Various stamps, stickers, collectors cards, letterheads etc. ephemeral in nature.lydia chancellor collection, collection, cards, letterheads, stamps, postage stamps, philately, amusements, recreations, ephemera

An ephemeral example of a lady's dance program from the 1930s without punch holes for ribbon. These cards were used to book dances up until the 1940s."Programme" Printed on front.

Bookmarks increased in popularity from the mid-nineteenth century to the present time of 2025. These parchment corner bookmarks were produced in Italy c. 1950 and represent a high point artistically for what are usually ephemeral items.Corner bookmarks were widely popular as this beautifully painted Italian parchment one from the mid-twentieth century demonstrates when seen alongside Australian and American examples in the Hymettus collection. As part of the large international collection at Hymettus this bookmark contributes to social history and the minor arts.A large corner bookmark of leather with artwork and caligraphic wording 'Buon Libro Buon Amico', Good Books Good Friends.embossed and painted onto the parchment are the words bookmark, italy, parchment

Pressed tin buttons were produced in large numbers between 1900 and the Second World War and being ephemeral have rarely survived. This button was produced for fundraising for local charities at Ballarat on Button Day in October 1925.Historically and socially significant artefact, revealing much about the attitudes and values of the period in which they were produced. Button days were a popular way of fundraising and commemoration that developed through Wattle Days and the First World War retaining their popularity into the early 1950s. Small tin badge with stylised rising sun motif in red with forget-me-nots in blue beneath a banner and on beneath the nosegay the words forget not. in blue. ballarat, charities, fund raising, button day, 1925, badges

"This sculpture was inspired by the figures carved from the hillsides of the chalk downs in Britain. I wanted to produce a work that would become part of the landscape and was originally derived from the landscape. It is a white-faced heron which is a native water bird commonly found along the Merri Creek. The bird is looking upstream to the source of the creek and the other artworks along the creek."Made of scoria (a red-brown volcanic stone) laid in trenches, 'Earthwork Heron' was commissioned by the Merri Creek Management Committee as part of the Merri Creek Arts Plan and was donated to the City of Yarra in August 1997.Contemporary, LandartOutline of a Heron bird imprinted on a rolling hill in the landscape with volcanic stone (scoria). Accompanying plaque reads: 'This sculpture was inspired by the figures in the British Chalk Hills. I wanted Earthwork Heron to be derived from and become part of the landscape. The white feathered Heron a common native water bird is looking upstream to the creek's source." wildlife, landscape, ephemeral, landart, environment, site-specific

In 1934, the Victorian Association of Braille Writers annual report advised that it had acquired a Crabb-Hulme Braille Printing Press. Two years in development, the Press was designed by Miss Minnie Crabb (the librarian) and built to her specifications by Mr Hulme. Invented to produce ephemeral material quickly, such as programs, catalogues and newsletters, and provided more opportunities for information to be quickly sent out to Braille readers.Steel and cast iron printing press with two wheels on left hand side and two foot levers to operate a wheel on the right hand side.victorian association of braille writers, braille equipment, minnie crabb

Hilary Bennet Mason (born 25/12/1911 in North Melbourne; died 16/3/2008) married Olive Marjory Muridge (B 20/7/1915; D 26/9/2001) on 30 September 1940. They has one daughter, born in 1947. Hilary had a number of occupations in his lifetime. His daughter referred to him as a tram conductor. The family lived at 7 Charles Street, Surrey Hills from c1960, having purchased it from William Stanton (Stan) Philp, a baker, and his wife Eileen. The title originally extended over 2 plots. The Philps sub-divided the land and built a new house for themselves at No 9. No 7 Charles Street had a well under the kitchen window; the house was extended in 1971/72; it was sold after Hilary Mason died in 2011. [REF: Personal communication from the donor; Alan Holt property register and online research.] The handwritten timeline refers to the area having been "called Irish Town as Catholic's were in the majority." Most of the writing is that of Hilary Mason, although some blanks have been filled in by another (unknown) hand. There is also an entry by John Whitford, who moved into a new home on the corner of Charles and Arthur Streets in 1982. The last entry is dated June 1996, when Hilary Mason would have been c 85 years old. Comment in relation to this catalogue entry: "One of the occupation that Mr Mason had was a Radio shop in Bridge Road, Richmond, called Mason's Radio. I worked for Mason's Radio in January 1963 to December 1964. Mr. Mason was a true gentleman, very kind and treated me like a son. Regards M.Zammit." (Maurice Zammit email; 9 March 2025)This is a unique piece of social history reflecting the closeness of this small suburban street.A standard lined exercise book, brand is HEADLINE, which contains a mixture of handwritten entries and pasted in and loose ephemeral items. These include house advertising flyers, newspaper clippings of a general nature and death notices, tickets, etc. The handwritten notes mostly pertain to a timeline of residents and their comings and goings to and from Charles Street in Surrey Hills, but also include some reflections on social history. Memories of other residents of the street are recorded. There are also some personal diary notes.Front cover: "begun october 1987 / History of / Charles street / Surrey Hills / History of Charles st. 1989 / 1996 / 1995 / 1993 1991 1990 / History 1987" in biro and marking pen in blue, red, brown and green. Back cover: "History / of / Surrey / Hills [1987 /1990 /1993 / 1995 / 1996] / History of / Charles street / Surrey Hills 1991" handwritten in black, blue, green, red and pink biro and marking pen.charles street, edna holzer, jack wright, john whitford, diana whitford, amanda whitford, melissa whitford, june kavanagh, aub sherlock, hilary bennet mason, olive marjory mason, noni hallier, elvis greenwood, bob peacock, ken warren, chris holford, enid holford, keith ellis, gina ellis, nita jacobsen, christine craig, peter craig, gary austin, deb austin, ian pearson, chris jacobsen, jack titansaw, peter burton, william (bill) philp, george cook, lee burton, mary pearson, bill sloan, carmel sloan, fielding's foundary, antonio panzera, annunziata panzera, nancy panzera, dr eric allan, merelyn maher, charles lyons, doug sloan, coral meehan, peter haase, steve creati

