Eltham environment for people from all over Melbourne. Recognised as Australia’s first public mud-brick building, the centre was built partly on the site of the parsonage of the former Methodist Church (now the Uniting Church).1 Commissioned by the Eltham Council headed by President Robert Marshall, architects Whitford and Peck were asked to design a multipurpose facility in mud-brick and timber. Following public consultation, it was agreed to build a centre for dances, exhibitions, films, plays or concerts. The results – at a cost of around $620,000 – captured the Eltham rustic style. The building – in soft tones of mud-brick and timber and immense floor-to-ceiling windows – overlooks the Diamond Creek and sporting fields. Eltham’s strong artistic heritage is reflected in the centre. Although the lighting is not ideal for a gallery and labels cannot be placed on walls, the centre hosts the Nillumbik Art Awards and displays around ten to 20% of the Nillumbik Shire Art Collection, usually for around a year at a time.2 On permanent display, close to the entrance, is local artist Clifton Pugh’s White Choughs in the Landscape. Further to the right is the Walter Withers Gallery, named after a local member of the Heidelberg School of artists. As part of the Eltham Gateway opposite the Eltham Hotel, the centre stands on what was once part of the Eltham Town Centre along this section of Main Road, then known as Maria Street. On the same site once stood the house and flour mill owned by Henry Dendy, best known as the founder of Brighton, although he lived longer in Eltham. Beside the drive is a wheel-rim tool with accompanying plaque, illustrating a technology important during the horse-powered age and now almost completely gone, as has the blacksmith’s shop that had housed it nearby. The implement is a platform for fitting iron tyres to the wooden rims of cartwheels. Beneath it is a capsule placed in 1985 to commemorate Victoria’s 150 years, which is to be opened in 2035. Although the plants, forming part of the landscaping by Peter Glass and Denis Edwards, are largely indigenous and other native species, some exotic plants are protected as an important link with the site’s past. Planted at the front around 1920, is a large Peppercorn tree with two joined trunks growing from the base, and close by is a Bhutan Cypress (Cupressus torulosa). Three other Peppercorn trees fringe the drive. The building includes two halls – the larger seating 250 people – and a large foyer overlooking trees and ovals. Both halls have retractable rear walls providing varying spaces as required, and guests can use several external decks. A site for outdoor theatre has been carved out of the natural slope outside the entrance. The Bricklayers Union refused to use the traditional mud-bricks, which weigh more than 22kg. As a result the mud-bricks were redesigned to reduce their weight and were laid back-to-back to produce a wall of normal thickness.3 The centre’s massive timber frame is reminiscent of timber bridge construction, with infill panels of mud-brick.4 In accord with the rustic style are colossal rough-sawn posts, bolts and steel brackets. The combination of mud-brick, exposed feature timber framing and creative design in this centre, characterises Eltham’s innovative buildings and the social movement behind them from the 1940s to the 1970s.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham community and reception centre, mudbrick construction

One of a series of videos "Stories from the Nillumbik Shire with Geoff Paine" Geoff Sandy, Parish Historian and Archivist gives a history of the church which was opened 12 December 1861. It is constructed of polychrome bricks (lots of different colours). References a long relationship of over 159 years between the church committee and the Eltham Hotel across the road for refeshments for church events. The land was donated by Henry Dendy, the founder of Brighton where he lived for five years before going bankrupt and moving to Eltham where he bought a steam powered flour mill on the banks of the Diamond Creek at the end of Pitt Street. The church is heritage protected as well as the 1870 parsonage, Dendy House. It was always meant to be a much bigger church and extended along the north wall. This was finally achieved in 2014. Shows views inside of the original section and the extension. Also discusses the original tall windows on the south with gold trimming and other windows with gold trimming. Some original windows have been replaced by stained glass. Discussion about the Patron Saint of the Church, Margaret of Scotland. The