Catholic College Bendigo school project. Two digital backup CD copies and one collection of research paperwork for three folders. Related folders Cat No. 4958, 4959, 4960.1. CD with plastic storage cover. Handwritten label on CD. 2. CD with plastic storage cover. Handwritten label on CD. 3. 12 pages A3 size - facsimile research paperwork. Handwritten label on CD. 1. "Info/re Hector T Nugent/and/Arthur Pownall/ Students of Marist Bros/ Bendigo. WW1 Soldiers." 2. "WW1 William E. Peach and Percy D. Mansfield/ War diaries & letters/ home. Soldiers from Beechworth, Vic.cd, war diaries, ww1, education

Bendigo Advertiser "The way we were" from 1999. Catholic College Bendigo: first built in 1865, it housed the Sisters of Mercy. Within three months of occupation the Sisters opened a school called St. Aloysius. The first of St Mary's College was opened in 1897. Gradually the entire block from View Street to Barkly Terrace East has been acquired.newspaper, bendigo advertiser, the way we were

Lance Corporal ARTHUR REGAN POWNALL (15th Field Ambulance A.A.M.C.) "A student from Marist Brothers College Bendigo/during the early 1900's, a highly decorated/soldier being awarded the Military Medal/ with bar, twice in one month". Folder with clear plastic binding comb. Cover - front clear plastic, Back - black coloured cardboard. Title page - paper, brown print on light brown background, with coloured small illustration of the "Military medal" top left. 36 pages, white, plain, facsimile collection containing printed items, documents and photographs. folder, war diaries, ww1

"'WILLIAM E. PEACH ( of Beechworth) 7th Battalion A.I.F. during WW1 (1915-1916) Written from Egypt, France and England"Folder with clear plastic binding comb. Cover- front clear plastic, back black coloured cardboard. Title page- paper, brown, print on orange coloured background. Pages - not numbered paper, plain, white . Facsimile containing printed items, documents and photographs.folder, war diaries, aif ww1

William E Peach (of Beechworth) 7th Battalion AIF. "to his mother during/ Worl War 1 (1915-1916)/ written from Egypt, France and England.Folder with black plastic binding comb. Cover - front clear plastic, bac - black coloured cardboard. Title page - paper, brown print on orange coloured background. Pages (not numbered), paper, plain, white, Facsimile containing printed items and a photograph.folder, war letters, ww1

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

From front cover. 3. "The One Day of the Year - Investigating the Australian Soldiers Experience of the First World War" 4. "The Spirit of Anzac - investigating a Century of Army Service 1901-2001". 5. "GALLIPOLI: THE LANDING 2 BEACH TRUE COMICS". 8. "THE ONE DAY OF THE YEAR", TEACHERS' notes.Folder box containing six books, two fact sheets and four DVD's in plastic covers. 1. Folder box, cardboard, storage pockets front and back, folds int a box shape. Black, red and gold print on front and spine. Illustrated, sepia photograph of soldier assisting a civilian woman. 2. Book - title "From Gallipoli to Dili". Cardboard cover, spiral bound with same illustration as folder. 104 pages, cut, plain white paper. Illustrated, Education Resource. 3. Book - title "The One Day of the Year", cardboard cover, blue and white print with silhouette of a soldier on front. 36 pages, cut, plain white paper. Investigation resource. illustrated black and white photographs and diagrams. 4. Book - title "The Spirit of Anzac". Cardboard cover, black ink print, spiral bound. 60 pages, cut, plain, white paper. Illustrated black and white, photographs and diagrams. 5. Comic, Title "GALLIPOLI: THE LANDING" white ink print with purple and black colour cartoon illustration of a soldier. Cover paper, 104 pages. Comic format printed in black ink. 6. Fact sheet, 4 pages paper stapled together. Title 8.5 "Gallipoli". Print and illustrations in colour. Facsimile. 7. Fact sheet, 2 pages, paper stapled together. Title 8.7 "The Western Front" Print and illustrations in colour. Facsimile. 8. Book, Title "THE ONE DAY OF THE YEAR", Cover and pages - off white paper, sepia colour print and illustrations. Educational resource kit. 9. 10. 11. 12. 4 DVD's in plastic covers. Titles on DVD. 9. "CLOSER TO THE CANNON'S MOUTH". 10. "WINDOWS TO THE PAST". 11. "SPIRIT OF ANZAC". 12. Somewhere in France/ Defence: Protecting Australia's people and places.Numerous stickers and stamps from CATHOLIC COLLEGE BENDIGO.publications, books, education kit