A plastic bag containing ephemeral items. (I) A Christmas card dated Christmas 1918 New Year 1919. Printed for Wor.Bro. G.A. Pethard W.M., Golden and Corinthian Lodge, No. 7, Bendigo. It has a photo of the Masonic Temple Bendigo in the centre of the card. (II) 2 copies of the Australian Comforts Fund Victorian Division newspaper depot tags.(III) An assortment of cards and ephemeral pieces of paper. (IV) A thankyou gift card to the Mayoress (Mrs. Geo. Pethard) from the Debutantes set of 1952 thanking her for her support and wishing her the best in the years ahead. (V) A 'Well done, Boys!' welcome home tag. (VI) Golden Square Methodist Church invitation to a social evening on 17th. August, 1951 in aid of the Carpet Fund. It is in the form of a rhyme and a small hand made money bag. (VII) A Melbourne Cricket Club lady's ticket dated 1961-62 (VIII) A printed 1911 Xmas card from Mrs Mulgrove and Frank, 'Charlton,' Church Street, Woking. (IX) 8 tickets for various welcome home socials to the Golden Square returned soldiers 1918.lydia chancellor, collection, ephemera, christmas, golden and corinthian lodge bendigo, masonic temple bendigo, 1952 mayoral debutantes set, golden square methodist church, melbourne cricket club, world war 1, golden square returned soldiers, australian comforts fund.

Mary Halls "Minnie" Crabb (1885-1974) was the niece of the first librarian (May Harrison) for the Victorian Association of Braille Writers. After her aunt's death in 1912, Miss Crabb took on the role of librarian for the constantly expanding collection. In 1934, the Victorian Association of Braille Writers annual report advised that it had acquired a Crabb-Hulme Braille Printing Press. Two years in development, the Press was designed by Miss Crabb and built to her specifications by Mr Hulme. Invented to produce ephemeral material quickly, such as programs, catalogues and newsletters, it provided more opportunities for information to be quickly sent out to Braille readers. The daughter of James Hall Crabb, who ran the Prahran Telegraph from1882 until his death and the niece of J.M. Yelland who took over the paper until he sold it in 1895, Minnie would have seen printing presses in her youth and recognised the usefulness when producing large numbers of ephemeral materials. In March 1944, Miss Crabb retired from the library, in 1956 she married Charles Foster and she lived until in the St Kilda area until her passing in 1974, aged 89. This iconic image of Miss Crabb using the press has appeared in many reports since.High quality image of Minnie Crabbvictorian association of braille writers, minnie crabb

This work was undertaken in 2001 when the artist was undertaking an Honours year at the University of Ballarat Arts Academy (later Federation University). This item is a part of the Federation University School of Business Art Collection. The Federation University Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed Digital Limited Edition Print by Michael Shiell. "The woven form was made at 'Blue Waters' near Creswick. I remember that I went out hoping to make something and I had a few mediocre starts but nothing really inspired was popping for me. Eventually I sat on the bank and started tossing little pebbles into the water. Finally the immediacy and ephemerality of the dissipating ripples struck me. I made the work by twisting and weaving the reeds which lined the banks of 'Blue Waters'. I then floated the rings together and managed to get a couple of quick photos before the work floated away and dissipated." (Michael Shiell)Edition: 1/10art, artwork, michael shiell, shiell, blue water, creswick, school of business collection, available, photography

Vol. 10, No. 3, Jul-Aug 2005 CONTENTS Alan Marshall Short Story Award Winner 2 Ephemeral Sculpture 7 Food and a Question of Time - John Jenkins 10 Rhythm of the Land & Sea - Julie Tippene O'Toole 11 Silver Stars: A Mongolian Story - Lisa Edwards and Jenny Grinlington 12 Darebin La Trobe Art Prize 15 Jill Kahans mixes her media 17 Poetry 18 CD Reviews 19 Jack Henseleit - The Legend of Neil Douglas 20 Artin' About 21 Wining & Dining 26 Listings 28"Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 28 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, art streams magazine, ephemeral sculptures, alan marshall short story award, click here to add keywords, darebin la trobe art prize, ephemeral sculpture, jack henseleit, jenny grinlington, jill kahans, john jenkins, julie tippene o'toole, lisa edwards, neil douglas, rhythm of the land & sea

Vol. 9, No. 3, Jul-Aug 2004 CONTENTS Vale Sandon McLeod 2 Short Story by Jeneke Batemen 3 'Art as a Healing Medium' by Vera Curnow 6 Ephemeral Sculpture 11 Eltham High School Anthology 12 Cellar doors 14 Poetry by Ian McBride 15 ArtStreams Gallery opening 16 'A Moment's Peace' – concert 18 New Exhibitions 19 Neil Douglas as seen by Jack Henseleit 20 Peak Hour at Eltham Bookshop 21 Boite Schools' Chorus Concert 22 Book review 23 CD reviews 24 Artin' About 26 Wining and Dining 30 Art services and classes 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, art streams gallery, franciscus henri, sandon mcleod, jeneke bateman, eltham wiregrass gallery, bundoora homestead, vera curnow, art therapy, felt, montsalvat, eltham gourmet poultry & game, raffaella torresan, hurstbridge & districts community bank branch, plenty of colour, ephemeral sculpture, eltham high school, dynamic vegies, red box vineyard, poetry, ian mcbryde, warrandyte cafe, eltham fullife pharmacy, thompsons amcal pharmacy, christina mccallum, la trobe university art collection, st andrews hotel, fiona sievers, eltham bookshop, organic produce store, boite, wellers hotel, wellers of kangaroo ground, northcote pottery, congo systems, bulleen art & garden centre, frames for art of hurstbridge, hurstbridge galleries, neil douglas, jack henseleit

A white programme with black print. On the front cover, ' 2nd. Inf. Brigade Depot Y.M.C.A. Buildings High Street, Bendigo. Room open Fridays 2 to 5.30. Lyric Theatre Saturday, Nov. 11th. Programme. Will all who are interested in the 5th, 6th, 7th & 8th Battalions become Members of this Depot. M. King, Hon. Sec. W. & A. Brockley, Print, Bendigo.' On the inside is the programme containing music which is surrounded by advertisements. On the back cover is an advertisement for Warren's, 'the cheapest drapers in Bendigo.'program, music, singing, lydia chancellor, collection, programme, program, ephemeral, music, event, lyric theatre bendigo, entertainment, y.m.c.a.