original window made for £1 by Yuri and Fergusson in Melbourne and possibly one of the first made in the Colony of Victoria was relocated to the north wall during the 2014 extension. The crucifix was made by Matcham Skipper. Also features the Honour Roll. The walls of the extension are mudbrick, timber from a variety of sources and very much in keeping of the character of Eltham. The bell and bell tower are original. At the end of the First World War the bell was rung so vigorously that the bell broke.MP4 Digital file 00:05:48; 672MBvideo recording, church bell, dendy house, eltham, eltham hotel, flour mill, geoff sandy, henry dendy, honour roll, matcham skipper, mudbrick construction, pitt street, st margaret's anglican church, stained glass

Four hand coloured postcards 1908 addressed to Miss Allie Munro, Continuation School, Gillies Street, Ballarat, from Miss Edith Mason 18 Bancroft Street Bendigo, and Mary Stephens, Parsonage Grove, Eaglehawk. a. Lake Weeroona b. Conservatory Gardens c. View Street, Bendigo d. Queen Victoria Statue postcards, bendigo views

St LUKES ANGLICAN CHURCH BENDIGO In 1852, a party of Cornish miners, refusing to give up and having dug, by hand, down nearly 70 feet ‘got their reward. Suddenly, their picks sank into soft pipe-clay, white, satin-smooth and seemingly depthless. The men began tunnelling. Presently, the roof forming above them showered gold at their feet – the secret of Bendigo’s famous White Hills lay revealed.’ In the ‘wild rush’ that followed, when ‘the White Hills yielded enormously and some pretty piles were made’, a young Anglican priest, John Herbert Gregory, held the first Anglican church service at White Hills in 1853. The Hamlet of White Hills was surveyed and mapped in 1854 and, by 1863, St Luke’s Church in White Hills was opened on ‘an elevated site’ in a generously sized ‘church reserve’. St AUGUSTINE'S CHURCH MYERS FLAT Early diggers to this area were men named Myers and Nicholls, hence the name - Myers Flat and Myers Creek. 1857 saw the discovery of gold in the area and in less than one month 1000 ounces of gold per week resulted. The number of diggers in the Myers Creek or Burnt Gully totalled 4000 to 5000. Myers Creek consisted of several shops and buildings, two hotels, a race course and a lock-up built of logs. On November 6th, 1864, the opening of the new church of St Augustine' took place. The first mass was celebrated by the Reverand Dean Hayes, of St Killian's Sandhurst. The church of gothic design was built by a local contractor, and with bricks made from local clay. The church also has a fire place and is widely known as "The church with the Chimney. For many years it was also a Catholic school. St AUGUSTINE'S CHURCH INGLEWOOD The church features an Early English design from 1864 and Decorated Gothic extensions from 1884.Notable elements include the sanctuary with the Catto Memorial window and interior cusped arcading of the wainscot. Architectural attribution is given to Vahland and Getzschmann for one or both sections. St JOHNS CHURCH (PRESBYTERIAN) BENDIGO The church's architect was W C Vahland VIA, and the builder was N Langstaff. It was built in April 1890, and opened in Feb 1891. The tender price was 2,481 pounds. The church style was gothic, built by the Congregational Church to replace an earlier building built in 1858. St Johns bought the church in 1949 and made additions in 1951. THE SACRED HEART CATHEDRAL BENDIGO Originally designed in 1895 by Reed, Smart and Tappin of Melbourne, the first stage opened in September 1901; the second stage began in January 1954 and was expected to finish in late 1976. Skilled stonemasons were brought from overseas for the completion. The Exterior built from Geelong sandstone and Harcourt granite, matching the original materials for color consistency. The cathedral is designed in the early English Gothic style. It Features a tower and spire weighing several thousand tons, with the spire rising 282 ft. from the floor and topped by a 10 ft. cross.Interior. The original stained glass window, made in Birmingham, England, is above the main entrance on the west side. Marble for the floor was imported from Vincenzo and Via Reggio, Italy; Sicilian Pearl marble is used in the four chapels. Ceilings in the chapels feature Western red cedar and yellow pine timbers.The transept includes Australian blackwood paneling and 12 carved shields representing the apostles. The internal height from floor to ceiling is 80 ft.Artistic Elements. Two large tapestries, specially designed and crafted by Mrs. Carrington, hang in the sanctuary as a symbolic link to Bendigo. ST