Legacy have many programs to send young junior legatees on activities, camps and outings. This photo shows children attempting grass skiing. The date and venue is not known. It was stored with other photos of Junior Legatees from the 1980s and 1990s. A record of a Legacy providing experiences for the junior legatees.Colour photo of junior legatees attempting grass skiing.Printed on Fujicolor paper.junior legatee outing, skiing

Barbara Weir (b. 1945-03/01/2023) Born: In the region of Utopia, North East of Alice Springs, formerly known as Derry Downs Station Language: Anmatyerre and Alywarr Country: Atnwengerrp, Utopia Region, North East of Alice Springs, Northern Territory One of the Stolen Generation, Barbara Weir was removed from her Aboriginal family at the age of nine, and she was raised in a series of foster homes. Reuniting with her mother, Minnie Pwerle, in the 1960s, Weir eventually returned to her family territory of Utopia, 300 kilometres northeast of Alice Springs. Active in the local land rights movement of the 1970s Barbara Weir was elected the first woman president of the Indigenous Urapunta Council in 1985. Barbara’s career as an artist was inspired by the dynamic community of artists at Utopia and the work of her adopted auntie Emily Kame Kngwarreye. Highly experimental in her approach, Barabara Weir tried many mediums before travelling to Indonesia in 1994 with other artists to explore batik technique. She returned full of ideas on how to develop her own style which has since evolved to a more expressive abstract form. Grass Seed is part of her Dreamings and is associated with women’s ceremony and the activity of food gathering of local seeds, grasses, berries, potato, plum, banana, flowers and yams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Barbara Weir's paintings include representations of particular plants and "dreamings". Inspired by a small grass found in Utopia called Lyaw, Munyeroo or Pigsweed, Barbara's Grass Seed paintings consist of a series of small brush strokes that overlap and weave to create a swaying effect. This Dreaming tells the story of grass seed that is part of the bush tucker found in the region of Utopia. This seed is collected, crushed to a fine powder and is then used to make a bread, very similar to damper. The people of Utopia were still using this seed as late as the 1950s. During that time the seed grew in abundance but as the years passed there were very few good seeds to be found due to bullocks roaming the land and eating the grasses. The people then began to eat a substitute that the white man provided, and today very few Aboriginal people collect these seeds. art, artwork, barbara weir, aboriginal, dreaming, stolen generation, acrylic on linen

Front dust cover shows a boy holding a rope lasso hiding behind tall grasses watching a black horse. There are other horses in the background. Also in the background is a grass plain which is ringed by mountains. The book itself is bound in red with the title in black writing. On the front of the book there is a logo of the Panther Library. The name of the author, the title and the publisher are written in black down the spine of the book.fictionPete Cimarron, the wild boy, was raised by Indians in the Wild Grass Country of Texas. When the Indians moved on to new hunting grounds Pete was left to take care of himself. This he does by roaming over the Wild Grass Country catching wild horses, which he sells to his friend Murky Joe. When the wagon trains from the east begin to settle near the Wild Grass Country, Pete finds himself swept into an exciting struggle to claim and hold his land.indians, texas, horses, rex dixon, panther library, fiction

The grass is greener by Hugh and Margaret Williams directed by Elaine Robinson64, city of heidelberg repertory group, heidelberg theatre company inc, directed by elaine robinson, 1961

Photographs from a very tall grass tree at Geelong Botanical Gardensgeelong botanical gardens, grass tree

Black and white image of a scene at Mt Clear near Ballarat, featuring giant grass trees. mount clear, grass trees, flora

Illustrated in Embroidery from Sketch to Stitch, Pat Langford, Kangaroo Press P. 22, P. 82 Exhibited in Gallery at Guild February 1997.Olive green background fabric with dark olive green surround with machine and hand embroidery and beading in an abstract design suggestive and weaving grasses.embroidery, panels, 1980-2000, australia, creative embroidery, machine embroidery

During early farming in Australia (before motorised whipper snippers) the hand held sickle was used to cut long grass, in this case in or around railway tracks. The inside of the blade's curve was sharp, so that the user can either draw or swing it against the base of the grass, catching the stems in the curve and slicing them at the same time. Historic - Railway Permanent Way and Works - track equipment - Grass SlasherWrought iron sickle with extended with wooden handle.puffing billy, extended sickle, farm tool, reaping hook, curved blade, grass cutting