A white programme with red and blue print. ' Peter Pan by J.M. Barrie. Hamilton Theatre Players.' On the inside is the programme in blue print. The back contains advertisements for Thomson's, Hamilton's Leading Store and Walkers of Hamilton Pty. Ltd. Mannett, Printer Hamilton.performing arts, elocution, drama, lydia chancellor, collection, drama, event, programme, program, event. entertainment, ephemeral, hamilton theatre players, theatre, performing arts

This program is in the form of a booklet with the Australian coat of arms and flag on the front cover and the words in blue ' Souvenir Program in Commemoration of the Visit to Australia of H.R.H. The Prince of Wales K.G., P.C., G.M.M.G., G.M.B.E., M.C. Inside in blue ink is the programme dated from Wednesday, 26th. May in Melbourne through to Bendigo and District and concluding in Sydney on 19th. June. Sydney.1920event, official, prince of wales, lydia chancellor, collection, program, programme, the british royal family, royal tour, prince of wales, ephemeral, royal visit, souvenir, person

Photographs of an art installation by Jessie Stanley at WaterMarc Greensborough on 22/07/2017. From Jessie Stanley's FaceBook page :Dust to Dust is complete... It's an ephemeral site-specific work about how the Melbourne suburb of Greensborough has transformed over time. This area's exceptionally fertile soil [used by] by white settlers for farms, market gardens and orchards reshaped the Wurundjeri's traditional lands - and today the private sale and division of these farms informs the streetscape and town plan. With soil sourced locally this work reveals some of the area’s history - the text running around the perimeter was written by former resident Val Wilson, a snippet of her recollections of growing up in the area in the 1950s. The arrows and text act like a compass to orientate this site with greater Melbourne. On display in the lobby of Banyule Council until chance, time (or a broom) sweeps it away, Many thanks to Banyule City Council, Greensborough Historical Society and Valerie Wilson. "An artistic representation of Greensborough's history.Digital photographs of art installation.jessie stanley, watermarc, greensborough historical society, banyule council

A cream paper programme with aqua coloured print. The front cover has an insignia on it and the words, ' Melba Bendigo, Monday, February 3rd, 1908. Under the Direction of John Lemmone. The inside contains the programme and the back cover contains an Allan & Co., advertisement on pianos and organs.program, music, dame nellie melba, lydia chancellor, collection, dame nellie melba, singing, entertainment, event, ephemeral, performing arts, music, person, programme, program

The Hamilton-Smith collection was donated by the children of Grace Mary Hamilton-Smith nee Ellwood (1911-2004) and John Hamilton-Smith (1909-1984) who settled in Wodonga in the 1940s. The Ellwood family had lived in north-east Victoria since the late 1800s. Grace’s mother, Rosina Ellwood nee Smale, was the first teacher at Baranduda in 1888, and a foundation member of the C.W.A. Rosina and her husband Mark retired to Wodonga in 1934. Grace and John married at St. David’s Church, Albury in 1941. John was a grazier, and actively involved in Agricultural Societies. The collection contains significant items which reflect the local history of Wodonga, including handmade needlework, books, photographs, a wedding dress, maps, and material relating to the world wars. The ephemeral edition of 'Australian Bush Songs' visible inside the case was published in 1937 in Melbourne by Allan & Co. It contains children's songs drawing on Australian themes which were popular and well-known in the 1930s. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of social and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.A brown vinyl suitcase containing song books, periodicals and magazines c. 1920s - 1930s.hamilton-smith, ellwood, hamilton-smith collection, wodgona, books, reading, songs, song, singing, children, child

A light orange paper programme in the form of one sheet. Above the programme are the words, ' Sailors' & Soldiers' Fathers Association of Victoria. Social Reunion of Members. Town Hall, Melbourne Friday, 26th September, 1919 at 7.45 p.m. Below the programme, 'Conductor Cyril Brinkley. At the Piano Eric C. Fox. On the left hand side at the bottom is the word' Smoking.' The other side has the word, ' Refreshments.'program, music, social reunion, lydia chancellor, collection, programme, program, ephemeral, entertainment, event, reunions, music, singing, recitation, fathers, men, sailors' & soldiers' father association of victoria

A light green programme with gold print. On the front cover are the words 'Luncheon, Town Hall, Bendigo 9/12/'09. In honor of the first official visit of His Excellency The Governor of Victoria, Sir Thomas Gibson-Carmichael. Bart. K.C.M.G., To The City of Bendigo. A. Harkness, Mayor. Surrounding this in gold print is the insignia of the City of Bendigo and illustrations of flowers. On the inside is the menu and on the back cover is the Toast List and Orchestral Selections 'under the Conductorship of Mr. A. Stewart.' Cambridge & Young, Printers, Bendigo.person, government, menu, lydia chancellor, collection, menu, programme, program, luncheon, town hall bendigo, city of bendigo, civic mementoes, ephemeral, official, individual, person, sir thomas gibson-carmichael