PAULS BENDIGO The nave was built in 1868 and the tower in 1873. The nave is notable for unusual ceiling with metal and timber overlay members. The tower notable for early brick and bold Gothic influenced design. The church was opened on 12th Nov 1868 and a new chancel sanctuary and Transepts were added on 22 Oct 1927. The architect was Robert A Love. CONGREGATIONAL CHURCHES IN BENDIGO Three main Congregational church buildings existed in Bendigo: at the corner of Forest and Mackenzie Streets (the original site), on Quarry Hill (corner of Russell and Gladstone Streets), and on Calvin Street (later the Lutheran Church). The Calvin Street church was named in honor of John Calvin, a notable figure who lived in the area. In June 1858, 1.5 acres of land were purchased at the Forest and Mackenzie Streets corner for £1200.The first church was built on this site in November 1858 and later enlarged in May 1867 to seat 500 people. A prefabricated parsonage stood nearby until about 1920, serving as a caretaker's cottage for several years. In 1890, foundation stones for a new church designed by W.C. Vahland were laid, featuring a tall tower and two gable crossings (reduced from three to save costs). The new church opened on February 26, 1890, costing £2483. The contractor was N. Longstaff. Some architectural elements, such as the chancel, were added later when St. John's Presbyterian took over the building. Congregational attendance declined, leading to the purchase and alteration of a brick school complex in Olinda Street to serve as their headquarters.The timber church on Russell Street and the Calvin Street property were sold.The valuable Forest Street property was eventually sold to a London sect and later became an investment for the Methodist Church.Historical information on seven denominational churches in Bendigo and Inglewood. This item contains the following items: 3084.36a Black and white photo of St Lukes Bendigo Church of England, Napier Street, White Hills. 3084.36b St Augustine's Church Myers Flat 100 years newsletter 1965. The newsletter's purpose is for a Commemorative afternoon mass in memory of the pioneers of Myers Flat and district.Celebration of the 101st anniversary of the first mass at St. Augustine's Church; on Sunday, November 7th, 1965, at 2:00 PM.Location: St. Augustine's Church, Myers Flat. The invitation is extended to the recipient and their friends. This invitation serves both as a memorial and a community gathering to honour local history. Also included is some hand-written history notes of the church - See the notes in the Historical Section above. 3084.36c This document is a formal letter dated 9th November 1970 from the National Trust of Australia (Victoria) to Bishop Bernard Stewart. St. Augustine's Church in Bendigo has been awarded a "D" classification by the National Trust's expert committee. The church is now officially "recorded" by the National Trust. The letter is addressed to Bishop Bernard Stewart, with copies sent to Father Louis McDonnell (Eaglehawk), A. J. Watts (Town Clerk, Bendigo), and Mrs. R. R. Adams (Secretary, Central Victorian Branch). 3084.36d This document is a formal letter from the National Trust of Australia (Victoria) to Miss L. Doble, Registrar of the Bendigo Church of England Diocese, dated March 20, 1973. St. Augustine's Church of England in Inglewood has been officially placed on the National Trust's Classified List. This classification recognizes the church as essential to Australia's heritage and emphasizes its preservation. The church features an Early English design from 1864 and Decorated Gothic extensions from 1884.Notable elements include the sanctuary with the Catto Memorial window and interior cusped arcading of the wainscot. Architectural attribution is given to Vahland and Getzschmann for one or both sections. The church is about to celebrate the centenary of its consecration on May 13, with the Archbishop expected to attend. 3084.36e This document is a survey form used by the National Trust of Australia (Victoria) to collect detailed information about St Augustine's Church at Myers Flat. It records the original purpose, present use, and current name of the building.Requires a precise address or location description for site visits.It captures special features or points of interest not visible in photographs. It documents the present owner and occupant, including their addresses, the date of initial construction and supporting evidence for that date. 3084.36f Handwritten letter re history of St Johns Presbyterian Church Bendigo, 13th October 1980 - author unknown 3084.36g Typed notes - "Interesting information on the Sacred Heart Cathedral Bendigo", and hand-written notes on St Pauls Cathedral. 3084.36h Two pages of typed notes. Three main Congregational church buildings existed in Bendigo: at the corner of Forest and Mackenzie Streets (the original site), on Quarry Hill (corner of Russell and Gladstone Streets), and on Calvin Street (later the Lutheran Church). 3084.36i Hand-written notes on St Pauls Cathedral.history, church, national trust bendigo collection, sacred heart cathedral bendigo, st augustine's church myers flat, st pauls church bendigo, st johns presbyterian church bendigo, congregational church bendigo

