Provenance unknown. Collected by donor's father.Cream silk background, depicting lots of people in various activities, and a bridge, dragon boats on the river, etc. Colours are browns, yellow, oranges and reds. There is a wide border of braid, edged in black, and a black wooden frame. embroidery, chinese, silk

Bought by the donor at David Wang's shop 30 years ago.Silk and gold metal thread embroidery on green silk, showing a large bird (crane) centrally among pine trees. Mounted on a dark green board with a lighter mount board, and framed in a light brown frame. embroidery, chinese, silk, metal threads, birds

19 th C Chinese embroideryPartial piece of clothing in black silk with small floral motifs in purple, blue and green. Scalloped edge bound with black silk bias.

Used in theatricals of the period, and originally part of a blouse. "Doc" Rowe and his wife "Mora" were Australian entertainers who performed worldwide, including the Far East, during 1910-1930. The embroidered costumes were purchased in China and used in their performances in Australia and overseas.Red silk with white twisted silk embroidery of a garden and pagodas and 2 men with swords and pitchfork, and a floral border at base. embroidery, garments, silk embroidery, china, 1920-40, oriental

Royal blue outer with floral border and central panel worked in a variety of coloured silks in Peking stitch, each motif outlined in gold coloured metal thread with red couching stitches. Embroidered on front and back of cover. Cream silk interior and red piping.

Late 19th century cloud shaped collar, A Yunjian (云肩), or "cloud collar," is a traditional Chinese detachable cape-like or shawl-like accessory worn over the shoulders. Shape & Design: Typically structured with four or eight lobed panels that drape over the shoulders like floating clouds, symbolizing the vault of heaven and the connection between man and nature. Historically hand-embroidered with silk and metallic threads, often featuring auspicious motifs such as peonies, lotuses, butterflies, phoenixes, and lucky clouds, and edged with beads or tassels. Traced back centuries through Dunhuang cave murals and Tang/Yuan official wear, it became an elaborate element of women's fashion and traditional bridal attire during the Ming and Qing dynasties.Yunjian cloud collar. Four lobed collar in red, green and cream silk embroidered in fine gold metal thread. Floral and bat motifs. Secured by anornate brass button.floral, bat, china, collar

White cotton piece with two mirror image panels which were probably meant to be made into a blouse. Design is a floral spray with a rectangle of drawn thread work. White on white.Design markings visible.embroidery, drawn thread

Cream silk embroidered length with sprays of flowers in satin stitch in cream silk - in style of Cantonese embroidery.embroidery, garments, silk embroidery, oriental, china

Piece of Chinese embroidery, Length of cream silk with panel of cream silk embroidery depicting butterflies. embroidery, silk embroidery, oriental, garments

White handkerchief with Chinese embroidery, Machine but with hand worked centres of flowers. Seeding stitch in petals of flowers.handkerchief

Miss Bostock, Foundation member of the EGV, travelled to England and met with The Hon. Rachel Kay-Shuttleworth of Gawthorpe Hall. Rachel "cut" off many pieces from her extensive lace collection, along with this embroidery which were gifted to the EGV.Dark blue silk bound with paler blue. Chinese embroidery floral design with couched gold and a silk bird at the top.metal thread embroidery, embroidery, furnishings, silk embroidery, china, bird, phoenix, flowers

From Yangzhou area in China. Purchased in 1998.Embroidered panel with four pink squares separated by red velvet strips and yellow and red silk ribbon. Ornate design in white with green highlights. Small spangles attached. Floral cotton fabric backing.china, chinese embroidery

From Yangzhou area in China. Purchased in 1998.Embroidered panel with two pink and three green squares separated by green silk ribbon. Ornate design in white with pink and blue highlights. Black silk fabric backing.china, chinese embroidery

Ebay purchase by Donor.Red Silk Pouch with black silk binding & silk floral embroidery & blue, plaited silk cord. Blue silk interior.19th century, chinese embroidery, oriental, silk embroidery, pouch, purse