A wide variety of items all in a damaged and incorrectly labelled tennis ball box. It is labelled 'Authors Book Reviews.' Some items are ephemeral others are of historical importance. (I) A black exercise book titled 'Correspondence Golden Square Patriotic League.' Lydia Pethard Hon. Sec. This book has pages labelled 'inwards' and 'outwards' and details correspondence between Aug. 2nd 1918 and C1921. (II) A Secondary Infantry Bendigo Brigade Comforts Fund cash book. 1919. (III) A black exercise book titled 'Golden Square Patriotic League.' Contains the minutes of meetings held between November 26th, 1917 and August 5th, 1918. Also includes the 'Annual Report p resented at Public Meeting held August 15th, 1918 and presented by President Lydia Pethard, Hon. Sec. (IV) A black exercise book labelled 'Wilsons' Reed Branch 2nd Infantry Comforts Fund. Mrs. Geo Goulden. It contains information relevant to the members and is dated 26/7/17 to 28/12/18 and 3/8/17 to 13/12/18. In the centre of the book is a list of donations. (V) A black exercise book titled 'Red Cross Golden Square.' Contains meetings held from June 30th, 1915 to October 29th., 1917. (VI) A small black notebook titled 'Carnival Returns July 21st 1917.' Appears to pertain to raffle tickets. (VII) 20 booklets titled 'Austral-American Souvenir. The Glorious Fourth.' Reprinted in connection with Bendigo-Eaglehawk Australian Comforts Fund Effort, 4th July, 1918. Written in connection with the visit of the American fleet August 1908 (VIII) A small cream sympathy card for a lost soldier Bendigo, Oct., 1918. (VX) A small blue and white election advertisement urging 'yes' for Reinforcements on Dec. 20th. (X) 2 copies of the Australian Comforts Fund Bendigo Appeal June-July 1916 Receipts. (XI) 2 copies of an application for authority to make an appeal, or to collect. Pertaining to Patriotic Funds. (XII) 2 copies of parcel slips 'for our Australian Troops From the Lady Mayoress's Patriotic League.' (ix) small card circ 1917 -A christmas flash from the boys in the trenches -on Dec 20th for Reinforcements Hold up the light -the front of the card shows a picture of three soldiers in a trench shining a searchlight on a map of Australia .The back shows a searchlight with the words -vote yes - Authorised by the Reinforcements Referendum Councilorganization, club / society, australian comforts fund, lydia chancellor, collection, ephemera, golden square patriotic league, bendigo brigade comforts fund, wilsons' reed branch 2nd infantry comforts fund, red cross golden square, bendigo-eaglehawk australian comforts fund, war, world war i, clubs, clubs and societies, organizations, finance, history, australian history, australian comforts fund