Marion Rosalie Mapperson, 1920-1946, was the daughter of the Mr and Mrs C Mapperson and was born in a home mission parsonage where she grew up to realise the presence and power of Jesus Christ. She became a fully-accredited local preacher then joined the staff of the Methodist Homes for Children at Cheltenham from there she began her training to be a Methodist Deaconess. Her funeral service was held at the Palmerston Street Church, Carton; it was conducted by the Warden of the Deaconess Institute, the Rev A W Pederick and Rev D W Risstrom. Marion Mapperson was buried at Fawkner Memorial Park. G135.1 and G135.2 brass conical shaped vases with a dedication engraved at the base.G137.1: "Presented by the W.H.M.L. I Memory of Marion Mapperson" G137.2: "Presented by the Deaconesses In Memory of Marion Mapperson"women's home missionary league, marion rosalie mapperson, methodist deaconess, methodist home mission

Image of the intersection of Sturt and Lydiard Streets looking north towards Lydiard St. Photograph shows a horse drawn tram turning from Sturt into Lydiard St North, while another crosses Lydiard St, heading west along the north side of the street. Photo shows the Post Office, the Robert Burns statue, and the large arc lamp in the middle of the intersection. Two copies held. On the rear of the first copy is a Birthday and New Year message to Mrs Serpell of the Wesleyan Parsonage in Timaru New Zealand and the second has been posted to a person in Antwerp Belgium - dated 19 Feb. 1909.Yields information about the intersection of Sturt and Lydiard Streets in the horse tram era and the operation of the horse tram system.Postcard - coloured - divided back, post marked Ballarat 21?-12-1905 with a Victorian 1d penny stamp and over stamped with a "5". 2nd copy has had the stamp removed.See Contextsturt street, horse trams, post office, ballarat, tramways, lydiard st, burns statue

PHOTOGRAPH SHOWS MANSE PREBYTERIAN [ST ANDREWS[ CHURCH METHODIST [WESLEY[ WITHOUT SPIRE, SUNDAY SCHOOL AND PARSONAGE MARKET, POST OFFICE SITE TOWN HALL PHOTOGRAPH OF BALLARAT ROAD [SERVICE STREET] CLUNES. PHOTOGRAPH TAKEN FROM GEORGE STREET TOWARDS SMEATON ROAD. .1 SEPIA PHOTOGRAPH MOUNTED, WITH POINTS OF INTEREST NOTED AROUND EDGE. PERIOD 1865 .2 BLACK AND WHITE PHOTO PRINT .3 SMALL BLACK AND WHITE PHOTO PRINTBALLARAT ROAD, CLUNES, SOUTH WESTphotography, photographs, township, churches

Published: Age (Melbourne, Vic.: 1854- ), 4 August 1933, page 3 Published title: GIRLS’ SCHOOLS – MODEL YACHTING - FOOTBALL Published caption: The headmistress, Miss H. Daniell, and girls at Ruyton, Selbourne Road, Kew, snapped after school hours. Trove article identifier: http://nla.gov.au/nla.news-article204381763 Research by Project Volunteer, Louise McKenzie: Rather than the people, this charming building takes the eye! Originally named “Tarring”, it was built in 1872 by Mr Henry Henty and his wife Mrs Marion Anne Henty (nee McKellar) for their family. Located at 82 Selbourne Road, Kew, it is described by Melbourne’s Open House organisation as “… a two-storey, polychrome brick mansion built for them by prominent Melbourne architect Albert Purchas. The house and nearly four acres of grounds served as their family home until the death of Marian Henty in 1919. “ (See below for further information on Albert Purchas.) In 1920 it was sold to Ruyton Girls School. Ruyton was established in 1878 by its first principal, Charlotte Anderson (1838-1906), who named it in honour of the parish in Shropshire, England, Ruyton-XI-Towns, where her great-great-grandfather David Evans had been vicar. Its motto is Recte et Fideliter, meaning "Upright and Faithful", which is also the name of the school song. The original school, one of Victoria’s oldest independent schools for girls, was located at the home of Mrs Anderson at 63 High Street South, Kew. In 1882 she moved the school to Edgecombe in Studley Park Road. Mrs Anderson retired due to ill health and sold the school to her friend