Donated by 5th generation embroiderer and donor, Linda Xu. Shantou Meide Chaozhou Embroidery Crafts Co.Circular organza mat with pastel pink and white floral satin stitch embroidery, green leaves. Scalloped pink trimmed edge.china, chinese embroidery

Donated by 5th generation embroiderer and donor, Linda Xu. Shantou Meide Chaozhou Embroidery Crafts Co.Hand embroidered silk embroidery on red silk set in gold coloured metal gourd-shaped brooch. In own box.china, chinese embroidery

Donated by 5th generation embroiderer and donor, Linda Xu. Shantou Meide Chaozhou Embroidery Crafts Co.Filigree round fan design with pandas in yellow metal with small embroidered silk butterfly and yellow silk tassel. In original packaging.china, chinese embroidery

Artwork resembles the style of Chinese- American figurative artist Ting Shao Kuang (Ding Shaoguang) or a piece titles " Pray for Peace" or " Light for Human Rights".Donated by 5th generation embroiderer and donor, Linda Xu. Shantou Meide Chaozhou Embroidery Crafts Co.Featuring stylized human figures with gold metal accents, geometric patterns and symbolic bird imagery with silver floral silk border.china, chinese embroidery

19 th C Chinese embroidery.Strip of vibrant blue silk with couched metal threads with red and green silk thread. Depicts branches of flowers and leaves.

19 th C Chinese embroideryAdult collar and neckpiece in purple silk heavily embroidered with floral motifs and butterflies in multi-coloured silk threads. Long outside edged with pink woven silk tape. Inner edged with yellow woven silk tape.

Traditional Chinese shaped scissors, simple and functional design creating symmetrical, hard wearing scissors which can be used but left and right handed people. Traditional Chinese shaped scissors, simple and functional design creating symmetrical, hard wearing scissors which can be used but left and right handed people. Chinese embroidery scissors, cane bound handles. Made of iron with welded steel cutting edges to blades. Pivot acttion. Handles expandablescissors, china, embroidery

Two identical shaped pieces of Chinese embroidery on black silk with terracotta centres edged with metallic gold thread and tamboured design in brown, gold, pink and aqua. Probably from a garment.embroidery, china, metal thread, tambour

In Chinese embroidery, the combination of bats, peacocks, and peony roses creates a rich tapestry of highly auspicious symbols, primarily associated with wishes for happiness, wealth, beauty, and high rank. When these motifs appear together, as they often do in intricate antique textiles or Mandarin squares, they collectively represent a desire for a life filled with wealth, prestige, and abundant happiness. Magenta brocade with embroidered motifs of bats, peacocks and peony roses in coloured silks using satin stitch. Jacket is edged with a band of black silk embroidered with blue peony roses.embroidery, silk embroidery, oriental, garments, 1900-20, china

Margaret Lee, based in Adelaide, South Australia learnt and practised Chinese embroidery from a young age in the traditional Chinese way. She later studied traditional Japanese embroidery and bead embroidery in the Japanese style. She has International Teacher Accreditation from the Japanese Embroidery Centre, Atlanta (International arm of the Kurenai Kai Ltd. Japan)Japanese Bead Embroidered Evening Bag, designed by Margaret Lee.beads, evening bags, japan

Given to donor's father, Ernest Edward Aldred in 1904 by a Chinese gentleman (Chong Ling Soo) in gratitude for his friendship and help on their trip out from England on "The Moldavia". Panel could have been used as a stage prop as Chong Ling Soo was a musician.Large Chinese panel in bright yellow silk with an embroidered picture of lions and palm trees. Threads used are unusual and may be raw silk.embroidery, chinese

Donor's sister purchased handkerchief in Mainland China. Made for tourist trade.White heavily embroidered Chinese made handkerchief. 25 circles are embroidered with Chinese symbols, and 16 small drawn thread circles. Fine scalloped edge.embroidery, chinese, handkerchief

4 handkerchiefs: 1. White, rose and bows, satin stitch, drawn thread. 2. White, flower sprigs, Grecian design. 3. White blocked design with flower sprigs. 4. White blocked design with flower sprigs.embroidery, chinese, drawn thread