Wellers of Kangaroo Ground Vertical File Contents: 1. Article: History of Wellers Restaurant by Sandra Cahir, revised 2017. 7 pages 2. Article: Weller’s Hotel of Kangaroo Ground (final draft) by Jim Allan, 1 June 2017, including feedback email from Sandra Cahir (7 May 2017). 3. Printout of online image - Kangaroo Ground landholders from 1841, Kangaroo Ground Presbyterian Church. (2022, June 29). Retrieved from https://kgpc.pcvic.org.au/images/history_images/Kangaroo-Ground-landholders.jpg 4. Folder of printouts of historical newspaper articles referencing the hotel 1866-1911 https://trove.nla.gov.au/list/163201 5. Printouts (various versions) from Victorian Heritage Database (National Trust and Nillumbik Shire) https://vhd.heritagecouncil.vic.gov.au/ 6. Collection of research notes, copies of records from various publications including EDHS Chronology of Events and Kangaroo Ground: The Highland Taken by Mick Woiwod, pp90, 180-181 (EDHS_01618). 7. Report: Request for ministerial amendment to use the property as a restaurant, includes existing conditions and plan for development, 1 November 1984 8. Papers donated by Diana and Peter Bassett-Smith including: a. Photocopy of Weller’s Hotel, Licensee M. Weller b. Letter: Shire of Eltham to Office of the Secretary for Planning and Environment, 23 Feb 1984 - Information regarding inclusion of Wellers Hotel into the Historic Buildings Register c. Letter: Historic Buildings Council letter to Peter Bassett-Smith seeking historical information on Wellers Hotel, 10 Jan 1985 d. Memo: Peter Bassett-Smith to Robert N. Hendrey on history of Wellers Hotel, 28 Jan 1985 - Includes extract of information about Mary Weller, Dept. of Crown Lands and Survey Map NILLUMBIK showing properties of John Weller and E. Weller and a Diamond Valley News article from 10 April 1973, p11, "Eltham on old coach route" 9. Information about the Weller family including family trees from various sources a. Edward Weller, Pioneer Families in Victoria, http://mepnab.netau.net/w/w09.html, 1 Jan 2017 (link broken) b. The WELLER family tree. (2017, January 1), 2 pages. Retrieved from https://www.weller.org.uk/cgi-bin/FamilyTree/ShowFamily.pl? and 27 pages Retrieved from https://www.weller.org.uk/cgi-bin/FamilyTree/ShowFamily.pl?ListAllPeople=A c. Edward WELLER on the WELLER family tree. (2017, January 1), 1 page. Retrieved from https://www.weller.org.uk/cgi-bin/FamilyTree/ShowFamily.pl?PersonID=516 d. Photograph (print copy), believed to be Edward Weller, 1836-1883 e. Photograph (print copy), Gravestone of Weller family at Kangaroo Cemetery f. Wellers of Kangaroo Ground, 1 page, possibly from History, http://www.wellers.com.au (broken) c.2016 g. Edward and Mary Weller miscellaneous biographical research notes (by Jim Allen?) including from Ancestry.com, and extracts from Chappel file (EDHS_04448) with relevant names highlighted h. Information about the Vernon Pitman family from Ancestry.com 10. Newspaper articles: a. Cobb & Co called here by Marguerite Marshall; Diamond Valley News, May 4, 1982, p2 b. Rich is history, 30 August 1983 (very similar to previous article) c. Weller’s Pub - restaurant, craft store or art gallery? Diamond Valley News, October 22, 1985, p3 d. Despite years of neglect a magical charm lies waiting, Diamond Valley News, October 29, 1985 e. Old pub fate still in doubt, Diamond Valley News, (?) 29 October 1985 f. Renovated Weller’s Pub to begin its new stage of life, DVN 26 January 1988 g. Wellers Restaurant, Lynne Hillier, Network, October 1988, p14 h. Revolution at Wellers, Nillumbik Mail, December 20, 2000 i. Wellers brings on good times, Valley Weekly, June 22, 2005 j. Dine in with ideal outlook, Valley News, 10 August 2005 k. Advertisement: Wellers of Kangaroo Ground, Enjoy lunch, afternoon tea and dinner at Wellers from Tuesday to Sunday, Valley Weekly, Wednesday, August 31, 2005 l. Advertisement: Wellers of Kangaroo Ground, Appearing live; Normie Rowe Fri 24 Feb, Diamond Valley Leader February 22, 2006, p11 m. Advertisement: Wellers of Kangaroo Ground, Lunch Special, Diamond Valley Leader March 27, 2010 n. Braithwaite abounds to Kangaroo Ground, Gig Guide, The Age, Friday, October 8, 2010, p14 o. History up for grabs, Diamond Valley Leader, March 28, 2012 p. Advertisement: Wellers Restaurant, Freehold only for sale, Morrison Kleeman, Diamond Valley Leader, March 28, 2012 q. Restaurant’s crash course, Megan Bailey, Diamond Valley Leader, January 1, 2014, p3. Also accessible online - Staff praised after car crashes through Kangaroo Ground eatery. (2022, June 29). Retrieved from https://www.heraldsun.com.au/leader/north/staff-praised-after-car-crashes-through-kangaroo-ground-eatery/news-story/021c896a1ab6d76bd6b73f2e57dc1854 r. Eatery set for revival, Brittany Shanahan, Diamond Valley Leader 15 February 2017; Also, online as Much-loved Wellers of Kangaroo Ground to be relaunched as Italian restaurant Fondata 1872. (2022, June 29). Retrieved from https://www.heraldsun.com.au/leader/north/muchloved-wellers-in-kangaroo-ground-to-be-relaunched-as-italian-restaurant-fondata-1872/news-story/665777fb347584ef483867ae2b536a8f s. Fondata 1872 proves a big hit with food, Diamond Valley Leader 3 May 2017, p3 11. Wellers of Kangaroo Restaurant Bar Entertainment Functions, tri-fold brochure promotional brochure 12. Website Printout: Wellers Restaurant, Live Guide, (2017, January 5). Retrieved from http://www.liveguide.com.au/Restaurants_Bars/VIC/Kangaroo_Ground/Food_Styles/3... 