Miss Eliza Bromby. One of Ruyton's four Houses, Anderson, is named for Charlotte Anderson. When Ruyton Girls School was moved to the site in 1920 it established the building as a Boarding House, and renamed the building “Henty House” in honour of its original owners. Today the school remains an all girls’ school, and pays tribute to its founder and the historic significance of Henty House and its magnificent Moreton Bay Fig tree, which still stands today. The building retains many original, Victorian-era features, while also showing the layers of change, made over the decades in order to meet the evolving needs of one of Melbourne’s leading schools. The headmistress mentioned in the caption for MCK016 is Miss Hilda Daniell, shown standing in front of Henty House in the midst of a group of Ruyton girls in their school uniforms, some holding hockey sticks. Miss Daniell was the longest serving Principal of Ruyton 1913-1952. She was originally a student in 1893, then joined the teaching staff in 1898. It was under her leadership that the School purchased and moved to “Tarring”. The boarding house included a flat for Hilda to live onsite. An article in the Ruyton Heritage Collection – Bedford Series, dated 21 May 2021 cites that Miss Daniell “was affectionately known as “Dream” by Ruytonians of her era” apparently due to a tendency to quiet reflection. The article continues, “After her retirement in 1952 Miss Daniell was awarded an Order of the British Empire for her many services to education, an award she received from the hands of the Queen during the 1954 Royal Tour. Also in 1952, the Kew Council honoured her by renaming Brougham Place as ‘Daniell Place’.” Arthur Purchas, architect: The architect responsible for the design of “Tarring”. Arthur Purchas, was extremely active and highly regarded at this time. Born in Wales in 1825, he emigrated to Melbourne in 1851 and soon established a private practice as a surveyor and architect, with offices variously in Little Collins, Queen Street, Chancery Lane, and finally 462 Little Collins Street. Wikipedia notes in an early reference to Purchas that “An early story is that one of his first jobs, when he would have been about 25 years old, was a position under Surveyor-General Robert Hoddle, and disagreeing with him over the line for St Kilda Road, appealed to Governor La Trobe, and successfully got the road diverted around the hill which eventually became the site of the Shrine of Remembrance. There may not be much truth to this, since by 1851 St Kilda Road was already a well worn track running around the hill, the top of which La Trobe had reserved for a Government House in 1840.” The timing of Purchas’s arrival in Melbourne was perfect. The Victorian gold rush of the 1850’s generated enormous wealth in Melbourne, and a building boom followed. The Wikipedia entry continues … that alone, or with his brother in law Charles R Swyer, “Purchas is said to have designed over 140 houses, offices, churches, banks and cemetery buildings in Victoria in his long career. Berkely Hall, St Kilda dating from 1854 is one of his first buildings, and still exists, though the original house is obscured by an early C20th verandah. Another notable early design was the head office of the Melbourne Savings Bank, built on the corner Flinders Lane and Market Street in 1857-58, in an elaborately detailed Renaissance Revival style. His churches were mostly Gothic Revival, built for the Anglican Church, along with some parsonages, while most of the bank buildings were Renaissance Revival designs for the Bank of Australasia. He also designed city buildings in the 1860s and 70s, such as the Mutual Insurance Co, Northern Insurance Co, and the first premises for George & George, destroyed by fire in 1889. One of his most outstanding designs is St George's Presbyterian Church in Chapel Street, St Kilda (1877–80), in a striking polychrome brick Gothic Revival style, unusually carried on through to the interior. Purchas produced one of the few published maps and compilations of the early pastoral settlers runs in Victoria in 1853. In the same year he designed the layout of the Melbourne General Cemetery, the first 'garden' cemetery in Victoria, a curvilinear layout with extensive plantings, as well as the gate lodge and gates (the gates lodge were demolished and the gates relocated to their present position in the 1930s). He was a long time member of the Cemetery Trust, serving as secretary from 1876-1886. He was also Chairman of the Boroondara General Cemetery Board of Trustees 1867 to 1909, and designed many aspects of the cemetery, including