In Chinese embroidery, the crane (He, 鹤) is a powerful symbol of longevity, wisdom, immortality, and good fortune, often depicted with other auspicious motifs like peaches, pine, or bamboo to enhance these meanings, and historically used on civil officials' rank badges (buzi) to denote high rank and virtue, reflecting aspirations for a long, prosperous, and wise life, linked to Daoist immortals and heavenly ascent. Black satin with rich silk embroidery around the hem, which means it may have been made for a lady of high rank. Circular motifs of cranes and storks. Probably made for a pregnancy. Bright blue lining.embroidery, silk embroidery, garments, china, oriental

Small purse of traditional Chinese design - surface embroidery in polychromatic silk thread. Design with citron, melon, bird and flower - black silk lined with blue.embroidery, surface stitchery, purses, bags, china

Label attached to record card states "Chinese Embroidery from the Royal Palace, Pekin J.M.S." Chinese sleeve embroidery bands, or wanxiu became popular in the late 19th century during the Qing Dynasty, evolving from the traditional Han cuff embroidery and Manchu styles. These detachable, decorated bands were added to women's informal jackets and robes, often featuring symbolic motifs like landscapes, flowers, and auspicious symbols. They served both a decorative function, displaying artistic skill and personal wishes, and a practical one by covering the sleeves when hands were folded at the waist. History and evolution: Origins: The practice of embroidering cuffs on robes existed during the previous Ming Dynasty for Han women, and this was adopted by the Manchu rulers who founded the Qing Dynasty. Qing Dynasty (1644-1911): The practice was popularized and elaborated upon during this era, with detachable bands becoming a fashionable element for informal wear. Symbolism: The embroidery included a complex visual vocabulary of wishes for a long life, many offspring, and a happy marriage, derived from nature, mythology, and classical literature. Functionality: Women would fold their arms, often with their hands inside the sleeves, so the embroidered bands, which were sewn to hang down the back of the jacket, would be displayed prominently down the front. 19th century peak: The late 19th century was the peak of their popularity, with intricate designs becoming fashionable and even influenced by court tastes, such as those favoured by the Empress Dowager Cixi. Later developments: The late 19th century saw the introduction of chemical 'aniline' dyes from Europe, leading to brighter, bolder colours in embroidery. Motifs and their Meanings: Auspicious symbols: Designs often included symbols for good fortune, wealth, and longevity. Natural imagery: Birds, flowers, and landscapes were common motifs that could represent natural beauty or convey specific symbolic meanings. Figurative scenes: Bands could also feature narrative scenes from classical stories or legends. The choice of motifs allowed women to express personal desires, cultural values, and aesthetic preferences, reflecting a more personal and informal style than official court attire. Pagoda: an omen of good. Two birds (possibly swallows): an omen approaching spring and also of approaching success. Rooster: a symbol of high rank (it's comb/crown (jinguan) is a pun for 'official' guan). Peony: a symbol of wealth. Deer (lu): means wealth and prosperity. Willow: a symbol of spring (chun). Willows with apricot blossoms (xinghuo), willlows (liu) and swallows (yan) symbolizes 'may you attend the spring banquet in the apricot grove (xinglin chunyan), or may you become a successful candidate. Pine: longevity. Mouth organ (sheng): is a pun for giving birth or 'to rise' as in rising in rank.Meaning : this pair of sleeve bands may have been wishing the owner of them good luck, success in an upcoming exam and that he may rapidly rise in rank, live a long life and continue to receive an official salary. Information from 'Hidden Meaning in Chinese Art' Terese Tse BartholomewFine white satin edged in shades oft blue silk flower embroidery. A fine example of Pekin knot stitch outlined with gold thread showing traditional Chinese motifs and figures. From bottom to top there is an outdoor scene with water and a building. Above this are flowers, hills, a rock formation, a pine and an animal (? pig or deer). Another building, blossoms and pine trees and a pot containing a cypress tree. Above the tree there is a male figure holding a bamboo pipe in one hand and a bird in the other. Further buildings follow, with a willow tree and two swallows flying.embroidery, garments, silk embroidery, late 19th century, china, trees, animals, pagoda