13. Website Printout: Wellers of Kangaroo Ground, Only Melbourne (2017, January 30). Retrieved from http://www.onlymelbourne.com.au/wellers-of-kangaroo-ground 14. Printouts from Fondata 1872 website and Facebook page including colour photograph of sign in front and business card (2017).   Related EDHS Collection items • Wellers Hotel of Kangaroo Ground by Jim Allen, Part 1, Newsletter No. 235, Eltham District Historical Society, August 2017. Retrieved from https://elthamhistory.files.wordpress.com/2017/08/edhs-nl-235-aug-2017.pdf • Wellers Hotel of Kangaroo Ground by Jim Allen, Part 2, Newsletter No. 236, Eltham District Historical Society, October 2017. Retrieved from https://elthamhistory.files.wordpress.com/2017/10/edhs-nl-236-oct-2017.pdf • EDHS_03997 - Slide, Wellers Hotel, Pitmans Corner, Eltham-Yarra Glen Road, Kangaroo Ground, c.1975 https://victoriancollections.net.au/items/5e59e36221ea671798ac40eb • EDHS_03998 - Slide, Wellers Hotel, Pitmans Corner, Eltham-Yarra Glen Road, Kangaroo Ground, c.1975 https://victoriancollections.net.au/items/5e59e39e21ea671798ac9c27 • EDHS_03999 - Slide, Wellers Hotel, Pitmans Corner, Eltham-Yarra Glen Road, Kangaroo Ground, c.1975 https://victoriancollections.net.au/items/5e59e3c721ea671798acd2ef • EDHS_04000 - Slide, Wellers Hotel, Pitmans Corner, Eltham-Yarra Glen Road, Kangaroo Ground, c.1975 https://victoriancollections.net.au/items/5e59e3e021ea671798acfd68 • EDHS_04066-18 - Photograph, Wellers Restaurant, Eltham-Yarra Glen Road, Kangaroo Ground, c.Mar. 1989 https://victoriancollections.net.au/items/610f4dafa346aadcee7ac79c • EDHS_04041-26 - Photograph, Wellers Restaurant, 150 Eltham-Yarra Glen Road, Kangaroo Ground, c.May 1988 https://victoriancollections.net.au/items/610e2f4a7d65e7c945a35e69 • EDHS_04437 – Newsclipping, Renovated Weller's Pub to begin its new stage of life by Linley Hartley, Diamond Valley News, 26 January 1988 https://victoriancollections.net.au/items/5de4913921ea6710a46a85c7 • EDHS_04438 - Newsclipping, Wellers Restaurant by Lynne Hillier, Network, October 1988, p14 https://victoriancollections.net.au/items/5de4916f21ea6710a46aea0f • ArtStreams magazine (from Volume 9, 2004) ‘partnered' with Wellers in promoting and supporting the arts and culture. Various advertisements throughout, particular with live performance acts. Numerous references throughout to art and music performances on site. • Stephen Cummings and Joe Camilleri at Wellers Kangaroo Ground, ArtStreams, Vol. 9, No. 4, Sep/Oct 2004, p17 EDHS_04406 - Journal, ArtStreams: Whittlesea, Banyule, Darebin, Manningham, Nillumbik, Yarra; Vol. 9, No. 4, Sep-Oct 2004 https://victoriancollections.net.au/items/5bcc086021ea6804a82a92a9 • Daryl Braithwaite rocks up at Wellers, Fiona Sievers, ArtStreams, Vol.10 No.2, 2005, pp6-7 EDHS_04409 - Journal, ArtStreams: Vol. 10, No. 2, 2005 https://victoriancollections.net.au/items/60f5416ab06f0c13a9419541 • Ephemeral Sculpture by Peter Dougherty, ArtStreams, Vol.10 No.3, 2005, pp7-9. About sculptures created in or on the grounds of culinary establishments throughout the Shire. - Denise Keele-Bedford constructed ‘Ou Well’ at Wellers Restaurant and Vicky Shukuroglou, also at Wellers set up cotton banners printed and painted with natural dyes from onion skins, spinach, radish beetroot, turmeric and charcoal. EDHS_04410 - Journal, ArtStreams: Vol. 10, No. 3, 2005 https://victoriancollections.net.au/items/60f5436db06f0c13a941ae19 • Music at Wellers Restaurant, ArtStreams, Vol.10 No.4, 2005, p23 EDHS_04411 - Journal, ArtStreams: Vol. 10, No. 4, 2005 https://victoriancollections.net.au/items/60f543e4b06f0c13a941b059 • Weller’s Pub, Diamond Valley sketchbook / text by Brian McKinlay ; drawings by Graham Hawley, 1973, pp42-43 EDHS_00856 - https://victoriancollections.net.au/items/590852edd0ce7b14e8177da3 • Gold Field Coaches Stopped Here, Nillumbik now and then / Marguerite Marshall; photographs Alan King with Marguerite Marshall, 2008, pp86-87 EDHS_00977 - https://victoriancollections.net.au/items/5935f315d0cdd42c80f9cc52 External Links: • Historic Kangaroo Ground venue comes up for rare sale. (2022, June 29). Retrieved from https://www.smh.com.au/business/companies/historic-kangaroo-ground-venue-comes-up-for-rare-sale-20120325-1vshw.html • Wellers, Kangaroo Ground property sold with leaseback. (2022, June 29). Retrieved from https://www.urban.com.au/expert-insights/investing/37735-wellers-kangaroo-ground-property-sold-with-leaseback • Wellers, Kangaroo Ground | With Mark Seymour, at one of his …. (2022, June 29). Retrieved from https://www.flickr.com/photos/robertmilesdesign/4564390893/ • 2016 Notice of proposed deregistration - WELLERS OF KANGAROO GROUND PTY LTD 124 435 409. (2022, June 29). Retrieved from https://publishednotices.asic.gov.au/browsesearch-notices/notice-details/WELLERS-OF-KANGAROO-GROUND-PTY-LTD-124435409/35d43b89-159a-4435-963f-daec688a61ca • Search results for: Websites (archived). (2022, June 29). Retrieved from https://trove.nla.gov.au/search/category/websites?keyword=%22wellers%20restaurant%22 29 June 2022 edward weller, wellers of kangaroo ground, wellers hotel, wellers restaurant, mary weller, pittmans corner, fondata 1812 at wellers, historic buildings register, hotels, john weller, kangaroo ground, pitman's corner, bassett-smith collection