Colour photograph of a building in Bendigo that was later used as a part of Catholic College Bendigo.bendigo, view street, coolock

Artwork, on thick cream coloured paper Print,Catholic College Bendigo by W Beasley '90 Building name is 'Coolock.'W. Beasleyartwork, print, building

66 page booklet titled The Local Heroes real people, real lives, real stories… Front cover is off white at the top and patterned yellow shades at the bottom with the title in the centre, City of Greater Bendigo above. Background to the Local Heroes Project, drafted by Dr Gan Che ng PhD. MA. Inside the front cover. Photos, names of Students, Principal and Teachers of Bendigo South East College Team, Catholic College Bendigo Team, Eaglehawk Secondary College Team, Girton Grammar School Team and Weeroona College Bendigo team are in the front of the book. There is information about the project. Photo and information about Simmon Pang - Project Initiator/Photographer. Foreword by The Hon. Martin Dixon MP - Minister for Education Victoria with photo and Foreword - Cr Lisa Ruffell - Mayor of the City of Greater Bendigo. The following pages have a short synopsis and photo of Barry Ackerman - Expert in the Rubber Industry & Twice Mayor, Joanne Baker - Founder of Righteous Pups Australia, Linda Beilharz OAM - Intrepid Adventurer, Valerie Broad OAM - Founder & Artistic Director of Youth Choir, Paul Chapman - Co-Founder of The Australian Turntable Company, Susanne Clarke - Passionate about Community Engagement, Patrick (Pat) James Connolly - Bendigo Amateur Boxing Club Coach, Robert Jackson (Cookie) Cook - Founder of Horizon House, Geoff Curnow - Farmer & Community Volunteer, Merna Curnow - Farmer & Agricultural Consultant, Jenny Dawson - Accounting & Banking, Laura Dusseljee - Choir Director & Music Teacher, Ian Maxwell Dyett JP - Life Dedicated to Volunteering, Donald James Erskine - Founder of Industrial Conveying Australia, James Victor Evans - Teacher, Historian & Actor, Rod Fyffe - Champion of Arts & Culture, Richard Guy OAM - banker & Philatelist, Edwin Richard (Dick) Hazeldene OAM - Chicken Farmer to Poultry Entrepreneur, Robert (Rob) Hunt AM - Head of Bendigo Adelaide Bank and Founder of Community Banking Model, Russell Goldfield Jack AM - Founder of Golden Dragon Museum, Jack Kelly - Teacher Sharing Experience, Ian George Mansbridge - Farmer, Accountant & Banker, Ken Marchingo - Instigator of Haven; Home Safe, Elizabeth (Beth) McKerlie OAM - Dedicated to Scouting, Gordon McKern OAM - Founder of McKern Steel, Sharelle McMahon - Netballer Extraordinaire, Lola Mary Miller AM BEM - Teacher of Health & Physical Education, Julie Millowick - Accomplished Photographer, Educator & Artist, Dennis Reginald O'Hoy - Academic & Historian, Margaret O'Rourke - A Champion for Connected Communities, Karen Quinlan - Director of Bendigo Art Gallery, Jonathan William Ridnell - Broadcaster, Leon Maxwell Scott OAM - Business Entrepreneur & Rotary Volunteer, Margot Elizabeth Spalding - Co-founder of Jimmy Possum Designer Furniture, Wendy Diane Stavrianos - Painter, Sculptor & Installation Artist, Jack Taylor OAM JP - An Eaglehawk Legend, Wes Vine - School Principal & Vigneron, Lynn Warren - Aboriginal Elder, Raymond James Wild - A Plumber's Story, Diana Williams - Founder of Fernwood Fitness and John Wolseley - International Artist. The back cover also has small photos and the names of people mentioned.ian dyett collection - the local heroes, city of greater bendigo, dr gan che ng, la trobe ubiversity bendigo, bendigo south east college, catholic college bendigo, eaglehawk secondary college, girton grammar school, weeroona college bendigo, simmon pang, the hon martin dixon mp, cr lisa ruffell, bendigo art gallery, city of greater bendigo, the capital - bendigo's performing arts centre, la trobe university australia, catholic kiocese of sandhirst, haven home safe, the hotel shamrock bendigo, hazendene's, bendigo & district aboriginal co-operative, mr baillieu myer ac, bendigo advertiser, australian broadcasting corporation, bendigo chinese association inc - lion team, wannik dance academy dancers, bendigo forever young choir, bendigo youth choir