Marram grass (1st year) South Beach about 1884 planted to stop the erosion of the sand dunes having been stripped of all the tea tree and native grass cover, the tea tree bark being used for tanning leatherBlack and white Photograph of the dunes above Boarding School Bay sewn with Marram grass Marram grass (1st year) South Beach about 1884marram grass, south beach, agriculture, dunes

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of Children from a small hamlet outside Baria, Phuoc Tuy Province, return home after collecting grass to thatch their homes and other hamlet buildings. The boys carried heavy loads on the bicycles, yet were always cheerful.photograph, baria, phuoc tuy province, gibbons collection catalogue, vietnamese children, denis gibbons

This is the Grass is Alan Marshall's sequel to his auto biography I Can Jump Puddles. First published in 1962, it tells the story of Marshall's adolescence, as he searches for work amid the rough and tumble of 1920s Melbourne. From Wallaby Creek in Donvale Shire where he boards with hard-drinking bushmen, to the slums of East Melbourne, his recollections bring to life a cast of colourful characters, each with his private tragedy. His narrative, encompassing the lived experience of ordinary men and women, is infused with Marshall's deep sense of humanity. Like its famous prequel, This is the Grass is a novel of immense courage, conveying rich insights into little-known aspects of Australia's past.Burgundy hardbackPencil: 1st Edition alan marshall

Commission and purchased by Guild funds, November 1985 from Verina Warren, an English embroidery designer. She is mentioned in the top 12 British embroiderers Book by Diana Springall.A picture of rural English landscape, mainly in blues and greens. A picture within a picture. Inner picture painted and over embroidered by hand and machine. Inner frame, narrow wrapped in green (rayon?). Surround dyed/painted silk and embroidered with lower quart thick card, painted with grasses. Mount - green card. Gold frame.Signed "Verina Warren '85"embroidery, pictures, england, creative, 1980-2000, painted, landscapes

The first year planting of Marrum Grass on Boarding School Bay dunes to stop the erosion of the sand caused by denuding the dunes of the scrubby tea tree that would have covered the dunes. They cut the tea trees down to use for tanning animal hides for leather and clothing rare photograph of the first years progress of the planting of marrum grass on the dunes of Boarding School Bay to halt the sand drift caused by the removal of tea trees.black and white photograph of the newly planted Marram Grass on the dunes at South Beachhandwritten: About 1884 See also 10.00.002 --- W.H.Storey - Marrum Grass. 1st Year. Boarding School Bay. Port Fairybotanical, marrum grass, boarding school bay, samuel avery

Same location as item 1843 and 1848Small monochrome photograph (faded) depicting outdoor gathering of seamen and LHLG member.picnic, lhlg

Black and white photograph reproduced on p105 of 'Pioneers & Painters'pioneers and painters, walter withers

grass trees

A transcript of testimony given at the Hearing On the War in Vietnam conducted by the Hon. Robert W. Kastenmeier, Member of Congress, 2nd District, Wisconsin, US.A transcript of testimony given at the Hearing On the War in Vietnam conducted by the Hon. Robert W. Kastenmeier, Member of Congress, 2nd District, Wisconsin, US.vietnam war, 1961-1975 -- united states, vietnam -- history.

This is a promotional DVD issued by the Warrnambool City Council. The emphasis is on the coastal areas around Warrnambool and active recreational pursuits for the visitor – whale watching at Logans Beach, swimming at the Lady Bay beach, cycling on the coastal promenade etc. This is of minor interest as an example of the promotional material issued by the Warrnambool City Council in the second decade of the 21st century..1 A lightweight cardboard older with six sides, one containing a DVD and five containing images of Warrnambool. .2 A DVD with black and white printing on one side. warrnambool city council, tourism in warrnambool, history of warrnambool

Forward to Mr. H.V.McKayh.v. mckay, sunshine harvester works

Hardcoverwalsh st library

sculpture, australian artist, figure, female figure, hoodie, jeans, sitting, seated

Gift of the artist, 2003etching on Somerset paper

Gift of Geoff and Helen Handbury, 2000