A DECK GALLERY FOR JAPANESE PRINTS. A unique exhibition of Japanese Prints was opened yesterday on Japanese ship Kamo Maru.These pictures are the property of the captain of the Kamo Maru Captain T. Takahata, and are displayed in a specially arranged gallery on the deck of the ship now berthed at No. 13 Victoria Dock. A picture on board yesterday after noon. (Inset) - One of many fine works by Utaguard Toyokuni who died in 1825. Photographer notations on slide: "B21" Published: 23 February 1934 Published title: A DECK GALLERY FOR JAPANESE PRINTS. Published caption: A unique exhibition of Japanese Prints was opened yesterday on Japanese ship Kamo Maru.These pictures are the property of the captain of the Kamo Maru Captain T. Takahata, and are displayed in a specially arranged gallery on the deck of the ship now berthed at No. 13 Victoria Dock. A picture on board yesterday after noon. (Inset) - One of many fine works by Utaguard Toyokuni who died in 1825. Trove article identifier: http://nla.gov.au/nla.news-article203376863 Description: Japanese woodblock prints, probably belonging to Captain Takahata of the Japanese passenger and cargo ship Kamo Maru, who displayed his Japanese Woodblock prints in a special on-board gallery when it visited Melbourne during 1933 and 1934. Research by project volunteer, Louise McKenzie: Plate MCK025 shows a number of Japanese woodblock prints. Three are of traditional “samurai” or Kabuki-style Japanese men in traditional dress and hairstyle; one is a composite of four different prints: two men and two women (samurai/geisha) in traditional dress. There are also several prints appearing to depict traditional scenes of indoor and outdoor life in Japan in the Edo period. An article appeared in The Age in February 1934, covering the visit to Melbourne of Captain T Takahata on the Japanese ship the Kamo Maru. An accompanying photo shows several women, in coats and hats, and a man, closely inspecting a gallery hang of Japanese woodblocks. Inset is a single image of a Kabuki theatre performer, a detail from the full photograph as shown in our slide. This work is attributed to Utagawa Toyokuni (1769-1823), who was mostly known for his prints relating to kabuki theatre and the actors’ dramatic postures. Japanese Kabuki theatre features heavily stylised performances, glamorous, highly decorated costumes and elaborate make-up worn by its performers. It was particularly popular in the Edo period (1615-1868), as was woodblock printing, after its earlier introduction from China around 150 years earlier. Woodblock printing in Japan is a technique best known for its use in the ukiyo-e artistic genre of single sheet images (although books were also created) which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna, and erotica. The term ukiyo-e translates as 'picture[s] of the floating world'. This expression could be confusingly translated as meaning ‘a world of sorrow and grief’, 'erotic’ or ‘stylish’, and later came to describe the hedonistic spirit of the lower classes of the 17th century. Asai Ryōi celebrated this spirit in the novel Ukiyo Monogatari (Tales of the Floating World), c. 1661: “[L]iving only for the moment, savouring the moon, the snow, the cherry blossoms, and the maple leaves, singing songs, drinking sake, and diverting oneself just in floating, unconcerned by the prospect of imminent poverty, buoyant and carefree, like a gourd carried along with the river current: this is what we call ukiyo.” (Wikipedia: 'Ukiyo-e') Mass production of woodblocks during the Edo period was due to high literacy rates: 100% for samurai and 50-60% for farmers. Consequently, cheaper books were produced in large numbers. In the 18th century, Suzuki Harunobu established the technique of multicolor woodblock printing called nishiki-e and greatly developed Japanese woodblock printing culture such as ukiyo-e. Ukiyo-e influenced European Japonisme and Impressionism. Yoshitoshi was called the last great ukiyo-e master, and his cruel depictions and fantastic expressions influenced later Japanese literature and anime. However today the best known exponents from the period are probably Hokusai and Hiroshige.The price of one ukiyo-e at that time was about 20 mon, and the price of a bowl of soba noodles was 16 mon, so the price of one ukiyo-e was several hundred yen to 1000 yen in today's currency. 'Wikipedia: Ukiyo-e' states: “Japanese art, and particularly ukiyo-e prints, came to influence Western art from the time of the early Impressionists. Early painter-collectors incorporated Japanese themes and compositional techniques into their works as early as the 1860s: the patterned wallpapers and rugs in Manet's paintings were inspired by the patterned kimono found in ukiyo-e pictures, and Whistler focused his attention on ephemeral elements of nature as in ukiyo-e landscapes. Van Gogh was an avid collector, and painted copies in oil of prints by Hiroshige and Eisen. Degas and Cassatt depicted fleeting, everyday moments in Japanese-influenced compositions and perspectives. ukiyo-e's flat perspective and unmodulated colours were a particular influence on graphic designers and poster makers. Toulouse-Lautrec's lithographs displayed his interest not only in ukiyo-e's flat colours and outlined forms, but also in their subject matter: performers and prostitutes. He signed much of this work with his initials in a circle, imitating the seals on Japanese prints. Other artists of the time who drew influence from ukiyo-e include Monet, La Farge, Gauguin, and Les Nabis members such as Bonnard and Vuillard. French composer Claude Debussy drew inspiration for his music from the prints of Hokusai and Hiroshige, most prominently in La mer (1905). Imagist poets such as Amy Lowell and Ezra Pound found inspiration in ukiyo-e prints; Lowell published a book of poetry called Pictures of the Floating World (1919) on oriental themes or in an oriental style.” An awareness of and interest in this style of art seems to have been well established by the time Captain Takahata brought his sailing gallery to Australia in the 1930s. The Age article “Colour Prints from Japan” on 22 February 1934 p. 13, consists predominantly of a sophisticated curatorial assessment of the woodblock style and detailed artist and style information, which is remarkable for its in-depth analysis. The writer even draws attention to the existence of female woodprint artists. It has been difficult to verify those noted in this article, but worth drawing attention to the work produced by the daughter of Hokusai, Katsushika Oi, which is documented and has gained attention within Japan and elsewhere. Captain Takahata may have been quite the ambassador: adverts in Australian quarterly magazine, The Home, promoted regular cruises out of Melbourne and Sydney via Queensland, Thursday Island, Phillippines and Hong Kong to Japan at a cost of £90 for a round trip via Yokohama.(The Home, 1 August 1936, pages 76 and 79). It is reported in one of the many newspapers articles printed during 1933/1934 about Captain Takahata and his collection, that he inherited it, and it was not for sale even at an offered £10,000. However, one article makes mention of him scouring antique shops in rural Japan to add to the collection! And even enlisting the help of his children in the hunt. The collection totalled 11,000 prints and apparently 1,500 travelled with him when he sailed. These numbers do differ between reports, but his collection was undoubtedly large, and Captain Takahata enjoyed lecturing on the subject, explaining that each print was handmade. It took painstaking work over months to create the delicate colour tones, with a block being created for each colour used, and transferred onto specially prepared paper. Many of the designs are symbolic, and even those representing figures and scenes have a narrative basis, or represent traditional incidents in the life and history of Japan. (See Japanese Prints, The Sydney Morning Herald, 14 July 1934). In Brisbane in October 1934, The Courier Mail noted that Captain Takahata, now on the Yusen Kaisha steamer ‘Atsuta Mam’ (a sister ship to Kamo Maru) arrived with another 100 prints in his possession, and that he spent his spare time mounting and cataloguing his treasures. One of his new additions dated from 1787 and Captain Takahata “said that it was the only woodcut to depict eyelashes, and with the aid of a magnifying glass, he showed the extremely fine lines around the eyes of the three Japanese ladies on the print.” References: COLOR PRINTS FROM JAPAN. (1934, February 22). The Age (Melbourne, Vic. : 1854 - 1954), p. 13. Retrieved February 29, 2024, from http://nla.gov.au/nla.news-article20338088 A DECK GALLERY FOR JAPANESE PRINTS. (1934, February 23). The Age (Melbourne, Vic. : 1854 - 1954), p. 11. Retrieved February 29, 2024, from http://nla.gov.au/nla.news-article203376863 JAPANESE WOOD-CUTS. (1934, July 14). Daily Commercial News and Shipping List (Sydney, NSW : 1891 - 1954), p. 4. Retrieved February 29, 2024, from http://nla.gov.au/nla.news-article161150580 JAPANESE PRINTS. (1934, July 14). The Sydney Morning Herald (NSW : 1842 - 1954), p. 12. Retrieved February 29, 2024, from http://nla.gov.au/nla.news-article28024038 RARE WOOD-PRINTS FROM JAPAN (1934, July 16). The Herald (Melbourne, Vic. : 1861 - 1954), p. 20. Retrieved March 2, 2024, from http://nla.gov.au/nla.news-article243171208 JAPANESE WOODPRINTS. (1934, July 14). The Sydney Morning Herald (NSW : 1842 - 1954), p. 16. Retrieved March 2, 2024, from http://nla.gov.au/nla.news-article28023902 11,000 RARE WOODCUTS (1934, October 11). The Courier-Mail (Brisbane, Qld. : 1933 - 1954), p. 18. Retrieved March 2, 2024, from http://nla.gov.au/nla.news-article35647690 A DECK GALLERY FOR JAPANESE PRINTS. (1934, February 23). The Age (Melbourne, Vic. : 1854 - 1954), p. 11. Retrieved March 2, 2024, from http://nla.gov.au/nla.news-article203376863 RARE JAPANESE PRINTS (1934, July 11). The Courier-Mail (Brisbane, Qld. : 1933 - 1954), p. 10. Retrieved March 2, 2024, from http://nla.gov.au/nla.news-article36723139 Wikipedia: 'Ukiyo-e', https://en.wikipedia.org/wiki/Ukiyo-e Wikipedia: 'Woodblock printing in Japan', https://en.wikipedia.org/wiki/Woodblock_printing_in_Japan Wikipedia: 'Utagawa Toyokuni', https://en.wikipedia.org/wiki/Utagawa_Toyokuni Wikipedia: 'Kabuki', https://en.wikipedia.org/wiki/Kabuki 'Digital Humanities and Japanese History',https://dh.japanese-history.org/2020-spring-women-in-japanese-history/japanese-women-artists-of-the-edo-period/ '25 Famous Painters in Japanese Art', https://dh.japanese-history.org/2020-spring-women-in-japanese-history/japanese-women-artists-of-the-edo-period/ 'Nyk Kamo Maru', https://blog.shipwatcher.com/index.php/nyk-kamo-maru/ The Home : an Australian quarterly Retrieved March 4, 2024, from http://nla.gov.au/nla.obj-386036987 : Volume 17, No. 8, 1 August 1936.Photographer notations on slide: "B21".japan, prints, ships, art