Bendigo Advertiser "The way we were" from wednesday, September 3, 2003. Uniform approach: 1984 Catholic College Bendigo leaders.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser "The way we were" from Thursday, August 28, 2003. New year: beginning of the year Mass, Catholic College Bendigo, 1985.newspaper, bendigo advertiser, the way we were

This photograph was taken while Clare Gervasoni was teaching at Catholic College Bendigo.Photograph of Clare Gervasoni wearing a Perri Cutton dress. clare gervasoni

Coloured newspaper photo of junior footballers playing in the Primary School Carnival at Catholic College Bendigo Junortoun Campus. The second photo shows AFL'S Stuart Wigney and Michael Gale instructing Patrick McQualter. Mounted on black card and laminated.education, primary, golden square laurel st p.s., golden square primary school 1189 collection - newspaper cuttings, catholic college, laurel st primary school, kangaroo flat primary school, michael gale, stuart wigney, patrick mcqualter, marina williams

Two handwritten notes. Rectangular piece of heavy white paper. Handwritten in ink "Dress shirt fronts, hand sown by French nuns, brought to Australia by Rev. George Thorne, Stv Saviour's C of E, Serpentine." Left hand lower corner - probably a later addition "1230" Donor Elsie Bailie was born in 1895 and died in 1988. Rectangular piece of heavy white paper. Handwritten in ink "George V Lansell baby clothes. Purchased "Dendorah" Auction Donated by Josephine Bailie. Josephine was born in 1917 and died in 1983. "Dendorah" now part of Catholic College Bendigo. Senior Campus. Left hand lower corner - probably a later addition "1231"document, memo, hand written note

The ground floor of "Denderah" was built in 1880 for Mr D White. In 1910 the upper floor was designed by architect William Beebe for George Victor Lansell, son of George Lansell. When George Victor died in 1958, the house was incorporated into Catholic College, Bendigo. It was renamed Coolock House after a property in Ireland by the same name, that was inherited by Catherine McCauly enabling her to begin her charitable work educating and finding work for the poor in Dublin. It is now on the Victorian Heritage Register. It Underwent major Art Nouveau style renovations circa 1903 by architect Mr. Beebe, transforming its appearance. It FeaturesSuperb entrance porch with keyhole windows and fine leadlight work.Adjacent staircase and bay windows. It has dominating mansard roof with dormer windows. It has a Notable staircase, fireplaces, decorated ceilings, and light fittings inside. The front fence and the design of the existing verandahs are also considered significant.Coolock House View Street Bendigo, formerly Denderah. Photo of Coolock House and letters re citation from the National Trust Bendigo This item contains the following documents: 3084.37a Black and White Photo of Coolock House. 3084.37b and letters re citation from the National Trust Bendigo On rear of photo: Bendigo Regional Photographic Library for private and research purposes only.history, national trust bendigo collection, coolock house

From 1988 to 2021, Legacy held a public speaking contest for young secondary school students. It was initially called the Junior Plain English Speaking Award (JPESA) and later called Legacy Junior Public Speaking Award (LJPSA). Schools were eligible to send along up to 4 representatives to compete in a preliminary round. This programme is from the 1990 Victorian finals at the MMBW Theatrette on 21 June. The Victorian winner in 1990 was Felicity McMahon from the Catholic College Bendigo who spoke on 'Old Age'. The following was taken from a programme in 1996: "The Award aim is to promote enhanced oral communication skills for 12-14 year old students and to help young people appreciate the ideals of Legacy - voluntary service, caring and comradeship - and the need for remembrance. It began in 1988 in the Melbourne area with the support of the Ministry of Education and The Plain English Foundation. Entries have grown from 24 in the 1988 competition to over 300 in schools across the State, plus greater numbers participating in the process of selecting four contestants from each school. In 1995, a successful Interstate Championship was held with contestants from Victoria, New South Wales and Queensland. On 11 November 1996 the first National final was held with contestants from six states."A programme of finalists and presenters from the Junior Plain Speaking contest that has been run by Legacy since 1988.Buff colour A4 card with blue printing as a programme of the speaking contest in 1990. legacy promotion, speaking contest, jpesa