the landscape, the cast iron entrance gates (1889), the rotunda (1890) and the surrounding brick wall (1895–6). Purchas was a keen inventor having applied for a patent for an invention for lighting a railway carriage with gas in 1861, and won a competition for a model farm complex, in 1862. This unusual design had the dairy either underground or half underground, to keep it cool, with a 'dry lining' around the outside of the sunken portions. In 1883, with fellow architect Alfred Smith, he took out a patent for fire-proof floors, arches, staircases and other parts of buildings.” Purchas died in his home in Kew in 1909 and, not surprisingly, was buried at Boroondara Cemetery. Henty family history in Australia: Henry Henty (b.1833-d.1912) was a successful businessman, and briefly a MLA for the seat of Grenville, Victoria in 1866. He was one of three sons of James Henty, and nephew of Edward Henty who is considered to be the first permanent European colonist to take up residence in Victoria. The Australian Dictionary of Biography provides a riveting overview of the complex and enthusiastic activities of the Henty family, and its entanglement in the development of mercantile life in WA, Tasmania, SA and Victoria from 1828 onwards. The family had a focussed commitment to creating thriving businesses in Australia, despite being regularly thwarted by legislative pushbacks and law changes, instigated in Britain as the Australian colony developed. Areas of greatest influence were merino sheep, beef and horse breeding, whaling, farm establishment, membership of the legal and political fraternities, sporting prowess, and board directorships in banking and railways. The Dictionary of Biography summarises: “As settlers the Henty men were notable not merely for being the first to settle in Victoria but also for their number and quality: a father and seven educated sons experienced in farming and trading, occupations of prime importance to a new colony, and importers of unusually substantial capital in money, skilled workers and thoroughbred stock.” As well as Tarring, the Henty family Melbourne residences included Findon (in Kew, overlooking Studley Park), Offington (St Kilda Road overlooking Albert Park) and Field Place (Henty Court, Kew), and descriptions of the houses in Wikipedia –Melbourne Architecture 1870s - reflect the development of Melbourne society. References RUYTON (1934, December 15). The Argus (Melbourne, Vic. : 1848 - 1957), p. 18. Retrieved March 12, 2025, from http://nla.gov.au/nla.news-article11001092 https://en.wikipedia.org/wiki/Ruyton_Girls%27_School#:~:text=Ruyton%20Girls'%20School%2C%20commonly%20referred,of%20Melbourne%2C%20Victoria%2C%20Australia. https://www.ruyton.vic.edu.au/our-school#:~:text=With%20an%20international%20reputation%20as,opportunity%20and%20challenge%20for%20girls. https://victoriancollections.net.au/items/5bea06b121ea690bf4eb08ed https://www.ruyton.vic.edu.au/our-school/campus-and-facilities Biography of Edward Henty and family: https://adb.anu.edu.au/biography/henty-edward-2247 Article on Offington House: http://nla.gov.au/nla.news-article196554993 Article on Field Place House : https://vhd.heritagecouncil.vic.gov.au/places/64881 Article on Findon: https://www.facebook.com/KewHistoryGroup/posts/in-the-book-jubilee-history-of-kew-1803-1910-by-fga-barnard-there-is-a-photo-of-/4389837914376555/ Charlotte Anderson/Ruyton: https://victoriancollections.net.au/items/5be4b8c821ea6a039c7a13e3 https://victoriancollections.net.au/items/6179e90da912eb195970bdf8 https://victoriancollections.net.au/items/5bea06b121ea690bf4eb08ed https://victoriancollections.net.au/items/65d3e05c5b5e5c61346420a2 Photo of Charlotte Anderson: https://viewer.slv.vic.gov.au/?entity=IE1515776&mode=browse Photo of Charlotte Anderson: https://victoriancollections.net.au/items/6179e90da912eb195970bdf8 https://victoriancollections.net.au/items/5be4b8c821ea6a039c7a13e3 Wikipedia: Architecture of Melbourne: https://en.wikipedia.org/wiki/Architecture_of_Melbourne Open House Melbourne: Henty House: https://www.universe.com/events/henty-house-ruyton-girls-school-tickets-Z45LYH Albert Purchas: https://en.wikipedia.org/wiki/Albert_Purchas Leader (Melbourne, Vic. : 1862 - 1918, 1935), Saturday 3 June 1876, page 9 – Article on Offington http://www.ohta.org.au/organs/organs/BoxHillUC.html Melb Architecture 1870s - Wikipedia Victorian Collections: Letters of Hilda Daniell https://victoriancollections.net.au/items/65d3e05c5b5e5c61346420a2 Photographer notations on slide: "Ruyton Girls School 1933".schools, 1930-1939, architecture, victorian architecture, trees, architects