1917 was the year in which the new Mission at 717 Flinders St extension was being built but did not open until after Michaelmas that year. The old Mission opened in 1907 on the Australian Wharf was obviously still in operation. Proposed remodelling of the wharf necessitating removal of the Mission perhaps deferred due to the Great War.This detailed poster intended for visiting crews in 1917 provides some insight into the fact of continued access to the old Mission required circa 1914 by the Port Authority to be vacated. As an ephemeral document it has survived unusually well.A small poster or flyer with blue printed text and featuring the Missions to Seamen, Melbourne flag with logo. Addressed at the top edge as A Message to Men advertising Special Lantern Services in the Seamen's Chapel on the Australian Wharf for Holy Week and Easter 1917.Describes a program of special services and concerts or recitals for the last week of lent and Easter Day. Rev A.G Goldsmith and Rev C L Crossley as Chaplains.lantern services, 1917, wwi, first world war, great war, easter, good friday, missions to seamen, mission to seamen, seamen, seamen mission, chapel, music, maude breaks, miss macaw, jean morrison, marjorie bagge, elsie dallimore, chaplain, alfred gurney goldsmith, c.l. crossley, siddeley street institute

Social events have always been important in local football clubs and these tickets show a range of events such as the mid-year ball and players review.Tickets such as these are ephemeral in nature and tend to be thrown away after use. 3 tickets to Greensborough Football Club events. Individual tickets are brown, green or yellow.greensborough football club, mid year ball, players review

This book is a guide to eyecare for the intelligent lay-reader, not so different from books still published today. It appeared in a number of editions until about 1900. This one is edited by George Black MB(Edin) as part of the Long Life Series. As this book is a guide to eyecare for the lay-reader it is socially significant. It is not rare, but being somewhat ephemeral it would not be expected to see copies of this book surviving in the very good condition of our copy. No other copies are listed on WorlCat for Australia.Small hardback book in original printed green cloth covers, 139 pages and 21 figures with 20 pages of book advertisements. The decorative Art Nouveau cover is visually attractive. It is a late nineteenth century guide to eyecare for the intelligent lay-reader. It was priced at one shilling.Signature of J B Shattock on half title page.ophthalmology, eye, eyesight, eyecare

This early twentieth century ribbon and metal bookmark commemorating Scottish literary hero Sor Walter Scott is one of the favourites, and a highlight in this enormous collection of bookmarks in Australia.A popular early twentieth century souvenir bookmark of Scottish literary giant Sir Walter Scott whose works are represented in the library at Hymettus. Although there are several bookmarks of Scott in the collection, this is one of the highlights of the collection at Hymettus which is believed to be the largest bookmark collections in Australia. Scott was very popular in Australia and this ephemeral item bears witness to his popularity. literature, sir walter scott, scotland, bookmark, ribbon

Tin Hat Day was established in 1922 after the end of WWI. It raised funds to benefit returned soldiers who had fallen on hard times after the war and during the Great Depression. It continued on during WW2 and into the 1950s. This badge is c1940. The tin hat badge was modelled on the British steel combat helmet known as the Brodie helmet, designed and patented in London in 1915 by John Leopold Brodie. Colloquially, it had many names including the shrapnel helmet, battle bowler, Tommy helmet, tin hat, dishpan hat, tin pan hat, washbasin, and in the United States the doughboy helmet. The German Army called it the Salatschüssel (salad bowl).Tin Hat Day was a significant annual event over several decades. Badges such as are not rare; they were sold in large numbers but as ephemeral items relatively few of those sold were retained.A round metal badge with a domed centre, mimicking a stylised tin hat. Red with black inscription. It has a tab on the upper centre edge. This would have enabled it to be pinned through a buttonhole or similar.Centre: MY / TRIBUTE / TO THE/ FIGHTING / FORCES Around the rim: TIN HAT APPEAL / RSL WAR SERVICE FUNDworld war 2, fundraising, commemorative badge, badge, tin hat badge

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A small circular pressed metal badge with a white outline of Australia against a dark blue background. Flags of Australia’s World War I allies are depicted within the Australian outline, including that of Imperial Russia."Allies For Freedom and Life"patriotic buttons, first world war (1914-18)